His Infernal Majesty

Venus Doom – HIM

 

Release Year: 2007

Rating: 6/10

Everyone has that one album they tried to like – this is that album for me. I gave this record so many chances thinking it might have been me; maybe I was too quick to dismiss it. Maybe it’s one of those albums that gets better with age. I could be completely wrong about the LP, like I was about Scream, Aim, Fire. But after revisiting it once again, my feelings have not change. I still think this is the band’s worst album despite their good intentions.

The album seems to start off on a good note with opening tracks “Venus Doom” and “Love in Cold Blood.” Hearing the heavy crunchy guitars, energetic beat, and familiar themes of love and death, I thought maybe I was wrong about the LP. But then the big issue kicked in with both tracks: changing gears midway through. On “Venus Doom” after the standard guitar solo, the music slows down to a light lullaby while Ville Valo puts on his deep throat vocals to sound menacing. The whole thing just doesn’t work and feels corny. On the latter track, right when it should end the band picks up the pace and rock out, which doesn’t add anything to the song aside from making it longer. Unfortunately, this issue pops up constantly throughout the album.

So many of the songs like “Passion’s Killing Floor” and even the strong “The Kiss of Dawn” suffer from musical changes. For some reason, the band decides to shift gears and switch up their playing. The problem is it rarely does this smoothly. It often comes off as abrupt making the song as a whole disjointed. “The Kiss of Dawn” is actually one of the better songs from the album, but unless you’re listening to the radio edit, a light muted melody is tacked on at the end. It doesn’t fit in with the song and just makes it longer than it needs to be. It’s such a disappointment because you’ll be rocking out to the song and suddenly it’s like another track is playing when it’s still the same one. It ruins the flow of the music and makes the song dull.

Then there’s “Sleepwalking Past Hope,” which is ten unbearable minutes of slow, soft music, lilting vocals, and lots of melancholy. Like so many of the other tracks, it starts off well with a somber, haunting piano riff that lures you in. But before you can get into the song distorted guitars replace this music making you wonder why it even started with the somber riff at all? It continues with the heavy guitars for about five minutes before it switches tempo and slows down again. After that, a wild solo pops up out of nowhere trying to wake you up and make you remember you’re listening to the song. The entire thing is so entirely drawn out. Did it need to be ten minutes? No fucking way. There is no justifiable reason why the song needed to be so long. All it does it does is bore you before the thing ends. Some bands know how to make lengthy songs that are exciting; HIM is not one of those bands. This album also has their shortest song “Song or Suicide,” which is so short it just feels pointless.

There are a few times when the band gets it right, like on the catchy “Bleed Well.” This is standard HIM all the way: heavy guitars, light melody, and images of love and death. It’s just so satisfying to hear, especially after all the other poor tracks. There’s a memorable guitar riff that opens the song, followed by Valo coyly singing “You had demons to kill,” which will melt you if you used to (or still) crush on him. Another good track is “Dead Lover’s Lane,” which sounds like a leftover from their previous effort Dark Light. It’s another one that sounds like classic HIM and even has a shift in sound during the bridge, but this time, it’s actually good. It flows really well instead of sounding like two different songs.

I really tried to like this album, but no matter how many times I listen to it my feelings are the same. Even if the band didn’t suddenly change tempo in the middle of the songs, it would still be a weak album. Most of the songs are okay at best, otherwise, they’re a little too familiar. And anyone who’s been following the band before this will most likely miss the keyboards, which they swapped out for more guitars. Sure, maybe it is their heaviest album in terms of some of the music, but it doesn’t keep listeners from losing interest. It also has some of their cheesiest lyrics that sounds like they’re taken from a bad goth poem. It’s time to face the truth; I just don’t like this album.

HIM: And Love Said No vs XX – Two Decades of Love Metal

Release Year: 2004

Rating: 8/10

When HIM announced their return to music in 2012, they celebrated 20 years together by releasing an all new greatest hits compilation. The thing is they also released one back in 2004. Is one better than the other? Well, it really depends on what you’re looking for. And Love Said No: 1997-2004 has all their singles up until that point and even includes the new track “And Love Said No.” The latter release is more complete containing “all” of their singles from 1997-2010, meaning fans can find the best songs from later albums like Dark Light and Venus Doom. This one also features a new song, the lackluster and pretty dull “Strange World.”

Release Year: 2012

Rating: 8/10

Yes, the latter release is supposed to be more complete and in some ways it is, but it’s missing three songs previously found on the 2004 LP: the title track, “Close to the Flame,” and “Solitary Man” all of which were released as singles. You would think that if the goal was to have all of their singles on one release then these wouldn’t be missing. Aside from this and the addition of their later material, the albums are almost the same. All the popular songs from Love Metal and their previous albums are included on both, though XX only has the radio edits, which is a little annoying. An improvement to the latter release is the inclusion of the original versions of “Your Sweet 666” and “Wicked Game,” which are better than the re-recorded versions that were on the 2004 compilation.

So is one really better than the other? Personally, I don’t think so. They both have their strong and weak points. Of course if you’re a new HIM fan it’s best to begin with the newer compilation since it has most of their singles, but collectors will want to own both anyway. Since they’ve released yet another album, I’m sure this won’t be the last hit collection from HIM. Let’s just hope the next one is truly complete.

 

Uneasy Listening Vol. 2 – HIM

Release Year: 2007

Rating: 7/10

In 2006, HIM released Uneasy Listening Vol. 1, a collection of remixed, live, and unreleased tracks that wasn’t that impressive. The companion album came the following year and it suffers from the same problems. While there are some impressive tracks and remixes, most of the albums falls flat because it sounds too similar to original versions of their singles or are not that exciting at all. If anything it seems like they had a few good songs they couldn’t include on the first release and included them here with lots of filler material.

Whereas the previous disc seemed to focus on acoustic renditions, this one has a lot of demos. While it’s not anything drastically different from the final version, they are interesting to listen to. “Buried Alive by Love” sounds more raw and fast paced than the final version, while “Endless Dark” has a hard rock edge and lots of fuzzy guitars. These tracks also have alternate lyrics, which makes it interesting for fans to hear at least once. Also, Ville Valo’s voice sounds really great since he sounds bright and clear. The demos are nothing special and don’t differ that much from the album versions, but they’re great to hear at least once.

There are also a number of live tracks here, but none of them are that stunning. Songs like “Wicked Game,” “Again,” and “Right Here in my Arms” sound fine enough, but since they’re pretty straight forward there’s nothing notable about them. If anything they don’t sound that different from the recorded versions. At least that means the band are good live performers. There are some live cover tracks that range from interesting to pretty bad. Their version of Black Sabbath’s “Hand of Doom” is faithful to the original and Valo’s voice works really well on the heavy metal track, but the same can’t be said for their cover of Bad Brains’ “Sail On.” While the music sounds good Valo’s voice just doesn’t work in a punk rock setting.

The band also cover Turbonegro’s “Rendezvous with Anus.” Yes, the song is exactly what you think it’s about. It’s definitely a weird track and the band seems to know this as Valo sounds like he’s trying to be sensual in a comical way. It’s one of those songs you never expect them to do and you’re not sure how to feel about it in the end. There are a lot of alternate versions of their songs that are actually really good. “Sigillum Diaboli” is an upbeat, less damning version of “Stigmata Diaboli” and “Soul on Fire (Erich Zann’s Supernatural Remix)” is heavily distorted and has more of an electronica vibe to it. “Pretending (Cosmic Pope Jam) starts off well enough as a rock oriented version of the track, but it goes on way longer than it should. When it hits the seven minute you’re still wondering why it keeps going. It makes you forget everything that you appreciated about this remix.

The best track on the album is “Beginning of the End (Sad Damned Version).” If you thought the original was creepy and haunting, this version amps that feeling up to 1000. The music is more intense and makes everything sound like impending doom. The guitars sound damning and Valo sounds sinister as he sings “A drop of your blood tastes like wine, today.” This new brooding mood and the already tragic lyrics make it sound like bad things are about to rain down upon you.

Similar to the previous release, this one isn’t that spectacular. It does offer fans unreleased demos and remixes, but most of them are bland or sound too much like the original. There are a few great songs and cover versions that stand out from the rest of the songs, but the album as a whole is pretty weak. It’s one of those releases that’s more suited to HIM collectors rather than casual listeners. Out of the two, the first volume has a little more to offer fans.