Rock Music

Revisiting Blink-182’s ‘Neighborhoods’

Image result for neighborhood blink 182

The disintegration of Blink-182 was a mess. Tom DeLonge was suddenly out of the band, but he never quit, yet he wasn’t coming back. It can be hard for a band to bounce back after such a public fallout, but Blink survived. No matter how you feel about their current output, you can’t say California isn’t a success. It earned them their first Grammy nod and debuted at number one in the states and in other countries. But the album isn’t anywhere near as ambitious, exciting, or progressive in sound as their comeback record Neighborhoods.

What’s most notable about the album is the continuation of the dark, mature sound found on Untitled. Lyrics tackle heavy topics like death, isolation, and personal demons. Even the upbeat opener, “Ghost on the Dance Floor” is depressing. It’s based on Travis Barker hearing a song that reminded him of the late DJ AM. “Wishing Well” sounds like something to dance to, yet the lyrics paint a bleak picture: “I went to a wishing well, and sank to the ocean floor/Cut on the sharpened rocks, and washed up along the shore/I reached for a shooting star, it burned a hole through my hand/It made its way through my heart, have fun in the promise land.”

They also experiment with their sound, with each member bringing in their own influences. DeLonge’s influence is the strongest with songs like “Ghost on the Dancefloor,” The Cure-esque “This is Home,” and the lackluster “Love is Dangerous.” Each has elements you can trace back to Angels & Airwaves. Whereas the intense “Hearts All Gone” sounds like a b-side from +44. For the most part, these different influences work together well and result in songs that ultimately sound like Blink-182. Though the lackluster “Love is Dangerous” is DeLonge all the way. It’s so bogged down in synth and New Wave sounds it doesn’t fit on the album.

But the record isn’t without its flaws. The band recorded most it separately and it shows. It feels disjointed and clunky in places. It just doesn’t recapture the spark they were aiming for. It’s more of a growing pains record. It seemed they still had some things to work out before heading back in the studio. But considering the record we got, it could’ve been worse. Also, some songs are forgettable like the terribly named “MH 4.18.2011.” It has the same high energy and quick pace of “Here’s Your Letter,” but otherwise it doesn’t manage to be that memorable. The song is okay, but it’s not as strong as the others.

Fortunately, the album is solid. The excellent “Natives” has a frenetic guitar riff and pounding drums that grabs your attention since it has more of a punk rock vibe. It sounds the most like a classic Blink-182 song and feels like something from their self-titled record. “Up All Night” is another satisfying track reminiscent of their older stuff. The music is hard-hitting and punches you in the gut. It’s an intense ride that gets into their dark side with the mention of demons and dying alone. “Snake Charmer” is another highlight with its slinky rhythm and pummeling riff. It has a hypnotic vibe that’s hard to resist. And the catchy “Kaleidoscope” blends dirty riffs with an upbeat, bright riff.

Similar to their previous output, the album divided fans. While some championed the mature sound, others balked at the lack of catchy pop-punk jams that made them famous. Rather than revisiting the past, Blink looked to the future and continued the mature sound they explored on their 2003 output. Did it work? Sort of. While there are several standout songs, it sounds disjointed and lacks some of the fun that made their other albums great.  Still, the experimentation and their continued mature sound showed they were at least trying to progress whereas California feels like a step backward. It’s generic and bland. At least Neighborhoods sounds like a band trying to make things work. It showed promise for a new chapter of Blink-182 that, sadly, we never got around to seeing.  We have a subpar version of them instead.

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“Over It” – Bullet For My Valentine

Image result for Bullet for My Valentine

Release Year: 2018

Rating: 5.5/10

Bullet For My Valentine have been one of my favorite metal bands since The Poison. I love the way they mix intense, technical riffs with melodic moments yet keep the aggressive mood. So when they announced a new song, I was ecstatic. Venom was a great follow up to the disappointment that was Temper Temper. I couldn’t wait to hear the next blistering track the band had in store. Sadly, it’s one of their weakest songs.

“Over It” is such a disappointment. It’s not terrible, but it’s a forgettable track. All the excitement, anger, aggression, and thrills that make up a Bullet song are missing. The opening isn’t bad; the intro riff and slower pace is something a bit different for a lead single, but I kept waiting for the moment when the song kicked into high gear and came alive; it never happened.

The music is dull and bland. It sounds like it could by any rock band on the radio. There’s very little about it that commands your attention and pulls you in. After hearing it a few times I thought “Eh, it’s okay I guess.” The lack of screaming vocals makes it worse. I’m not saying they need to take over the whole song; you just want more of them.  The brief moment they appear, you realize how much they’re missing. The song also lacks their signature riffs and solos.

The thing that gets me excited for a Bullet song are the insane riffs and solos. Michael Paget is a beast on the guitar and always shows off his skill with fiery, dizzying solos. And the riffs themselves are memorable. Think back to songs like “Room 409” or “Waking the Demon.” Those riffs instantly grab you and suck you in. All of this is missing on this song. The guitar isn’t bad, but it sounds pretty average. It doesn’t have that Padge stamp and is lacking the excitement, fire, and aggression. It’s another generic riff we’ve heard on other rock songs.

Everything about the track is weak, especially the lyrics. Bullet aren’t amazing songwriters, but they’ve made more compelling tracks than this. The lyrics are cliché and sound more fitting coming from an angsty teen. And some of them are baffling, particularly the bridge: “Breathe in/breathe out/don’t wanna ride your carousel.” The song also follows this formula Bullet has fallen into over the years: intro riff, quiet music while Matt sings “angry lyrics,” exploding, distorted hook, return to verse, breakdown, repeat.

“Over It” is Bullet at their weakest. Even Temper Temper sounds better than this. It’s a bland, generic song that has none of their signature riffs, solos, or aggression. It’s tolerable on its own, but it doesn’t get you excited for their upcoming album. There’s nothing memorable about this song. You’ll struggle to remember the hook after hearing it a few times. Hopefully, this isn’t representative of the entire record. I’m still looking forward to hearing more from them, but for now, my expectations for Gravity are low.

Playlist: Awesome MadTv Performances You Forgot About

Anyone remember MadTv? Back in the 90s and 2000s, if Saturday Night Live wasn’t your style, chances are you turned to this show for laughs. It gave us iconic and hilarious characters like Miss Swan and Stuart. After In Living Color, it’s still one of my favorite sketch shows of the 90s, even though I probably shouldn’t have been watching. It also gave us some killer performances. Since the last few seasons of the show and the shoddy revival weren’t that great, it’s easy to forget the big names MadTv pulled in. Featuring new acts and legends helped the show stand out from its competition. So, let’s take a look back at some awesome MadTv performances you probably don’t remember.

The Cure – “Maybe Someday” (2000)

How MadTv managed to get The Cure to perform on the show is a mystery. Robert Smith can get picky about where he plays and a lewd comedy show featuring a grown man in his underwear doesn’t seem like one he’d be a part of. However they did it, the show got The freaking Cure to play “Maybe Sunday” in 2000. It’s a solid performance with Smith and the band sounding amazing as usual. Sadly, it’s a condensed version of the song with Smith not singing the first verse and going straight into the breakdown after the hook, but he’s Robert Smith. He can do that if he wants. I actually remember seeing this right as I was getting into the band. Smith and his wiry black hair captivated me just as much then as he does now. This is still one of my favorite MadTv moments.

The Strokes – “Is This It?/NYC Cops” (2002)

MadTv album Bobby Lee introduces The Strokes as his favorite band and they kick off their two-song set with “Is This It?” As always, frontman Julian Casablancas looks disinterested being on stage. Things get more lively for “NYC Cops” as fans get out of their seats and rush the stage. The scene never gets chaotic; everyone just wiggles and dances in the background while Casablancas looks distraught. The weird part comes at the end when we see Frank Caliente and Mo Collins as George and Babara Bush complaining about MadTv being over and trying to find something else to watch. The scene would be more enjoyable if they actually let The Strokes finish performing.

Queens of the Stone Age – “No One Knows” (2003)

This was around the time QOTSA hit the mainstream, despite releasing two albums prior to Songs of the Deaf. Both this and “Go With the Flow” are a blast to watch. Josh Homme and co go at it hard like they’re playing one of their own shows. The crowd kind of just sits there and politely nods, which is strange. With our current image of Homme being clad in leather, covered in tattoos, and looking slightly haggard, it’s funny to see a young, fresh-faced Homme. Though I can’t get over his creeper mustache. Luckily, he doesn’t revisit that too often.

Sum 41 – “Still Waiting” (2002)

Sum 41 absolutely kills it with this performance. Not only do they sound great, they’re energetic and go it hard bringing some aggression to the MadTv stage. It’s short, sweet, and straight to the point. No weird sketches or tricks here. It’s just the band doing what they do best. But you can’t help noticing the crowd just sitting there nodding their heads to the music. With the hard driving nature of the song, you’d expect people jumping around or least dancing in their seats. It’s kind of weird.

Creed – “Higher”(2000)

Okay, so this performance isn’t that awesome; it’s just funny to look back on. Believe it or not, there was a time when Creed wasn’t a stain on music. Even though the show made funny Creed parodies, even they couldn’t deny how successful the band was. Listening to the performance now, it makes you wonder how people sat there and took Scott Stapp’s vocals seriously. It sounds like he’s doing a bad Eddie Vedder impression throughout the entire song. And seeing him give “sexy” faces to the camera makes you cringe. Still, it’s better than the time Stapp forgot all the words to his songs, so that’s a plus.

Green Day – “Blood, Sex, and Booze” (2001)

After a weird joke from Will Sasso, Green Day takes the stage to perform “Blood, Sex, and Booze,” something they rarely play live. They play with the same passion, fire, and fervor they do in their massive stadium gigs. It’s a pretty cut and dry performance for the band that’s still a blast to watch. While I didn’t like the band at the time this aired, I remember rushing home after school around the peak of American Idiot to catch a rerun featuring this performance. They also played “Warning,” which is a solid performance, it’s not as fun as the previous one.

Ja Rule featuring Ashanti – “Always on Time” (2002)

Remember when Ja Rule and Ashanti ruled the airwaves? These two had a number of hit singles on their own, but they seemed to work best when singing with each other. Regardless of how you feel about Ja Rule and his antics now, you can’t deny he was one of the most popular rappers ten years ago. And while Ja Rule’s gravely vocals can be laughable, the two actually sound really good here. As someone who loved singing this song on weekend drives, this throwback is a blast to watch.

Alien Ant Farm – “Smooth Criminal” (2001)

This performance not only features Alien Ant Farm playing their one smash hit, it also has Aries Spears (remember him?!) doing his best Michael Jackson impression. Donned in a suit, fedora, and white makeup making him look like really creepy, Spears teases MJ’s then comeback, pulls off a couple of kicks, and gets carried off by two young boys. Afterward, the band launches into the song while the crowd dances and waves their arms from the comfort of their seats. Seriously, did the show have a no standing rule or something? The energetic performance and Spears’ impression makes this a memorable MadTv moment. Too bad AAF couldn’t manage to score another hit.

Marilyn Manson – “Personal Jesus” (2004)

MadTv really tried to make this performance “edgy” and “cool” with the twisted camera angles and dark lighting. Unfortunately, things are so dark you can barely see Manson and the rest of the band. Compared to his other TV appearances this one is quite tame and he seems a little bored. John 5 and Tim Skold exude more energy than Manson. Being the newly minted Manson fan I was, I ate up every minute of this performance. It’s still better than his recent concert appearances.

Blondie – “Call Me” (1999)

Since the show has been off the air for almost 10 years, (we won’t count the “revival”) it’s easy to forget how many iconic musicians have played the show. Bon Jovi, Wu-Tang, and Ice-T have all made appearances, but Blondie’s is one of the best. While the performance is great even though it’s cut short, it’s the skit with Miss Swan that stands out. Miss Swan fronts the band singing her own incomprehensible version of the song prompting Debbie Harry to come out and ask what the hell she’s doing. Miss Swan then insists she wrote the song on tuba but allows Harry to sing only if she plays nice. It’s a weird bit you’d never imagine the singer being a part, but it happened. But hey, this was when Miss Swan was at hear peak. Who wouldn’t want to be in one of her sketches?

No Doubt – “Bathwater” (2000)

For anyone to remember No Doubt during their peak, this is how they picture Gwen Stefani. The weird, alt girl with her own style and sound. Stefani is slinky and cool as she sings, while the rest of the band ham it up for the camera, especially a topless Adrian Young. It’s a fun, energetic performance that reminds you how awesome both No Doubt and Stefani were. While I don’t mind her current work, it’s just not the same.

Tenacious D – “Tribute” (2002)

You’re never sure what kind of performance you’re going to get from Tenacious D, but you know it’s gonna be weird and it’s gonna rock. The duo didn’t disappoint with this MadTv appearance. Featuring Dave Grohl on drums, Jack Black recounts a tale of singing the greatest song in the world for a beast. The thing is, they can’t remember it. Black gives his usual hammy rockstar performance that’s fun to watch. The best part comes when he gently sets down his guitar, rips off his shirt to show off his flame painted gut, and “breathes fire” out of his mouth. Clearly, they’re a perfect fit for the show. Too bad they didn’t have them on more often.

There are so many performances I wanted to include, but couldn’t find like Outkast and Wu-Tang Clan. So which MadTv performance is your favorite? Let me know in the comments!

10 Bizarre Musical Projects You Didn’t Know About

Sometimes when you’ve been doing the same thing for a long time, you want to try something different. Our favorite artists and bands go through the same things. You often hear about artists wanting to break free from their established sound and do something new and out of the box. Sometimes it can produce successful projects that show another side of an artist you thought you knew. And other times it’s a spectacular failure. So let’s look at ten weird musical projects you may not have known about. Not all of them are failures, but they’ll make you see these artists in a different light.

10. Damon Albarn Writes an Opera

Considering how many projects Damon Albarn has created, him writing an opera doesn’t sound that shocking. In 2011, he teamed up with theatre director Rufus Norris for the production Dr Dee: An English Opera. The opera is based on the life of John Dee, who was a medical and scientific advisor to Elizabeth I. Originally, the production was meant to be a collaboration between Albarn, Jamie Hewlett, and graphic novelist Alan Moore. It played at the Palace Theatre in Manchester in July 2011 and was received relatively well. The soundtrack to the opera was later released in 2012 and honestly, it doesn’t sound too different from his other material. While the release features traditional operatic tracks, other songs sound like they’re from his solo album. They’re spacey, kind of weird, yet beautiful. Maybe he’ll work on a Gorillaz opera next. Actually, that would be pretty awesome.

9. Beastie Boys Go Country

Unlike the other entries on this list, this album was made completely in jest. In 1999, the Beastie Boys recorded a full country album dubbed Mike D’s Greatest Country Hits. They never intended it for a wide release. Rather it was a weird gift for their family and friends. In the liner notes to The Sounds of Science, Adam Yauch explained the origin of the album as Mike D losing his memory due to being hit in the head and believing he was a country singer. “The psychologists told us that if we didn’t play along with Mike’s fantasy, he could be in grave danger. Finally, he came back to his senses. This song (“Railroad Blues”) is one of the many that we made during that tragic period of time.” It has a classic good ‘ol country vibe ala Conway Twitty, heavy twangs and all. Even though the songs are clearly jokes (“Sloppy Drunk”, “Don’t Let the Air Out My Tire”) a lot of country songs are strange, so in a way, they fit right in. You can listen to the entire LP on Youtube. And whatever happened to Country Mike? According to Mike D, he’s homeless.

8. Aretha Franklin Gets Disco Fever

Aretha Franklin is the Queen of Soul who can do no wrong…expect she did by going Disco with La Diva. In the 70s many artists went disco for a spell from Paul McCartney to KISS. So it’s not exactly weird for Franklin to jump on the bandwagon. But since it was around the time Disco died out, it wasn’t her finest output and ended being a commercial flop. Selling under 75,000 units, it’s still her lowest selling album in her entire Atlantic Records career. Yet, the album isn’t terrible. It’s filled with sappy and generic disco songs prevalent during the era. It seems this record was released at the wrong time. Perhaps if it came out during disco’s peak it would’ve been better received. But seeing as disco was dying out, the album seems like a sad attempt to cash in on a dying trend.

7. Serj Tankian Gets Jazzy with Jazz Is Christ

 

Whenever you think of Serj Tankian the first thing that comes to mind is the heavy, intense music of System of a Down. And while he’s experimented a bit with his solo releases, jazz is the last thing you’d expect to hear from him. But that’s exactly where he went. In 2013 he released the album Jazz-iZ Christ with a group of the same name. Featuring pianist Tigran Hamasyan, flautist Valeri Tolstov, and trumpet player Tom Duprey, the largely instrumental album finds the rocker mixing jazz with elements of rock, electronic, and world music. It’s definitely a weird experience, but it doesn’t sound that bad. It does have the mellow flow of Jazz, but thanks to the blend of other genres it keeps you on your toes. It was a pretty successful release and shows the wide range Tankian has as a musician. Though I’m sure people would prefer a new SOAD record at this point.

6. Garth Brooks Confuses the World with Chris Gaines

Garth Brooks is one of country’s biggest superstars, if not the biggest. Even if you don’t like country music chances are you know one of his songs. He had a slew of hits and multi-platinum albums during his peak in the 90s. But not everything he touched went gold – remember Chris Gaines? Back in 1999, Brooks introduced this “edgy” alter ego to the world and released his only album The Life of Chris Gaines. Featuring Brooks doing his best Savage Garden impression, the album spawned one hit “Lost In You.” As you can guess, the project was a flop yet it wasn’t terrible. It was just weird. Not only did the album receive mixed reviews, fans were confused as hell. Was it a joke? Was it really Garth Brooks? Has he gone crazy? They even made a Behind the Music episode for the persona. Just listen to Brooks explain Gaines’ origins and try not to be confused. Turns out, Brooks planned the persona for a movie he was meant to star in called The Lamb. It didn’t happen. After the fiasco he back to country music. He’s good at it, so he should stick with it.

5. Paul Banks Release a Weird, Hip Hop Infused Mixtape

Paul Banks is better known as the monotone, Ian Curtis-eqsue frontman for Interpol. Banks has picked up various side projects, including a solo career, but his strangest is the 2013 mixtape Everybody On My Dick Like They Supposed to Be. There’s so much weirdness packed into this release you’re not sure where to start. Banks handles production and the actual music, which sounds generic and low quality. As for vocals, rappers like Mike G, Talib Kweli, and High Prizm handle the actual rapping – a smart move on Banks’ part. Though, admittedly, having Banks rap on these tracks may have made the mixtape worthwhile. The release was meant to be a pre-release bonus for his second solo album Banks, but it was released a year later. It seems like Banks is genuinely interested in rap as he teamed up with RZA for the project Banks & Steelz, which surprisingly, was received pretty well.

4. Snoop Dogg Becomes Snoop Lion

People weren’t sure what to make of Snoop Dogg’s reincarnation in 2013. After a documentary dubbed Reincarnated, Snoop introduced his new persona Snoop Lion along with his new Rastafarian lifestyle. The album Reincarnated came out the same year and features Snoop doing his best Reggae impression while singing about smoking weed. Well, at least some things never change. To be fair, Snoop Lion isn’t terrible, but it’s still not great. The album was met with mixed reviews, yet oddly enough was nominated for a Grammy for Best Reggae Album. What a slap in the face for actual reggae artists. Seeing as Snoop released his latest album, Neva Left, under Snoop Dogg, it’s safe to say things are back to normal.

3. Tommy Lee Attempts Nu-Metal

Since hair metal died out in the 90s with the onslaught of grunge, Motley Crue wasn’t at their peak during the era. After some less than stellar albums, drummer Tommy Lee left the band in 1999 and formed Methods of Mayhem his attempt at a rap/rock band. The band released their self-titled album, which went gold and actually received decent reviews. Lead single “Get Naked” received moderate airplay on MTV, which is hard to believe since it’s terrible. Lee shouldn’t be allowed to rap because it’s a mess. And the band as a whole is just generic “hardcore” music and lame lyrics trying to cash in on the “nu-metal” trend at the time. Now, people realize just how bad the band was. Everyone except Tommy Lee. In 2009, he reformed the band with a new lineup and released the album A Public Disservice Announcement. Luckily, he doesn’t rap as much and sticks with something that’s supposed to be singing.

2. Pat Boone Goes Metal…Kind Of

Pat Boone makes the kind of music that gets finger snapping and toes tapping….if you’re over 65. Back in the day, Boone was a Renaissance man appearing in movies, TV shows, being a spokesman, a motivational speaker, and a singer. His music is safe and non-threatening, but in 1997 Boone made the bold decision to go metal in the lamest way possible. In a Metal Mood: No More Mr. Nice Guy features the singer covering metal hits like “You Got Another Thing Coming” and “Crazy Train” in a jazz/big band style, which makes the album even weirder. The covers aren’t necessarily terrible, just confusing as all hell. He sounds like a grandfather when singing “Enter Sandman” and “Holy Diver.” It’s like he wanted to make non-threatening metal for people who don’t actually like metal. If that wasn’t bad enough, the album art shows the then 63-year old wearing a vest and chain. Instead of looking metal he looks like a real-life version of that Ken doll that definitely wasn’t gay.

1. Dee Dee Ramone Reinvents himself as Dee Dee King

Dee Dee Ramone will always be remembered for The Ramones, one of the most influential punk rock bands. But his stint as a rapper will forever haunt him. It sounds like a bad joke but the punk rocker took up rapping in 1989. What started as showing up to Ramones rehearsals in hip-hop gear turned into a weird side project. Under the name Dee Dee King, he released the LP Standing in the Spotlight. It’s almost too painful to listen to. Songs like “Funky Man” and “German Kid” sound like your dad rapping because it’s “hip” and “cool” with the kids. The songs are laughably bad talking about how he’s half German or singing about how the Mash Potato will make your “body move.” He even proclaims he’s a master at hip-hop. At the time Dee Dee said he felt a connection with the underdog spirit of the genre. Later, an older, wiser Dee Dee realized it probably wasn’t the best career move. After the album flopped he went back to the Ramones and all was right with the world.

Which of these bizarre projects is your favorite? Which ones did I miss? Let me know in the comments!

Playlist: I Will Survive

Image result for destiny's child survivor

2017 was a tough year for a lot of people and it seemed like the negativity and bad news was never going to end, but we made through to another year. We survived and that’s something to celebrate. During tough times it’s too easy to focus on everything that’s going wrong in your life. We often forget that the bad times aren’t going to last forever. And when we make it through those hard times, we’ve survived and are hopefully stronger for it. So this month’s playlist is all about survival. Hopefully, it’ll give you some solace if you’re going through something difficult.

“The Middle” – Jimmy Eat World

We’re all filled with some sort of self-doubt. Whether you messed up at work, a video idea isn’t coming together, or are stuck on a writing assignment it’s easy to write yourself off. You start to wonder if you’re even good enough at your job. During these moments, we need to take a cue from Jim Adkins and remember “Everything will be alright.” What is arguably Jimmy Eat World’s biggest hit reminds us that as long as we’re trying our best, we’re doing just fine. It’s one of those songs that reminds me whatever you’re going through isn’t going to last forever. It’s best to ride it out and try to keep your head up. And it doesn’t hurt that song is so irresistibly catch, it’s hard to be in a bad mood when you’re singing along.

“Fighter” – Christina Aguilera

This is an anthem for anyone who’s had their heartbroken, been lied to, been cheated on, the list goes on. Aguilera uses her personal experiences from the start of her career and channels her anger into a message that says “I survived.” She proclaims she can’t be stopped and instead of letting her regrets and her past mistakes haunt her, she uses them to make her stronger and make her a fighter. We’ve all had those moments where it seems like nothing is going to get better. But once the storm passes and we make it out, we’re stronger and we learn from our experience ready for any future battles that may come our way.

“I’m Still Standing” – Elton John

Not only does this Elton John hit make you feel good, it’s a testament to one’s strength and will after a bad experience, in this case, a bad breakup. Life may get you down at times and you may even face great challenges you’re not sure how to overcome, but in the end, you’ll make it. You’ll still be standing and you’ll be stronger for it. This is another anthem for the heartbroken, the cheated, and the deceived reminding you to pick up the pieces and don’t let life get you down. Fun fact: Bruno Tonioli from Dancing With the Stars is the scantily clad man in the black speedo. Scandalous!

“Happy” – Pharrell

Okay, so this song was pretty annoying after it dropped in 2014 and became the anthem for any and every get-together. But you can’t deny it’s the ultimate feel-good anthem. Pharrell reminds us to keep smiling and be happy even when people are trying to bring on bad news. And it’s hard to focus on the negative with this infectious song. It’s hard to be grumpy with the uplifting hook and the upbeat hand claps. If you need a song to unwind and shake off the bad with some dancing, then this song is the one to play.

“The Fight Song” – Marilyn Manson

2017 tried the patience of people all over. A lot of them decided to stand up and fight rather than do nothing. Sometimes you need a song to pump you up and prepare you for battle. This Marilyn Manson song will do just that. A song criticizing American violence, the energy, the hard-hitting music, and Manson repeating “Fight! Fight!” gets your heart racing. It’s a mean, raging track that gets you in the fighting mood, no matter what you’re fighting for.

“I Will Survive” – Gloria Gaynor

This is the ultimate breakup anthem. Gaynor admits to crying after her lover leaves, but it doesn’t last long. She picks herself up, finds a new love, and tells her ex to hit the road when they come crawling back. Not only is it a timeless dance song, it’s a song about empowerment. Whether you’ve been through a nasty breakup or are just experiencing a low point in your life, the song pushes you to be strong, get better, and move on. It’s easy to curl up and be defeated when life gets you down. During times like this, we have to remember what Gaynor preaches: “I will survive.”

“Float On” – Modest Mouse

Not only does this song have an iconic guitar riff, it also has a great positive message. In the song, Isaac Brock lists off a series of bad incidents you’d normally sweat over, but everything works out in the end. This is a song about letting mistakes, bad news, and accidents wash off of you. No matter how tough things get, it’ll be better. Brock says even though things look bleak now, they won’t always be, which is hard to remember when you’re going through hard times. Life’s not always a shitshow and sometimes you have to let things go instead of worrying about them. As he says “sometimes life’s okay.”

“Still Breathing” – Green Day

The song that inspired this playlist, this is one of Green Day’s finest. Similar to other songs on the playlist, it’s a reminder to not let past dark times get you down. Rather than focusing on the bad, it’s a celebration of making it through the storm. You may have gone through dark times, but you made it in the end. So, let’s celebrate the fact you’re still here and hopefully, you’re better for it. The song itself is emotional and one of Billie Joe Armstrong’s most personal with references to his childhood and past addictions. But it’s also a song that many people can relate to, which is why it’s such a highlight at Green Day concerts.

“I Choose to Live” – Creeper

This beautiful, Queen-esque song is a counterpart to Creeper’s “Misery.” With the tagline “misery never goes out of style” the song addresses feelings of depression and giving up hope. “I Choose to Live” is a message to fight against those feelings. Don’t give up hope and know life isn’t always bleak. Frontman Will Gould stated he wrote the song as a message to the fans. Instead of ending their album, Eternity in Your Arms, with a message of hopelessness, they wanted to close on a positive note. It’s a message to keep fighting and try not to let your demons get the best of you.

“The Show Must Go On” – Queen

Life’s too short to focus on the negative. That’s essentially what this song is about. Though the track has an uplifting message of making the most out of life and continuing in the face of adversary, it has a sad backstory. The song was written while Freddie Mercury was struggling with AIDS. When it was time to record the song, Brian May didn’t think Mercury was strong enough to perform. Mercury proved him wrong and delivered a top notch, powerful performance; the kind we’re used to. Listening to the song, you can’t even tell Mercury was near the end of his life. It goes to show you need to make the most out of life even if things aren’t looking good.

“Survivor” – Destiny Child

This is like “I Will Survive” for the next generation. The girls of Destiny’s Child have no problem moving on after a bad breakup and similar to so many other songs on this list, the experience has made them stronger. They even take the high road saying they won’t resort to talking trash about their ex, even if it would feel good at the time. It’s another song about overcoming hard times and pushing away negativity from your life. It’s an empowering anthem for anyone.

Which song gets you through tough times? Let me know in the comments!