Gwen Stefani

Playlist: Awesome MadTv Performances You Forgot About

Anyone remember MadTv? Back in the 90s and 2000s, if Saturday Night Live wasn’t your style, chances are you turned to this show for laughs. It gave us iconic and hilarious characters like Miss Swan and Stuart. After In Living Color, it’s still one of my favorite sketch shows of the 90s, even though I probably shouldn’t have been watching. It also gave us some killer performances. Since the last few seasons of the show and the shoddy revival weren’t that great, it’s easy to forget the big names MadTv pulled in. Featuring new acts and legends helped the show stand out from its competition. So, let’s take a look back at some awesome MadTv performances you probably don’t remember.

The Cure – “Maybe Someday” (2000)

How MadTv managed to get The Cure to perform on the show is a mystery. Robert Smith can get picky about where he plays and a lewd comedy show featuring a grown man in his underwear doesn’t seem like one he’d be a part of. However they did it, the show got The freaking Cure to play “Maybe Sunday” in 2000. It’s a solid performance with Smith and the band sounding amazing as usual. Sadly, it’s a condensed version of the song with Smith not singing the first verse and going straight into the breakdown after the hook, but he’s Robert Smith. He can do that if he wants. I actually remember seeing this right as I was getting into the band. Smith and his wiry black hair captivated me just as much then as he does now. This is still one of my favorite MadTv moments.

The Strokes – “Is This It?/NYC Cops” (2002)

MadTv album Bobby Lee introduces The Strokes as his favorite band and they kick off their two-song set with “Is This It?” As always, frontman Julian Casablancas looks disinterested being on stage. Things get more lively for “NYC Cops” as fans get out of their seats and rush the stage. The scene never gets chaotic; everyone just wiggles and dances in the background while Casablancas looks distraught. The weird part comes at the end when we see Frank Caliente and Mo Collins as George and Babara Bush complaining about MadTv being over and trying to find something else to watch. The scene would be more enjoyable if they actually let The Strokes finish performing.

Queens of the Stone Age – “No One Knows” (2003)

This was around the time QOTSA hit the mainstream, despite releasing two albums prior to Songs of the Deaf. Both this and “Go With the Flow” are a blast to watch. Josh Homme and co go at it hard like they’re playing one of their own shows. The crowd kind of just sits there and politely nods, which is strange. With our current image of Homme being clad in leather, covered in tattoos, and looking slightly haggard, it’s funny to see a young, fresh-faced Homme. Though I can’t get over his creeper mustache. Luckily, he doesn’t revisit that too often.

Sum 41 – “Still Waiting” (2002)

Sum 41 absolutely kills it with this performance. Not only do they sound great, they’re energetic and go it hard bringing some aggression to the MadTv stage. It’s short, sweet, and straight to the point. No weird sketches or tricks here. It’s just the band doing what they do best. But you can’t help noticing the crowd just sitting there nodding their heads to the music. With the hard driving nature of the song, you’d expect people jumping around or least dancing in their seats. It’s kind of weird.

Creed – “Higher”(2000)

Okay, so this performance isn’t that awesome; it’s just funny to look back on. Believe it or not, there was a time when Creed wasn’t a stain on music. Even though the show made funny Creed parodies, even they couldn’t deny how successful the band was. Listening to the performance now, it makes you wonder how people sat there and took Scott Stapp’s vocals seriously. It sounds like he’s doing a bad Eddie Vedder impression throughout the entire song. And seeing him give “sexy” faces to the camera makes you cringe. Still, it’s better than the time Stapp forgot all the words to his songs, so that’s a plus.

Green Day – “Blood, Sex, and Booze” (2001)

After a weird joke from Will Sasso, Green Day takes the stage to perform “Blood, Sex, and Booze,” something they rarely play live. They play with the same passion, fire, and fervor they do in their massive stadium gigs. It’s a pretty cut and dry performance for the band that’s still a blast to watch. While I didn’t like the band at the time this aired, I remember rushing home after school around the peak of American Idiot to catch a rerun featuring this performance. They also played “Warning,” which is a solid performance, it’s not as fun as the previous one.

Ja Rule featuring Ashanti – “Always on Time” (2002)

Remember when Ja Rule and Ashanti ruled the airwaves? These two had a number of hit singles on their own, but they seemed to work best when singing with each other. Regardless of how you feel about Ja Rule and his antics now, you can’t deny he was one of the most popular rappers ten years ago. And while Ja Rule’s gravely vocals can be laughable, the two actually sound really good here. As someone who loved singing this song on weekend drives, this throwback is a blast to watch.

Alien Ant Farm – “Smooth Criminal” (2001)

This performance not only features Alien Ant Farm playing their one smash hit, it also has Aries Spears (remember him?!) doing his best Michael Jackson impression. Donned in a suit, fedora, and white makeup making him look like really creepy, Spears teases MJ’s then comeback, pulls off a couple of kicks, and gets carried off by two young boys. Afterward, the band launches into the song while the crowd dances and waves their arms from the comfort of their seats. Seriously, did the show have a no standing rule or something? The energetic performance and Spears’ impression makes this a memorable MadTv moment. Too bad AAF couldn’t manage to score another hit.

Marilyn Manson – “Personal Jesus” (2004)

MadTv really tried to make this performance “edgy” and “cool” with the twisted camera angles and dark lighting. Unfortunately, things are so dark you can barely see Manson and the rest of the band. Compared to his other TV appearances this one is quite tame and he seems a little bored. John 5 and Tim Skold exude more energy than Manson. Being the newly minted Manson fan I was, I ate up every minute of this performance. It’s still better than his recent concert appearances.

Blondie – “Call Me” (1999)

Since the show has been off the air for almost 10 years, (we won’t count the “revival”) it’s easy to forget how many iconic musicians have played the show. Bon Jovi, Wu-Tang, and Ice-T have all made appearances, but Blondie’s is one of the best. While the performance is great even though it’s cut short, it’s the skit with Miss Swan that stands out. Miss Swan fronts the band singing her own incomprehensible version of the song prompting Debbie Harry to come out and ask what the hell she’s doing. Miss Swan then insists she wrote the song on tuba but allows Harry to sing only if she plays nice. It’s a weird bit you’d never imagine the singer being a part, but it happened. But hey, this was when Miss Swan was at hear peak. Who wouldn’t want to be in one of her sketches?

No Doubt – “Bathwater” (2000)

For anyone to remember No Doubt during their peak, this is how they picture Gwen Stefani. The weird, alt girl with her own style and sound. Stefani is slinky and cool as she sings, while the rest of the band ham it up for the camera, especially a topless Adrian Young. It’s a fun, energetic performance that reminds you how awesome both No Doubt and Stefani were. While I don’t mind her current work, it’s just not the same.

Tenacious D – “Tribute” (2002)

You’re never sure what kind of performance you’re going to get from Tenacious D, but you know it’s gonna be weird and it’s gonna rock. The duo didn’t disappoint with this MadTv appearance. Featuring Dave Grohl on drums, Jack Black recounts a tale of singing the greatest song in the world for a beast. The thing is, they can’t remember it. Black gives his usual hammy rockstar performance that’s fun to watch. The best part comes when he gently sets down his guitar, rips off his shirt to show off his flame painted gut, and “breathes fire” out of his mouth. Clearly, they’re a perfect fit for the show. Too bad they didn’t have them on more often.

There are so many performances I wanted to include, but couldn’t find like Outkast and Wu-Tang Clan. So which MadTv performance is your favorite? Let me know in the comments!

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Playlist: Remembering Prince

April 21, 2016, the world lost one of music’s iconic and talented musicians, Prince. He was truly a legend who left a huge impression on music with his style, songs, and vision. He was a versatile artist who constantly pushed boundaries and challenged perceived notions of music. Since he was bigger than life, even though he only stood 5’3, you don’t picture him working with a lot of other artists or even performing covers. His music is so good, why should he play other people’s songs? But, surprisingly, Prince extended himself to various musicians and created memorable, yet underrated duets. At the same time, he also put his funky, sexy spin on songs you’d never guess he’d play. So let’s remember the late Prince by looking back at some of his most notable duets and covers.

“Love Song” – Madonna + Prince

When listening to Madonna’s landmark album Like a Prayer it’s easy to gloss over this smoldering track. The sexy ballad features the two music icons being seductive with one another. It’s a smooth, sexy track meant to put you in the loving mood. So how did the two end up working together? “We were friends and talked about working together, so I went to Minneapolis to write some stuff with him, but the only thing I really dug was ‘Love Song’ […]” With its funky groove and steamy lyrics, it’s more of a Prince song. It sounds like something that belongs on one of his albums and doesn’t mesh well with the pure pop of the rest of the album. You would think a song featuring two of the biggest acts of the 80s would get more attention. But the track couldn’t really compete with massive singles “Like a Prayer” and “Dear Jessie.”

“Creep” – Radiohead

You don’t expect someone like Prince to do too many covers, especially considering how many hits he has in his catalog. But during his headlining set at 2008 Coachella, he pulled out a number of them. He played The Beatles’ “Come Together,” Santana’s “Soul Sacrifice,” The B-52’s “Rock Lobster,” and Sarah McLachlan’s “Angel.” But the most talked about moment was his blazing cover of Radiohead’s “Creep.” Though the elements of the original are there, he turns the track into something completely his own. When he pulls out the extended solos and falsetto vocals, it doesn’t even sound like the same song. It’s amazing to listen to especially since he never played any of the band’s songs before. But of course, Prince wasn’t happy when footage of the cover went live online. He ordered the video to be taken down, which Radiohead reverted since it’s their own song.

“Waiting Room” – No Doubt + Prince

This is another unexpected Prince collaboration. Found on No Doubt’s Rock Steady, it’s got a bit of groove, it’s kind of soulful with a dash of synth and pop. Thanks to Prince’s work on the track, it sounds nothing like the band’s previous or later material. Apparently, Prince agreed to work on the track as a favor to the band since Gwen Stefani appeared on his track “So Far, So Pleased.” They sent him the track and he completely rewrote it. His influence can be heard all over the song. If it wasn’t for Stefani’s lead vocals, you would swear it’s a Prince song. It’s one of the weirder, yet satisfying options from No Doubt’s 2001 album.

“Best of You” – Foo Fighters

Prince’s 2007 Super Bowl Half-Time performance was the first time I realized just how versatile and insanely talented he was. We know how hard Prince rock’s his own material, but not too many other songs. That changed when he busted out renditions of “Proud Mary,” “All Along the Watch Tower,” and Foo Fighter‘s “Best of You.” You wouldn’t expect to hear falsetto shrills in a Foo Fighters song, but Prince truly made that track along with the others he featured all his own. He infused them with his attitude, flair, and a healthy dose of soul like no one else ever could. Though some people didn’t think he was worthy of handling the show, his performance is still hailed as one of the best in Superbowl history. Watching it now, it still gives you chills, especially when he busts out “Purple Rain” during an epic downpour.

“A Love Bizzare” – Shelia E + Prince

Prince was so unique and had a style unlike any other that his essence pours out of every song he writes. This duet with his protégé Shelia E, features the Purple One on background vocals and on bass. But even though Shelia E is the focus of the song, it’s undeniably a Prince song. With its upbeat funky groove, irresistible hook, and sultry lyrics it could’ve come from any of his albums. Though his contribution is kind of downplayed on the studio version, the live version has his flamboyance all over it. Like so many of his tracks, this one is fun, energetic, and sexy. Then again, what Prince song isn’t sexy?

“Every Day is a Winding Road” Sheryl Crow + Prince

Any artist collaborating with Prince should know once he makes an appearance, he steals the show. That’s what happened during this live collaboration with Sheryl Crow. The two performed a hard-edge version of her hit “Every Day is a Winding Road.” Prince does backup vocals and shreds away on his iconic guitar. Shortly after this performance, Prince recorded his own version of the track for this 1999 album Rav Un2 The Joy Fantastic. If you’re lucky enough to find this version, you’ll find a completely different song. It’s funky, slinky, and downright sexy, which you don’t expect from a Crow song. It’s soulful and makes you want to dance. The cover is so good, Crow should hand it over to Prince to be rightfully his. On the same album, the two collaborate on the track “Baby Knows,” which has this cool rock, funk swing to it. If you want to hear it, you better pick up the record; they’re impossible to find online.

“Why Should I Love You?” – Kate Bush + Prince

Kate Bush is an iconic figure in alt rock. Her music is often dreamy, otherworldly, and elegant. So it’s a bit unexpected to learn she worked with Prince. The song, which appeared on her comeback album The Red Shoes, starts out with an air of whimsy and airy and quickly turns into a Prince jam. Seems to be the usual pattern with Prince collaborations. Apparently, Bush sent him the track back in 1991 so he could add background vocals. He not only added vocals but a lot of instrumentation. Since it sounded so different, Bush wasn’t sure what to do with it. They worked on it for two years trying to make it fit Bush’s sound. Clearly, it didn’t work.

“A Case of You” – Joni Mitchell

Prince is known for his sexy, funky style, but on this Joni Mitchell, we get to hear a different side. While it still has an air of sensuality, the track is absolutely gorgeous. It’s an intimate moment with Prince and a piano that’s unforgettable. Hearing his soaring falsetto vocals and the classy tinkling piano keys leave you in awe. We all know Prince was such an amazing guitar player, it’s often easy to forget what a versatile musician he was. This cover shows the beauty and elegance he could add to songs, whether they were his or not. This version is a stark difference from Mitchell’s original folk stylings.

“Love is a Losing Game” – Amy Winehouse + Prince

This haunting and somber track from Amy Winehouse’s final album Back to Black, received the Prince treatment several times live. Footage of this is difficult to find, but luckily, the two eventually teamed up for a powerful rendition of the song. Winehouse joined Prince onstage in 2007 during his final show at London’s O2 Arena. He leaves her to take care of the vocals while he tears it up on guitar. In case you forgot what a badass he is on guitar, you’re quickly reminded on this track. It’s an unforgettable collaboration, though you can’t help but feel a little sad since both musicians passed on unexpectedly.

“Honky Tonk Woman” – Rolling Stones

Prince started performing this song live in 1993, but his version was never officially released. Previously, it could only be found on the Japanese version of The Undertaker. The cover received a wider release when Warner Bros. shared rehearsal footage of Prince performing the track shortly after his death. He turns the song into a scorching number with meaty guitars and a bad ass solo. If you needed more proof of what a genius Prince was at playing guitar, just watch this video where he shreds away with an “I make this look good” look on his face.

“Give Em What they Love” – Janelle Monae + Prince

Prince doesn’t easily hand out compliments and didn’t hide it when he didn’t like someone. But he did admire Janelle Monae, who looked up to him. Luckily, the two worked together for this track from Monae’s second album, The Electric Lady. Not only does Prince play guitar, he also provides co-lead vocals on the track. The song is already is already hot with Monae’s passionate vocals and seductive demeanor. But having Prince sing his signature falsetto makes the track even sexier. Plus, it’s funny to hear Prince utter the term “chicken head.” It’s funky, has a healthy dose of attitude, and makes you feel sexy as hell.

“One of Us” – Joan Osbourne

Prince covered Osbourne’s sole hit for his 1996 album, Emancipation and played it live in concert. With this track, he takes you to church. His soulful delivery, cries for the crowd to join him, and his passionate singing makes it feel like you’re in the middle of a sermon. You want to close your eyes, sway your arm in the air, and shout “preach!” as he’s singing. While there’s nothing wrong with the original, Prince’s version is superior especially with the fiery guitar solo that gives it an extra edge. He even uses the track to take a dig at his former label, Warner Bros. by changing the line “Just a slob like one of us” to “Just a slave like one of us.” This shows if Prince had a problem with you, he’d let you know it in the sassiest way.

“Shhh” – Tevin Campbell

There’s no question about it; Prince was a sexy mother. Just about everything he did dripped with sex. He does the impossible on this Tevin Campbell cover; inject a song that’s about getting in on and make it 100 times dirtier. No, he doesn’t change any lyrics or anything like that. It’s all in his over the top delivery. Hearing his falsetto cries of pleasure you’d swear he was having sex while recording the song. If that wasn’t enough to get you hot and bothered, the blazing guitar solo will do the trick. He takes a typical 90s slow jam and turns it into a sex romp. Only Prince could somehow make a sexy song even sexier.

“Crimson and Clover” – Tommy James and the Shondells 

If you thought Joan Jett made this song rock, you haven’t heard Prince’s version. For the most part, it’s a straightforward cover with Prince being playfully coy during the breakdown of “I think I love you” and blowing kisses into the mic. It’s not until the solo where he makes this song sizzle. In case you needed a reminder what an awesome guitar player he was, Prince make sure you remember with this performance. He makes the guitar burn and blaze like he’s Jimi Hendrix. It leaves you stunned the way he makes the guitar whine, scream, and trill. The cover appeared on his album LOtUSFLOW3R, but it’s his performance of the track on Ellen that gets a nod here.

Which ones of these Prince covers/duets is your favorite? Which ones did I miss? Let me know in the comments!

 

Worst Album of 2016

This is What the Truth Feels Like – Gwen Stefani

I was never a huge No Doubt fan growing, but I’ve come to like them more over time along with Gwen Stefani. There was a point when she was the epitome of cool in alt rock. Her solo music is vastly different from what she did with No Doubt, but it’s still catchy, enjoyable, and fun. When she dropped two singles in 2015, I was pretty excited to hear what her next album was going to sound like. I actually dug Love.Angel.Music.Baby, but didn’t care for The Sweet Escape. Turns out, I hated  even more.

It feels kind of harsh calling this the worst of the year, but out of everything I sought out and listened to, this is the album I hated the most. I’ll admit, most of the songs are unoffending. Some are even pretty good, like the hypnotic “You’re My Favorite,” but once I got to songs like “Naughty” and “Red Flag” I couldn’t take anymore. I thought she was joking. The horrible rap segments, the sad attempt at trying to keep up with the trends, and the ridiculous lyrics made the rest of the record laughable. She tries to hang with Fetty Wop on “Asking 4 It” and comes off awkward while her other attempts at rapping are just sad.

What’s most annoying is her pretending she’s still this rebellious, bad ass we came to love in the 90s. It’s fine if Stefani has grown up and is more comfortable following the herd now. But it feels like she’s pretending she’s still alternative like she was back in the day. With tracks like “Asking 4 It” and “Rare” it seems like she’s trying to hold on to her edgy title, when that’s not who she is anymore. And that’s fine.

When the album isn’t delving into horrible rap, it’s just bland and dull making you think “meh” as you listen to it. Very few of the songs are interesting. The rest follow the same pop music trends as everyone else. There’s even a few songs you’d think were outtakes from Madonna’s Rebel Heart. This is What the Truth Feels Like was hardly worth the 10 year wait. Hopefully, her next effort will be interesting and bring back some weirdness to pop music. But considering her last few releases, it doesn’t look too promising.

Musical Rant: The Let Down of Band Reunions

Well, it’s finally here. The news is out, pre-sales started, and scalpers are ready. Guns N Roses are officially hitting the road this year. But not just a bloated Axl Rose with new young replacements to be his backing band. It’s Rose and most of the original members, minus Izzy Stradlin. Everyone is freaking out with excitement at the thought of catching the original bad boys performing together once again. But it seems like people are forgetting something. This is Axl Rose we’re talking about.

How many concerts has this guy walked out on or not showed up for? He infamously got the group banned from St. Louis because security didn’t deal with a guy who was taking photos of him. He’s known for his random rants and hissy fits as if anything can set him off. And he’s notoriously late. In 2010, the band got on stage an hour late causing them to play til 2AM. The crowd couldn’t take anymore and started walking out. Personally, I don’t think this reunion stands a chance. There’s a reason the band moved away from Rose in the first place. And it already got off to a rocky start with Rose canceling his appearance on Jimmy Kimmel.

This got me thinking about band reunions in general and I came to one conclusion: they suck. Sure, some of them are pretty successful, like Refused or Black Sabbath. But most of them are nothing but disappointing ventures that produce lackluster new material. Just look at Van Halen. It took two attempts to reunite them with David Lee Roth before it finally worked out. Even then their latest output hasn’t been great. And how about Blink-182? They set fans’ hope high with a reunion, new album, and tour. It looked like things were looking up until the band imploded. Now, they’re trying again with a new guy, but that’s a rant for another day.

When there’s bad blood between band members who then try to reunite are like that one friend you have. You guys used to hang out and talk, but somewhere along the line you stopped contacting them. Then one day you’re bored, they pop into your head, and you contact them out of the blue. And then you remember why you guys aren’t friends anymore. It seems when a lot of bad blood exist between bands there’s no amount of money that can heal those wounds. If it’s not a band trying to put their hatred aside for yet another reunion, it’s a band who haven’t done anything together in a while and release a new album. And man, is it disappointing.

This is another reason band reunions suck. They never seem to live up to expectations. Maybe it’s the fans putting too much stock into it. Maybe the band doesn’t work well together anymore. For one reason or another usually the new output is nowhere near as good as their past work. As I said before there are exceptions, but how about No Doubt? Gwen Stefani returned to the band in 2012, more than 10 years since their last album, and they released Push and Shove. It performed decently on the charts, but the album was overall unmemorable. Now, Stefani is out of the band, maybe. Some bands just can’t get it together after being apart for a considerable length of time. It seems something is lost when you don’t work with someone for over ten years.

I get it. Your favorite band getting back together is exciting and brings back so many good memories. You want those moments and good times back, but no matter how good something is the reformed band won’t live up to your expectations. The music won’t be as good, the vibe will be different, or they just won’t sound the same. No matter what you think, something is going to be different and chances are you’re going to hate it. But I guess you can’t blame a band for trying to recapture that old spark. After all, it’s worked out quite well for other bands, like Megadeth. Maybe we as fans need to remember when we hear a band is getting back together, it’s not gonna be perfect and it may just not work out at all. So don’t get those expectations up too high when buying those Guns N Roses tickets.

This Is What the Truth Feels Like – Gwen Stefani

Release year: 2016

Rating: 6.5/10

I had no intention of reviewing this album. It’s not because I don’t like Gwen Stefani. I’m actually a fan of her work both in No Doubt and solo. Even though I didn’t care for her 2006 release The Sweet Escape, I was still excited to hear her new material after a ten year absence. My plan was to listen to the album and just enjoy it. But when I put it on I was so confused, shocked, and appalled I just had to talk about it. So was it worth waiting so long for new Stefani material? Well…

This is another case of an album that’s overwhelming just okay. There’s only a handful of good songs I can stand to listen to again. The opening track “Misery” manages to be catchy despite its recycled pseudo tropical beats and generic pop music format. Otherwise, it’s a pretty standard pop song exploring Stefani’s recent divorce from ex-Gavin Rossdale. The next track “You’re My Favorite” is a bit better with its cool hip hop/electronic infused music. The only problem is it sounds like something that could’ve been on Madonna’s last album. Stefani has always been compared to the Material Girl , but here those comparisons seem to be justified. Aside from this the song will get stuck in your head with its simple hook and slick style.

From there the rest of the album is a carbon copy of current pop music trends. Just about all of the songs continue with the hip hop/electronic infusion introduced on the first few songs. The only time it really changes is on what is probably the strongest track “Used to Love You.” This constant repetition makes songs like “Rare,” “Send Me a Picture,” and “Truth” dull and uninteresting. The worst offense comes in the last few songs where Stefani amps up the hip hop vibe by rapping. Yes, it’s fucking terrible. When I first heard “Red Flag” I exclaimed out loud in my empty apartment “What the shit?” Suddenly, the album shifted gears for the worse. Stefani sounds like someone whose trying to prove how cool they are by laying down some rhymes. And it’s awful. It’s like she wanted to recreate the hip hop vibe of “Luxurious” but failed miserably.

With the heavy thumping beats and Fetty Wap’s drunken vocals “Asking 4 It” doesn’t sound anything like a Gwen Stefani song. And it’s not a good thing. Similar to the previous track, this one is bland and so unlike her. It doesn’t even seem like it fits the album. And the ridiculous song “Naughty” isn’t any better. This is yet another track where Stefani tries going hip hop. Though it’s more playful and focused than “Red Flag” it falls apart at the chorus where she begins to sound like Nicki Minaj. To make things worse you have to uncomfortably sit through Stefani’s lifeless moans during the hook. Maybe she was going for the ridiculous with this track, but I personally found it off putting.

It seems the problem with this album is Stefani trying to retain her cool alt girl title that she had while in No Doubt. In that context it made sense. Her vocals were unconventional, she didn’t look like your average singer at the time, and the band infused ska with punk, rock, and pop to get their sound. But once Stefani branched out her own, the title was lost. She was just another mainstream artist with songs that got stuck in your head easily. With so many of these songs it seems like she’s trying to show the world she’s still edgy and unique when it’s pretty clear she’s not. And that’s fine if she would just own up to it. She even tries to reach “Hollaback Girl” status on the track “Where Would I Be?” during the bridge featuring cheerleader-esque chanting. It’s like she’s trying to win back the alt crowd that followed her during the No Doubt days, when they’ve most likely moved on.

While there are some definite hits on the album that’ll climb the charts, but the record as a whole is pretty weak. Many of the songs sound the same and most of them follow current trends making them sound generic and familiar. Even though the rap songs were horrible, I commend Stefani on trying to keep listeners on their toes and trying to branch out. It’s just in this case the results led to bland , forgettable songs and an album that’s nowhere near a strong or original as her debut.