Robert Smith

Blue Sunshine – The Glove

Release Year: 1983

Rating: 7/10

It’s not unusual for artists to break out of their comfort zone and take on different projects. Though he’s the charming frontman for The Cure, Robert Smith wanted a break from the spotlight. With the help of some friends and some drugs, Smith recruited Siouxsie and the Banshees’ Steve Severin and vocalist Jenette Landry to form the psychedelic outfit The Glove. The group only produced one album, Blue Sunshine, and it’s a weird trip.

The eccentric album has elements of both The Cure and the Banshees but feels like a hodgepodge of different sounds and styles. Many songs such as “Like An Animal” have a psychedelic vibe to them with swirling synth, dizzying music, and weird lyrics involving sex and death – at least some things don’t change for Smith. At times, the album feels like a weird acid trip that you’re not sure is good or bad. The band plays around and mashes various styles together on songs like the breezy “Looking Glass Girl,” which sounds more appropriate for a Cure album, the disjointed and dizzying “Sex Eye Makeup,” and the manic, bizarre sound collage that is “Relax.” It’s as if the band threw caution to the wind and recorded whatever they felt like.

The songs can be jarring with the weird music, but what’s most unexpected is the absence of Smith’s warbling vocals. Landry takes over vocal duty and even though her voice isn’t bad, sometimes her high-pitched shouting is grating. At times it feels like your ears are going to bleed. Luckily, Smith does lend his voice to two songs: “Mr. Alphabet Says” and “Perfect Murder.” And of course, if you’re a Smith fanatic, they’ll be the best songs from the album. The former is actually the most memorable track with its bouncy opening. Here, we move away from the psychedelia and move into a weird, bluesy mood. It has a jangly piano that’s reminiscent of ragtime tunes. What really puts the song over the top are the additional strings. It gives the song a sense of drama, which is a bit unexpected. Sometimes the strings are jarring, other times it’s oddly pretty.

“Perfect Murder” also has great music. The opening exudes a tropical feel with the playful xylophone kicking things off. Smith sleepily sings lyrics like “move inside my daydream/like fingers in a glove” making for a mood that’s lazy and soothing. Something about it makes you feel like you’re in a hazy, hot jungle. The song ends with Smith’s random noises and howls along with what sounds like crickets chirping in the night. The music and the overall feel makes it stand out from the other songs on the album. Those who prefer Smith’s vocals will be happy to know Glove songs featuring his singing were eventually released on the 2008 reissue.

None of the songs are bad; if anything the music is interesting and catches your attention. But few of the songs aren’t very memorable. Some of them haven’t aged well, either. “This Green City” has a twinkling Casio riff that sounds like it’s taken from a 70s news program. When you hear it, it just makes you laugh. “Punish Me with Kisses” has a similar problem with a cheesy piano riff from a cheap effects program. “Orgy” is a bit of an exception since its snake charmer-esque music is hard to forget. It plays like it’s trying to put the listener in a trance. “Blues in Drag” is an odd, soothing instrumental with echoing keys and gentle strings. It has its pretty moments but is easy to forget when compared to the other songs.

Blue Sunshine is one weird ride. It’s an odd, psychedelic experience that makes you wonder exactly what drugs the group was taking at the time. It’s not necessarily the best album, but its experimental nature makes it worth a listen. Because the band plays around with so many styles you never know what to expect next, which can make it fun. There are some upbeat, catchy songs, but some of them are forgettable. It doesn’t help that the lyrics sound like nonsense at times. It’s weird enough to keep you engaged, but it’s definitely an acquired taste.

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Playlist: Awesome MadTv Performances You Forgot About

Anyone remember MadTv? Back in the 90s and 2000s, if Saturday Night Live wasn’t your style, chances are you turned to this show for laughs. It gave us iconic and hilarious characters like Miss Swan and Stuart. After In Living Color, it’s still one of my favorite sketch shows of the 90s, even though I probably shouldn’t have been watching. It also gave us some killer performances. Since the last few seasons of the show and the shoddy revival weren’t that great, it’s easy to forget the big names MadTv pulled in. Featuring new acts and legends helped the show stand out from its competition. So, let’s take a look back at some awesome MadTv performances you probably don’t remember.

The Cure – “Maybe Someday” (2000)

How MadTv managed to get The Cure to perform on the show is a mystery. Robert Smith can get picky about where he plays and a lewd comedy show featuring a grown man in his underwear doesn’t seem like one he’d be a part of. However they did it, the show got The freaking Cure to play “Maybe Sunday” in 2000. It’s a solid performance with Smith and the band sounding amazing as usual. Sadly, it’s a condensed version of the song with Smith not singing the first verse and going straight into the breakdown after the hook, but he’s Robert Smith. He can do that if he wants. I actually remember seeing this right as I was getting into the band. Smith and his wiry black hair captivated me just as much then as he does now. This is still one of my favorite MadTv moments.

The Strokes – “Is This It?/NYC Cops” (2002)

MadTv album Bobby Lee introduces The Strokes as his favorite band and they kick off their two-song set with “Is This It?” As always, frontman Julian Casablancas looks disinterested being on stage. Things get more lively for “NYC Cops” as fans get out of their seats and rush the stage. The scene never gets chaotic; everyone just wiggles and dances in the background while Casablancas looks distraught. The weird part comes at the end when we see Frank Caliente and Mo Collins as George and Babara Bush complaining about MadTv being over and trying to find something else to watch. The scene would be more enjoyable if they actually let The Strokes finish performing.

Queens of the Stone Age – “No One Knows” (2003)

This was around the time QOTSA hit the mainstream, despite releasing two albums prior to Songs of the Deaf. Both this and “Go With the Flow” are a blast to watch. Josh Homme and co go at it hard like they’re playing one of their own shows. The crowd kind of just sits there and politely nods, which is strange. With our current image of Homme being clad in leather, covered in tattoos, and looking slightly haggard, it’s funny to see a young, fresh-faced Homme. Though I can’t get over his creeper mustache. Luckily, he doesn’t revisit that too often.

Sum 41 – “Still Waiting” (2002)

Sum 41 absolutely kills it with this performance. Not only do they sound great, they’re energetic and go it hard bringing some aggression to the MadTv stage. It’s short, sweet, and straight to the point. No weird sketches or tricks here. It’s just the band doing what they do best. But you can’t help noticing the crowd just sitting there nodding their heads to the music. With the hard driving nature of the song, you’d expect people jumping around or least dancing in their seats. It’s kind of weird.

Creed – “Higher”(2000)

Okay, so this performance isn’t that awesome; it’s just funny to look back on. Believe it or not, there was a time when Creed wasn’t a stain on music. Even though the show made funny Creed parodies, even they couldn’t deny how successful the band was. Listening to the performance now, it makes you wonder how people sat there and took Scott Stapp’s vocals seriously. It sounds like he’s doing a bad Eddie Vedder impression throughout the entire song. And seeing him give “sexy” faces to the camera makes you cringe. Still, it’s better than the time Stapp forgot all the words to his songs, so that’s a plus.

Green Day – “Blood, Sex, and Booze” (2001)

After a weird joke from Will Sasso, Green Day takes the stage to perform “Blood, Sex, and Booze,” something they rarely play live. They play with the same passion, fire, and fervor they do in their massive stadium gigs. It’s a pretty cut and dry performance for the band that’s still a blast to watch. While I didn’t like the band at the time this aired, I remember rushing home after school around the peak of American Idiot to catch a rerun featuring this performance. They also played “Warning,” which is a solid performance, it’s not as fun as the previous one.

Ja Rule featuring Ashanti – “Always on Time” (2002)

Remember when Ja Rule and Ashanti ruled the airwaves? These two had a number of hit singles on their own, but they seemed to work best when singing with each other. Regardless of how you feel about Ja Rule and his antics now, you can’t deny he was one of the most popular rappers ten years ago. And while Ja Rule’s gravely vocals can be laughable, the two actually sound really good here. As someone who loved singing this song on weekend drives, this throwback is a blast to watch.

Alien Ant Farm – “Smooth Criminal” (2001)

This performance not only features Alien Ant Farm playing their one smash hit, it also has Aries Spears (remember him?!) doing his best Michael Jackson impression. Donned in a suit, fedora, and white makeup making him look like really creepy, Spears teases MJ’s then comeback, pulls off a couple of kicks, and gets carried off by two young boys. Afterward, the band launches into the song while the crowd dances and waves their arms from the comfort of their seats. Seriously, did the show have a no standing rule or something? The energetic performance and Spears’ impression makes this a memorable MadTv moment. Too bad AAF couldn’t manage to score another hit.

Marilyn Manson – “Personal Jesus” (2004)

MadTv really tried to make this performance “edgy” and “cool” with the twisted camera angles and dark lighting. Unfortunately, things are so dark you can barely see Manson and the rest of the band. Compared to his other TV appearances this one is quite tame and he seems a little bored. John 5 and Tim Skold exude more energy than Manson. Being the newly minted Manson fan I was, I ate up every minute of this performance. It’s still better than his recent concert appearances.

Blondie – “Call Me” (1999)

Since the show has been off the air for almost 10 years, (we won’t count the “revival”) it’s easy to forget how many iconic musicians have played the show. Bon Jovi, Wu-Tang, and Ice-T have all made appearances, but Blondie’s is one of the best. While the performance is great even though it’s cut short, it’s the skit with Miss Swan that stands out. Miss Swan fronts the band singing her own incomprehensible version of the song prompting Debbie Harry to come out and ask what the hell she’s doing. Miss Swan then insists she wrote the song on tuba but allows Harry to sing only if she plays nice. It’s a weird bit you’d never imagine the singer being a part, but it happened. But hey, this was when Miss Swan was at hear peak. Who wouldn’t want to be in one of her sketches?

No Doubt – “Bathwater” (2000)

For anyone to remember No Doubt during their peak, this is how they picture Gwen Stefani. The weird, alt girl with her own style and sound. Stefani is slinky and cool as she sings, while the rest of the band ham it up for the camera, especially a topless Adrian Young. It’s a fun, energetic performance that reminds you how awesome both No Doubt and Stefani were. While I don’t mind her current work, it’s just not the same.

Tenacious D – “Tribute” (2002)

You’re never sure what kind of performance you’re going to get from Tenacious D, but you know it’s gonna be weird and it’s gonna rock. The duo didn’t disappoint with this MadTv appearance. Featuring Dave Grohl on drums, Jack Black recounts a tale of singing the greatest song in the world for a beast. The thing is, they can’t remember it. Black gives his usual hammy rockstar performance that’s fun to watch. The best part comes when he gently sets down his guitar, rips off his shirt to show off his flame painted gut, and “breathes fire” out of his mouth. Clearly, they’re a perfect fit for the show. Too bad they didn’t have them on more often.

There are so many performances I wanted to include, but couldn’t find like Outkast and Wu-Tang Clan. So which MadTv performance is your favorite? Let me know in the comments!

12 Creepy Moments from Non-horror Videos

Ever since the music video was born, there have been artists making clips that set out to get under your skin. These videos are often creepy, disturbing, and sometimes down right scary. But then there’s that group of videos that start out tame, making you think you’re in the safe zone. Out nowhere there’s one image or scene where things take an ugly turn whether it’d be scary or chilling. These videos aren’t horrific, but there’s one instance where things get batshit crazy. Here are 12 seemingly safe videos with creepy moments. Not all of the scenes are scary, but they’re weird, unsettling, or just unexpected.

12. “Heart & Soul” – Huey Lewis and the News

This Huey Lewis video starts out like any other from the 80s; in a club with ridiculous fashion choices. Lewis strides in talking about a woman who has caught his attention, along with the attention of everyone else in the club. Everyone’s dancing, Lewis is singing, and then without warning there’s a shot of a vampire waiter. No explanation. He makes an appearance and is gone again. He makes another brief return near the end when he’s sucking blood out of one of his victims. Okay, so the vampire isn’t scary, more like baffling. What was the point of having him there? It just doesn’t make any sense. It feels so random in this seemingly generic video.

11. “Rockit” – Herbie Hancock

There’s a lot going on that’s unsettling in this video, but I never considered any of it as intentional. It more seemed like one of those 80s videos taking advantage of new technology. Watching it again, there are a lot of scarring images from this video: disembodied legs walking around, faceless robots making jerky movements, and a weird bird snapping at the window. But the thing that’s worse than all of these are the mechanical bots with weird, fleshy like skin over their faces. They don’t do much in the video aside from slowly rotating their heads. It’s like they’re trying to disguise themselves as human and it’s disturbing. When that’s the most horrific thing in a weird video featuring creepy robots, you know something is wrong.

10. “Sweet Dream (Are Made of This)” – Eurythmics

This video already has some weird stuff going on, but the concept seems simple: Annie Lennox looks like a dictator as she points to a screen where a missile heads toward the earth. It seems as normal as a Eurythmics video could be until midway through. Lennox and Stewart appear in weird costumes and masks “playing” a cello outside and being generally creepy. Out of nowhere comes a close up of a cow, a cow that roams around for the rest of the video. The clip ends with them in a cow pasture for some reason. It may not be scary, but there’s something creepy and unexpected of seeing a cow close up wandering aimlessly. There’s something unsettling and weird about it, especially in a video that’s already strange.

9. “InBetween Days” – The Cure

Oh look, it’s The Cure being kind of goofing and actually looking happy. They all look like they’re having a good time with the upbeat music and – what the fuck is that?! With some clever glow in the dark make-up The Cure turns this lighthearted video into a nightmare. As Robert Smith is singing the second verse, his image is slowly replaced with another image of him in eerie green and blue make up. What we’re left with is a monstrous looking version of the singer. It’s so simple, but it’s made all the more terrifying with his head movements and his glowing red eyes. Then the video returns to normal as if nothing happened, making you question if it really happened. The Cure pulled a similar move in their video for “Boys Don’t Cry.” You gotta love a band that wants to creep out their fans.

8. “Oh Father” – Madonna

This beautiful black and white video is semi-autobiographical for the singer. It follows a little girl dealing with the death of her mother, while surviving her father’s rage. It’s somber as Madonna walks through a snowy cemetery and the little girl is constantly yelled at by her father. But the image that has stayed in my mind since I first saw the video at the tender age of 6 is the little girl’s mother in the coffin. When she steps up to give her a kiss, she see’s her mother’s lips sewn together. The image isn’t gruesome in any way, but it’s unsettling especially for someone who didn’t understand death or funerals. Madonna provided another unsettling image in her “Bedtime Story” video where she has mouths for eyes. Thanks for the nightmares, Madonna.

7. “Land of Confusion” – Genesis

Do I really need to explain what makes this one terrifying? The fucking puppets. It’s supposed to be a parody of current events of the 80’s along with the hot celebrities, but they all look like the result of an experiment gone horribly wrong. The keyboard player looks like a dehydrated Mick Jagger and Phil Collins looks like a giant potato. Everything about the video is horrible from how the puppets move to a scene where Puppet Regan drowns in his bed. The result is even worse when they put puppet heads on human bodies. And the scene with Regan slowly emerging from the water is nightmare material. I guess Genesis wanted to make their feelings clear about the president, but couldn’t they have done it in a less terrifying way?

6. “Puttin on the Ritz” – Taco

This one of those moments from the 80’s that makes you question people’s taste. The song was quite popular and the video is weird. The concept isn’t that bad; it’s Taco strolling through alleyways and downtown singing. But the video loses its mind near the end. There close ups of living mannequins singing and people in creepy old men masks. All the while Taco robotically sings and makes strained faces making him look like someone you shouldn’t trust. To make things worse the uncensored version has backup dancers tap dancing with Taco in blackface. It’s one of those moments that makes you question “did I just see that?” The video was horrible enough on its own. Why is this bit in there? It’s unsettling and baffling especially for a clip in the 80’s.

5. “Plug in Baby” – Muse

Videos from the 80’s aren’t the only ones that lure into a false sense of safety. Muse’s clip for “Plug in Baby” seems standard: the band performs the song mixed with footage of dead-eyed models. Classic rock star stuff. It’s until a brief shot of a pair of disembodied legs that you begin to question things. Eventually it’s revealed all the models aren’t human and have what look like tentacles or wires sticking out from their bodies. The pulsing effects on the tentacles are kind of cheesy, but it still gives you shivers when you see legs with only tentacles attached thrusting in the air. What the fuck, Muse.

4. “Self-Control” – Laura Branigan

Laura Branigan talks about the pleasures of the night in this weird clip. It starts out pretty sane with the singer walking through the streets and hitting up a night club. Along the way she spots a guy in a Phantom of the Opera mask, but that’s not what makes this video unsettling. He eventually takes her to a weird basement party where everyone is rubbing against each other wearing masquerade masks. Even that isn’t why the video is on the list. It’s when Branigan finds herself at home with these same people rubbing, caressing, and stroking her that it reaches uncomfortable levels. No matter how many times I see this video it always creeps me out. And yeah, it’s not particularly scary or anything like that, but something about their unnatural movements with those still, eerie masks makes this video horrid. Who thought this was a good idea?

3. “Wild Wild West” – Escape Club

This INXS wannabe video starts off with each of the members playing the song while faux Michael Hutchence gyrates in the corner. Seems like a standard bad 80’s video until the camera pans out shows disembodied legs and arms playing the tambourine. What makes it even worse is they’re connected making it look like one long body limb. It’s just fucking creepy looking. All they’re doing is clapping their hands and tapping their feet, but it looks obscene not attached to a body. It gets even worse when a pair of the legs tries to be scintillating by first rubbing on the singer and then rubbing on its own legs. Who let this monstrosity happen? It’s a video made to give you nightmares.

3. “Jeopardy” – Greg Kihn Band

A wedding day is the focus of this clip. We see Greg Kihn getting ready to get married and trying to get over his cold feet. Sounds pretty standard so far until Kihn looks around him and sees other couples literally joined together. One couple’s arms are fused together while another couple are like odd Siamese twins with a pulsing organ between them. Kihn tries to shake it off and is relieved to see his bride his normal. Until her face changes into a rotting skeleton and her jaw falls off. The rest of the video goes batshit crazy where the entire church turns into zombies and a disembodied tentacle tries to devour Kihn. It all turns out to be a dream and Kihn returns to reality. What is up with videos from the 80’s starting out sane and going nuts at the end? It’s like the director got high in the middle of filming and changed the script.

2. “Shock to the System” – Billy Idol

It’s hard to imagine anything scarier looking in this video aside from Billy Idol’s hairstyle but there is. After Idol gets beaten by the cops in a dystopian future, his body starts absorbing the electronic debris surrounding him. As if the image of wires being sucked into his hand wasn’t creepy enough, we then get a close up of Idol’s contorted face. He grimaces in pain as one eye steadily bulges out further and further from his face. Finally, it pops revealing itself to be a camera lens. Then Idol is transformed into a literal mechanical man full of gears and wires sticking out of him. The video itself may be confusing and laughable but the way Idol jerks and shakes with all those buts sticking out is disturbing. Who greenlit this idea?

1. “Total Eclipse of the Heart” – Bonnie Tyler

So, this may be cheating a little bit, but this video is too insane to not include. Every moment of this clip is batshit crazy. In the span of five minutes, you see ninjas, Cirque du Soleil dancers, football players, fencers, swimmers being splashed with water, rejects from Grease, and Bonnie Tyler fighting a wind machine. So much is happening in this video you think you’re prepared for anything. That is until Tyler runs into the possessed children’s choir with glowing eyes. The effects are pretty cheap by today’s standards, but that moment when a single boy flies towards the singer will make your heart jump. Why is this happening? This video makes absolutely no sense. It’s like they had a huge budget with no concept and said “Fuck it, it’ll look good in the end.” If I had to pick one video to represent the excess of the 80’s this would be it.

Honorable Mention:

“Talking In Your Sleep” – The Romantics

This video didn’t make the list because nothing really happens: the band walks around singing in what looks like a factory full of women sleeping upright. It’s weird, but nothing that creeps you out. But it gets an honorable mention because of singer Wally Palmer. Something about the way he attempts to dance to the music while having the same dead expression on his face is unsettling. It’s like he’s a robot pretending to be human and decided this is the way humans move and dance. It weirds me out every time, especially when he tries to make sensual (?) expressions.

Which one of these videos gives you nightmares? Is there a video I missed? Let me know in the comments!

My Weekend with The Cure AKA The Cure in Chicago

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The Cure at UIC Pavilion June 10, 2016

When I saw The Cure for the first time at Riot Fest 2014, it was one of the greatest moments of my life. I finally witnessed one of my all time favorite bands right in front of my eyes. At the time I wasn’t convinced the band would tour properly again despite what Robert Smith said to the press. So I was stunned when a massive world tour was announced last year. I refreshed, refreshed, refreshed until tickets popped up. I was going to see The Cure again somehow. Initially, the shows felt like ages and ages away. Time somehow flew by and it was time for my Cure filled weekend. And it went even better than I could have ever imagined. I was lucky enough to attend both the Friday and Saturday shows each with their own charm and amazing setlist.

I was too impatient to sit through any other bands, so I skipped Twilight Sad on both nights. I imagine they’re pretty good, since I enjoyed their album, but I knew I couldn’t focus on them with The Cure being so close. After waiting in line for 30 minutes to buy a shirt, yes it took that long, me and my girlfriend found our seats. When the lights first went down on Friday night, my heart went into my stomach as the cheers got louder and louder. They came out one by one: Reeves Gabriel, Jason Cooper, Roger O’Donnell, Simon Gallup, and Robert Smith. I was so excited I couldn’t say anything as if it was my first time seeing them. Any nerves left as soon as they started playing.

Though both nights were amazing, Friday night will always be my favorite. There was the feeling of hearing songs for the first time, a stellar setlist, and having no expectations. I banned myself from looking at setlists from other shows, so I had no idea what they were going to do. Their first song of the night was “Shake Dog Shake.” It’s a staple of many of their shows by this point, but I was ecstatic to hear it since they didn’t play it during their Riot Fest set. It was an appropriate way to kick off the concert especially with the cool, flickering images behind them. But it was the next song that almost broke me. “Kyoto Song” is one of my all time favorite tracks, so I was stunned when I heard those opening bars. I’ve never cried at a concert, but I was damn close to it at that moment. Luckily, the tears never came.

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It seemed like Smith was in a Kiss Me, Kiss Me, Kiss Me mood as they played “Like Cockatoos,” which some of the crowd didn’t seem to like, “The Perfect Girl,” and “All I Want,” where Smith forget most of the words. It wasn’t perfect, but it was still a treat to hear. They also went back earlier in their catalog for highlights “Primary” and “Charlotte Sometimes,” which has never been my favorite song, but I still loved hearing it live. I actually like the live version better than the recorded one. They even surprised me by playing songs “Want” and “Jupiter Crash” from what’s considered their least popular album Wild Mood Swings. Again, awesome to hear live even if the crowd around me didn’t think so.

But the biggest highlight of night one was the first encore. The stage went red and Robert walked up to the mic hold a spinning top. He turned it a couple time before the jarring riff of “The Top” rang out. My jaw dropped when I heard those opening notes. It’s one of the strongest, yet underrated tracks from The Top, so it was unbelievable to hear it live. Listening to Smith wail “please come back/please come back/all of you” gave me fucking chills. Right at that moment I knew something special was happening. They hadn’t played the song in a long time, 32 years in fact. Having them play it in Chicago for just one night made the concert that much more special. And I can’t believe I was there to see it.

Other amazing night one songs include “Exploding Boy,” which Robert introduced by saying “This is what is called the b-side,” “Never Enough,” “Give Me It,” “Doing the Unstuck,” “Friday I’m In Love,” and “From the Edge of the Deep Green Sea.” Some of these songs I heard from their Riot Fest set, but hearing them properly on their own tour was a completely different experience. It was special; they weren’t trying to slay through the hits. Rather they mixed obvious favorites with some deep cuts for rabid Cure fans. With a total of 32 songs played it was an unforgettable night and I’m honored I was one of the lucky ones to attend.

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Night one was amazing, but The Cure didn’t disappoint with night two. Right from the beginning the band let you know you were in for something different as their opening song was “Out of This World” from the underrated album Bloodflowers. Surprisingly, this night’s set had other songs from the album including “The Last Day of Summer,” “39,” and “Bloodflowers.” Some of the crowd didn’t seem happy about the choices. I’m not even very familiar with the album only listening to it three times, but considering these are songs they haven’t done in a long time it was another rare treat.

Going to see a band twice in a row, hell even twice on the same tour, can be risky. Will they change things up or is it going to be the same setlist? Luckily, The Cure played almost an entirely different set. As expected, there were some staples like “Pictures of You,” “Lullaby,” “Close to Me,” and “Why Can’t I Be You?” but they didn’t necessarily play them in the same order. And some songs were so infectious that I didn’t mind hearing them again. I had just as much fun hearing “The Walk” on Saturday night as a I did on Friday night. They also played “A Night Like This” and “Fascination Street” on both nights, which got the entire arena singing along. It was awesome to hear a sold-out venue sing songs back at Robert Smith, just thinking about how may people adore this band.

Other highlights include “High,” “The End of the World,” “Closedown,” and “The Caterpillar.” The band also performed two new songs “It Can Never Be the Same” and “Step Into the Light,” which they debuted at the start of the tour. My first impressions? I like them a lot. The first song was kind of slow and beautiful, like a lot of their ballads, while the second was more upbeat and catchy. I can’t wait to hear these songs on their new album (hopefully). New songs are tricky and I honestly didn’t think they’d play them that much on tour, but I’m glad I got to hear them. A song they performed both nights that I never expected to hear live was “Burn” from The Crow soundtrack. I was dumbfounded when Robert pulled out a pan flute and started playing sloppily. I almost didn’t know what was going on. Once I recognized what song they were doing I flipped. It’s one of those great Cure songs that too many don’t seem to talk about, so it was beyond amazing to hear it live. It’s definitely one of my favorite moments from both shows.

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The best moment of this night was when the lights went low, the stage turned green, the opening bard of “A Forest” rang out. All you could hear were cries of “YES!” from the crowd. It was fucking awesome to hear the song live where Smith held some notes, showing he still has powerful vocals. One of the best parts of the show is when the band turned the arena into a dance party. Everyone screamed and started dancing in the aisles when they played “Hot Hot Hot!!!” This has never been my favorite Cure song, but hearing it live is a completely different experience. Even Bob Smith look like he was having a good time while singing it. “Wrong Number” was also good fun to hear especially when Smith let out a huge “Hellllooooo!” near the end. Sadly, the band couldn’t play forever and ended both nights with the classic “Boys Don’t Cry.” Personally, I was hoping they would end with something else for night two, but I didn’t mind hearing it twice since it’s a fun song to dance to.

Though I was lucky enough to catch The Cure at their Riot Fest set, seeing them at their own show is a different experience entirely. For one thing they have more room to pull out deep cuts, which they did on each night. I was pleased how much they switched up the setlist each night making it feel like two completely different shows. No matter which night you went to, you were guaranteed a stellar performance. They sounded amazing on both nights. Right as the show started I got chills at how amazing Robert Smith still sounds. He sounded so good, there were times I was just grooving to the music I forgot the band were in front of me. Smith was also charming and playful pulling off his dance moves that made everyone cheer. He bantered with the crowd more on the first night where he talked about how he “speaks fucking clearly” and trying to find the balance between performing songs the band want to, but making sure the fans will enjoy it too. On night two, he walked around each corner of the stage to say goodbye and as the crowd waved and cheered he gestured his arm as if to say “Aw, shucks! Stop it!” As usual Simon Gallup was dancing and strutting his stuff. The best part was when he and Robert would play together in each other’s faces. These were two legends on stage having a blast! And like that The Cure were gone.

Both shows were amazing. Sure, they didn’t play songs I really wanted to hear, but I was ecstatic with all they played. The only bad thing about the show was UIC itself. Unlike the Cage the Elephant show, it had little to do with the sound. Instead it was the heat. On the weekend the band played it was really hot in Chicago. How did UIC treat this? By not turning on the air. I’m not sure if they did the first night, but they didn’t the second night, which may have been part of why the band only did 28 songs. By the end of the night, my clothes were soaked through. As I said last time I hope I never have to return to UIC Pavilion for another concert.

Despite this, both shows were absolutely amazing. I can honestly say they’re the best shows I’ve ever been to. Once it was over, it was hard to get back to reality and get back to work. How can you top a weekend like that? The Cure are amazing performers and are really pulling out all the stops on this tour. They’ve been doing so many deep cuts, rarities, and b-sides it made me wonder whether Smith would announce retirement at the end. Hopefully, the announcement will just be a new album. Whatever it is I’m more than happy I got to spend the weekend with The Cure. It’s something I’ll never forget and similar to the end of Riot Fest, something I want to experience again really soon.

Rank the Videos: The Cure 1992 – 2008

For the past few months, I’ve been re-watching and re-ranking videos by The Cure to celebrate their upcoming Chicago shows. Now, we’re almost a week away and I can barely contain myself. But before the high pitched sequels and mass fangirling about seeing Robert Smith, it’s time to rank the last batch of Cure videos. Unlike the previous two entries, I have not previously ranked these videos, so this list is completely fresh. While the 80s had some of the band’s best videos, the 90s had some of their most lackluster. While there are some good ones in the mix, most of them are forgettable or just bad. So let’s take a look at the last of The Cure’s videos, until they hopefully release another album.

“Friday I’m in Love” (1992)

One of The Cure’s most successful songs gets the most playful video. In a homage to filmmaker Georges Melies, the band perform in front of various backdrops, including one advertising some of their previous singles and videos. As they sing, performers representing characters from Melies’ films come out and shower the set with confetti, sparklers, and balloons. The Cure get in on it as they put on silly costumes, dance, and have a drink. There’s not much of a plot, rather it’s just the band having a good time on set. Seeing them freeze like statues or Smith trying to keep beat while wearing an awkward mask as a hat is sure to make you chuckle. Sadly, this would be the last time The Cure worked with Tim Pope until 1997.

“High” (1992)

This clip from the Wish era may make your eyes hurt since it has a washed out overlay. But the rest of the video is a dream, matching the album’s sound perfectly. The band play on a ship in a cloudy sky where images from the lyrics, like “makes me bite my fingers through,” actually play out. Smith then floats above the clouds on a kite, with fellow bandmate Perry is steering. Smith then safely returns to land to finish the song. The video is bright and colorful and it plays like an adventurous dream, the kind you don’t want to wake up from. Like their best videos this one is whimsical and leaves you feeling good.

“The End of the World” (2004)

Directed by Floria Sigimondi, whose done videos for Marilyn Manson and The White Stripes, this is the coolest video of The Cure’s later era. Using a cool, yet eerie stop motion effect, Smith shuffles around his house which is slowly crumbling to the ground. It seems possessed as dishes start breaking, cans spin around, and a doll keeps wandering around the house. When Smith travels outside he finds the other members also roaming around their destroyed houses. In the end, the house goes back to normal and Smith walks in wondering what just happened. The stand out effects and the dreary look of the video gives it an eerie vibe, especially when you see cups with faces on them sliding around on their own. And since it’s something more than just the band performing in front of a background, it has a slight Tim Pope feel, which is nice for longtime fans.

“alt. end” (2004)

Smith seems to be stuck in the recesses of his mind in this video. As Smith falls asleep at the typewriter, we enter what seems like a whimsical world, but actually shows different scenarios ranging from sad (a couple fighting) to horrifying (a woman with her head cut off). Things get more intense and strange as Smith continues wandering through the woods holding his head. It’s kind of weird, but the dark imagery and some of the effects gives it an imaginative look and feel. There’s quite a bit going on it may take you a few views to try to piece together what’s going on, but at least the video tries to be creative.

“Wrong Number” (1997)

Bad acid trip is the only way to describe what’s happening in this video. In their first collaboration with Tim Pope in seven years, this video centers around the bright colors mentioned in the song and slithering creatures, like snakes and worms. Everything else are just random clips spliced together of Smith getting married, joining forces with a witch doctor, and seemingly going crazy and crawling around on the floor. There are even scenes with random scary clowns and weird flying fish creatures with a human face. It’s a fucking mess. From the look in his eyes and the way he sweats, it looks like Smith himself is on some bad trip. It’s wild and weird, but one of their better later videos.

“Cut Here” (2001)

This video is simple, but it’s nicely done and feels appropriate for the somber song. The video uses a panoramic effect to show the band performing and switches to close ups on various members. Nothing else happens, but its sleek look, subtle effects, and simple concept makes it stand out. And since the song is about Smith’s friend Billy Mackenzie, who committed suicide in 1997, the bare bones video allows viewers to take in the lyrics instead of obsessing over the visuals.

“Taking Off” (2004)

One of their more playful videos, this one finds the band about the size of ants playing the song as large animals and butterflies roam around them. Think of it as Honey, I Shrunk the Kids meets The Cure. During the hook, Smith floats into the air closer to the sun only to drop back down and join the other members. The best part are Smith’s gestures as he’s more animated wiggling around and pounding his head to the beat of the song. It’s not their best or most creative video, but it’s pretty cute.

“The 13th” (1996)

Strange video for The Cure’s strangest single. It starts off with a battered and bruised Smith in a hotel bed trying to figure out where he is. He finds he’s in a motel with a smiling woman wearing a wedding dress. She dances and twirls trying to seduce him while he slowly tries to piece together what’s going on. Then it cuts to Smith playing with a Latin band on a Spanish variety show. The video goes back and forth between these two worlds as Smith becomes more and more enamored with the person in white. The clip ends with the person in his room and the woman he was previously singing with fighting. It really doesn’t make any sense. It’s entertaining, but at the same time you ask yourself why are these things happening. As a result it’s one of their most forgettable singles.

“The Only One” (2008)

Freakshow” (2008)

“Sleep When I’m Dead” (2008)

“The Perfect Boy” (2008)

These are all lumped together because they’re all pretty much the same: black and white performance videos. It’s just the band, miming the song in a studio setting with various close ups of each of the members. Maybe they were exciting when they first came out since it was their first new songs in four years, but now they’re kind of dull, especially to watch back to back. The only thing notable about these clips are the random faces Smith pulls off. It wouldn’t be so bad if the clips were varied, but they’re a carbon copy of each other. Hopefully, their future videos are more exciting.

“A Letter to Elise” (1992)

This is a straightforward performance video. The band mime the song on stage in what looks like sound check, with an occasional blue tint over them. Yeah, it’s pretty dull. Unless you’re a huge fan of this song there’s nothing much to keep you watching til the end. It’s so disappointing the final single from Wish got such a boring video, especially since the previous singles got really memorable clips. It’s no surprise to learn this clip was not directed by Tim Pope, which is a huge reason why it’s so forgettable.

“Gone!” (1996)

What is even happening in this video? What starts out looking like a standard in concert clip turns into a mess. The video switches between varying footage of the band on stage playing the song and footage of one of the members fixing the bus, one of them sleeping, and Smith sitting with older ladies having tea, which is the most memorable shot from the entire video. Smith tries to have some fun with it by doing his silly dancing and faces, but it doesn’t make the video anymore entertaining. It manages to be yet another forgettable clip from the Wild Mood Swings era.

“Mint Car” (1996)

Robert Smith stumbles around in wacky costumes. That’s the entirety of this video. Smith goes from set to set in different outfits while singing the song. It seems like this clip is trying to capture that same fun, carefree vibe of “Friday, I’m in Love,” but it’s so easy to see through. This one feels forced and too scripted. Smith just looks unsure of himself most of the time. And it’s this video that made me realize how Tim Pope managed to capture all the members in the band. Later directors solely focused on Smith and that’s what happens here. Try to spot the other members. It’s pretty difficult if you ask me. But to top it all off the video ends with a shot of Smith staring into the camera taking off his coat. It wouldn’t be so bizarre if it didn’t look like it was better suited for the Backstreet Boys. Even though it tries really hard, it’s one of their worst videos.

“Just Say Yes” (2001)

Does anyone even remember this song? Another lackluster song gets a dull video. It’s hard to pick what’s more annoying: the unflattering close ups of Robert Smith or the singer Saffron, bouncing with energy not meshing with Smith’s subdued nature. This video is just the band singing the song and occasionally wearing funny costumes. But everything about it seems forced. Smith looks pained as he sings with Saffron and the other members don’t look all that thrilled to be there. This is one of the videos you wish you could forget.

Where did your favorite video end up on the list? How would you rank these videos? Let me know in the comments!