Jack White

Playlist: Rock Duets

Sometimes a duet is the best thing in the world. Other times, it’s a disaster. But it always leaves memorable stories. There’s something about two huge musicians getting together to create music that’s thrilling and exciting. Pop music is full of countless duets, but they don’t seem as popular for rock music. They certainly exist; they’re just not as abundant as they are in pop music. So let’s look at some of the most notable and popular duets in rock music. For the purpose of this playlist, a duet is a song where both artists have an equal amount of time on the track.

“Close My Eyes Forever” – Lita Ford and Ozzy Osbourne

This is probably the most famous rock duet. The song, which apparently came about as an accident according to Sharon Osbourne, was the third single for Lita Ford’s self-titled debut album. With sappy lyrics and a blazing guitar solo, it’s no different from the many power ballads of the era. Ozzy’s haunting vocals do add an eerie touch to the song, but it’s still pretty cheesy. Though I love Osbourne, I never liked this song. It’s too slow for my tastes and is just corny. Then again, I’d be hard press to find one power ballad from the 80s I actually like. Still, this single stands out as one of the most notable duets in rock music.

“Love Interruption” – Jack White and Ruby Amanfu

The music world went a little nuts when Jack White announced a solo album only a year after the White Stripes ended. The debut single “Love Interruption” wasn’t what people expected. There were no roaring riffs and White screaming over screeching guitars. Instead, the song is mellow, subdued, and a bit cynical. Though White could’ve easily carried the song himself, the addition of Amanfu’s smoky vocals adds an understated sensuality to the song. Something about her voice adds a raspy, soulful nature that would’ve been missing otherwise. I actually think it’s one of the strongest tracks from Blunderbuss and serves as a reminder love isn’t always pretty.

“Dancing in the Street” – Mick Jagger and David Bowie

Two of music’s iconic artists, what could go wrong? To be fair, the cover itself isn’t that bad. There’s nothing particularly special about it, but it’s fun at least. Yet, the music video will go down in infamy. It’s unbelievably bad. Jagger exaggerates everything from his facial expressions to his seizure inducing dance moves. Bowie remains cool though it looked like he left the house in some wild pajamas. And don’t forget the scene where Jagger chugs down a soda while Bowie sings. It’s probably one of the worst videos of the 80s. Hell, even Family Guy said it was the gayest music video in history. Thinking about it, there are moments where the two singers get a little too close for comfort.

“State of Shock” – Michael Jackson and Mick Jagger

Mick Jagger shows up again for a better collaboration with Michael Jackson. Recorded for The Jackson’s album Victory, the song is a raucous and kind of spastic team up with the rocker. The song was originally meant to be a duet with Freddie Mercury for the Thriller album, but scheduling conflicts kept the two from working together. Jagger was called instead and it ended up being his biggest hit away from The Rolling Stones. It’s one of those unexpected hits from Jackson’s catalog, but it’s one of the finest examples of pop and rock colliding. Later on, Jackson said he Jagger sang off key, while Jagger called Jackson “lightweight.” Anyone else think the Freddie Mercury version would’ve been epic?

“Good Times” – INXS and Jimmy Barnes

When two talented vocalists come together, they often try to outshine each other. That’s not the case here. For their contribution to The Lost Boys soundtrack, INXS teamed up with singer/songwriter Jimmy Barnes on this cover of The Easybeats song. Michael Hutchences’ smoldering vocals pair exceptionally well with Barnes’ bluesy, rock-tinged voice. They actually work together to give listeners a thrilling experience. The two sharing vocal duties along with the high energy music supporting them, it’s everything you want a good rock rolling song to be. It has a similar good time vibe as Bob Seger’s “Old Time Rock and Roll.” Listening to Barnes’ vocals, you have to admit it’s reminiscent of rockers, like Robert Plant.

“Hunger Strike” – Temple of the Dog

Temple of the Dog started as a way for Chris Cornell and members of Pearl Jam to deal with the death of Mother Love Bone frontman Andrew Wood. Their debut album did exceptionally well with this song being their biggest hit single. The track features Chris Cornell and Eddie Vedder on vocal duties. When two of grunge’s most notable and talented vocalists get together for a song, you know it’s going to be good. And that’s exactly what you get with this powerful, emotionally driven tune. Both artists get time to share their unique vocal styles, Vedder being gruff and raspy and Cornell’s higher range. It results in a song that’s beautiful and haunting.

“Stand by Your Man” – Wendy O. Williams and Lemmy Kilmister

Ever wonder what it would sound like if two punks ripped apart the Tammy Wynette classic “Stand By your Man?” That’s what Wendy O. Williams and Lemmy Kilmister for a single in 1982. The song is almost unrecognizable with gritty, blazing guitars making a ruckus while the two scream out the lyrics over the noise. Oddly enough, it works. It’s one of those weird covers you would never expect two rock legends to even consider. They breathe new sinister life into the country classic that makes you want to head bang. O. Williams and Kilmister teamed up again for “Jailbait,” which appeared on the Plasmatics album Kommander of Kaos. Listening to these two, it’s clear they were truly one of a kind.

“I Ain’t No Nice Guy” – Motorhead and Ozzy Osbourne

When two of hard rock’s most iconic and legendary figures team up, you expect something epic beyond belief. That’s not the result of this duet featuring Lemmy Kilmister and the Prince of Darkness. Rather than getting together for a kickass track that would melt your face off, the two sing a ballad instead. It’s a slow, somber song made for radio airplay. It actually became a huge hit for Motorhead’s tenth album March or Die. It’s a decent song and features a slow burning solo from guitar hero Slash, but it won’t hit that sweet spot for most metalheads. It’s just so unexpected for the rockers. What’s even more surprising is seeing Ozzy with a five o’clock shadow in the video. Yikes.

“A Tout Le Monde” – Megadeth and Christina Scabbia

This song originally appeared on Megadeth’s sixth album Youthanasia and quickly became a staple for the band. At the time of its release, it garnered controversy for its music video. MTV banned it claiming it promoted suicide, which Dave Mustaine was quick to dismiss. The band re-recorded the song in 2007 for the album United Abominations with Christina Scabbia of Lacuna Coil. Aside from some slight alterations, like a faster pace, there;s not much difference aside from Scabbia singing an entire verse showing off her vocal chops. The song keeps its sentimentality intact along with its hard hitting sound and slightly aggressive mood. Many may prefer the original, but this re-recording is a great blend of old school and new school.

“Walk This Way” – Run DMC and Aerosmith

These days the world of rock and rap often combine for both awesome and questionable results. But back in the 80s, the two were seen as exclusive genres that should never cross paths. Run DMC and Aerosmith broke that barrier with this duet. When it was released in 1986 it blew everyone’s collective minds. Not only did Run DMC cover this classic rock track, they even got Steven Tyler and Joe Perry to join them. The song is still amazing to this day and remains one of the best mash-ups ever. It, of course, would go on to inspire other rock/rap collabs, such as Jay-z and Linkin Park (remember when that was a thing?)

“The One You Love to Hate” – Rob Halford and Bruce Dickinson

Two heavy metal giants, both who are considered the best vocalists in the genre, team up for this roaring track. Recorded for Halford’s debut album Ressurection, the song features Iron Maiden’s Bruce Dickinson on vocals. You’d expect to be beyond amazing and the most bad ass thing you’ve ever heard. In reality, it’s okay. It feels more like a Dickinson track since his voice overpowers everything and Halford is stuck on back up duty. It’s a pretty standard metal song with soaring vocals, blazing guitars and a lot of aggression. It’s not bad; just not very remarkable.

“Don’t Fear the Reaper” – HIM and Sanna-June Hyde

On HIM’s debut album, the band provided a haunting rendition of the Blue Oyster Cult classic. This version brings out all the darkness and grim view that’s implied in the lyrics. And frontman Ville Valo’s baritone vocals provide are a perfect match. Adding some brightness to the track is Finnish actor Sanna-June Hyde. She provided guest vocals for this track and “For You” early in her career. She’s not necessarily the best singer but her voice surprisingly well with Valo’s. There’s also something eerie about their voices. Still one of the best covers of this song.

“Under Pressure” – Queen and David Bowie

The thought of Queen and David Bowie doing a song together sounds like a dream. This amazing collaboration resulted in one of the best songs of the 80s. It’s an undeniable classic; pairing Bowie’s mellow vocals with Freddie Mercury’s dramatic bravado leads to a beautiful sonic experience. And try not to get chills during the bridge when Mercury pleads “Why can’t we give love/give love/give love?” The song became a huge hit for both artists and remains their most notable. Of course, the riff would be stolen by Vanilla Ice in the 90s, who claimed it wasn’t the same song.

Which is your favorite rock duet? Which ones did I miss? Let me know in the comments!

Playlist: Best Grammy Award Performances

It’s almost time for the Grammys again, which means lots of snubs, disappointments, questionable moments, and Adele. That’s why everyone is going to watch, right? The award ceremony has been panned for the past couple of years for being bland and boring, but along with its low moments are tons of high moments. It’s still known for some of the most iconic and memorable performances in music. So before we start predicting when exactly Kanye is going to crash the stage, lets look back on some of the best performances from the Grammys.

“Stan” – Eminem & Elton John (2001)

Though Eminem made a joke about the Grammys in his song “The Real Slim Shady,” he’s been no stranger to them since his massive album The Marshall Mathers LP. This is the time when the rapper was most controversial garnering the anger of groups like GLAAD, who claimed he was homophobic. To shut up his critics once and for all, Eminem delivered a powerful performance of “Stan” with Elton John singing the chorus. At the song’s end, the two embraced and held hands in a victory pose. It’s not only one of the best Grammy moments of all time, but one of the best Eminem moments ever.

“American Idiot” – Green Day (2005)

Eyeliner, creepers, red ties, and lots of pyro. American Idiot era Green Day was on the rise thanks to their massive concept album. Not only was it a big winner at the 2005 Grammys, they also delivered a performance of the title track that was unforgettable. Instead of being cut and dry, the band brought their snotty attitude, slaying guitars, and their love of fire with them. As usual the band sounded great and wowed the crowd with fire shooting up at all the right moments. The band made sure to light a fire under the asses of the stiff academy. This is just one of a number of amazing performances from the year of American Idiot.

“The Way You Make Me Feel/Man in the Mirror” – Michael Jackson (1988)

Michael Jackson didn’t grace award show stages that much during his life, but whenever he did it brought the fucking house down. This 1988 performance starts out pretty standard: Jackson blows away the crowd with his dancing and singing. But it’s not until we get to “Man in the Mirror” where the show really starts. As he continues to sing, he gets more into the song until he’s falling on his knees, near tears, demanding everyone to “make that change.” The best part are the last five minutes where he seems to go off the record and just feels the music and gets everyone to stand up. He’s possessed by the song as he spins and collapses while a choir backs him up. It’s one of those moments that’s so stunning you remain quiet during the whole thing.  It shows why there will never be another performer with the fire, passion, and moves like Jackson.

“Where It’s At” – Beck (1997)

There’s always one year where Beck sweeps the award shows and makes some people question “Who the hell is Beck?” During the 1997 Grammys, he performed his hit single “Where It’s At” from Odeley, which was up for several awards that night. The thing that makes the performance so great is Beck’s unbridled energy. He has all the moves and swagger of a rapper and even pulls some awkward, yet entertaining dance moves at the end. His monotone vocals matched with his wild movements makes Beck hypnotizing to watch on stage. It ends on a high note, literally with Beck pulling off some scratchy falsetto. After the performance he won a Grammy for Best Rock Male Vocal. And similar to last year’s ceremony, many were left wondering who the hell this guy was.

“Runaway” – Bruno Mars (2012)

I wouldn’t call myself a huge Bruno Mars fan, but his performance from the 2012 Grammys blew me away. Is it his upbeat energy? Yes. Is it his style? Yes. Is it him commanding people to get off their “rich asses?” Yes. He sounds great and pulls off some awesome dance moves, but what makes this performance so memorable is the set up. It looks like an old school soul performance complete with matching gold suits, Temptation style dance moves, and Bruno’s pompadour with some added James Brown for flavor. He’s such a charismatic performer that he makes any award shows, or Super Bowl, exciting.

“I Put a Spell on You” – Annie Lennox & Hozier (2015)

What started out as a performance from Hozier featuring Annie Lennox turned into the Eurythmics singer taking over the stage. She came out to join Hozier on “Take Me to Church,” but as soon as she started “I Put A Spell on You” everyone forgot he was on stage. Her soulful delivery is powerful and she commands the stage while singing and swinging her hips. All Hozier could do and stand back and nervously smile. The way she belted out those notes gave you chills. It was so amazing it’s all people could talk about the next day. Sorry, Hozier. Good try, though.

“I Will Always Love You” – Whitney Houston (1994)

At the 36th Grammys Whitney Houston blew everyone away this performance of her hit single “I Will Always Love You.” She starts out by performing the first verse acapella, which is enough to stir you. She really gets in her element when the music starts up and she continues singing in her elegant white gown. The best is when the drum pounds and she holds the note while she sings the chorus one more time. Watching it again over 20 years later, it still gives you goosebumps when she hits that note. It’s a reminder of what a wonderful performer Houston was and a sad reminder of what we’ve lost.

“One” – Metallica (1989)

Everyone knows the story of Metallica losing the Best Heavy Metal album to Jethro Tull in 1989. Though they didn’t win, and yeah they should’ve of, they delivered a blazing performance of “One” from their …And Justice for All album. Things start out kind of shaky with the vocals, once the band gets in the groove of things, they take over the stage and set fire to the Grammys. The performance is intense, brutal, and heavy as if reminding the committee why they should’ve won in the first place. Luckily, the academy realized they were wrong and gave the band best Metal Performance for the same song the following year. The band revisited the song at the 2014 ceremony with pianist Land Lang accompanying them.

“Feel Good Inc/Hung Up” – Madonna & Gorillaz (2006)

Madonna and Gorillaz seems like a collaboration that would never happen, but oddly enough it works. This performance features the animated band as 3D holograms singing, gyrating, and looking bored in general. When De La Soul comes out 2-D checks his phone while leaning on the mic. Then Madonna pops up on screen, also a hologram, and teases the band. After that she appears on stage in the purple leotard first seen in the “Hung Up” video. The entire performance is fun, innovative, creative, and unforgettable. Though Madonna’s rendition of “Living for Love” was also good, this one is more memorable and creative.

“Rolling in the Deep” – Adele (2012)

You knew she was going to pop up here sooner or later. The performance is simple; no fancy effects, tricks, or collaborations. Just Adele, her singers, and her band. Her voice is so powerful and beautiful, you can close your eyes and let it wash over you. Even if you don’t play her heartbreaking songs on repeat after seeing this performance you had to acknowledge that she’s one of the best modern singers. There are plenty of people who can’t wait to see what the singer will do at this year’s ceremony. Actually, it’s probably the only reason anyone will tune in.

“Glitter in the Air” – Pink (2010)

When Pink came out on stage to perform “Glitter in the Air” no one at home or in the crowd expected to see her twirling through the air. She comes out in a hooded shroud, looking beautiful and elegant. Just when you think she’s going to stand there and sing, she reveals a nude leotard and joins a group of aerial acrobats that lift her in the air. She strikes various poses and even pulls off an impressive spin and she’s still singing. She never misses a beat. By the end everyone was stunned and in awe. It’s a trick she’s pulled off a few more times for later Grammy performances, but no one will ever forget the first time she did it here.

“Seven Nation Army/Death Letter” – The White Stripes (2004)

The White Stripes managed to make a lot of noise at the 2004 ceremony. The performance starts out with the popular “Seven Nation Army,” but ends with a chaotic seizure educing rendition of “Death Letter.” It’s here where Jack White lets loose and plays with fire and fury. He stumbles around the stage, motion towards Meg White, and ends the song with a unchained solo. The performance is also great due to the weird introduction by Beck who references “Children of God” before introducing the duo. Well, it is Beck after all.

“La Copa de la Vida (Cup of Life)” – Ricky Martin (1999)

This performance will forever be burned in my memory. Why? Because my mom and I were glued to the screen, wondering who this hot new guy was and how fast could we get his album. Ricky Martin was at the forefront of the Latin explosion of the late 90s. He cemented his popularity at the time with this performance at the 41st Grammy Awards. After this performance aired, Martin was a household name and everyone wanted to live “la vida loca.” Sorry, I had to.

“Lady Marmalade” – Pink, Christina Aguilera, Mya, Lil’ Kim ft. Missy Elliot & Patti LaBelle (2002)

It was hard to escape this song in the early 2000s and though the group of ladies performed the song at various award shows throughout the year, this one is the best. All of the singers sound on point and Aguilera finally shed the gigantic poodle wig she was obsessed with. What made this performance so memorable from the others, is the original Lady Marmalade, Patti LaBelle, joined the group on stage. While she didn’t get to sing much she did enough to show she still had the chops and even though this cover was pretty good, nothing could outshine the original.

Which Grammy performance is your favorite? Is there one that I missed? Let me know in the comments.

 

Icky Thump – The White Stripes

Release Year: 2007

Rating: 9/10

It’s been eight years since the White Stripes released what would be their final album back in 2007. And they couldn’t ask for a better way to say goodbye. Going back to their garage rock blues infused sound they left behind for Get Behind me Satan, the band rips, roars, and tears through 13 tracks that provide more of the insane riffage fans clamored for. Surprisingly, it’s also their most fun album in their discography and this comes out on most of the tracks.

The album kicks off with the wonderfully weird “Icky Thump.” Jack White takes us into this weird take of a tryst in Mexico with a cry of “Iiiee! Icky thump, who’d thunk/sittin’ drunk on a wagon to Mexico!” The music is kind of all over the place with the odd squealing keys and scratchy guitar solos bouncing around the song. You’ll notice there actually isn’t a chorus; instead the keys and guitars take its place giving it the White Stripes signature. Another thing savvy fans will notice are the references to the band’s staples like red head women and candy canes. The whole thing is full of energy and lots of fun. Things get more mellow on “You Don’t Know What Love Is (You Do What You’re Told)” where Jack criticizes someone for letting other walk over them in a relationship. Even though it has this bluesy, country twang to it, it kind of sounds like a church hymn with the swelling organ. Still it’s classic White Stripes all the way.

Jack White said the connecting theme for the album is positivity and being happy. It may not be in every song, like “Martyr for My Love,” but many of them follow this thought. The most fun and upbeat track is “Rag and Bone,” which finds the duo as junkers looking for anything people don’t want. The Blues tinged song is has a jumpy rhythm that gets you moving. Between the verses, Meg and Jack provide spoken parts convincing people to give them stuff. Jack sounds like a Southern door to door salesmen, while Meg just sounds creepy as she whispers “give it to me.” Another fun track is “Conquest,” a Corky Robbins cover, that takes the classic Mexican stand-off rhythm and recreates it with a gritty guitar. The Latin flavor is kept in with the brassy horns that blare during the hook. There’s even a great part where the guitar and horns play off each other during the bridge. Even Jack’s singing is great; he sounds determined as he wails “Connnnonnnnquest!” You can tell he enjoyed recording the track, especially since he’s been wanting to cover it for 10 years.

For the most part, the album acts a return to the band’s garage rock/punk roots. Their previous effort was all about experimentation while this one has that comforting sense of familiarity. “Bone Broke” will take fans back to band’s first few LPs with the searing raw riffs, crashing chaotic music, and unchained vocals. “Little Cream Soda” is another old school throwback since it’s a re-recording of an older Stripes song. Jack completely let’s himself go on this track as he scares out scream and squeals from his guitar. Playing with the loud/quiet dynamic, the music during the verses sneaks along, fit for a spy theme. The way he lets those notes fly will leave you in awe; it’s that crazy good. “Catch Hell Blues” is very similar to tracks like “Aluminum” and “Instinct Blues” where the music does the talking. There are lyrics, but it’s the guitar playing listeners will be captivated by. You have to hear it for yourself to understand why it’ll leave your jaw on the floor.

The only time the band gets experimental here is on “Prickly Thorn, Sweetly Worn,” which is patterned after an Irish hymn. It features a weezing bag pipe along with a light guitar. The bouncing nature of the song makes it seem like some Irish jigs should be going on at the same time. It’s pretty odd for the band, how many bands do you know of that use bag pipes, but the chant of “Li de li de li oh” makes it catchy. I remember in an interview Jack said it was about exploring their Irish roots, but it’s just another tall tale he attributes to the band.

I’m Slowly Turning Into You” has always been one of my favorite tracks from the album. It’s sneering, snotty, and full of frustration as Jack sings “But your face is getting older/so put your head on my shoulder.” The verse gets more scathing as he points out how everything his lover does is annoying. Then we get that raw, sexy riff right before the chorus that makes your spine twitch. And the swelling keys emphasize the angry mood of the song. But it’s not all bad as during the second half of the song, Jack realizes it’s not so bad after all. I’ve just always loved the mood and music of this track, especially because it’s pretty playful. The album ends with the country jam “Effect and Cause,” which foreshadows the direction of Jack’s solo material. The twanging guitars, the down home raw vibe of the song makes it sound like a classic country tune complete with a bluegrass banjo. It’s not how you expect the album to end, but it provides a look at what Jack would do later on.

The album is really great, not just because the band returns to their garage rock roots. A big part of it is because the songs are so much fun and many of them are upbeat. Jack wanted the record to be about positivity and he succeeded on a number of the tracks. At the time, we didn’t know it would be the band’s last, but it’s very fitting. It shows why so many people fell in love with The White Stripes and even returns to the Blues style that made them famous. Sure, it would be great to hear from the duo again some day, but at least we were left with one of their best albums.

Love Stuff – Elle King

Release Year: 2015

Rating: 7/10

With so many websites, playlists, and music videos, sometimes it’s hard to find good new music. But every once in a while you get lucky while watching late night TV. I first heard of Elle King when watching an episode of the Tonight Show. I thought her voice was interesting and the song was kind of catchy, so I decided to check out her debut and though it’s not flawless, I was not disappointed.

King’s style should appeal to any Jack White fans. Her music is a mix of rock, pop, soul, blues, and country, which make for some gritty tunes. The opening track “Where the Devil Don’t Go” introduces listeners to King’s old school blues/country sound. The song seems right in line with traditional blues tunes since it deals with the topic of devils and sinners. She has a distinct voice that’s kind of rough and edgy, with a hint of a southern accent. The catchy “Ex’s & Oh’s” is a tongue in cheek track about all the men King has lured and how they can’t leave her alone. She sounds coy as she sings “One, two, three/they’re gonna run back to me/they always wanna come, but they never wanna leave.” It’s an upbeat song with a bit of a rock n roll edge, especially when the guitar solo comes in. It’s definitely a highlight of the LP.

Under the Influence” pulls back on the country vibe and amps up the pop and soul mood. What’s weird about is every time I hear it, it reminds me of something Adele would do. A lot of it has to do with the subdued, slow tempo of the song. It also has this slinky vibe that keeps the song from the dragging on. King isn’t shy about being rough around the edges, as she shows on “Last Damn Night.” Here, she talks about living life to the fullest and partying like there’s no tomorrow. It’s definitely southern rock in nature and just try not to think about Jack White when you hear the dirty licks and jangly pianos.

King dedicates the middle of the LP to her country roots. The tragic tale of “Kocaine Karolina” sounds like an old school country song with just her gritty vocals and a banjo while “Song of Sorrow” is more of an upbeat bluegrass jam complete with banjo and fiddle. “America’s Sweetheart” delves more into country pop with fast twanging guitars ready for a duel and a honky tonk feel. During the pre-chorus when she sings “kick out the jams/kick up the soul” you can picture people stomping their feet and clapping their hands like they’re in a hoedown. These songs aren’t bad, but they may not appeal to those who aren’t fans of country music.

One thing that makes King notable is how she flips the script on so called gender roles. She’s never afraid to talk about how she’s looking for anything but love. This is best found on “I Told You I Was Mean.” With a soulful opening complete with “hmmms” of a gospel, she remains blunt as she tells a lover how she doesn’t want them anymore. Rather than being the one hung up after a fling, she’s the one looking for a no strings attached relationship, while the guy is left wanting something more. She even addresses her demons on the somber “Ain’t Gonna Drown.” With the depressing mood mixed with background sounds of grunting and clanging, it actually sounds like on old hymn. It’s a haunting and chilling look at the singer’s vulnerable side.

Some of King’s subject matter isn’t all that original, like when she does decide to talk about love (“Make You Smile”) or begging a lover to stay one more night (“See You Again”), but at least she comes off as honest. Some of her songs are tongue in cheek and there are even some clever lyrics about how King isn’t your typical skinny, sweet girl who’s content with staying quiet. Her mix of blues, soul, country, and pop is ear catching and will be sure to attract even naysayers of country music. If you want the sound of Jack White without the elitism and ego issues, then check out Elle King. I know I can’t wait to hear more from her.

Playlist: Going Solo

After years of fighting for fame and glory in the cutthroat world of music, there comes a time where you ditch your bandmates and attempt a solo career. Some artists are so good at it, many have forgotten their origin band. Others…well, let’s just say they were back with the band in no time. This is only a handful of musicians who have gone solo. I know I’ve left a ton out, so let me know which ones in the comments along with whose your favorite solo act.

“Hollaback Girl” – Gwen Stefani

When Gwen Stefani took a break from No Doubt to do her own thing in 2004, many fans were both excited and disappointed. She spent most of the 90s establishing herself as the quirky, alternative chick who really dug ska music, but her solo material didn’t have any of those elements. With help from the Neptunes, Stefani crafted a debut album full of catchy jams you love to hate and hate to love. Since then, her solo career has been just as successful as her time with No Doubt. Hopefully, she’ll keep delivering the hits on her upcoming LP.

“This City” – Patrick Stump

Though Stump was much loved for his unintelligible vocals in Fall Out Boy, people didn’t know how to feel when he broke out from the band in 2011. Instead of the pop-punk Fall Out Boy were known for, Stump went for more of a pop and R&B infused sound that didn’t sit well with fans. Though the single “This City” did fairly well on the charts, the album didn’t meet up to expectations. Stump became so frustrated in his solo career he posted a lengthy rant on his website where he admited he wasn’t prepared for the hatred he received for his music. He went on to say “The reality is that for a certain number of people, all I’ve ever done, all I ever will do, and all I ever had the capacity to do worth a damn was a record I began recording when I was 18 years old.” Guess we shouldn’t expect a second effort from him.

“Look at Me” – Geri Halliwell

If you thought Directioners overreacted to Zayn leaving One Direction, then you don’t remember the uproar when Geri Halliwell AKA Ginger Spice left the Spice Girls in 1998. Fans were beyond upset and held a grudge against the former Spice Girl for years to come. In 1999 she launched her solo career and while she’s had some decent success it couldn’t compare to the work she did with her former group. Halliwell made headlines in 2013 when her single “Half of Me” only sold 281 copies. Ouch. I picked this song because it’s the only one I remember by her. And yes, I was mad at her for a bit too.

“Lonely No More” – Rob Thomas

Before his solo career, Thomas was known as the one guy from Matchbox Twenty. While the band did find moderate success with singles like “Bent” and “3 AM,” Thomas’ power proved to be even greater without the band. His debut …Something to Be came out in 2005 and produced the mega-hit single “Lonely No More.” It allowed Thomas to gain a whole new audience since it was more pop oriented than his alt rock roots. After another album in 2009, he threw Matchbox Twenty a bone and got them back together for the LP North in 2012. Problem is at that point people stopped caring. Thomas has another solo effort out this year.

“Crazy Train” – Ozzy Osbourne

Ozzy already made a name for himself as part of the legendary Black Sabbath. But when the band kicked him out in 1979, the Prince of Darkness was left in the dust. Thanks to the help of his manager/wife Sharon Osbourne, it wasn’t long after that he launched his solo career, which is still going strong today. Now, he has songs that are just as well known and loved as those he created with Black Sabbath. He’s had plenty of classics like “Bark at the Moon” and “No More Tears,” but this remains one of his best.

“I’m Shakin'” – Jack White

Though it’s hard to forget the work he’s done with The White Stripes, Jack White has been making a name for himself as a solo artist since 2012. Without the expectations of the White Stripes or The Dead Weather or The Raconteurs, White was able to go beyond the Blues sound he loves and cherish and delve into country and folk territories. Of course he hasn’t given up on his wild and other worldly guitar solos he became known for. This was one of my favorites from Blunderbuss.

“Sexyback” – Justin Timberlake

Many boy band members have tried and failed to go solo. It’s no doubt that Justin is the most successful one of the bunch. Timberlake has a knack for making the silliest songs catchy as hell. Tracks like “TKO” and “Cabert” are nowhere near his finest material, yet you can’t help but groove to it when you hear it. His songs are catchy, fun, and definitely want to make you dance. Though he now wears many hats, including comedian, designer, and actor, the world will still go wild whenever he releases his latest jam.

“No more I Love Yous” – Annie Lennox

This sultry Brit already captivated audiences in the 80s with The Eurythmics. When the band went on hiatus in the early 90s, Lennox kept making music by herself and proved to kick ass at it. Since her 1992 solo debut, she has released four more albums all with ballads so beautiful they make you weep. Earlier this year, she stole the spotlight from Hozier at the Grammy’s with her intense rendition of “I Put a Spell On You.” This cover of the Lover Speaks hit is a classic and so chilling it trumps the original.

“I Want Your Sex” – George Michael

No one would’ve guessed the singer from Wham! in those all too revealing shorts, would end up being a sex symbol of the late 80s. Michael already had hit singles, like “Careless Whisper” during his time in the band, but when they split in 1986, he took his music in a bold, sexual direction that was seen as controversial at the time. This song caused an uproar with its sexual content and steamy music video, which seems pretty tame by today’s standards. Just shows how things have changed since the MTV days.

“Every Little Step” – Bobby Brown

The bad boy of New Edition broke out on his own with this 1989 single. Even though the video is laughable, especially when Brown sports those biker shorts, it’s hard not love this song. It has since gone down as Brown’s most notable single, even though he had other hits like “My Prerogative” and “Don’t be Cruel.” Though he’s released several LPs since then, none have been as successful as his sophomore effort.

“Never be the Same Again” – Melanie C

After the Spice Girls said goodbye, each of the members tried their hand at going solo, but Melanie C AKA Sporty Spice has been the most successful of the bunch. Her debut Northern Star came out in 1999 and featured this hit single, which has the late Lisa “Left Eye” Lopes. She seems to be doing well on her own and released her sixth LP Stages in 2012. Spice Girl fans will be happy to know that album found her working with Baby Spice once again. Once a Spice Girl, always a Spice Girl.

“Forgot About Dre” – Dr. Dre feat. Eminem

When you think of Dr. Dre now, you think of his insanely overrated headphones that had a hand in making him the richest rapper in the genre. But back in the 90s, he helped to usher in a new era of hip-hop with the help of Eazy-E and Ice Cube in the group N.W.A. Bold, aggressive, brash, and fearless, N.W.A. became notorious and scared the shit out of parents in America. After a dispute with some of the members, Dre released his iconic solo LP The Chronic in 1992. Considered one of the best albums of all time, it featured hit singles like “Nuthin’ but a G Thang,” “Let Me Ride,” and “Fuck Wit Dre.” Though he released a follow up in 2001, fans have been waiting for The Chronic 2, which we should probably give up on at this point.

“11th Dimension” – Julian Casablancas

Julian Casablanca’s sleepy vocals were first heard with The Strokes, which took the world by force in the early 00’s. During the band’s hiatus, Casablancas ventured out on his own and released his critical hit solo album Phrazes for the Young in 2009. It seemed the singer would continue doing his own thing, until the band reformed in 2012 for the release of The Comedown Machine. Casablancas released his second solo effort Tyranny last year proving those sleepy vocals are too good to resist.

“Compulsion” – Martin Gore

Known as the primary songwriter of Depeche Mode, the sweet voiced Gore released his first solo effort in 1989 with a follow up in 2003. Though both releases are filled with cover version of songs that influenced Gore throughout the years, his soft voice along with slight touches of synth and electronic breathes new life into the songs. This track originally performed by Crow, finds Gore using a lot of the same tricks he used for DM’s music, making it irresistibly catchy. Frontman Dave Gahan also released some solo LPs, but they’re not as strong as Gore’s output.

“Into a Swan” – Siouxsie Sioux

Siouxsie Sioux won dark hearts over in the 80s with The Banshees, with their blend of goth, dark wave, new wave, and rock. After the band called in quits in 1995, Sioux took a break from music and didn’t release her solo LP, Mantaray, until 2007. A lot of the music is a departure from what the singer did earlier in her career. The songs delve into hard and even glam rock. The album was a success and she’s had fans clamoring for more ever since. In an Mojo interview from last year, Sioux mention plans for her second solo LP in 2015. Fingers crossed!

“In the Closet” – Michael Jackson

Jackson first made hearts swell as a part of the Jackson 5, who he tried to stay faithful to well into his solo career. He eventually left them behind for good and went on to gain legendary status thanks to his songs and out of this world dancing. This song from his 1991 LP Dangerous, made people wonder about the King of Pop’s sexuality even more. Though not as amazing as songs like “Billie Jean” or “Beat It,” it’s still an underrated gem from the late performer.