Enter Sandman

Metallica (The Black Album) – Metallica

Release Year: 1991

Rating: 9.5/10

By the late 80s, Metallica was one of the most successful thrash metal bands on the scene. With Master of Puppets being one of their bestselling albums, no one thought they could top it. Then the Black Album happened. This is the record that launched the band from thrash cult heroes to heavy metal superstars. Not only was it met with critical acclaim, there was also backlash and anger. But whatever your feelings are on the album you can’t deny how it’s changed both the band and heavy metal.

But before we get into what makes the album so different, we have to talk about “Enter Sandman,” still one of Metallica’s best songs. Everything about it is a beast from James Hetfield’s singing to the iconic guitar riff. Thanks to its memorable chorus and more rock oriented sound, the song caught a commercial following, which sparked many to cry “sell outs.” But you can’t deny how fucking awesome the song is. It starts with the sparse riff while the rest of the music builds up around it, leaving listeners anticipating for the big explosion. And when it happens it’s so satisfying. The lyrics are also notable as they take sleep, which is supposed to be comforting, and turn it into a nightmare. Even the sandman, who is supposed to an innocent fairy tale, turns into a monster you don’t want to meet. It’s not only one of the band’s best songs, it’s one of the best heavy metal songs ever.

Prior to this record, the band was known for playing fast and having extended solos. For this release, they slow things down. “Sad But True” is still a ferocious, intense track, but compared to their past efforts it’s pretty slow. The guitars grind along while the rest of the music is sludgy. The same goes for the anthemic “Wherever I May Roam.” It starts what sounds like a sitar setting this ominous air before being taken over by guitars building on top of one another. Things finally speed up only to slow down again when James Hetfield growls”…and the road becomes my bride.” But perhaps the biggest change comes in all the ballads on the album.

The band previously tackled ballads with songs like “One” and “Welcome Home (Sanitarium)” but they’re completely redone here. The somber “The Unforgiven” features soft vocals from Hetfield as if he’s singing from a broken place. And while there are moments where the music gets heavy during the verses, much of it sounds like light classical guitar playing. It’s almost…pretty, which you don’t expect from a Metallica song. But the most genre defying song on the record is the heartbreaking “Nothing Else Matters.” By incorporating stringed instruments and an orchestral sound, Metallica were taking a giant risk with this track. Even the guitars are light sounding like something from a lullaby. With these two unlikely genres successfully coming together, there’s a dramatic vibe that grows as the song continues. It’s a sentimental track about Hetfield missing his girlfriend that he never intended to release publicly. Right from the line “never opened myself this way” you know Hetfield is speaking from somewhere private and personal. Thankfully Lars Ulrich got Hetfield to change his mind about the song; it’s a stand out track on an already stellar album.

Not only is the album notable for its shift in music, it’s also their most personal. For many of the songs, Hetfield and Ulrich turned inward for inspiration. There’s the aforementioned “Nothing Else Matters” about missing a loved one, but there’s also the brutal track “The God That Failed.” The song is already intense and heavy with Hetfield’s vocal delivery and the music, but the song gets even darker when its story is revealed. The song is about Hetfield’s mother dying of cancer and not seeking medical relief due to her Christian Science beliefs. Suddenly, his anger and spitfire venom makes sense. He’s criticizing a religious system and how it wasn’t there for her in the end though she devoted her life to it. This gives the aggressive track a deeper meaning, yet is still depressing giving listeners insight to what the frontman was going through at the time. It’s a powerful track both musically and lyrically.

Even though this album shows Metallica heading in a different musical direction, there are still some elements of thrash metal here. “Through the Never” starts with guitars that race out of the gate and dares listeners to keep up with them. Everything about the song is heart pumping and in your face, which is often when Metallica are at their best. “The Struggle Within” follows a similar route with speeding guitars and lots of energy. It ends the album on a fiery note as if to say the band hasn’t forgotten where they came from.

There’s no question Metallica changed with this album and some would say for the worse looking at their output after this release. Yet, it’s still an amazing record that showed Metallica could do more than just play fast and loud. They may have moved away from their thrash roots, but they expanded both as songwriters and musicians. And they did a damn good job of it. Every song on the record feels like it has a purpose. Even if its a ballad, it still has the intensity and fire that made them so viscous. They were still angry, but they were also vulnerable and wounded something we rarely saw before. They grew as musicians, took risks, and made an album they were happy with. Looking back at it, the changes they made no longer seem drastic. Many metal bands vary their sound and it seems Metallica paved the way for that. No matter your feelings about the album, it’s still one of the best in metal history.

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