RIP

Playlist: Remembering Chris Cornell

Last month we lost one of the best voices in rock, Chris Cornell. The news came as a shock to fans and those who knew him best. Many are still trying to make sense of the situation and come to terms that he’s gone. He may no longer be with us, but at least we have the gift of his unforgettable music. Not only did he make wonderful music with Soundgarden and on his own, he recorded various covers throughout his career. Whether with Soundgarden or solo, Cornell gave us some of the most chilling and unforgettable covers reminding us why he was a phenomenal singer. To remember Cornell, let’s look at some of his best cover songs.

“Come Together” – Beatles cover from 

Soundgarden takes this psychedelic Beatles song and turns it into a gritty, dirty affair. They bring in the down tuned guitars, sludgy riffs, and screeching guitars, slowing things down and making everything heavy as hell. They manage to turn the song into a bonafide rocker making you want to bang your head and stick up those devil horns. If you didn’t know anything about The Beatles, you’d be convinced Soundgarden were the originators. It may be gritty, yet Cornell’s vocals keep the soulful vibe of the original.

“Whole Lotta Love” – Led Zeppelin cover from Guitar Heaven The Greatest Guitar Classics of All Time

When you get one of music’s greatest guitar players along with one of rock’s greatest vocalists, you know you’re in for something good. In 2010, Carlos Santana and Chris Cornell teamed up for a rousing cover of Led Zeppelin’s “Whole Lotta love.” While it’s very true to the original, you can’t deny how much it just fucking rocks. Santana lights up the guitar making the iconic riff sound sweeter and sexier. Cornell easily gives Robert Plant a run for his money. He hits every note perfectly reminding you what a great singer he was. The Led Zeppelin version will always be great, but Cornell and Santana almost have them beat with their cover. Why didn’t they do a whole album together?

“Billie Jean” – live Michael Jackson cover

Lots of artists cover this Michael Jackson hit, but no one else brings you to tears with it like Chris Cornell. With only his vocals and an acoustic guitar, his rendition is absolutely haunting. Cornell manages to bring out the underlying darkness of this song that you often forget once you hear that iconic beat. He sings the song as if he’s been through this hell himself. His vocal delivery is so powerful and so intense, it would bring tears to your eyes before his untimely death. Not to mention the violent way he plays the guitar rousing a great reaction from the crowd. It’s not only a memorable performance, it shows how versatile he was as a musician.

“Girl U Want” – Devo cover from “Outshined” single

For the b-side on the “Outshined” single, Soundgarden covered this frantic Devo track. They suck all the bouncy energy and fun vibe out of it and turn it into a sludge fest. Everything is slowed down and played heavily as if the guitar’s a sopping wet with mud. Their version is heavy and somewhat dark with the haunting way Cornell delivers the lyrics. It’s a far cry from Devo’s version; if it wasn’t for the guitar riff you wouldn’t even know they were the same song. They definitely stamped the song with their gritty, raw rock sound.

“Nothing Compares 2 U” – live Sinead O’Connor cover

Cornell had a knack for making his covers sound haunting and somber. So it’s surprising that he managed to make this Prince song sound even sadder. That’s not to say it isn’t lovely. The acoustic rendition is as beautiful as the original and Cornell’s gruff vocals are perfectly suited for the song. There’s even a country vibe to it at times, but it doesn’t last long. Since the instrumentation is subdued, it gives you the chance to hear his singing, which is mesmerizing. It’s enough to give you chills, especially with his untimely passing.

“Imagine” – John Lennon cover from Songbook

The thing about Cornell’s covers is they’re straightforward and simplistic, but it’s his voice that makes them outstanding. It’s no different with this John Lennon classic. This song always had a melancholic mood to it, but when Cornell sings it, it’s enough to break your heart. Here we get the best of both worlds; he gives us a taste of his gruff, powerful vocals he’s known for, but we mostly hear his softer, gentler crooning, which is beautiful. Again, he doesn’t try to make the song his own. Rather he adds his chilling vocals for an unshakeable effect.

“Waiting for the Sun” – Doors cover from Echo of Miles: Scattered Tracks Across the Path

For Soundgarden’s cover of this Doors song, things start out muted and somewhat psychedelic. Cornell sounds like he’s mumbling through the lyrics. Just when you’re ready to nod off, the band kicks into high gear and lets it rip. The distorted guitars, throbbing bass, and pounding drums add a much needed dose of adrenaline to the song. It takes a drug induced classic to something that kicks ass. Whenever you hear that brief pause before everything explodes you’re left waiting in anticipation, waiting for the sweet release. When it finally comes, it’s the most satisfying moment.

“Dear Prudence” – live Beatles cover

Cornell puts his spin on yet another Beatles hit. Cornell is known for his powerful vocals, but for this cover, we get to hear a softer side. With a gentle acoustic guitar setting the mood, Cornell croons this classic never missing a beat. He sounds downright sweet when he hits those high notes at the end of the verses. His quiet, subdued delivery makes the song beautiful. It shows Cornell’s impressive range; he had the chops to make us rock out, but his croons also bring tears to your eyes.

“Cop Killer” – live Body Count cover

Did Soundgarden really cover Body Count’s controversial 1992 song? It sounds too good to be true, but they actually did during one of their Lollapalooza sets. After an impassioned speech from Cornell about exercising your power and not letting others tell you what you can’t do, the band launches into the notorious song. Everything about the performance sounds mad as hell; Matt Cameron beats away at the drum as if trying to break them, while the guitars sound like they’re screeching on their last breath. Cornell gives it his all rallying the crowd for a call to arms. During an unforgettable break, Cornell reassures us the song’s not about killing others, it’s about fighting for your rights. He then launches into a “fuck the police” chant. It’s an exciting, heart-pounding moment that riles you up and gets you ready to fight. Too bad the performance hasn’t been cleaned up and remastered for an official release.

“Hotel California” – live Eagles cover

“Hotel California” is one of those songs everyone knows is good, but no one listens to thanks to the radio playing it to death. Cornell’s acoustic cover makes the song exciting again. It’s a simple, straightforward rendition, but as always, it’s Cornell’s vocals that take it to another level. The grittiness of his vocals makes it sound like he knows what this person’s been through. He adds this harrowing vibe to the song and makes it fresh again. His version reminds you how good the song is. He can’t outdo the original, but his version comes close.

“Thank You” – Sly and the Family Stone cover from John Peel BBC Session 

Soundgarden gets funky for this cover. With a thick bass groove that sounds like it’s summoning Flea, the band lays down a heavy dose of funk mixing it with their heavy, dirty sound. The result is a stellar cover that more people should be talking about. As soon as that opening riff hits and Cornell lets out that wild scream you can’t help but nod your head with an intense feeling of “hell yes!” The band leaves their unmistakable mark on the song, but they manage to keep the soul of the original. And just when you thought the song couldn’t get any sicker, bassist Hiro Yamamoto gives us a hot solo. It’s not only Soundgarden’s best cover, it’s one of the best cover songs out there.

“I Will Always Love You” – live Whitney Houston

You wouldn’t expect a rocker like Chris Cornell to cover this Whitney Houston classic. Performed during a 2012 concert, his version is stripped back with only him and his acoustic guitar. He doesn’t try any fancy tricks with it or even try to make it his own. He just sings it straight. It’s his honest, passionate delivery that makes it so great. Even though the poor audio quality of the Youtube videos, you can hear how amazing he sounds. He holds those soaring notes with ease and his vocals are just as powerful as Houston’s. Though you would expect the cover to make you sad after his death, in a weird way it’s reassuring as if it’s a message to fans and family. His love will always be with us through the music.

Thank you for the wonderful music, Chris Cornell. You won’t be forgotten.

Playlist: Remembering Prince

April 21, 2016, the world lost one of music’s iconic and talented musicians, Prince. He was truly a legend who left a huge impression on music with his style, songs, and vision. He was a versatile artist who constantly pushed boundaries and challenged perceived notions of music. Since he was bigger than life, even though he only stood 5’3, you don’t picture him working with a lot of other artists or even performing covers. His music is so good, why should he play other people’s songs? But, surprisingly, Prince extended himself to various musicians and created memorable, yet underrated duets. At the same time, he also put his funky, sexy spin on songs you’d never guess he’d play. So let’s remember the late Prince by looking back at some of his most notable duets and covers.

“Love Song” – Madonna + Prince

When listening to Madonna’s landmark album Like a Prayer it’s easy to gloss over this smoldering track. The sexy ballad features the two music icons being seductive with one another. It’s a smooth, sexy track meant to put you in the loving mood. So how did the two end up working together? “We were friends and talked about working together, so I went to Minneapolis to write some stuff with him, but the only thing I really dug was ‘Love Song’ […]” With its funky groove and steamy lyrics, it’s more of a Prince song. It sounds like something that belongs on one of his albums and doesn’t mesh well with the pure pop of the rest of the album. You would think a song featuring two of the biggest acts of the 80s would get more attention. But the track couldn’t really compete with massive singles “Like a Prayer” and “Dear Jessie.”

“Creep” – Radiohead

You don’t expect someone like Prince to do too many covers, especially considering how many hits he has in his catalog. But during his headlining set at 2008 Coachella, he pulled out a number of them. He played The Beatles’ “Come Together,” Santana’s “Soul Sacrifice,” The B-52’s “Rock Lobster,” and Sarah McLachlan’s “Angel.” But the most talked about moment was his blazing cover of Radiohead’s “Creep.” Though the elements of the original are there, he turns the track into something completely his own. When he pulls out the extended solos and falsetto vocals, it doesn’t even sound like the same song. It’s amazing to listen to especially since he never played any of the band’s songs before. But of course, Prince wasn’t happy when footage of the cover went live online. He ordered the video to be taken down, which Radiohead reverted since it’s their own song.

“Waiting Room” – No Doubt + Prince

This is another unexpected Prince collaboration. Found on No Doubt’s Rock Steady, it’s got a bit of groove, it’s kind of soulful with a dash of synth and pop. Thanks to Prince’s work on the track, it sounds nothing like the band’s previous or later material. Apparently, Prince agreed to work on the track as a favor to the band since Gwen Stefani appeared on his track “So Far, So Pleased.” They sent him the track and he completely rewrote it. His influence can be heard all over the song. If it wasn’t for Stefani’s lead vocals, you would swear it’s a Prince song. It’s one of the weirder, yet satisfying options from No Doubt’s 2001 album.

“Best of You” – Foo Fighters

Prince’s 2007 Super Bowl Half-Time performance was the first time I realized just how versatile and insanely talented he was. We know how hard Prince rock’s his own material, but not too many other songs. That changed when he busted out renditions of “Proud Mary,” “All Along the Watch Tower,” and Foo Fighter‘s “Best of You.” You wouldn’t expect to hear falsetto shrills in a Foo Fighters song, but Prince truly made that track along with the others he featured all his own. He infused them with his attitude, flair, and a healthy dose of soul like no one else ever could. Though some people didn’t think he was worthy of handling the show, his performance is still hailed as one of the best in Superbowl history. Watching it now, it still gives you chills, especially when he busts out “Purple Rain” during an epic downpour.

“A Love Bizzare” – Shelia E + Prince

Prince was so unique and had a style unlike any other that his essence pours out of every song he writes. This duet with his protégé Shelia E, features the Purple One on background vocals and on bass. But even though Shelia E is the focus of the song, it’s undeniably a Prince song. With its upbeat funky groove, irresistible hook, and sultry lyrics it could’ve come from any of his albums. Though his contribution is kind of downplayed on the studio version, the live version has his flamboyance all over it. Like so many of his tracks, this one is fun, energetic, and sexy. Then again, what Prince song isn’t sexy?

“Every Day is a Winding Road” Sheryl Crow + Prince

Any artist collaborating with Prince should know once he makes an appearance, he steals the show. That’s what happened during this live collaboration with Sheryl Crow. The two performed a hard-edge version of her hit “Every Day is a Winding Road.” Prince does backup vocals and shreds away on his iconic guitar. Shortly after this performance, Prince recorded his own version of the track for this 1999 album Rav Un2 The Joy Fantastic. If you’re lucky enough to find this version, you’ll find a completely different song. It’s funky, slinky, and downright sexy, which you don’t expect from a Crow song. It’s soulful and makes you want to dance. The cover is so good, Crow should hand it over to Prince to be rightfully his. On the same album, the two collaborate on the track “Baby Knows,” which has this cool rock, funk swing to it. If you want to hear it, you better pick up the record; they’re impossible to find online.

“Why Should I Love You?” – Kate Bush + Prince

Kate Bush is an iconic figure in alt rock. Her music is often dreamy, otherworldly, and elegant. So it’s a bit unexpected to learn she worked with Prince. The song, which appeared on her comeback album The Red Shoes, starts out with an air of whimsy and airy and quickly turns into a Prince jam. Seems to be the usual pattern with Prince collaborations. Apparently, Bush sent him the track back in 1991 so he could add background vocals. He not only added vocals but a lot of instrumentation. Since it sounded so different, Bush wasn’t sure what to do with it. They worked on it for two years trying to make it fit Bush’s sound. Clearly, it didn’t work.

“A Case of You” – Joni Mitchell

Prince is known for his sexy, funky style, but on this Joni Mitchell, we get to hear a different side. While it still has an air of sensuality, the track is absolutely gorgeous. It’s an intimate moment with Prince and a piano that’s unforgettable. Hearing his soaring falsetto vocals and the classy tinkling piano keys leave you in awe. We all know Prince was such an amazing guitar player, it’s often easy to forget what a versatile musician he was. This cover shows the beauty and elegance he could add to songs, whether they were his or not. This version is a stark difference from Mitchell’s original folk stylings.

“Love is a Losing Game” – Amy Winehouse + Prince

This haunting and somber track from Amy Winehouse’s final album Back to Black, received the Prince treatment several times live. Footage of this is difficult to find, but luckily, the two eventually teamed up for a powerful rendition of the song. Winehouse joined Prince onstage in 2007 during his final show at London’s O2 Arena. He leaves her to take care of the vocals while he tears it up on guitar. In case you forgot what a badass he is on guitar, you’re quickly reminded on this track. It’s an unforgettable collaboration, though you can’t help but feel a little sad since both musicians passed on unexpectedly.

“Honky Tonk Woman” – Rolling Stones

Prince started performing this song live in 1993, but his version was never officially released. Previously, it could only be found on the Japanese version of The Undertaker. The cover received a wider release when Warner Bros. shared rehearsal footage of Prince performing the track shortly after his death. He turns the song into a scorching number with meaty guitars and a bad ass solo. If you needed more proof of what a genius Prince was at playing guitar, just watch this video where he shreds away with an “I make this look good” look on his face.

“Give Em What they Love” – Janelle Monae + Prince

Prince doesn’t easily hand out compliments and didn’t hide it when he didn’t like someone. But he did admire Janelle Monae, who looked up to him. Luckily, the two worked together for this track from Monae’s second album, The Electric Lady. Not only does Prince play guitar, he also provides co-lead vocals on the track. The song is already is already hot with Monae’s passionate vocals and seductive demeanor. But having Prince sing his signature falsetto makes the track even sexier. Plus, it’s funny to hear Prince utter the term “chicken head.” It’s funky, has a healthy dose of attitude, and makes you feel sexy as hell.

“One of Us” – Joan Osbourne

Prince covered Osbourne’s sole hit for his 1996 album, Emancipation and played it live in concert. With this track, he takes you to church. His soulful delivery, cries for the crowd to join him, and his passionate singing makes it feel like you’re in the middle of a sermon. You want to close your eyes, sway your arm in the air, and shout “preach!” as he’s singing. While there’s nothing wrong with the original, Prince’s version is superior especially with the fiery guitar solo that gives it an extra edge. He even uses the track to take a dig at his former label, Warner Bros. by changing the line “Just a slob like one of us” to “Just a slave like one of us.” This shows if Prince had a problem with you, he’d let you know it in the sassiest way.

“Shhh” – Tevin Campbell

There’s no question about it; Prince was a sexy mother. Just about everything he did dripped with sex. He does the impossible on this Tevin Campbell cover; inject a song that’s about getting in on and make it 100 times dirtier. No, he doesn’t change any lyrics or anything like that. It’s all in his over the top delivery. Hearing his falsetto cries of pleasure you’d swear he was having sex while recording the song. If that wasn’t enough to get you hot and bothered, the blazing guitar solo will do the trick. He takes a typical 90s slow jam and turns it into a sex romp. Only Prince could somehow make a sexy song even sexier.

“Crimson and Clover” – Tommy James and the Shondells 

If you thought Joan Jett made this song rock, you haven’t heard Prince’s version. For the most part, it’s a straightforward cover with Prince being playfully coy during the breakdown of “I think I love you” and blowing kisses into the mic. It’s not until the solo where he makes this song sizzle. In case you needed a reminder what an awesome guitar player he was, Prince make sure you remember with this performance. He makes the guitar burn and blaze like he’s Jimi Hendrix. It leaves you stunned the way he makes the guitar whine, scream, and trill. The cover appeared on his album LOtUSFLOW3R, but it’s his performance of the track on Ellen that gets a nod here.

Which ones of these Prince covers/duets is your favorite? Which ones did I miss? Let me know in the comments!

 

Kurt Cobain 1967-1994

April 5- April 8 marks the 18 anniversary of the death of Kurt Cobain. In order to honor his memory for the next few days there will be reviews, lists, and articles related to Cobain and Nirvana. Fans please share your thoughts and memories about the band and the man. It doesn’t matter whether you’ve been loyal to the group since 1991 or if you’re a new fan tell us your best memories of the band. Where were you when you heard Cobain died? What’s your favorite song? Suicide or murder? Let’s honor his memory together.