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Playlist: Remembering Chris Cornell

Last month we lost one of the best voices in rock, Chris Cornell. The news came as a shock to fans and those who knew him best. Many are still trying to make sense of the situation and come to terms that he’s gone. He may no longer be with us, but at least we have the gift of his unforgettable music. Not only did he make wonderful music with Soundgarden and on his own, he recorded various covers throughout his career. Whether with Soundgarden or solo, Cornell gave us some of the most chilling and unforgettable covers reminding us why he was a phenomenal singer. To remember Cornell, let’s look at some of his best cover songs.

“Come Together” – Beatles cover from 

Soundgarden takes this psychedelic Beatles song and turns it into a gritty, dirty affair. They bring in the down tuned guitars, sludgy riffs, and screeching guitars, slowing things down and making everything heavy as hell. They manage to turn the song into a bonafide rocker making you want to bang your head and stick up those devil horns. If you didn’t know anything about The Beatles, you’d be convinced Soundgarden were the originators. It may be gritty, yet Cornell’s vocals keep the soulful vibe of the original.

“Whole Lotta Love” – Led Zeppelin cover from Guitar Heaven The Greatest Guitar Classics of All Time

When you get one of music’s greatest guitar players along with one of rock’s greatest vocalists, you know you’re in for something good. In 2010, Carlos Santana and Chris Cornell teamed up for a rousing cover of Led Zeppelin’s “Whole Lotta love.” While it’s very true to the original, you can’t deny how much it just fucking rocks. Santana lights up the guitar making the iconic riff sound sweeter and sexier. Cornell easily gives Robert Plant a run for his money. He hits every note perfectly reminding you what a great singer he was. The Led Zeppelin version will always be great, but Cornell and Santana almost have them beat with their cover. Why didn’t they do a whole album together?

“Billie Jean” – live Michael Jackson cover

Lots of artists cover this Michael Jackson hit, but no one else brings you to tears with it like Chris Cornell. With only his vocals and an acoustic guitar, his rendition is absolutely haunting. Cornell manages to bring out the underlying darkness of this song that you often forget once you hear that iconic beat. He sings the song as if he’s been through this hell himself. His vocal delivery is so powerful and so intense, it would bring tears to your eyes before his untimely death. Not to mention the violent way he plays the guitar rousing a great reaction from the crowd. It’s not only a memorable performance, it shows how versatile he was as a musician.

“Girl U Want” – Devo cover from “Outshined” single

For the b-side on the “Outshined” single, Soundgarden covered this frantic Devo track. They suck all the bouncy energy and fun vibe out of it and turn it into a sludge fest. Everything is slowed down and played heavily as if the guitar’s a sopping wet with mud. Their version is heavy and somewhat dark with the haunting way Cornell delivers the lyrics. It’s a far cry from Devo’s version; if it wasn’t for the guitar riff you wouldn’t even know they were the same song. They definitely stamped the song with their gritty, raw rock sound.

“Nothing Compares 2 U” – live Sinead O’Connor cover

Cornell had a knack for making his covers sound haunting and somber. So it’s surprising that he managed to make this Prince song sound even sadder. That’s not to say it isn’t lovely. The acoustic rendition is as beautiful as the original and Cornell’s gruff vocals are perfectly suited for the song. There’s even a country vibe to it at times, but it doesn’t last long. Since the instrumentation is subdued, it gives you the chance to hear his singing, which is mesmerizing. It’s enough to give you chills, especially with his untimely passing.

“Imagine” – John Lennon cover from Songbook

The thing about Cornell’s covers is they’re straightforward and simplistic, but it’s his voice that makes them outstanding. It’s no different with this John Lennon classic. This song always had a melancholic mood to it, but when Cornell sings it, it’s enough to break your heart. Here we get the best of both worlds; he gives us a taste of his gruff, powerful vocals he’s known for, but we mostly hear his softer, gentler crooning, which is beautiful. Again, he doesn’t try to make the song his own. Rather he adds his chilling vocals for an unshakeable effect.

“Waiting for the Sun” – Doors cover from Echo of Miles: Scattered Tracks Across the Path

For Soundgarden’s cover of this Doors song, things start out muted and somewhat psychedelic. Cornell sounds like he’s mumbling through the lyrics. Just when you’re ready to nod off, the band kicks into high gear and lets it rip. The distorted guitars, throbbing bass, and pounding drums add a much needed dose of adrenaline to the song. It takes a drug induced classic to something that kicks ass. Whenever you hear that brief pause before everything explodes you’re left waiting in anticipation, waiting for the sweet release. When it finally comes, it’s the most satisfying moment.

“Dear Prudence” – live Beatles cover

Cornell puts his spin on yet another Beatles hit. Cornell is known for his powerful vocals, but for this cover, we get to hear a softer side. With a gentle acoustic guitar setting the mood, Cornell croons this classic never missing a beat. He sounds downright sweet when he hits those high notes at the end of the verses. His quiet, subdued delivery makes the song beautiful. It shows Cornell’s impressive range; he had the chops to make us rock out, but his croons also bring tears to your eyes.

“Cop Killer” – live Body Count cover

Did Soundgarden really cover Body Count’s controversial 1992 song? It sounds too good to be true, but they actually did during one of their Lollapalooza sets. After an impassioned speech from Cornell about exercising your power and not letting others tell you what you can’t do, the band launches into the notorious song. Everything about the performance sounds mad as hell; Matt Cameron beats away at the drum as if trying to break them, while the guitars sound like they’re screeching on their last breath. Cornell gives it his all rallying the crowd for a call to arms. During an unforgettable break, Cornell reassures us the song’s not about killing others, it’s about fighting for your rights. He then launches into a “fuck the police” chant. It’s an exciting, heart-pounding moment that riles you up and gets you ready to fight. Too bad the performance hasn’t been cleaned up and remastered for an official release.

“Hotel California” – live Eagles cover

“Hotel California” is one of those songs everyone knows is good, but no one listens to thanks to the radio playing it to death. Cornell’s acoustic cover makes the song exciting again. It’s a simple, straightforward rendition, but as always, it’s Cornell’s vocals that take it to another level. The grittiness of his vocals makes it sound like he knows what this person’s been through. He adds this harrowing vibe to the song and makes it fresh again. His version reminds you how good the song is. He can’t outdo the original, but his version comes close.

“Thank You” – Sly and the Family Stone cover from John Peel BBC Session 

Soundgarden gets funky for this cover. With a thick bass groove that sounds like it’s summoning Flea, the band lays down a heavy dose of funk mixing it with their heavy, dirty sound. The result is a stellar cover that more people should be talking about. As soon as that opening riff hits and Cornell lets out that wild scream you can’t help but nod your head with an intense feeling of “hell yes!” The band leaves their unmistakable mark on the song, but they manage to keep the soul of the original. And just when you thought the song couldn’t get any sicker, bassist Hiro Yamamoto gives us a hot solo. It’s not only Soundgarden’s best cover, it’s one of the best cover songs out there.

“I Will Always Love You” – live Whitney Houston

You wouldn’t expect a rocker like Chris Cornell to cover this Whitney Houston classic. Performed during a 2012 concert, his version is stripped back with only him and his acoustic guitar. He doesn’t try any fancy tricks with it or even try to make it his own. He just sings it straight. It’s his honest, passionate delivery that makes it so great. Even though the poor audio quality of the Youtube videos, you can hear how amazing he sounds. He holds those soaring notes with ease and his vocals are just as powerful as Houston’s. Though you would expect the cover to make you sad after his death, in a weird way it’s reassuring as if it’s a message to fans and family. His love will always be with us through the music.

Thank you for the wonderful music, Chris Cornell. You won’t be forgotten.

Playlist: Play It Again

Ever wonder why some artists feel the need to re-record their big hits? Sometimes it’s to record with a new lineup, other times it’s for legal reasons. But more often than not it feels like a cheap cash cow and is almost always a bad idea. While some bands have gotten away with re-recordings that aren’t terrible, they never live up to the original. Let’s take a listen to some of the best and worst re-recorded hit songs.

“Boys Don’t Cry” – The Cure

The Cure have a lot of notable songs in their lengthy catalog, but this is their most iconic. Taken from their debut album, Three Imaginary Boys, the song received moderate praise upon original release. Over time, the single garnered more praise and acclaim quickly becoming a Cure staple. When Robert Smith revisited the band’s singles for their 1986 compilation cassette, Staring at the Beach, Smith and co-headed back into the studio to re-record the classic. Known as “New Voice New Mix” the new version sounds very similar to the original. The biggest difference is Smith’s mature and more playful vocal take. Though it doesn’t sound bad, it still doesn’t match the charm of the original. It seems the band knows this as the new version was only used for the companion video. Otherwise, it has not been officially released on subsequent Cure collections.

“Shout at the Devil” – Motley Crue

Normally, there is no reason why a band should re-record their songs, especially when they’re considered classics. Usually, it ends up a disaster. Sadly, this is the outcome of Motley Crue’s “Shout at the Devil 97.” The original is a staple of heavy metal and helped launched their career. It remains one of their best songs. In 1997, the band reunited with Vince Neil, who left 1992 and released their seventh album, Generation Swine. To celebrate Neil’s return the band decided to re-record the song. And it’s…weird. While the vocals are largely unchanged, the music sounds nothing like the original. It’s hard to even pick out the tracks’ notable riff. Is this supposed to be a heavy metal version? It’s like they wanted to prove how bad and edgy they were and this is the result. Best avoid this version at all costs.

“Ace of Spades” – Motorhead

If there’s one song that represents being a badass, heavy metal, and the awesomeness of Mr. Lemmy Kilmister, it’s “Ace of Spades.” It’s not only the band’s most well-known song, it’s often listed as one of the best songs ever. And with good reason. Everything about it from the iconic riff to Lemmy’s gruff vocals makes it kick ass. The song is pretty much perfect, so why mess with it? When Rockband wanted to use the song for their game, the band re-recorded it and branded it “Ace of Spades 08.” There’s nothing bad about it; it sounds pretty close to the original. But it’s just not the same. Hearing it you know something’s off and it’s a little disappointing. At least Motorhead didn’t try to rebrand the song, unlike the Crue boys.

“Every Day is Halloween” – Ministry

Ministry’s early work is spotty at best. Before they found their abrasive, brutal industrial sound they sounded more like a faceless new wave band. It wasn’t until this song that they began finding their sound. Though the band would have bigger hits later on, this song still played an important role for both the group and fans. It’s still considered a favorite in their catalog. But perhaps Al Jourgensen thought it wasn’t heavy enough. He “fixed” this by re-recording the song in 2010. This version sounds more in tune with later Ministry, but it also sounds like a mediocre cover. The grinding guitars, fast tempo, and new vocals suck out everything that made the original great. This just sounds like another boring metal song trying too hard to be edgy.

“Melt With You” – Modern English

Though Modern English found more success in the UK they’ll forever be known as the one-hit wonders who gave us this 80s classic in the States. Constant airplay on MTV and playing over the end credits of Valley Girl helped it become a hit. It eventually reached number 7 on Billboard’s Top Tracks chart. The band re-recorded the track for their 1990 album, Pillow Lips. While you can hear some slight vocal variations, the changes are minimal. The same can’t be said for the 2010 version of the song. Recorded for the I Melt With You soundtrack, this version is harrowing. It takes all the bouncy, fun nature out of the song. Instead, it sounds stark, dark, and haunting. The 1983 version is still superior, but there’s something oddly beautiful about the 2010 rendition.

“Missing You” – John Waite

John Waite has a notable career as the singer for Bad English and The Babys, but he’s best remembered for this 80s ballad. It’s a typical sappy song about getting over someone, but not really getting over them. It proved to be a major hit and topped the charts in several countries. He’s gone on to release other successful singles, but none as big as this. In 2007, he re-recorded the track with Allison Krauss for her album A Hundred Miles or More: A Collection. It’s nothing earth-shattering, but it’s not terrible. It’s okay at best. Krauss doesn’t sound horrible singing and Waite sounds pretty much the same. It’s a very vanilla rendition of the song that makes you wonder why it had to happen in the first place.

“In This Paradise”- London After Midnight

This track from LAM’s debut album, Selected Scenes from the End of the World, has a Gothic, mysterious nature with the tolling bells and Sean Brennan’s vampiric vibe. There’s a dark romanticism to it that’s alluring, yet mysterious. But the album received a limited release and as a result was reissued several times in the States and Europe. For the 2003 re-release, Brennan re-recorded various songs from the album, including this track. The most notable change is the better sound quality. It no longer sounds like the track is muffled. Brennan also tightens up his vocals and the instrumentation, though the dancing guitar riff found in the original is missing here. It’s actually a decent update but is still missing the tantalizing vibe of the original.

“Everybody Have Fun Tonight” – Wang Chung

This Wang Chung hit is one of those mindless pop songs from the 80s. You know it’s bad, but like it because it has a catchy, memorable hook. Whether or not you actually like it, you’ll be singing along with it. Besides, the song has a positive message: have fun tonight. Who can’t get behind that? At least listening to it is better than watching the nauseating video. The 2010 re-recorded version doesn’t change much, but there’s something missing. It doesn’t sound as upbeat and energetic as the original. It sounds like a Wang Chung cover band is performing instead. And they try to spice up the song with soulful backup singers, but it falls flat. The whole thing sounds deflated. So if you have to listen to the song, stick with the original. Just don’t ask what “everybody wang chung tonight” means. The band doesn’t know either.

“I Remember You Two” – Skid Row

Skid Row’s third single is a cut and dry power ballad. It has sappy lyrics, soothing acoustic guitars, and the “edgy” hard guitars meant to show you it’s not a cheesy love song even though it is. The band re-recorded the song in 2003 with new lead singer Johnny Solinger as “I Remember You Two.” Re-recording hit songs with a new singer is never a good idea. No matter how decent the singer is, it will never live up to the original. Sadly, this isn’t the only problem this version has. Rather than sticking with the power ballad formula, the band “update” it to be heavier giving a lame “punk rock” sound. This along with the over the top vocals make it sound like your dad’s cover band instead of Skid Row. This is why re-recording songs is almost always a bad idea.

“I Was Made for Lovin’ You” – KISS

Sometimes when a band changes its lineup, they feel it’s time to recapture the magic of classic hits with their “amazing” new members. Skid Row already showed us why this is a bad idea, yet bands keep doing it. Look to KISS’ Kiss Klassics, an entire album of re-recorded hits featuring their 2008 lineup of Paul Stanely, Gene Simmons, Tommy Thayer, and Eric Singer. All of their biggest hits are re-recorded with less enthusiasm and energy as before. “I Was Made for Lovin’ You” shows you just how bad the album is. Not only does the whole thing sound unenthusiastic and boring, Stanely clearly can’t hit those high notes during the bridge. That wouldn’t be a problem if his attempt actually sounded good; it just sounds sad.

“Your Sweet 666” – HIM

Originally found on their debut album, this track was later re-recorded for their breakout LP, Razorblade Romance. Unlike many of the tracks here, the two versions are obviously different from one another. The original sounded like it came from the depths of Hell with Ville Valo’s deep vocals and the hard, distorted guitars. The later version is lighter in tone featuring more keys and fewer guitars in the mix overall. Rather than sounding heavy, this one has more of a traditional rock tone with a bit of glam mixed in. Though some fans prefer the new version, the first packs a heavier punch. With its Gothic nature, dark tones, and haunting vibe, the original stands out with its dramatic, Hellish vibe fitting in with HIM’s long-running themes of love and death. The latter version sounds like another typical rock song and isn’t as exciting as the original.

“I’m Your Man” – Wham!

Wham’s 1985 single proved to be another hit for the duo and one of their last before their split in 1986. Just like their other singles, this one is upbeat and fun, making you want to dance as soon as you hear the bouncy beat. It also has a killer hook of “baby/I’m your man” that you can’t help but sing out. It’s one of those typical fun 80s songs that puts you in a good mood. When it was time for a Wham! greatest hits album in 1996, George Michael decided to update the hit with an R&B spin. And it’s…something. The sound is completely different with elements of funk, rap, and R&B. Hearing hype men shout “who da man” at the beginning leaves you scratching your head. The whole thing sounds like a cover from the Backstreet Boys. Rather than breathing new life into the song, it’s a sad attempt at trying to be relevant.

“Paradise City” – Slash

This is another sad attempt of trying to update a classic. With Slash and Axl Rose not on speaking terms, Slash decided to release his debut solo album in 2010. The previous year, he released the single “Sahara,” which featured this GNR classic as the b-side. You can’t fault Slash for wanting to reinvent one of the band’s biggest hits – he’s part of the reason the why the song is so popular. But you would think he’d enlist a viable rock singer for vocals. Instead, he recruits Fergie and Cypress Hill. Why? is the only thing you’ll ask yourself when hearing this terrible rendition. This is one case where rap and rock don’t get along. And when was the last time Cypress Hill were relevant? Fergie’s screeching in the background just makes matters worse. It’s not worth sitting through this crap to hear Slash’s killer licks. Just stick with the original.

Which re-recorded hits did I miss? Let me know in the comments!

Playlist: Remembering Prince

April 21, 2016, the world lost one of music’s iconic and talented musicians, Prince. He was truly a legend who left a huge impression on music with his style, songs, and vision. He was a versatile artist who constantly pushed boundaries and challenged perceived notions of music. Since he was bigger than life, even though he only stood 5’3, you don’t picture him working with a lot of other artists or even performing covers. His music is so good, why should he play other people’s songs? But, surprisingly, Prince extended himself to various musicians and created memorable, yet underrated duets. At the same time, he also put his funky, sexy spin on songs you’d never guess he’d play. So let’s remember the late Prince by looking back at some of his most notable duets and covers.

“Love Song” – Madonna + Prince

When listening to Madonna’s landmark album Like a Prayer it’s easy to gloss over this smoldering track. The sexy ballad features the two music icons being seductive with one another. It’s a smooth, sexy track meant to put you in the loving mood. So how did the two end up working together? “We were friends and talked about working together, so I went to Minneapolis to write some stuff with him, but the only thing I really dug was ‘Love Song’ […]” With its funky groove and steamy lyrics, it’s more of a Prince song. It sounds like something that belongs on one of his albums and doesn’t mesh well with the pure pop of the rest of the album. You would think a song featuring two of the biggest acts of the 80s would get more attention. But the track couldn’t really compete with massive singles “Like a Prayer” and “Dear Jessie.”

“Creep” – Radiohead

You don’t expect someone like Prince to do too many covers, especially considering how many hits he has in his catalog. But during his headlining set at 2008 Coachella, he pulled out a number of them. He played The Beatles’ “Come Together,” Santana’s “Soul Sacrifice,” The B-52’s “Rock Lobster,” and Sarah McLachlan’s “Angel.” But the most talked about moment was his blazing cover of Radiohead’s “Creep.” Though the elements of the original are there, he turns the track into something completely his own. When he pulls out the extended solos and falsetto vocals, it doesn’t even sound like the same song. It’s amazing to listen to especially since he never played any of the band’s songs before. But of course, Prince wasn’t happy when footage of the cover went live online. He ordered the video to be taken down, which Radiohead reverted since it’s their own song.

“Waiting Room” – No Doubt + Prince

This is another unexpected Prince collaboration. Found on No Doubt’s Rock Steady, it’s got a bit of groove, it’s kind of soulful with a dash of synth and pop. Thanks to Prince’s work on the track, it sounds nothing like the band’s previous or later material. Apparently, Prince agreed to work on the track as a favor to the band since Gwen Stefani appeared on his track “So Far, So Pleased.” They sent him the track and he completely rewrote it. His influence can be heard all over the song. If it wasn’t for Stefani’s lead vocals, you would swear it’s a Prince song. It’s one of the weirder, yet satisfying options from No Doubt’s 2001 album.

“Best of You” – Foo Fighters

Prince’s 2007 Super Bowl Half-Time performance was the first time I realized just how versatile and insanely talented he was. We know how hard Prince rock’s his own material, but not too many other songs. That changed when he busted out renditions of “Proud Mary,” “All Along the Watch Tower,” and Foo Fighter‘s “Best of You.” You wouldn’t expect to hear falsetto shrills in a Foo Fighters song, but Prince truly made that track along with the others he featured all his own. He infused them with his attitude, flair, and a healthy dose of soul like no one else ever could. Though some people didn’t think he was worthy of handling the show, his performance is still hailed as one of the best in Superbowl history. Watching it now, it still gives you chills, especially when he busts out “Purple Rain” during an epic downpour.

“A Love Bizzare” – Shelia E + Prince

Prince was so unique and had a style unlike any other that his essence pours out of every song he writes. This duet with his protégé Shelia E, features the Purple One on background vocals and on bass. But even though Shelia E is the focus of the song, it’s undeniably a Prince song. With its upbeat funky groove, irresistible hook, and sultry lyrics it could’ve come from any of his albums. Though his contribution is kind of downplayed on the studio version, the live version has his flamboyance all over it. Like so many of his tracks, this one is fun, energetic, and sexy. Then again, what Prince song isn’t sexy?

“Every Day is a Winding Road” Sheryl Crow + Prince

Any artist collaborating with Prince should know once he makes an appearance, he steals the show. That’s what happened during this live collaboration with Sheryl Crow. The two performed a hard-edge version of her hit “Every Day is a Winding Road.” Prince does backup vocals and shreds away on his iconic guitar. Shortly after this performance, Prince recorded his own version of the track for this 1999 album Rav Un2 The Joy Fantastic. If you’re lucky enough to find this version, you’ll find a completely different song. It’s funky, slinky, and downright sexy, which you don’t expect from a Crow song. It’s soulful and makes you want to dance. The cover is so good, Crow should hand it over to Prince to be rightfully his. On the same album, the two collaborate on the track “Baby Knows,” which has this cool rock, funk swing to it. If you want to hear it, you better pick up the record; they’re impossible to find online.

“Why Should I Love You?” – Kate Bush + Prince

Kate Bush is an iconic figure in alt rock. Her music is often dreamy, otherworldly, and elegant. So it’s a bit unexpected to learn she worked with Prince. The song, which appeared on her comeback album The Red Shoes, starts out with an air of whimsy and airy and quickly turns into a Prince jam. Seems to be the usual pattern with Prince collaborations. Apparently, Bush sent him the track back in 1991 so he could add background vocals. He not only added vocals but a lot of instrumentation. Since it sounded so different, Bush wasn’t sure what to do with it. They worked on it for two years trying to make it fit Bush’s sound. Clearly, it didn’t work.

“A Case of You” – Joni Mitchell

Prince is known for his sexy, funky style, but on this Joni Mitchell, we get to hear a different side. While it still has an air of sensuality, the track is absolutely gorgeous. It’s an intimate moment with Prince and a piano that’s unforgettable. Hearing his soaring falsetto vocals and the classy tinkling piano keys leave you in awe. We all know Prince was such an amazing guitar player, it’s often easy to forget what a versatile musician he was. This cover shows the beauty and elegance he could add to songs, whether they were his or not. This version is a stark difference from Mitchell’s original folk stylings.

“Love is a Losing Game” – Amy Winehouse + Prince

This haunting and somber track from Amy Winehouse’s final album Back to Black, received the Prince treatment several times live. Footage of this is difficult to find, but luckily, the two eventually teamed up for a powerful rendition of the song. Winehouse joined Prince onstage in 2007 during his final show at London’s O2 Arena. He leaves her to take care of the vocals while he tears it up on guitar. In case you forgot what a badass he is on guitar, you’re quickly reminded on this track. It’s an unforgettable collaboration, though you can’t help but feel a little sad since both musicians passed on unexpectedly.

“Honky Tonk Woman” – Rolling Stones

Prince started performing this song live in 1993, but his version was never officially released. Previously, it could only be found on the Japanese version of The Undertaker. The cover received a wider release when Warner Bros. shared rehearsal footage of Prince performing the track shortly after his death. He turns the song into a scorching number with meaty guitars and a bad ass solo. If you needed more proof of what a genius Prince was at playing guitar, just watch this video where he shreds away with an “I make this look good” look on his face.

“Give Em What they Love” – Janelle Monae + Prince

Prince doesn’t easily hand out compliments and didn’t hide it when he didn’t like someone. But he did admire Janelle Monae, who looked up to him. Luckily, the two worked together for this track from Monae’s second album, The Electric Lady. Not only does Prince play guitar, he also provides co-lead vocals on the track. The song is already is already hot with Monae’s passionate vocals and seductive demeanor. But having Prince sing his signature falsetto makes the track even sexier. Plus, it’s funny to hear Prince utter the term “chicken head.” It’s funky, has a healthy dose of attitude, and makes you feel sexy as hell.

“One of Us” – Joan Osbourne

Prince covered Osbourne’s sole hit for his 1996 album, Emancipation and played it live in concert. With this track, he takes you to church. His soulful delivery, cries for the crowd to join him, and his passionate singing makes it feel like you’re in the middle of a sermon. You want to close your eyes, sway your arm in the air, and shout “preach!” as he’s singing. While there’s nothing wrong with the original, Prince’s version is superior especially with the fiery guitar solo that gives it an extra edge. He even uses the track to take a dig at his former label, Warner Bros. by changing the line “Just a slob like one of us” to “Just a slave like one of us.” This shows if Prince had a problem with you, he’d let you know it in the sassiest way.

“Shhh” – Tevin Campbell

There’s no question about it; Prince was a sexy mother. Just about everything he did dripped with sex. He does the impossible on this Tevin Campbell cover; inject a song that’s about getting in on and make it 100 times dirtier. No, he doesn’t change any lyrics or anything like that. It’s all in his over the top delivery. Hearing his falsetto cries of pleasure you’d swear he was having sex while recording the song. If that wasn’t enough to get you hot and bothered, the blazing guitar solo will do the trick. He takes a typical 90s slow jam and turns it into a sex romp. Only Prince could somehow make a sexy song even sexier.

“Crimson and Clover” – Tommy James and the Shondells 

If you thought Joan Jett made this song rock, you haven’t heard Prince’s version. For the most part, it’s a straightforward cover with Prince being playfully coy during the breakdown of “I think I love you” and blowing kisses into the mic. It’s not until the solo where he makes this song sizzle. In case you needed a reminder what an awesome guitar player he was, Prince make sure you remember with this performance. He makes the guitar burn and blaze like he’s Jimi Hendrix. It leaves you stunned the way he makes the guitar whine, scream, and trill. The cover appeared on his album LOtUSFLOW3R, but it’s his performance of the track on Ellen that gets a nod here.

Which ones of these Prince covers/duets is your favorite? Which ones did I miss? Let me know in the comments!

 

Top 10 Videos that Scared Me as a Kid

Image result for thriller michael jackson yellow eyes

Let’s face it, as a kid the silliest things can scare us. Anything from trees to weird looking food could scare our pants off. Like most kids of the 90s, I watched a lot of television. There was a point where I ventured away from Nickelodeon to MTV. Most of the videos had no effect on me. Some of them I even liked (“Smells Like Teen Spirit”), but then there were the “scary” ones. Videos I had no business watching, yet kept my eyes glues to the screen until it scared me. Looking back at these ten clips now, none of them are scary in the least, not even disturbing. Then again, I was only a dumb kid then. So let’s take a look at the top ten videos that scared my pants off as a kid.

10. “Nothing Compares 2 U” – Sinead O’Connor

There’s a subtle beauty to this video that makes it timeless. The concept is simple: O’Connor lets her haunting vocals carry the video mixed with gothic imagery of her walking through a cemetery. Pretty tame. But the one part that I still remember freaking me out comes at the very end. It’s a brief flash of what looks like a skeleton. Looking at it now, I think it’s an intricate headstone, but the face still looks like a skull. Being so young and not able to grasp the thought of death, this scene horrified me. Keep in mind, at the same time I thought the Crypt Keeper was pretty cool. Yeah, I was a weird kid. Now, I wouldn’t call the image scary at all. It just has a morbid beauty to it I can fully appreciate.

9. “Role Model” – Eminem

Similar to the “My Name Is” video, this one is a barrage of various images and situations featuring the rapper meant to shock viewers. Nothing about this video is scary or even disturbing in the least aside from how much of the song is missing when watching the clean version. So why did I cringe when I watched it as a kid? The damn ending where Eminem, after attempting a Houdini-like escape attempt, fails. The video ends with his lifeless body swinging in the water as the crowd looks on in disgust. This mixed with the sepia silent movie effects (some of those still creep me out) was enough to make me skip this video. I can’t really explain it. I just remember hating this part of the video whenever I saw it and I did my best to change the channel before it ended.

8. “Nookie” – Limp Bizkit

I didn’t really know what to think of Limp Bizkit when they invaded my daily TRL watching in the late 90s. I remember thinking how dumb this song was and wondering what the fuck cookies had to do with the nookie anyway. But the one thing I will always take away from this Limp Bizkit song is the video. The majority of the clip is pretty tame and predictable. It’s Wes Borland that freaked me out. When he cocked his head to the side and stared into the camera with those soulless eyes, I shivered. I’ve never seen someone with pure black eyes and no pupils. Of course, now I know it was just contact lenses. Still, it shook me enough to where I closed my eyes whenever the video came on. Why didn’t I just change? Well, I didn’t want to miss my daily dose of Nsync and BSB.

7. “Waterfalls” – TLC

I was a huge fan of TLC when I was younger and seeing as this was one of the best videos of the 90s, it was always on MTV. Sure, some of the graphics are outdated now, but it’s still an iconic clip. Yet, I hated watching it. Why? Because of how fucking depressing it is. First, we see a young boy killed in blood and his mother a ghostly figure crying over him. Then, we see a man fade from existence through an unknown case of AIDS. By the end of the video the boy tries to reunite with his mother and the woman who infected her lover, is gone as well. I get it, the video is supposed to leave impact with its message. But I was five at the time. And yeah, I probably shouldn’t have watched it. But those two scenes scared me even if I didn’t fully understand what they meant. Sometimes TLC were a little too good at getting their messages across as this isn’t the last time they spooked me out.

6. “The Way I Am” – Eminem

I probably shouldn’t have been listening to or watching Eminem at 12 years old, but I did and yes, my mom thought it was fine. Very little about this video is scary; it’s kind of disturbing, but there’s nothing outright horrifying about it. I remember actually enjoying it and being confused by Marilyn Manson in the background. Was it really him or not? After all, Em did previously portray the rocker in “My Name Is.” The thing that freaked me out was the end when the rapper is about to make contact with the concrete. It was at that second that I realized what he was doing. I flinched and closed my eyes not wanting to see the awful splatter. And the ground turns to rubber. Eminem is okay. I let out a sigh of relief. The fact that two Eminem videos scared when I was young was probably a punishment for listening to his music in the first place.

5. “Gimme Some More” – Busta Rhymes

The weird thing about this video is at the time I only saw about five seconds of it. It was some sort of countdown on MTV or maybe it was the VMAs, doing a recap of videos. It flashed to a clip of this song where it focused on the blue, yellowed eyed creature that terrifies the woman in the video. It’s actually not a surprise this one scared me as a kid; the monster is still freaky looking today. Still, it’s something I’ll always remember as shaking me to my core. From then on I associated Busta Rhymes with scary videos. Now….not so much.

4. “Thriller” – Michael Jackson

This video has scared all of us at some point in our lives. Though it’s a timeless clip and still outstanding by today’s standards, it’s not exactly scary. I wasn’t even that afraid of it when I first saw it at 5 years old. Despite this, there were still bits that creeped me out. One thing that always unnerved me was the heavy breathing during the title card. I always found it weird and knew it signaled bad things to come. The part where Jackson transforms into the werecat looks a bit dated, especially the parts featuring a static dummy head. But the part that always made me jump was him screaming “Go away!” with the sharp teeth sticking out of his mouth. Though I always expect it now, when I was little I somehow forgot it was coming and it always scared me. The zombies for the most part I thought were cool, except for two specific ones. First, the one that comes strolling out of mausoleum door, whites of his eyes showing. Then the one with blood spilling of its mouth. Both of these zombies freaked me out. And the way the latter one smiles after the blood spills, just makes it all the more creepy. It still freaks me out a bit now.

3. “Unpretty” – TLC

Similar to “Waterfalls,” TLC aims to promote a positive message of loving yourself and not letting anyone else make you feel ugly. Sounds good, so what about the video is terrifying? The part where a woman gets her silicone implants removed. When I first saw the doctor remove the silicone and the pained expression of the girl, it gave me chills. Every other time I saw the video I shut my eyes right as Chili steps into the hospital. TLC spares no one and shows the painful removal up close trying to teach young girls a lesson. And at least for me, it fucking worked. Even watching it now after not seeing the video in years it made me cringe. I forgot how graphic the scene was and it’s disturbing as hell. I never thought a TLC video would leave me scarred for life.

2. “Tourniquet” – Marilyn Manson

As much as I love Marilyn Manson now, I thought he was the creepiest dude when I was ten. I still remember finding my brother’s copy of Mechanical Animals and being utterly confused by the cover. As if that wasn’t bad enough, I accidentally saw this video while watching Celebrity Deathmatch. After Manson won against Charles Manson, they decided to show this clip. And man did it give me nightmares. Though it’s now one of my favorite videos, I still don’t know what the hell is going on. Manson’s movements along with black eyed semi-human/semi-mannequin creatures scared the piss out of me. But it still intrigued me; I’d never seen anything like it before. When I saw the video again, I watched while covering my eyes and peeking out every now and then. Years later, I turned into a dedicated fan. Gotta admit I didn’t see that one coming.

1. “Oh Father” – Madonna

I’ve talked about how accidentally terrifying this video is in the past, so I’ll be brief about it here. I saw this video at a very young age and when it reached the part where the little girl, who is supposed to be Madonna, reaches her mother in the casket terrified me. Not because she was dead, but because of the fucking close up of her lips sewn shut. It’s not grotesque and it doesn’t even stay on the screen that long. But it was enough to disturb me and haunt me ever since. Because of that scene, I rarely revisit the video. It still gives me the chills today. The rest of the video is beautiful and timeless. Yet, that one scene has stayed with me for years. For that reason along it gets the top spot.

Did any of these videos scare you as a kid? What videos gave you chills? Let me know in the comments!

Playlist: Lovin’ the Dead

If your local stores are being taken over by red and pink teddy bears and lots of chocolates, then you know Valentine’s Day is on the way. Some see it as a romantic day to remind that special someone you love them. Others see it as corporate made up bullshit to sell more greeting cards and candy no one will finish. So instead of recapping sappy love songs that every playlist on the internet will be talking, let’s look at the dark side of love no one wants to talk about: necrophilia. For reasons that remain unknown for the majority of the population, some people really get off on the dead. It’s a taboo subject, making it perfect for rock and heavy metal stars to talk about. There are a disturbing amount of songs about necrophilia out there, so let’s check out a small sampling. Just remember when you’re listening to songs about caressing dead flesh and breathing in rotten smells, have a happy Valentine’s Day.

“Night Shift” – Siouxsie and the Banshees

Siouxsie and the Banshees have never shied away from the Gothic and the macabre, but here they get downright disturbing. This track from their 1981 album Juju, paints a graphic picture of a madman who kills women and then has their way with them. Siouxsie sings “The cold marble slab submits at my feet/With a neat dissection/Looking so sweet to me /please come to me/With your cold flesh/my cold love.” Her haunting delivery and the dark lyrics are enough to give you chills. As if that wasn’t bad enough, the song is based on the crimes of Peter Sutcliffe aka The Yorkshire Ripper. The English killer murdered 13 women between 1975 – 1980. He was finally convicted in 1981. So yeah, this song is kind of terrifying.

“I Want You…Dead” – Wednesday 13

Wednesday 13 has made a career out of singing about the dead. Writing songs about loving the dead is kind of his thing and it’s no different on this track from his solo debut album. Here, he makes it clear how he likes his women, no longer breathing: “Give ’em to me decayed, give ’em to me anyway/I don’t care ’cause you know I only want you/Dead, dead, dead.” He doesn’t even care if his dead lady decides to come back to life, kill him slowly or butcher, he just wants them dead. Thankfully, 13 spares us of the details of what he wants to do with the dead. But it’s not hard to put two and two together.

“I Love the Dead” – Alice Cooper

Is there any surprise Alice Cooper has a song about necrophilia? Coming from the album Billion Dollar Babies, an album exploring the dark, sick perversions in humans, Cooper sings about how much he loves the dead. It’s pretty straight forward as he sings about how he likes the dead “before they’re cold” and how he has “other uses” for them. If it wasn’t clear enough what plans he has for them, the bridge of the song features Cooper moaning and groaning in the throes of what I can only assume is pleasure. It may be one of the tamer songs about necrophilia sparing gory details, but for 1973 it was beyond scandalous. It remains one of Cooper’s most beloved songs and one that puts the talents of the band on display.

“I Fell in Love with a Dead Boy” – Antony and the Johnsons

This is probably the most beautiful song about the dead on this playlist. The haunting, yet beautiful voice of Anohni is enough to bring you to tears as she sings about a dead boy she found. Though the person is clearly dead and the protagonist even wonders if she should call a doctor, she lays with him anyway. Slowly, she falls in love with him though no one else understands the relationship. Oddly enough, it’s very sweet and sentimental. It’s haunting and downright gorgeous, which you don’t expect from a song about the dead.

“Corpse in my Bed” – Creature Feature

With psychedelic music made for The Munsters, this horror rock duo actually questions how wrong it is to have a corpse in your bed. They don’t go into disgusting detail, but like other songs on the playlist, they find comfort in their dead love. The singer here doesn’t care if his love is just skin and bone. The only thing he seems to mind is the smell, which is a mix of “rancid milk and moldy pears.” He later admits he’s just alone and doesn’t want to be by himself. Why he just doesn’t meet someone online is beyond me. At least he seems to just be lying next to the corpse in this song.

“Last Kiss Goodbye” – Lordi

It makes sense that a Finnish metal band that frequently dresses as demons occasionally sing about loving the dead. In this track, frontman Mr. Lordi sings about finding a lovely dead woman under the trees, wrapped in leaves, yet knowing he can share his desire with no one else. He vows to keep it a secret as he gives her one last kiss. The song takes a somewhat comical approach to the subject with the line “It’s been years since we last met/Now it’s fall and the leaves are wet/I think you must have lost some weight/but you’re still lovely.” For a song about necrophilia, it’s surprisingly upbeat. You’ll find yourself singing along before realizing what it’s actually about.

“Heirate Mich” – Rammstein

This track, which means “Marry Me” in German, finds a widowed man so desperate to be with his loved one again he goes to extreme lengths to be with her. The song details him digging into the earth, pulling her up, and caressing her cold skin. The lyrics get a tad disgusting when Till Lindemann sings about her skin feeling like paper and pieces of her falling away. The man is tortured as she has slipped away from him once again. Rather than talking about screwing dead corpses, this is a tragic tale of not getting over losing a loved one. The song doesn’t seem as shocking, disturbing, or nasty as the others on the playlist. It’s quite sad, making you feel bad for the guy. Of course with its boot-stomping rhythm and intense vocals, Rammstein still finds a way to make the song brutal.

“Dead Girls” – Voltaire

Voltaire deals with all things dark, Gothic, and macabre, so it makes sense to find one of his songs on the list. But this one differs from most here. Rather than being about not getting over a lost love or just having a weird fetish, Voltaire tells the story of a man who prefers his women dead because he has rotten luck with living women. This man loves the dead because they don’t hurt him, fully accept him, and are kind in a way no other woman has been. Looking at it this way, you feel bad for the guy. He only feels comfortable around the dead, even though he knows it’s pretty strange. Thinking about it that way it’s not as creepy, but still creepy.

“Chrissy Kiss the Corpse” – Of Montreal

You wouldn’t expect this jaunty tune to be about a girl with a disturbing habit. Sounding like an upbeat vintage beach party tune, the band sings about finding a corpse at the bus stop and having fun with it. But drawing on it and putting a match between its toes is nothing compared to what Chrissy does with it. Granted it’s only a kiss, nothing too graphic, but the song suggests this isn’t the first time Chrissy has exhibited such behavior. Even the cops that come by wanting to check out the action. Is doing the actual kissing of the corpse more disturbing than watching it happen? Eh, this song is weird either way.

“Die My Bride” – Murderdolls

Wednesday 13 pops up again with another song about loving the dead with his former horrorpunk outfit the Murderdolls. Here 13 gets a bit more graphic as he details all the blood and gore. He’s not just digging up girls to get busy with. He goes for a fresh kill before he says “I do.” There’s talk of pulling off fingers and bashing in heads in this gruesome song. It sounds like a plot of a shlocky b-horror movie, which makes sense coming from 13 and crew.

“Fuck the Dead” – GG Allin

When you’re known for cutting and shitting yourself on stage, threating to commit suicide live, and fighting with the crowd, a song about necrophilia doesn’t seem so shocking. So of course, it would be a topic GG Allin would cover. Allin isn’t subtle about desires in the least. The hook is nothing but him shouting “fuck the dead/fuck the dead.” And he goes for distasteful as he describes eating maggots, rotten smells, and screwing every cold orifice. It’s disgusting and lewd, much like Allin himself.

“Necrophiliac” – Slayer

This song isn’t just about screwing the dead; it’s about breeding the spawn of Satan. This is the type of song that scared the shit out of parents in the 80s. It’s full of bloated corpses, lewd imagery, sex, and of course, the devil. After doing the deed with the corpse, a demon bursts out of the body and takes revenge against the one who took advantage of the dead body. Now, the necrophiliac has to spend the rest of his life in hell burning in the fiery depths. So, I guess it’s teaching a lesson about not fucking dead bodies?

“Born in a Casket” – Cannibal Corpse

Cannibal Corpse is known for shocking and disgusting people with their album artwork alone. So, a song detailing necrophilia is par for the course. This song pulls no punches and maps out every nasty, gruesome detail about the deed: the rotten smell, oozing goo, and green pus. Just when things couldn’t get nastier, the breeding produces an unholy spawn, which proceeds to feast on the dead flesh. And of course, there’s mention of “devouring the afterbirth.” This song isn’t for the faint of heart, that is if you can understand what they’re saying. Maybe it’s best to have the lyrics handy when listening to this one.

Which song about necrophilia got under your skin the most? Which ones did I forget? Let me know in the comments!