Michael Jackson

Playlist: Room Service

Hotels can be strange places. While they can represent a lavish lifestyle and living in the lap of luxury, they’re also mysterious, unsettling, and creepy. Why else do you think so many horror movies take place in them? Musicians spend most of their time in and out of hotel rooms around the world, so there are plenty of songs about hotels out there. While some of them view the hotel as a place of comfort or even a wild night, others see it as something mysterious and unnerving. Here are some of the more notable songs about hotels and what happens behind closed doors.

“Hotel Yorba” – The White Stripes

This early White Stripes song features the name of a real hotel in the band’s hometown of Detroit. They actually recorded the single version of this song in room 206 of the hotel. When they wanted to film the video inside the hotel, they weren’t allowed to and used various exterior shots instead. Upon initial release, the song was a hit in England before it was embraced stateside. Now, it’s considered a fan favorite, though for some reason I always disliked this song. Something about the bluegrass and the jaunty melody of the “1, 2, 3, 4” hook was annoying to me.

“Room 13” – Black Flag

Here we see a man on the brink of losing control. He’s at the point of snapping and is not sure whether or not he can make it in the world. At the same time, he wants to live and keeps begging for someone to “keep me alive/I don’t know if I can do it.” The song is brash, in your face, and outright brutal, much like Black Flag themselves. Not only is the song aggressive it leaves you wondering, what the hell is room 13? It’s never mentioned and leaves your mind to wander. Is it part of an insane asylum or prison? We’re never sure. All we know for sure is this guy is about to lose it.

“Hotel” – Cassidy ft. R. Kelly

Anybody actually remember the rapper, Cassidy? Probably not, but in 2003 he had one of the hottest hip hop songs. With R. Kelly by his side, Cassidy talks about using lush hotels to hold lavish parties and convince hotties to creep up to his hotel room. It’s similar to Chingy’s “Holidae In” and Cassidy knows this as he makes references to both that song and the iconic “Rapper’s Delight.” Honestly, it sounds like your typical rap song, but what made this one a hit was the unforgettable hook. Even if you didn’t really like the song you couldn’t help but sing the R. Kelly laced hook. You gotta admit, the man knows how to make earworm hooks.

“Room 21” – Hinder

I always saw Hinder as a sleazy band and they prove it with this song.  Sounding like a Motley Crue song, the band talks about being seduced by an irresistible woman and having a wild night in room 21. When the guy comes to the next morning, the mysterious woman is gone. He’s been used, but it was so good he doesn’t care. It’s the classic tale of excess, sex, and partying. It’s clearly meant to be a fun night to remember instead of a cautionary tale like the other songs on this list.

“Heartbreak Hotel (This Place Hotel)” – Michael Jackson

One of Jackson’s best and underrated songs, it’s about a strange hotel designed to break up couples. In it, the protagonist talks about taking his lover to what he thought would be a romantic night out and instead ends in heartache. The hotel implants two women in his room implying he’s cheating on his lover. He can’t convince her otherwise and he’s left alone. The upbeat music, Jackson’s wails, and the catchy hook distracts you from how weird this song is. A hotel made to break up couples? Just shows you never know what’s happening behind closed doors. To make the song even stranger the song title was later changed to “This Place Hotel” to avoid confusion with the Elvis Presley song.

“Room 309” – Creeper

If you’ve been following Creeper, then you’d know about the major story running across two EPs and their debut album. In a nutshell, the story follows the Callous Heart cult, the stranger, and paranormal investigator James Scythe trying to piece it all together. Room 309 is where James stays at The Dolphin Hotel in Southampton, UK. The story is so massive, it’s best to you check it all out here. As for the song itself, it’s one of the heaviest on the album and packs a major punch, showing off Creeper’s heavier side.

“Twilight Hotel” – Quiet Riot

This quintessential 80s rock band takes us to the titular hotel where “anything goes” and your wildest fantasies will be fulfilled. Frontman Kevin DuBrow sings about a “secret rendezvous” in this place that seems too good to be true. Even though it holds unbridled pleasures, there’s still an air of apprehension about the place. Appearing on their third album, QIII, the song is a typical rock ballad filled with big hooks and shredding guitars. Surprisingly, it’s not as sappy or cheesy as other ballads of the era.

“Room 409” – Bullet For My Valentine

Sometimes you don’t want to know what’s waiting for you in a room as this Bullet song explains. Frontman Matt Tuck sings about a guy walking into Room 409 and finding his girlfriend with another man. Rather than walking out the door, he goes in upset and ready to unleash his violent rage. It’s clear things aren’t going to end well with Tuck singing “[You] said his name and I came in your direction /Now I can choose what to do with both of you.” This territory isn’t new for Bullet. They have lots of songs about getting revenge on a cheating lover, but this one is probably their best.

“Chelsea Hotel #2” – Leonard Cohen

There are plenty of songs about the infamous Chelsea Hotel, but this one is about a once in a lifetime meeting. In 1968, Leonard Cohen was staying at the New York hotel working on his music. At 3 AM he ran into a woman in the elevator and proceeded to strike up a conversation. Turns out, the woman was none other than Janis Joplin. They apparently spent the night together, but their affair would be forgotten in the morning. Cohen penned this song about their meeting in 1971 not too long after her death. It’s a bittersweet account of a night spent together that’s all too fleeting.

“Hotel California” – The Eagles

The mother of all hotel songs. You can’t have a hotel playlist without this Eagles classic.

Playlist: Remembering Chris Cornell

Last month we lost one of the best voices in rock, Chris Cornell. The news came as a shock to fans and those who knew him best. Many are still trying to make sense of the situation and come to terms that he’s gone. He may no longer be with us, but at least we have the gift of his unforgettable music. Not only did he make wonderful music with Soundgarden and on his own, he recorded various covers throughout his career. Whether with Soundgarden or solo, Cornell gave us some of the most chilling and unforgettable covers reminding us why he was a phenomenal singer. To remember Cornell, let’s look at some of his best cover songs.

“Come Together” – Beatles cover from 

Soundgarden takes this psychedelic Beatles song and turns it into a gritty, dirty affair. They bring in the down tuned guitars, sludgy riffs, and screeching guitars, slowing things down and making everything heavy as hell. They manage to turn the song into a bonafide rocker making you want to bang your head and stick up those devil horns. If you didn’t know anything about The Beatles, you’d be convinced Soundgarden were the originators. It may be gritty, yet Cornell’s vocals keep the soulful vibe of the original.

“Whole Lotta Love” – Led Zeppelin cover from Guitar Heaven The Greatest Guitar Classics of All Time

When you get one of music’s greatest guitar players along with one of rock’s greatest vocalists, you know you’re in for something good. In 2010, Carlos Santana and Chris Cornell teamed up for a rousing cover of Led Zeppelin’s “Whole Lotta love.” While it’s very true to the original, you can’t deny how much it just fucking rocks. Santana lights up the guitar making the iconic riff sound sweeter and sexier. Cornell easily gives Robert Plant a run for his money. He hits every note perfectly reminding you what a great singer he was. The Led Zeppelin version will always be great, but Cornell and Santana almost have them beat with their cover. Why didn’t they do a whole album together?

“Billie Jean” – live Michael Jackson cover

Lots of artists cover this Michael Jackson hit, but no one else brings you to tears with it like Chris Cornell. With only his vocals and an acoustic guitar, his rendition is absolutely haunting. Cornell manages to bring out the underlying darkness of this song that you often forget once you hear that iconic beat. He sings the song as if he’s been through this hell himself. His vocal delivery is so powerful and so intense, it would bring tears to your eyes before his untimely death. Not to mention the violent way he plays the guitar rousing a great reaction from the crowd. It’s not only a memorable performance, it shows how versatile he was as a musician.

“Girl U Want” – Devo cover from “Outshined” single

For the b-side on the “Outshined” single, Soundgarden covered this frantic Devo track. They suck all the bouncy energy and fun vibe out of it and turn it into a sludge fest. Everything is slowed down and played heavily as if the guitar’s a sopping wet with mud. Their version is heavy and somewhat dark with the haunting way Cornell delivers the lyrics. It’s a far cry from Devo’s version; if it wasn’t for the guitar riff you wouldn’t even know they were the same song. They definitely stamped the song with their gritty, raw rock sound.

“Nothing Compares 2 U” – live Sinead O’Connor cover

Cornell had a knack for making his covers sound haunting and somber. So it’s surprising that he managed to make this Prince song sound even sadder. That’s not to say it isn’t lovely. The acoustic rendition is as beautiful as the original and Cornell’s gruff vocals are perfectly suited for the song. There’s even a country vibe to it at times, but it doesn’t last long. Since the instrumentation is subdued, it gives you the chance to hear his singing, which is mesmerizing. It’s enough to give you chills, especially with his untimely passing.

“Imagine” – John Lennon cover from Songbook

The thing about Cornell’s covers is they’re straightforward and simplistic, but it’s his voice that makes them outstanding. It’s no different with this John Lennon classic. This song always had a melancholic mood to it, but when Cornell sings it, it’s enough to break your heart. Here we get the best of both worlds; he gives us a taste of his gruff, powerful vocals he’s known for, but we mostly hear his softer, gentler crooning, which is beautiful. Again, he doesn’t try to make the song his own. Rather he adds his chilling vocals for an unshakeable effect.

“Waiting for the Sun” – Doors cover from Echo of Miles: Scattered Tracks Across the Path

For Soundgarden’s cover of this Doors song, things start out muted and somewhat psychedelic. Cornell sounds like he’s mumbling through the lyrics. Just when you’re ready to nod off, the band kicks into high gear and lets it rip. The distorted guitars, throbbing bass, and pounding drums add a much needed dose of adrenaline to the song. It takes a drug induced classic to something that kicks ass. Whenever you hear that brief pause before everything explodes you’re left waiting in anticipation, waiting for the sweet release. When it finally comes, it’s the most satisfying moment.

“Dear Prudence” – live Beatles cover

Cornell puts his spin on yet another Beatles hit. Cornell is known for his powerful vocals, but for this cover, we get to hear a softer side. With a gentle acoustic guitar setting the mood, Cornell croons this classic never missing a beat. He sounds downright sweet when he hits those high notes at the end of the verses. His quiet, subdued delivery makes the song beautiful. It shows Cornell’s impressive range; he had the chops to make us rock out, but his croons also bring tears to your eyes.

“Cop Killer” – live Body Count cover

Did Soundgarden really cover Body Count’s controversial 1992 song? It sounds too good to be true, but they actually did during one of their Lollapalooza sets. After an impassioned speech from Cornell about exercising your power and not letting others tell you what you can’t do, the band launches into the notorious song. Everything about the performance sounds mad as hell; Matt Cameron beats away at the drum as if trying to break them, while the guitars sound like they’re screeching on their last breath. Cornell gives it his all rallying the crowd for a call to arms. During an unforgettable break, Cornell reassures us the song’s not about killing others, it’s about fighting for your rights. He then launches into a “fuck the police” chant. It’s an exciting, heart-pounding moment that riles you up and gets you ready to fight. Too bad the performance hasn’t been cleaned up and remastered for an official release.

“Hotel California” – live Eagles cover

“Hotel California” is one of those songs everyone knows is good, but no one listens to thanks to the radio playing it to death. Cornell’s acoustic cover makes the song exciting again. It’s a simple, straightforward rendition, but as always, it’s Cornell’s vocals that take it to another level. The grittiness of his vocals makes it sound like he knows what this person’s been through. He adds this harrowing vibe to the song and makes it fresh again. His version reminds you how good the song is. He can’t outdo the original, but his version comes close.

“Thank You” – Sly and the Family Stone cover from John Peel BBC Session 

Soundgarden gets funky for this cover. With a thick bass groove that sounds like it’s summoning Flea, the band lays down a heavy dose of funk mixing it with their heavy, dirty sound. The result is a stellar cover that more people should be talking about. As soon as that opening riff hits and Cornell lets out that wild scream you can’t help but nod your head with an intense feeling of “hell yes!” The band leaves their unmistakable mark on the song, but they manage to keep the soul of the original. And just when you thought the song couldn’t get any sicker, bassist Hiro Yamamoto gives us a hot solo. It’s not only Soundgarden’s best cover, it’s one of the best cover songs out there.

“I Will Always Love You” – live Whitney Houston

You wouldn’t expect a rocker like Chris Cornell to cover this Whitney Houston classic. Performed during a 2012 concert, his version is stripped back with only him and his acoustic guitar. He doesn’t try any fancy tricks with it or even try to make it his own. He just sings it straight. It’s his honest, passionate delivery that makes it so great. Even though the poor audio quality of the Youtube videos, you can hear how amazing he sounds. He holds those soaring notes with ease and his vocals are just as powerful as Houston’s. Though you would expect the cover to make you sad after his death, in a weird way it’s reassuring as if it’s a message to fans and family. His love will always be with us through the music.

Thank you for the wonderful music, Chris Cornell. You won’t be forgotten.

Top 10 Videos that Scared Me as a Kid

Image result for thriller michael jackson yellow eyes

Let’s face it, as a kid the silliest things can scare us. Anything from trees to weird looking food could scare our pants off. Like most kids of the 90s, I watched a lot of television. There was a point where I ventured away from Nickelodeon to MTV. Most of the videos had no effect on me. Some of them I even liked (“Smells Like Teen Spirit”), but then there were the “scary” ones. Videos I had no business watching, yet kept my eyes glues to the screen until it scared me. Looking back at these ten clips now, none of them are scary in the least, not even disturbing. Then again, I was only a dumb kid then. So let’s take a look at the top ten videos that scared my pants off as a kid.

10. “Nothing Compares 2 U” – Sinead O’Connor

There’s a subtle beauty to this video that makes it timeless. The concept is simple: O’Connor lets her haunting vocals carry the video mixed with gothic imagery of her walking through a cemetery. Pretty tame. But the one part that I still remember freaking me out comes at the very end. It’s a brief flash of what looks like a skeleton. Looking at it now, I think it’s an intricate headstone, but the face still looks like a skull. Being so young and not able to grasp the thought of death, this scene horrified me. Keep in mind, at the same time I thought the Crypt Keeper was pretty cool. Yeah, I was a weird kid. Now, I wouldn’t call the image scary at all. It just has a morbid beauty to it I can fully appreciate.

9. “Role Model” – Eminem

Similar to the “My Name Is” video, this one is a barrage of various images and situations featuring the rapper meant to shock viewers. Nothing about this video is scary or even disturbing in the least aside from how much of the song is missing when watching the clean version. So why did I cringe when I watched it as a kid? The damn ending where Eminem, after attempting a Houdini-like escape attempt, fails. The video ends with his lifeless body swinging in the water as the crowd looks on in disgust. This mixed with the sepia silent movie effects (some of those still creep me out) was enough to make me skip this video. I can’t really explain it. I just remember hating this part of the video whenever I saw it and I did my best to change the channel before it ended.

8. “Nookie” – Limp Bizkit

I didn’t really know what to think of Limp Bizkit when they invaded my daily TRL watching in the late 90s. I remember thinking how dumb this song was and wondering what the fuck cookies had to do with the nookie anyway. But the one thing I will always take away from this Limp Bizkit song is the video. The majority of the clip is pretty tame and predictable. It’s Wes Borland that freaked me out. When he cocked his head to the side and stared into the camera with those soulless eyes, I shivered. I’ve never seen someone with pure black eyes and no pupils. Of course, now I know it was just contact lenses. Still, it shook me enough to where I closed my eyes whenever the video came on. Why didn’t I just change? Well, I didn’t want to miss my daily dose of Nsync and BSB.

7. “Waterfalls” – TLC

I was a huge fan of TLC when I was younger and seeing as this was one of the best videos of the 90s, it was always on MTV. Sure, some of the graphics are outdated now, but it’s still an iconic clip. Yet, I hated watching it. Why? Because of how fucking depressing it is. First, we see a young boy killed in blood and his mother a ghostly figure crying over him. Then, we see a man fade from existence through an unknown case of AIDS. By the end of the video the boy tries to reunite with his mother and the woman who infected her lover, is gone as well. I get it, the video is supposed to leave impact with its message. But I was five at the time. And yeah, I probably shouldn’t have watched it. But those two scenes scared me even if I didn’t fully understand what they meant. Sometimes TLC were a little too good at getting their messages across as this isn’t the last time they spooked me out.

6. “The Way I Am” – Eminem

I probably shouldn’t have been listening to or watching Eminem at 12 years old, but I did and yes, my mom thought it was fine. Very little about this video is scary; it’s kind of disturbing, but there’s nothing outright horrifying about it. I remember actually enjoying it and being confused by Marilyn Manson in the background. Was it really him or not? After all, Em did previously portray the rocker in “My Name Is.” The thing that freaked me out was the end when the rapper is about to make contact with the concrete. It was at that second that I realized what he was doing. I flinched and closed my eyes not wanting to see the awful splatter. And the ground turns to rubber. Eminem is okay. I let out a sigh of relief. The fact that two Eminem videos scared when I was young was probably a punishment for listening to his music in the first place.

5. “Gimme Some More” – Busta Rhymes

The weird thing about this video is at the time I only saw about five seconds of it. It was some sort of countdown on MTV or maybe it was the VMAs, doing a recap of videos. It flashed to a clip of this song where it focused on the blue, yellowed eyed creature that terrifies the woman in the video. It’s actually not a surprise this one scared me as a kid; the monster is still freaky looking today. Still, it’s something I’ll always remember as shaking me to my core. From then on I associated Busta Rhymes with scary videos. Now….not so much.

4. “Thriller” – Michael Jackson

This video has scared all of us at some point in our lives. Though it’s a timeless clip and still outstanding by today’s standards, it’s not exactly scary. I wasn’t even that afraid of it when I first saw it at 5 years old. Despite this, there were still bits that creeped me out. One thing that always unnerved me was the heavy breathing during the title card. I always found it weird and knew it signaled bad things to come. The part where Jackson transforms into the werecat looks a bit dated, especially the parts featuring a static dummy head. But the part that always made me jump was him screaming “Go away!” with the sharp teeth sticking out of his mouth. Though I always expect it now, when I was little I somehow forgot it was coming and it always scared me. The zombies for the most part I thought were cool, except for two specific ones. First, the one that comes strolling out of mausoleum door, whites of his eyes showing. Then the one with blood spilling of its mouth. Both of these zombies freaked me out. And the way the latter one smiles after the blood spills, just makes it all the more creepy. It still freaks me out a bit now.

3. “Unpretty” – TLC

Similar to “Waterfalls,” TLC aims to promote a positive message of loving yourself and not letting anyone else make you feel ugly. Sounds good, so what about the video is terrifying? The part where a woman gets her silicone implants removed. When I first saw the doctor remove the silicone and the pained expression of the girl, it gave me chills. Every other time I saw the video I shut my eyes right as Chili steps into the hospital. TLC spares no one and shows the painful removal up close trying to teach young girls a lesson. And at least for me, it fucking worked. Even watching it now after not seeing the video in years it made me cringe. I forgot how graphic the scene was and it’s disturbing as hell. I never thought a TLC video would leave me scarred for life.

2. “Tourniquet” – Marilyn Manson

As much as I love Marilyn Manson now, I thought he was the creepiest dude when I was ten. I still remember finding my brother’s copy of Mechanical Animals and being utterly confused by the cover. As if that wasn’t bad enough, I accidentally saw this video while watching Celebrity Deathmatch. After Manson won against Charles Manson, they decided to show this clip. And man did it give me nightmares. Though it’s now one of my favorite videos, I still don’t know what the hell is going on. Manson’s movements along with black eyed semi-human/semi-mannequin creatures scared the piss out of me. But it still intrigued me; I’d never seen anything like it before. When I saw the video again, I watched while covering my eyes and peeking out every now and then. Years later, I turned into a dedicated fan. Gotta admit I didn’t see that one coming.

1. “Oh Father” – Madonna

I’ve talked about how accidentally terrifying this video is in the past, so I’ll be brief about it here. I saw this video at a very young age and when it reached the part where the little girl, who is supposed to be Madonna, reaches her mother in the casket terrified me. Not because she was dead, but because of the fucking close up of her lips sewn shut. It’s not grotesque and it doesn’t even stay on the screen that long. But it was enough to disturb me and haunt me ever since. Because of that scene, I rarely revisit the video. It still gives me the chills today. The rest of the video is beautiful and timeless. Yet, that one scene has stayed with me for years. For that reason along it gets the top spot.

Did any of these videos scare you as a kid? What videos gave you chills? Let me know in the comments!

Paradise – Con Brio

 

Release Year: 2016

Rating: 8.5/10

I learned about this funky band when I went to Lollapalooza this year and caught their set. I’ve been singing their praises ever since. Based out of California, Con Brio, which means “with spirit” in Spanish, is a funk/R&B/soul band that are all about loving life and having a good time. They channel this feeling into their funky debut album Paradise. From start to finish the album keeps you going and leaves you with a big smile on your face. After hearing the record, you’ll be convinced Con Brio is the next great band in music.

The album is a funky jam from start to finish. Each song is filled with brassy horns, groovy bass, and hot guitar licks. “Paradise” kicks things off on a slow note. The guitar riff rips into the track inviting listeners on this musical journey. The horns come in one by one to beef up the sound completing the bluesy vibe. Just when you thought it couldn’t get any hotter, Ziek McCarter’s passionate vocals hit you. After one verse you’re ready to fly with him to what he calls paradise. From there, everything is a party. “Liftoff” is the epitome of funky. As soon as the opening note plays, it gets you grooving. It’s so upbeat and energetic, you’re ready to party like it’s a Friday night. And you can’t help but smile as McCarter here sings “Because nothing here can hold our spirits down.”

Even though most of the songs are funky, “You Think This is a Game?” is a bit different. It still has that funky groove and bluesy mood, but McCarter has a spoken word style. The way he raps over the music makes it seem like he’s at a slam poetry contest. It’s a bit jarring, especially when all the music clashes at the end, but it’s an interesting sonic experiment. Aside from getting down and grooving to the beat, Con Brio’s music is uplifting. Many of their songs spout positive messages about loving yourself and loving each other, something that’s easy to forget during these times.

Free & Brave” offers a comment on society and the Black Lives Matter movement. The opening verse references the deaths of Trayvon Martin and Martin Luther King, making you think it’s going to be a negative outlook on the world. Instead, Con Brio uses the song to say people have to keep going despite these tragic events. The message of the entire song is though the world gets shitty, we’re still free and in control of our destiny. We still have to believe that things will get better. The band gets harder and heavier on “Hard Times.” This fusion of rock and funk has a message of sticking together and reaching out to one another to get through hard times. It’s a great reminder that we still need each other even when everything looks bleak. It’s a reminder that we don’t have to go through this alone.

Another song with an optimistic message and my personal favorite is “Money.” Not only is it upbeat, funky, and made for dancing, it’s about not letting money rule you. It’s so easy to get wrapped up in work and focusing on making money to live. With this song McCarter reminds us it’s not all about work; we need play time too. He also sings “When you’re stretched out, all stressed out/Knowin somethin ain’t right, and you’re left out/Can’t let that 9-5, put a seatbelt on my mind.” It’s a great message to those who aren’t satisfied with working any old job and want to follow their dreams for the career they really want. Money is necessary, but we don’t have to let it take us over as Con Brio reminds us.

When they’re not grooving or spouting good life messages, Con Brio are romancing listeners with their sexy slow jams. “My Love” is a soulful gem made for romantic nights. Though it’s a little too slow for my tastes, it’s a good song and doesn’t hold back on the funky music. The same goes for the mid-tempo “No Limits,” which is slinky and slick. Both songs do a great job showing off McCarter’s vocals. There’s no doubt he’ll bring up comparisons to Michael Jackson, but his voice is still powerful enough to give you chills. And when he busts out the falsetto, it’s enough to make you swoon. He has one of those voices where when he’s feeling a song, he goes all the way making you screaming “Sing it, baby!” “Honey” is another soft, mid-tempo jam where McCarter spreads the love. The acoustic guitar and McCarter’s gentles vocals make the song relaxing and soothing. Some lyrics like “You can be such a busy bee, but save a little honey for me/I can be such a busy bee, but I’ll save my honey for thee/We can both be the busy bee and save a lil honey while we,” are kind of cheesy, but they’re forgivable. It’s still a sweet, sentimental track.

If you need an album to kick up your feet and unwind to, then this is it. Every one of Con Brio’s songs are filled with positive messages about loving life, yourself, and not letting the small stuff get you down. The entire album is full of optimistic messages, which we all need every now and then. The music is fun, upbeat, and will keep you dancing. Something about their music is so infectious even if you’re not the biggest fan of funk and soul. With their passionate playing and Ziek McCarter’s seductive, soaring vocals the band stand out as one of a kind. Put on Paradise when you need a pick me up or just want to dance. Let the music wash over you and let Con Brio’s songs take you to your own version of paradise.

Playlist: Rock Duets

Sometimes a duet is the best thing in the world. Other times, it’s a disaster. But it always leaves memorable stories. There’s something about two huge musicians getting together to create music that’s thrilling and exciting. Pop music is full of countless duets, but they don’t seem as popular for rock music. They certainly exist; they’re just not as abundant as they are in pop music. So let’s look at some of the most notable and popular duets in rock music. For the purpose of this playlist, a duet is a song where both artists have an equal amount of time on the track.

“Close My Eyes Forever” – Lita Ford and Ozzy Osbourne

This is probably the most famous rock duet. The song, which apparently came about as an accident according to Sharon Osbourne, was the third single for Lita Ford’s self-titled debut album. With sappy lyrics and a blazing guitar solo, it’s no different from the many power ballads of the era. Ozzy’s haunting vocals do add an eerie touch to the song, but it’s still pretty cheesy. Though I love Osbourne, I never liked this song. It’s too slow for my tastes and is just corny. Then again, I’d be hard press to find one power ballad from the 80s I actually like. Still, this single stands out as one of the most notable duets in rock music.

“Love Interruption” – Jack White and Ruby Amanfu

The music world went a little nuts when Jack White announced a solo album only a year after the White Stripes ended. The debut single “Love Interruption” wasn’t what people expected. There were no roaring riffs and White screaming over screeching guitars. Instead, the song is mellow, subdued, and a bit cynical. Though White could’ve easily carried the song himself, the addition of Amanfu’s smoky vocals adds an understated sensuality to the song. Something about her voice adds a raspy, soulful nature that would’ve been missing otherwise. I actually think it’s one of the strongest tracks from Blunderbuss and serves as a reminder love isn’t always pretty.

“Dancing in the Street” – Mick Jagger and David Bowie

Two of music’s iconic artists, what could go wrong? To be fair, the cover itself isn’t that bad. There’s nothing particularly special about it, but it’s fun at least. Yet, the music video will go down in infamy. It’s unbelievably bad. Jagger exaggerates everything from his facial expressions to his seizure inducing dance moves. Bowie remains cool though it looked like he left the house in some wild pajamas. And don’t forget the scene where Jagger chugs down a soda while Bowie sings. It’s probably one of the worst videos of the 80s. Hell, even Family Guy said it was the gayest music video in history. Thinking about it, there are moments where the two singers get a little too close for comfort.

“State of Shock” – Michael Jackson and Mick Jagger

Mick Jagger shows up again for a better collaboration with Michael Jackson. Recorded for The Jackson’s album Victory, the song is a raucous and kind of spastic team up with the rocker. The song was originally meant to be a duet with Freddie Mercury for the Thriller album, but scheduling conflicts kept the two from working together. Jagger was called instead and it ended up being his biggest hit away from The Rolling Stones. It’s one of those unexpected hits from Jackson’s catalog, but it’s one of the finest examples of pop and rock colliding. Later on, Jackson said he Jagger sang off key, while Jagger called Jackson “lightweight.” Anyone else think the Freddie Mercury version would’ve been epic?

“Good Times” – INXS and Jimmy Barnes

When two talented vocalists come together, they often try to outshine each other. That’s not the case here. For their contribution to The Lost Boys soundtrack, INXS teamed up with singer/songwriter Jimmy Barnes on this cover of The Easybeats song. Michael Hutchences’ smoldering vocals pair exceptionally well with Barnes’ bluesy, rock-tinged voice. They actually work together to give listeners a thrilling experience. The two sharing vocal duties along with the high energy music supporting them, it’s everything you want a good rock rolling song to be. It has a similar good time vibe as Bob Seger’s “Old Time Rock and Roll.” Listening to Barnes’ vocals, you have to admit it’s reminiscent of rockers, like Robert Plant.

“Hunger Strike” – Temple of the Dog

Temple of the Dog started as a way for Chris Cornell and members of Pearl Jam to deal with the death of Mother Love Bone frontman Andrew Wood. Their debut album did exceptionally well with this song being their biggest hit single. The track features Chris Cornell and Eddie Vedder on vocal duties. When two of grunge’s most notable and talented vocalists get together for a song, you know it’s going to be good. And that’s exactly what you get with this powerful, emotionally driven tune. Both artists get time to share their unique vocal styles, Vedder being gruff and raspy and Cornell’s higher range. It results in a song that’s beautiful and haunting.

“Stand by Your Man” – Wendy O. Williams and Lemmy Kilmister

Ever wonder what it would sound like if two punks ripped apart the Tammy Wynette classic “Stand By your Man?” That’s what Wendy O. Williams and Lemmy Kilmister for a single in 1982. The song is almost unrecognizable with gritty, blazing guitars making a ruckus while the two scream out the lyrics over the noise. Oddly enough, it works. It’s one of those weird covers you would never expect two rock legends to even consider. They breathe new sinister life into the country classic that makes you want to head bang. O. Williams and Kilmister teamed up again for “Jailbait,” which appeared on the Plasmatics album Kommander of Kaos. Listening to these two, it’s clear they were truly one of a kind.

“I Ain’t No Nice Guy” – Motorhead and Ozzy Osbourne

When two of hard rock’s most iconic and legendary figures team up, you expect something epic beyond belief. That’s not the result of this duet featuring Lemmy Kilmister and the Prince of Darkness. Rather than getting together for a kickass track that would melt your face off, the two sing a ballad instead. It’s a slow, somber song made for radio airplay. It actually became a huge hit for Motorhead’s tenth album March or Die. It’s a decent song and features a slow burning solo from guitar hero Slash, but it won’t hit that sweet spot for most metalheads. It’s just so unexpected for the rockers. What’s even more surprising is seeing Ozzy with a five o’clock shadow in the video. Yikes.

“A Tout Le Monde” – Megadeth and Christina Scabbia

This song originally appeared on Megadeth’s sixth album Youthanasia and quickly became a staple for the band. At the time of its release, it garnered controversy for its music video. MTV banned it claiming it promoted suicide, which Dave Mustaine was quick to dismiss. The band re-recorded the song in 2007 for the album United Abominations with Christina Scabbia of Lacuna Coil. Aside from some slight alterations, like a faster pace, there;s not much difference aside from Scabbia singing an entire verse showing off her vocal chops. The song keeps its sentimentality intact along with its hard hitting sound and slightly aggressive mood. Many may prefer the original, but this re-recording is a great blend of old school and new school.

“Walk This Way” – Run DMC and Aerosmith

These days the world of rock and rap often combine for both awesome and questionable results. But back in the 80s, the two were seen as exclusive genres that should never cross paths. Run DMC and Aerosmith broke that barrier with this duet. When it was released in 1986 it blew everyone’s collective minds. Not only did Run DMC cover this classic rock track, they even got Steven Tyler and Joe Perry to join them. The song is still amazing to this day and remains one of the best mash-ups ever. It, of course, would go on to inspire other rock/rap collabs, such as Jay-z and Linkin Park (remember when that was a thing?)

“The One You Love to Hate” – Rob Halford and Bruce Dickinson

Two heavy metal giants, both who are considered the best vocalists in the genre, team up for this roaring track. Recorded for Halford’s debut album Ressurection, the song features Iron Maiden’s Bruce Dickinson on vocals. You’d expect to be beyond amazing and the most bad ass thing you’ve ever heard. In reality, it’s okay. It feels more like a Dickinson track since his voice overpowers everything and Halford is stuck on back up duty. It’s a pretty standard metal song with soaring vocals, blazing guitars and a lot of aggression. It’s not bad; just not very remarkable.

“Don’t Fear the Reaper” – HIM and Sanna-June Hyde

On HIM’s debut album, the band provided a haunting rendition of the Blue Oyster Cult classic. This version brings out all the darkness and grim view that’s implied in the lyrics. And frontman Ville Valo’s baritone vocals provide are a perfect match. Adding some brightness to the track is Finnish actor Sanna-June Hyde. She provided guest vocals for this track and “For You” early in her career. She’s not necessarily the best singer but her voice surprisingly well with Valo’s. There’s also something eerie about their voices. Still one of the best covers of this song.

“Under Pressure” – Queen and David Bowie

The thought of Queen and David Bowie doing a song together sounds like a dream. This amazing collaboration resulted in one of the best songs of the 80s. It’s an undeniable classic; pairing Bowie’s mellow vocals with Freddie Mercury’s dramatic bravado leads to a beautiful sonic experience. And try not to get chills during the bridge when Mercury pleads “Why can’t we give love/give love/give love?” The song became a huge hit for both artists and remains their most notable. Of course, the riff would be stolen by Vanilla Ice in the 90s, who claimed it wasn’t the same song.

Which is your favorite rock duet? Which ones did I miss? Let me know in the comments!