Marilyn Manson

Dead to the World – Marilyn Manson

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Release Year: 1996

Rating: 7.5/10

Marilyn Manson’s Dead to the World tour was infamous for its controversial stage antics, anti-Christian rhetoric, and the ire it drew from religious groups. On any given night, fans could expect to see destruction, trashing the Bible, and self-mutilation on stage. Rumors of sacrificing animals and abusing fans spread quickly and helped make Marilyn Manson the most hated band in America. The debauchery, chaos, destruction, sex, and violence was captured on their first video release, Dead to the World. It offers a glimpse into the brutal show, what goes on backstage, and trying to understand who Marilyn Manson is.

The video is a mix of live performances from the Dead to the World tour and weird backstage footage and interviews with the man himself. It opens with various religious groups protesting outside of shows talking about the evil Marilyn Manson will bring. It’s a fascinating spectacle to witness. To think music caused such a strong reaction. These groups thought Manson was so evil their fans clearly needed saving. It’s amazing to see them freak out over one guy in makeup. It’s something we don’t see in current music anymore unless it’s a bunch of people tweeting angry messages. It really shows the power of his music and the effect it can have on people both good and bad.

From there the rest of the exclusive footage is backstage antics and random bits filmed by the band’s cameraman. It ranges from fascinating to incoherent. The candid interviews with Manson offered (at the time) a rare glimpse at the man beneath the makeup. His horror stories about being teased in Catholic school and finding an aborted fetus in a coffee tin when he was young give a bit of insight to the way he is. It’s a way to try and understand his worldview. These stories are well known among fans now, but at a time when we really wondered if he had his ribs removed, it gave us a look at the mysterious artist.

Most of the footage is clearly meant to get a reaction. It’s a collage of random clips thrown together meant to depict tour life for the band. This includes copious amounts of drugs, lots of drinking, and sex. Shots go from women touching themselves to the band doing drugs to being destructive backstage. Sometimes we get shots of fans, like the infamous slashers, which Manson expresses his discomfort for, but a lot of it is weird stuff you can barely make out. Maybe it would’ve been shocking 10 years ago, but it doesn’t have the same effect now. It’s meant to be shocking, yet it’s trying too hard. Most of it makes you roll your eyes with exhaustion. Now, it seems incoherent and confusing made even worse by the poor video quality.

The best bits are the performances. The video includes highlights from the tour like “The Beautiful People,” “1996,” “Lunchbox,” and “Apple of Sodom,” which he rarely performs. This is peak Marilyn Manson. It’s easy to forget what a force he was on stage when you hear about him stumbling around drunk in concert now. The shows were like a chaotic, demented circus with Manson stomping around on stilts for “Kinderfeld,” ripping up the Bible during “Antichrist Superstar,” and cutting himself on stage not even acknowledging his chest covered in blood. It’s exhilarating to watch him unleash his fury. It’s nothing but pure chaos and anger as the band smashes things, shove each other, and, sometimes, simulate oral sex. No wonder parents were afraid of this band.

The video ends with backstage footage of a bloodied Manson fuming over a stage mishap and the band being destructive (and sick) in general. It’s the typical type of debauchery you expect when rock stars have too many drinks. The most disturbing bit comes in the final moments when the screen fades to black and we hear Manson screaming at a young girl to shut up and sit still followed by her blooding curdling screams. This is an excerpt from a short film Manson made called “Groupie.” A film so disturbing and vile, his manager told him it would destroy his career if he ever released it.

Dead to the World is still a fascinating look Marilyn Manson’s most controversial period. Parts of it are weird or try too hard to be shocking, but it gives viewers an inside peek at this chaotic tour. At a time when people thought he was killing animals at his concerts, it’s a way to depict what actually happened. Manson even alluded to this in the video saying he wished more parents would let kids see the show. The performances are top notch and the candid moments with Manson are intriguing. With his latest antics, you forget Marilyn Manson was once the most hated band in America. This video shows why and it’s one hell of a ride. It’s weird, confusing, thrilling, and a little disturbing much like early Marilyn Manson. Let’s just hope it gets an HD re-release soon.

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Playlist: Awesome MadTv Performances You Forgot About

Anyone remember MadTv? Back in the 90s and 2000s, if Saturday Night Live wasn’t your style, chances are you turned to this show for laughs. It gave us iconic and hilarious characters like Miss Swan and Stuart. After In Living Color, it’s still one of my favorite sketch shows of the 90s, even though I probably shouldn’t have been watching. It also gave us some killer performances. Since the last few seasons of the show and the shoddy revival weren’t that great, it’s easy to forget the big names MadTv pulled in. Featuring new acts and legends helped the show stand out from its competition. So, let’s take a look back at some awesome MadTv performances you probably don’t remember.

The Cure – “Maybe Someday” (2000)

How MadTv managed to get The Cure to perform on the show is a mystery. Robert Smith can get picky about where he plays and a lewd comedy show featuring a grown man in his underwear doesn’t seem like one he’d be a part of. However they did it, the show got The freaking Cure to play “Maybe Sunday” in 2000. It’s a solid performance with Smith and the band sounding amazing as usual. Sadly, it’s a condensed version of the song with Smith not singing the first verse and going straight into the breakdown after the hook, but he’s Robert Smith. He can do that if he wants. I actually remember seeing this right as I was getting into the band. Smith and his wiry black hair captivated me just as much then as he does now. This is still one of my favorite MadTv moments.

The Strokes – “Is This It?/NYC Cops” (2002)

MadTv album Bobby Lee introduces The Strokes as his favorite band and they kick off their two-song set with “Is This It?” As always, frontman Julian Casablancas looks disinterested being on stage. Things get more lively for “NYC Cops” as fans get out of their seats and rush the stage. The scene never gets chaotic; everyone just wiggles and dances in the background while Casablancas looks distraught. The weird part comes at the end when we see Frank Caliente and Mo Collins as George and Babara Bush complaining about MadTv being over and trying to find something else to watch. The scene would be more enjoyable if they actually let The Strokes finish performing.

Queens of the Stone Age – “No One Knows” (2003)

This was around the time QOTSA hit the mainstream, despite releasing two albums prior to Songs of the Deaf. Both this and “Go With the Flow” are a blast to watch. Josh Homme and co go at it hard like they’re playing one of their own shows. The crowd kind of just sits there and politely nods, which is strange. With our current image of Homme being clad in leather, covered in tattoos, and looking slightly haggard, it’s funny to see a young, fresh-faced Homme. Though I can’t get over his creeper mustache. Luckily, he doesn’t revisit that too often.

Sum 41 – “Still Waiting” (2002)

Sum 41 absolutely kills it with this performance. Not only do they sound great, they’re energetic and go it hard bringing some aggression to the MadTv stage. It’s short, sweet, and straight to the point. No weird sketches or tricks here. It’s just the band doing what they do best. But you can’t help noticing the crowd just sitting there nodding their heads to the music. With the hard driving nature of the song, you’d expect people jumping around or least dancing in their seats. It’s kind of weird.

Creed – “Higher”(2000)

Okay, so this performance isn’t that awesome; it’s just funny to look back on. Believe it or not, there was a time when Creed wasn’t a stain on music. Even though the show made funny Creed parodies, even they couldn’t deny how successful the band was. Listening to the performance now, it makes you wonder how people sat there and took Scott Stapp’s vocals seriously. It sounds like he’s doing a bad Eddie Vedder impression throughout the entire song. And seeing him give “sexy” faces to the camera makes you cringe. Still, it’s better than the time Stapp forgot all the words to his songs, so that’s a plus.

Green Day – “Blood, Sex, and Booze” (2001)

After a weird joke from Will Sasso, Green Day takes the stage to perform “Blood, Sex, and Booze,” something they rarely play live. They play with the same passion, fire, and fervor they do in their massive stadium gigs. It’s a pretty cut and dry performance for the band that’s still a blast to watch. While I didn’t like the band at the time this aired, I remember rushing home after school around the peak of American Idiot to catch a rerun featuring this performance. They also played “Warning,” which is a solid performance, it’s not as fun as the previous one.

Ja Rule featuring Ashanti – “Always on Time” (2002)

Remember when Ja Rule and Ashanti ruled the airwaves? These two had a number of hit singles on their own, but they seemed to work best when singing with each other. Regardless of how you feel about Ja Rule and his antics now, you can’t deny he was one of the most popular rappers ten years ago. And while Ja Rule’s gravely vocals can be laughable, the two actually sound really good here. As someone who loved singing this song on weekend drives, this throwback is a blast to watch.

Alien Ant Farm – “Smooth Criminal” (2001)

This performance not only features Alien Ant Farm playing their one smash hit, it also has Aries Spears (remember him?!) doing his best Michael Jackson impression. Donned in a suit, fedora, and white makeup making him look like really creepy, Spears teases MJ’s then comeback, pulls off a couple of kicks, and gets carried off by two young boys. Afterward, the band launches into the song while the crowd dances and waves their arms from the comfort of their seats. Seriously, did the show have a no standing rule or something? The energetic performance and Spears’ impression makes this a memorable MadTv moment. Too bad AAF couldn’t manage to score another hit.

Marilyn Manson – “Personal Jesus” (2004)

MadTv really tried to make this performance “edgy” and “cool” with the twisted camera angles and dark lighting. Unfortunately, things are so dark you can barely see Manson and the rest of the band. Compared to his other TV appearances this one is quite tame and he seems a little bored. John 5 and Tim Skold exude more energy than Manson. Being the newly minted Manson fan I was, I ate up every minute of this performance. It’s still better than his recent concert appearances.

Blondie – “Call Me” (1999)

Since the show has been off the air for almost 10 years, (we won’t count the “revival”) it’s easy to forget how many iconic musicians have played the show. Bon Jovi, Wu-Tang, and Ice-T have all made appearances, but Blondie’s is one of the best. While the performance is great even though it’s cut short, it’s the skit with Miss Swan that stands out. Miss Swan fronts the band singing her own incomprehensible version of the song prompting Debbie Harry to come out and ask what the hell she’s doing. Miss Swan then insists she wrote the song on tuba but allows Harry to sing only if she plays nice. It’s a weird bit you’d never imagine the singer being a part, but it happened. But hey, this was when Miss Swan was at hear peak. Who wouldn’t want to be in one of her sketches?

No Doubt – “Bathwater” (2000)

For anyone to remember No Doubt during their peak, this is how they picture Gwen Stefani. The weird, alt girl with her own style and sound. Stefani is slinky and cool as she sings, while the rest of the band ham it up for the camera, especially a topless Adrian Young. It’s a fun, energetic performance that reminds you how awesome both No Doubt and Stefani were. While I don’t mind her current work, it’s just not the same.

Tenacious D – “Tribute” (2002)

You’re never sure what kind of performance you’re going to get from Tenacious D, but you know it’s gonna be weird and it’s gonna rock. The duo didn’t disappoint with this MadTv appearance. Featuring Dave Grohl on drums, Jack Black recounts a tale of singing the greatest song in the world for a beast. The thing is, they can’t remember it. Black gives his usual hammy rockstar performance that’s fun to watch. The best part comes when he gently sets down his guitar, rips off his shirt to show off his flame painted gut, and “breathes fire” out of his mouth. Clearly, they’re a perfect fit for the show. Too bad they didn’t have them on more often.

There are so many performances I wanted to include, but couldn’t find like Outkast and Wu-Tang Clan. So which MadTv performance is your favorite? Let me know in the comments!

Playlist: I Will Survive

Image result for destiny's child survivor

2017 was a tough year for a lot of people and it seemed like the negativity and bad news was never going to end, but we made through to another year. We survived and that’s something to celebrate. During tough times it’s too easy to focus on everything that’s going wrong in your life. We often forget that the bad times aren’t going to last forever. And when we make it through those hard times, we’ve survived and are hopefully stronger for it. So this month’s playlist is all about survival. Hopefully, it’ll give you some solace if you’re going through something difficult.

“The Middle” – Jimmy Eat World

We’re all filled with some sort of self-doubt. Whether you messed up at work, a video idea isn’t coming together, or are stuck on a writing assignment it’s easy to write yourself off. You start to wonder if you’re even good enough at your job. During these moments, we need to take a cue from Jim Adkins and remember “Everything will be alright.” What is arguably Jimmy Eat World’s biggest hit reminds us that as long as we’re trying our best, we’re doing just fine. It’s one of those songs that reminds me whatever you’re going through isn’t going to last forever. It’s best to ride it out and try to keep your head up. And it doesn’t hurt that song is so irresistibly catch, it’s hard to be in a bad mood when you’re singing along.

“Fighter” – Christina Aguilera

This is an anthem for anyone who’s had their heartbroken, been lied to, been cheated on, the list goes on. Aguilera uses her personal experiences from the start of her career and channels her anger into a message that says “I survived.” She proclaims she can’t be stopped and instead of letting her regrets and her past mistakes haunt her, she uses them to make her stronger and make her a fighter. We’ve all had those moments where it seems like nothing is going to get better. But once the storm passes and we make it out, we’re stronger and we learn from our experience ready for any future battles that may come our way.

“I’m Still Standing” – Elton John

Not only does this Elton John hit make you feel good, it’s a testament to one’s strength and will after a bad experience, in this case, a bad breakup. Life may get you down at times and you may even face great challenges you’re not sure how to overcome, but in the end, you’ll make it. You’ll still be standing and you’ll be stronger for it. This is another anthem for the heartbroken, the cheated, and the deceived reminding you to pick up the pieces and don’t let life get you down. Fun fact: Bruno Tonioli from Dancing With the Stars is the scantily clad man in the black speedo. Scandalous!

“Happy” – Pharrell

Okay, so this song was pretty annoying after it dropped in 2014 and became the anthem for any and every get-together. But you can’t deny it’s the ultimate feel-good anthem. Pharrell reminds us to keep smiling and be happy even when people are trying to bring on bad news. And it’s hard to focus on the negative with this infectious song. It’s hard to be grumpy with the uplifting hook and the upbeat hand claps. If you need a song to unwind and shake off the bad with some dancing, then this song is the one to play.

“The Fight Song” – Marilyn Manson

2017 tried the patience of people all over. A lot of them decided to stand up and fight rather than do nothing. Sometimes you need a song to pump you up and prepare you for battle. This Marilyn Manson song will do just that. A song criticizing American violence, the energy, the hard-hitting music, and Manson repeating “Fight! Fight!” gets your heart racing. It’s a mean, raging track that gets you in the fighting mood, no matter what you’re fighting for.

“I Will Survive” – Gloria Gaynor

This is the ultimate breakup anthem. Gaynor admits to crying after her lover leaves, but it doesn’t last long. She picks herself up, finds a new love, and tells her ex to hit the road when they come crawling back. Not only is it a timeless dance song, it’s a song about empowerment. Whether you’ve been through a nasty breakup or are just experiencing a low point in your life, the song pushes you to be strong, get better, and move on. It’s easy to curl up and be defeated when life gets you down. During times like this, we have to remember what Gaynor preaches: “I will survive.”

“Float On” – Modest Mouse

Not only does this song have an iconic guitar riff, it also has a great positive message. In the song, Isaac Brock lists off a series of bad incidents you’d normally sweat over, but everything works out in the end. This is a song about letting mistakes, bad news, and accidents wash off of you. No matter how tough things get, it’ll be better. Brock says even though things look bleak now, they won’t always be, which is hard to remember when you’re going through hard times. Life’s not always a shitshow and sometimes you have to let things go instead of worrying about them. As he says “sometimes life’s okay.”

“Still Breathing” – Green Day

The song that inspired this playlist, this is one of Green Day’s finest. Similar to other songs on the playlist, it’s a reminder to not let past dark times get you down. Rather than focusing on the bad, it’s a celebration of making it through the storm. You may have gone through dark times, but you made it in the end. So, let’s celebrate the fact you’re still here and hopefully, you’re better for it. The song itself is emotional and one of Billie Joe Armstrong’s most personal with references to his childhood and past addictions. But it’s also a song that many people can relate to, which is why it’s such a highlight at Green Day concerts.

“I Choose to Live” – Creeper

This beautiful, Queen-esque song is a counterpart to Creeper’s “Misery.” With the tagline “misery never goes out of style” the song addresses feelings of depression and giving up hope. “I Choose to Live” is a message to fight against those feelings. Don’t give up hope and know life isn’t always bleak. Frontman Will Gould stated he wrote the song as a message to the fans. Instead of ending their album, Eternity in Your Arms, with a message of hopelessness, they wanted to close on a positive note. It’s a message to keep fighting and try not to let your demons get the best of you.

“The Show Must Go On” – Queen

Life’s too short to focus on the negative. That’s essentially what this song is about. Though the track has an uplifting message of making the most out of life and continuing in the face of adversary, it has a sad backstory. The song was written while Freddie Mercury was struggling with AIDS. When it was time to record the song, Brian May didn’t think Mercury was strong enough to perform. Mercury proved him wrong and delivered a top notch, powerful performance; the kind we’re used to. Listening to the song, you can’t even tell Mercury was near the end of his life. It goes to show you need to make the most out of life even if things aren’t looking good.

“Survivor” – Destiny Child

This is like “I Will Survive” for the next generation. The girls of Destiny’s Child have no problem moving on after a bad breakup and similar to so many other songs on this list, the experience has made them stronger. They even take the high road saying they won’t resort to talking trash about their ex, even if it would feel good at the time. It’s another song about overcoming hard times and pushing away negativity from your life. It’s an empowering anthem for anyone.

Which song gets you through tough times? Let me know in the comments!

Notable Releases of 2017

2017 is almost over and it’s time to look back at the music, both good and bad. Before we get to best and worst, I wanted to look back at some albums that left the biggest impressions on me. This is based on what I sought out and listened to this year, so my list will most likely be different from yours.

Album I Enjoyed Way More Than I Thought I Would:

Dreamcar – Dreamcar

When it was revealed that the members of No Doubt who aren’t Gwen Stefani and Davey Havock were working together I was intrigued and confused. What kind of music would they make together? Turns out 80s new wave. While I wasn’t impressed with the first single, when I listened to Dreamcar it took me by surprise how much fun it was. It’s not a great album and it doesn’t give us anything we haven’t heard before, but some of the songs are irresistible. Tracks like “After I Confessed,” “All the Dead Girls,” and “Do Nothing” are so catchy you can’t help but sing and dance along. The album is a blatant homage to the 80s, but at least the band had fun with it. The energy and spirit are so infectious. It seems like Havok put more effort into recording this LP than he did for AFI. Dreamcar doesn’t do anything new, but it’s great for letting loose and having fun.

Album I Had Low Expectations For But Fucking Loved:

Heaven Upside Down – Marilyn Manson

When Marilyn Manson announced Say10 last year, I was ecstatic. His last two efforts were solid and I couldn’t wait to hear what he had in store for us next. But with a big delay and a lead single that left me unimpressed, my expectations began to shrink. Every time he mentioned how the album goes back to the days of Antichrist Superstar I rolled my eyes. We heard this before with High End of Low and that album is pretty bad. I didn’t think I’d like Heaven Upside Down, but man, I fucking love it.

This is hardcore, aggressive, brutal Manson that scared us back in 1996. The songs are violent and dark in the best ways possible. And for once, he was actually right. The album does have traces of Antichrist Superstar and Mechanical Animals, but it never feels like he’s ripping himself off. He just manages to recapture the feeling of those albums.

After hearing the single “We Know Where You Fucking Live” I was worried he was trying too hard to be edgy. Luckily, this isn’t the case (at least not with every song). Instead, he sounds genuine, like he has a fire lit under him once again. This is classic Manson and the music grabs you by the throat waiting to rip out your lungs until it’s over. Heaven Upside Down is a stellar album that reminds me why I became a fan in the first place. This is the finest album Manson’s later career and proves he’s still has a lot to say.

Disappointing Album of 2017:

AFI (The Blood Album) – AFI

AFI was one of the few releases I was pumped for when the year kicked off. Not only did their cryptic teasing get me excited, but I loved what I heard with singles like “White Offerings” and “Snow Cats.” These songs felt like a return to form and I couldn’t wait to hear the new album. But once I finally got my hands on it, it was a letdown. Most of the songs aren’t exciting or memorable. Tracks like “Still a Stranger,” “Hidden Knives,” and “So Beneath You” aren’t awful. But there’s very little about them that grabs you like great AFI songs are supposed to do. Everything I love about AFI, like their charm, melancholy, and their in your face nature are missing from this album. Even almost a year later I struggle to remember these songs aside from the singles.

For me, it has nothing to do with their new, lighter sound. I actually don’t mind it. While I do miss the days of Sing the Sorrow, I like that they constantly evolve and experiment with new sounds. But this album just didn’t do it for me. Rather than being something that sticks with you, it’s a pretty unremarkable experience. These are just decent generic rock songs and we expect better from AFI at this point. Unfortunately, it’s some of their weakest material in years making for an album that’s tolerable, yet kind of dull. While I don’t mind listening to the album, it’s just overwhelmingly okay and since I was so excited to hear what AFI had in store after Burials, it was the album that disappointed me the most this year.

Underrated Release of 2017:

<shutdown.exe> – 3Teeth

This is the result if Ministry and Nine Inch Nails had a baby. 3Teeth take you back to the old days of industrial metal that’s brutal, violent, and just a bit scary. Not for the faint of heart.

If you want to know which album is on my shit list this year, check back later this week when I reveal what my worst album of 2017 is.

Heaven Upside Down – Marilyn Manson

 

Release Year: 2017

Rating: 8.5/10

When Marilyn Manson announced his new album Say10 last year, I was pretty excited. His last albums were great and I was itching to hear new music from him. But when the album didn’t show up on Valentine’s Day I slowly grew disinterested. My expectations got lower after hearing the first two singles. But once I got my hands on Heaven Upside Down, I found myself faced with the old Manson that scared and fascinated me as a teen. While there are some definite nods to some of his greatest albums it doesn’t feel like a rehash of what he’s already done. Rather it’s biting, violent, brutal, and mean just how we like it.

The album opens with the banger “Revelation #12.” If you thought Manson was washed up this song makes you think differently. The music is hard-hitting and gritty while the guitar riff snarls and growls. Manson sounds brutal as he screams “We’ll paint the town red/with the blood of the tourists.” It sounds like the old angry Manson that grabbed us by our throats in the 90s. It’s a killer way to kick off the album and lays down the groundwork for what comes next.

“Tattooed in Reverse” has to be my favorite song from the album. The way it starts with a pounding march and how Manson comes out the gate swinging with “So fuck your bible and your babel” is so badass. It has this undeniable swagger to it as if Manson already knows the song is a hit. The music crushes you with its heavy sound and intense atmosphere. It’s a stellar track with Manson displaying his unapologetic nature and biting commentary.

Say10” caught me off guard with the muted opening beat – it sounds like something from a hip-hop song, but it works. Manson’s sinister growl and the music sets up this dangerous lurking vibe. Everything explodes during the hook with Manson screaming “You say God/I say Say10” with dirty riffs that are both brutal and sexy. Though the title isn’t as clever as Manson hopes it is, it’s a standout song. It has the same fire as his best work and holds you in its grasp.

In press interviews, Manson said one of the central pieces of the LP was “Saturnalia” and I can see why. It is a beast of a song. It starts with an eerie “This is Saturnalia” mumbled backwards followed by the thick grooving bass line. The music rumbles building up to a bigger sound in the first couple of minutes. It’s actually reminiscent of something like “Bela Lugosi’s Dead” with the dark music and slow build up. Even the riff during the verse is similar. The way everything creeps along, how the music hits you during the hook, and Manson’s singing makes it sound dangerous, yet alluring. Clocking in over seven minutes, the song never grows dull. There are so many elements and layers and different sounds happening it always keeps you on edge. It’s the highlight of the album and one of his strongest songs in years.

I didn’t really like lead single “We Know Where You Fucking Live” when I first heard it. While it’s brash and perfectly fits in with the aggressive, violent tone of the album, it feels like Manson trying too hard to be shocking. It grows on you after a while and there is the clever lyric “So what’s a nice place like this, doing round people like us,” but it’s far from the best song on the album. Same goes for “Kill4Me.” Taking a departure from the intense sound of the rest of the record, this one has an electropop beat that’s upbeat and kind of catchy. Again, not a terrible song, but it’s one of the weakest the album has to offer. These songs don’t have that same drive and punch of the others. They’re easy to gloss over when listening to the LP.

The songs that close out the album aren’t all that memorable either. “Blood Honey” plays out like an eerie Gothic ballad that still manages to be intense. Compared to the other tracks, it doesn’t grab your attention all that much. Some of the imagery is great like “dripping blood honey” and Manson sounds properly creepy when singing, but it doesn’t hit you the same way as the others. What does stand out is the dark tone matching the violent atmosphere of the album.

The title track switches up the mood with lighter, more rock-oriented. It’s not as heavy or brutal as the other songs. It’s not bad, but isn’t all that memorable and sounds pretty generic. Closing track “Threats of Romance” returns to the aggressive sound, yet has this downtrodden bluesy tone to it. He sounds like he’s bearing his soul in a dirty blues club as he sings “Things that are pretty/are always kept behind glass/someone like me can’t make it last.” As he talks about crumbling relationships it becomes clear this seems like an oddly personal song for the rocker. It ends with him shouting “I like you damaged” not holding anything back and lets out one last bloodcurdling scream before the album ends.

Heaven Upside Down is another great Marilyn Manson album that was well worth the wait. It really took me by surprise with just how good it is. While there are moments where it sounds like he’s being shocking for the sake of it, the rest of his commentary is as biting and damning as ever. There are a lot of moments that harken back to Antichrist Superstar or Mechanical Animals, but it doesn’t sound like he’s repeating himself. It’s classic Manson where he seethes at the world and ripples with anger. And even though not every song is notable, there isn’t one I would call bad. Personally, I enjoyed this more than The Pale Emperor. This album is more in your face, aggressive, and kick ass than the last record. And it shows Manson still has it in him.