Eminem

Top 10 Videos that Scared Me as a Kid

Image result for thriller michael jackson yellow eyes

Let’s face it, as a kid the silliest things can scare us. Anything from trees to weird looking food could scare our pants off. Like most kids of the 90s, I watched a lot of television. There was a point where I ventured away from Nickelodeon to MTV. Most of the videos had no effect on me. Some of them I even liked (“Smells Like Teen Spirit”), but then there were the “scary” ones. Videos I had no business watching, yet kept my eyes glues to the screen until it scared me. Looking back at these ten clips now, none of them are scary in the least, not even disturbing. Then again, I was only a dumb kid then. So let’s take a look at the top ten videos that scared my pants off as a kid.

10. “Nothing Compares 2 U” – Sinead O’Connor

There’s a subtle beauty to this video that makes it timeless. The concept is simple: O’Connor lets her haunting vocals carry the video mixed with gothic imagery of her walking through a cemetery. Pretty tame. But the one part that I still remember freaking me out comes at the very end. It’s a brief flash of what looks like a skeleton. Looking at it now, I think it’s an intricate headstone, but the face still looks like a skull. Being so young and not able to grasp the thought of death, this scene horrified me. Keep in mind, at the same time I thought the Crypt Keeper was pretty cool. Yeah, I was a weird kid. Now, I wouldn’t call the image scary at all. It just has a morbid beauty to it I can fully appreciate.

9. “Role Model” – Eminem

Similar to the “My Name Is” video, this one is a barrage of various images and situations featuring the rapper meant to shock viewers. Nothing about this video is scary or even disturbing in the least aside from how much of the song is missing when watching the clean version. So why did I cringe when I watched it as a kid? The damn ending where Eminem, after attempting a Houdini-like escape attempt, fails. The video ends with his lifeless body swinging in the water as the crowd looks on in disgust. This mixed with the sepia silent movie effects (some of those still creep me out) was enough to make me skip this video. I can’t really explain it. I just remember hating this part of the video whenever I saw it and I did my best to change the channel before it ended.

8. “Nookie” – Limp Bizkit

I didn’t really know what to think of Limp Bizkit when they invaded my daily TRL watching in the late 90s. I remember thinking how dumb this song was and wondering what the fuck cookies had to do with the nookie anyway. But the one thing I will always take away from this Limp Bizkit song is the video. The majority of the clip is pretty tame and predictable. It’s Wes Borland that freaked me out. When he cocked his head to the side and stared into the camera with those soulless eyes, I shivered. I’ve never seen someone with pure black eyes and no pupils. Of course, now I know it was just contact lenses. Still, it shook me enough to where I closed my eyes whenever the video came on. Why didn’t I just change? Well, I didn’t want to miss my daily dose of Nsync and BSB.

7. “Waterfalls” – TLC

I was a huge fan of TLC when I was younger and seeing as this was one of the best videos of the 90s, it was always on MTV. Sure, some of the graphics are outdated now, but it’s still an iconic clip. Yet, I hated watching it. Why? Because of how fucking depressing it is. First, we see a young boy killed in blood and his mother a ghostly figure crying over him. Then, we see a man fade from existence through an unknown case of AIDS. By the end of the video the boy tries to reunite with his mother and the woman who infected her lover, is gone as well. I get it, the video is supposed to leave impact with its message. But I was five at the time. And yeah, I probably shouldn’t have watched it. But those two scenes scared me even if I didn’t fully understand what they meant. Sometimes TLC were a little too good at getting their messages across as this isn’t the last time they spooked me out.

6. “The Way I Am” – Eminem

I probably shouldn’t have been listening to or watching Eminem at 12 years old, but I did and yes, my mom thought it was fine. Very little about this video is scary; it’s kind of disturbing, but there’s nothing outright horrifying about it. I remember actually enjoying it and being confused by Marilyn Manson in the background. Was it really him or not? After all, Em did previously portray the rocker in “My Name Is.” The thing that freaked me out was the end when the rapper is about to make contact with the concrete. It was at that second that I realized what he was doing. I flinched and closed my eyes not wanting to see the awful splatter. And the ground turns to rubber. Eminem is okay. I let out a sigh of relief. The fact that two Eminem videos scared when I was young was probably a punishment for listening to his music in the first place.

5. “Gimme Some More” – Busta Rhymes

The weird thing about this video is at the time I only saw about five seconds of it. It was some sort of countdown on MTV or maybe it was the VMAs, doing a recap of videos. It flashed to a clip of this song where it focused on the blue, yellowed eyed creature that terrifies the woman in the video. It’s actually not a surprise this one scared me as a kid; the monster is still freaky looking today. Still, it’s something I’ll always remember as shaking me to my core. From then on I associated Busta Rhymes with scary videos. Now….not so much.

4. “Thriller” – Michael Jackson

This video has scared all of us at some point in our lives. Though it’s a timeless clip and still outstanding by today’s standards, it’s not exactly scary. I wasn’t even that afraid of it when I first saw it at 5 years old. Despite this, there were still bits that creeped me out. One thing that always unnerved me was the heavy breathing during the title card. I always found it weird and knew it signaled bad things to come. The part where Jackson transforms into the werecat looks a bit dated, especially the parts featuring a static dummy head. But the part that always made me jump was him screaming “Go away!” with the sharp teeth sticking out of his mouth. Though I always expect it now, when I was little I somehow forgot it was coming and it always scared me. The zombies for the most part I thought were cool, except for two specific ones. First, the one that comes strolling out of mausoleum door, whites of his eyes showing. Then the one with blood spilling of its mouth. Both of these zombies freaked me out. And the way the latter one smiles after the blood spills, just makes it all the more creepy. It still freaks me out a bit now.

3. “Unpretty” – TLC

Similar to “Waterfalls,” TLC aims to promote a positive message of loving yourself and not letting anyone else make you feel ugly. Sounds good, so what about the video is terrifying? The part where a woman gets her silicone implants removed. When I first saw the doctor remove the silicone and the pained expression of the girl, it gave me chills. Every other time I saw the video I shut my eyes right as Chili steps into the hospital. TLC spares no one and shows the painful removal up close trying to teach young girls a lesson. And at least for me, it fucking worked. Even watching it now after not seeing the video in years it made me cringe. I forgot how graphic the scene was and it’s disturbing as hell. I never thought a TLC video would leave me scarred for life.

2. “Tourniquet” – Marilyn Manson

As much as I love Marilyn Manson now, I thought he was the creepiest dude when I was ten. I still remember finding my brother’s copy of Mechanical Animals and being utterly confused by the cover. As if that wasn’t bad enough, I accidentally saw this video while watching Celebrity Deathmatch. After Manson won against Charles Manson, they decided to show this clip. And man did it give me nightmares. Though it’s now one of my favorite videos, I still don’t know what the hell is going on. Manson’s movements along with black eyed semi-human/semi-mannequin creatures scared the piss out of me. But it still intrigued me; I’d never seen anything like it before. When I saw the video again, I watched while covering my eyes and peeking out every now and then. Years later, I turned into a dedicated fan. Gotta admit I didn’t see that one coming.

1. “Oh Father” – Madonna

I’ve talked about how accidentally terrifying this video is in the past, so I’ll be brief about it here. I saw this video at a very young age and when it reached the part where the little girl, who is supposed to be Madonna, reaches her mother in the casket terrified me. Not because she was dead, but because of the fucking close up of her lips sewn shut. It’s not grotesque and it doesn’t even stay on the screen that long. But it was enough to disturb me and haunt me ever since. Because of that scene, I rarely revisit the video. It still gives me the chills today. The rest of the video is beautiful and timeless. Yet, that one scene has stayed with me for years. For that reason along it gets the top spot.

Did any of these videos scare you as a kid? What videos made gave you chills? Let me know in the comments!

Playlist: Going to the Movies

It’s the last month of summer, so it’s time to get in as much chill time on the beach or in the A/C as you can. Summer doesn’t only mean hot sun, parties, and swimming. It’s also the season for blockbuster movies. This got me thinking about movie themes, which aren’t a big trend in movies anymore. Some are powerful others are cheesy making the point to tell you the plot of the movie in three minutes. It seems the 80s had the best and biggest movie themes out there, but there are too many to keep track of. So, let’s look at some notable movie themes and make summer last a little longer.

“Lose Yourself” theme from 8 Mile (Eminem)

Eminem was already an international superstar by the time 8 Mile dropped, but this song put him over the top. It was the hottest song of 2002 and one you couldn’t escape from. It even earned Eminem an Oscar win to the surprise of everyone including the rapper himself. Em has a lot of hit songs, but the drive, aggression, and persevering message of this single connected with fans all over the world. The song was so overplayed it grew sickening whenever you heard it. But now that it’s not blasting on the radio every five minutes, it’s easier to sit back and appreciate the track. Over ten years later, it remains one of Em’s strongest and successful singles. Didn’t hurt that the movie was actually good either.

“Ghostbusters” theme from Ghostbusters (Ray Parker Jr.)

Movie theme songs have the tendency to be cheesy with this being the ultimate example. It may be full of 80s cheese, but that’s what makes the song so lovable. From the wonky synth to Parker Jr.’s smug “I ain’t afraid of no ghost” it’s a track that’s a lot of fun, which is why it fits perfectly with the movie. Everything about it is memorable, especially the tagline “Who ya gonna call?/Ghostbusters!” It may be corny, but at least it isn’t the hellish spawn that is the rebooted theme song. Believe it or not, Huey Lewis sued Parker Jr. and claimed he stole the melody from his track “I Want a New Drug.” The two are surprisingly similar; the matter was later settled out of court.

“Stayin Alive” theme from Saturday Night Fever (Bees Gees)

If you were asked to pick one song to represent the disco fever days of the 70s, it would be this Bee Gees hit. It has an unmistakable riff and Barry Gibb’s unique falsetto vocals. Whether you genuinely like the song or think it’s beyond corny, you have to admit there’s so much swagger in the opening riff. You can’t help but feel like a boss when strutting to this tune. The Bee Gees actually had several hit songs from the Saturday Night Fever soundtrack, including “Night Fever,” “How Deep is Your Love,” and “Jive Talking,” but it’s this track that’s their most notable. Now, if you could only get the image of John Travolta dancing out of your head whenever it plays.

“I Will Always Love You” theme from The Bodyguard (Whitney Houston)

This song was originally written by Dolly Parton in 1974 but didn’t gain massive notoriety until Whitney Houston performed the song for The Bodyguard soundtrack. The song turned out to be a perfect match for Houston’s haunting, beautiful vocals. And the part when the beat drops and she belts out that one note near the end still gives you chills. The single is still considered the singer’s signature song and many have forgotten Parton as the originator. Sure, the movie was shit, but it at least gave us this timeless song.

“Footloose” theme from Footloose (Kenny Loggins)

This is another song filled with 80s cheese, but it has a hook that’s hard to resist. The song, from the cheesy 80s film of the same name, ended up being Kenny Loggins’ most recognizable song, which is tough considering he released the equally popular “Danger Zone” for Top Gun. With its stark synth and memorable guitar riff it’s a track that’ll get you dancing even if you don’t want to. Guess that’s why it was a perfect fit for the movie. The tune was later covered by Blake Shelton for the laughable 2011 remake. Footloose may be a corny movie, but I’ll watch Kevin Bacon herkin’ and jerkin’ any day rather than the unnecessary remake.

“9 to 5” theme from 9 to 5 (Dolly Parton)

This song is from the successful film of the same name, which stars Dolly Parton, Jane Fonda, and Lilly Tomlin as three women sick of their dead-end jobs and getting even with their boss. The song follows a similar suit; it’s about someone getting ready for a job they hate and barely making it on minimum wage. It’s one of those songs everyone can relate to, especially women with the line about not getting a raise. It speaks to people forced to work at jobs they hate with people they can’t stand on a wage that’s barely keeping them afloat. It’s hard to stay down about your job when you hear Parton’s jolly vocals on this upbeat country pop tune.

Pet Semetary from Pet Sematary (The Ramones)

Who would’ve thought The Ramones recorded a movie theme? Stephen King is a big Ramones fan and he asked the band to be a part of the soundtrack. Story goes, he handed a copy of the Pet Semetary book to Dee Ramone, who took it and came back with lyrics an hour later. The song has several references to the movie, particularly the hook of “I don’t wanna be buried/in a pet sematary/I don’t want to live my life/again.” It’s a fun, somewhat spooky song, but not everyone was a fan. It received a Razzie nomination for Worst Original song in 1989. Despite this, the single turned out to be one of The Ramones’ biggest radio hits and help cement their crowns as punk rock kings.

“The Power of Love” theme from Back to the Future (Huey Lewis & The News)

Huey Lewis & The News actually recorded two songs for the Back to the Future soundtrack, but this one is the most memorable. It’s not one of those songs that describe the events of the movie. Rather it’s about how love is a powerful and awesome force that makes people do different things. Written specifically for the movie, it appears near the beginning when Marty skateboards to school. It’s a bright, upbeat track with an unmistakable synth riff you still can’t get out of your head. The song turned into another hit single for the band and even earned them an Oscar nomination. They lost of Lionel Riche’s “Say You, Say Me.” “Back in Time,” the second song the band wrote for the movie, is more related to the film but isn’t as catchy or memorable.

“Who’s That Girl?” theme from Who’s That Girl? (Madonna)

Madonna has given us terrible movies over the years, but they’ve at least produced hit singles. Though what is arguably the best Madonna song, “Get into the Groove” can be considered the theme for Desperately Seeking Susan, it wasn’t featured on the film’s soundtrack. This song was recorded for Madonna’s 1987 film of the same name. And yes, it’s fucking terrible. But the song is another party anthem for the singer. Using latin influences, she creates an irresistible groove. She even lays down the hook in decent Spanish, a culture she’s always admired. The reviews on the song were mixed, but it ended up being her sixth single to top the Billboard charts. It’s not her best so, but it’s fun and puts you in a good mood.

“Eye of the Tiger” theme from Rocky III (Survivor)

One of the most bad ass movie theme songs, “Eye of the Tiger” is made to pump you up and make you feel like you can do anything. It has that iconic shuffling riff and the hook that’s somehow stayed relevant for the past 34 years. Rocky himself Sylvester Stallone approached the band to write a theme for the movie after Queen denied use of “Another One Bites the Dust.” I love that song, but seriously? The disco groove doesn’t fit the story of a boxer trying to keep his glory. Since its release, this song can be found in training montages everywhere. It’s almost as popular as the Rocky theme. The next time you need a pep, put on this song and achieve greatness. Or at least try to get off the couch.

“My Heart Will Go On” theme from Titanic (Celine Dion)

I’m sorry, I had to do it! Yes, it’s that song no one could escape in the late 90s. Titanic was a huge movie upon release and this song overshadowed everything. Every time those opening notes fluttered people either turned up the volume or rolled their eyes. It hit number one across the world and subsequently became a hit for Celine Dion. It’s still regarded as one of her most successful songs. This song was everywhere and by the end of 1997, everyone was sick of it. Revisiting the track, it’s actually quite beautiful. Sure, it’s sappy as hell, but Dion’s voice is what makes it powerful and alive. Now that it’s not playing on the radio every single second, it’s not that bad. Though it does bring up questions about the whole Titanic phenomenon, like why turned a tragic event into a love story?

“Weird Science” theme from Weird Science (Oingo Boingo)

They just don’t make movie themes like this anymore. Performed by Oingo Boingo, featuring Danny Elfman, it’s one of the best and oddest themes from the 80s. Nothing in the film made sense and neither does this song, which is why it’s perfect. The music is blaring, a mix of rock, synth, and dance and Elfman’s vocals make him sound like a mad scientist. The lyrics recall using “voodoo dolls” and “electricity” to make the creation come alive like the boys did in the movie. It’s a fun, offbeat theme that brings on flashbacks of the movie. The song was also used as the theme for the Weird Science TV show. Wait, there was a show? Oh no.

“Don’t You (Forget About Me)” theme from The Breakfast Club (Simple Minds)

Arguably Simple Minds’ biggest hit, this song earned its place in movie and music history by being the opening and closing theme for the iconic film The Breakfast Club. As soon as you hear the refrain of “Hey, hey, hey, hey!” an image of John Bender pumping his fist in the air springs to mind. It’s impossible to hear this song and not think of the John Hughes movie. The song was written by Keith Forsey and Steve Schiff and Simple Minds weren’t their first choice for singers. They offered the song to Annie Lennox, The Fixx, and The Pretenders who all turned it down. They eventually settled on Simple Minds, who needed some convincing since they didn’t want to perform songs they didn’t write. While the song is now considered a classic, the band still aren’t too keen on it. Vocalist Jim Kerr previously said he wanted to vomit every time he played it. Ouch.

“Maniac” theme from Flashdance (Michael Sembello)

Okay, so technically “What a Feeling…Flashdance” by Irene Cara is the theme for this 80s flick, but this song is more memorable. The song is best remembered for the montage sequence from the movie where Alex (Jennifer Beals) is training in the warehouse. The song has a simple, yet unforgettable hook along with an opening synth that’s so satisfying and memorable. The song was included on the Flashdance soundtrack accidentally. Sembello’s wife accidentally included it on a tape sent to executives at Paramount Pictures, who were looking for music at the time. The song also lives on in infamy since many believed it was originally written for the 1980 horror flick Maniac and Sembello changed the lyrics for its inclusion on Flashdance. Unfortunately, this is nothing but a myth.

There are way too many movie themes to include here, so which ones did I miss? What is your favorite movie theme? Let me know in the comments!

Playlist: Give ’em the remix

Remixes can be tricky to handle. In the wrong hands it can sound nothing like the source material it’ll put off listeners. Other times it sounds too much like the original making it pointless. But when done just right, a remix can turn a great song into an even better one. Whether it speeds things up to make it a dance hit or slows things down to place it in a new genre, there are a lot of remixes out there way too many to gather in this list. So this month’s playlist takes a look at some of my favorite remixes.

“19-2000” (Soulchild Remix) – Gorillaz

This is a remix of the Gorillaz’ second single and it’s much better than the original. Known for its simple hook of “got the cool shoe shine,” the version from the band’s debut album was very slow featuring sleepy music, lush beats, and very light percussion. The song got most exciting during the aforementioned hook. It’s not bad, but it sounds like the band are on the verge of drifting off while singing. But this remix by Soulchild wakes up the song, turning it into something fun, bouncy, and energetic. You can even hear bits of “The Humpty Dance” in the mix. Everything about it outshines the original and turns it into something you can’t stop dancing to.

“Heartbreaker (Remix)” – Mariah Carey

Mariah Carey’s “Heartbreaker” was already a success reaching the top spot on several charts. But the song blew up more when she dropped the remix in 1999. Featuring DJ Clue, Da Brat, and Missy Elliot this remix turns the Carey pop hit into an R&B/hip hop infused jam. Using a sample from Snoop Dogg’s “Ain’t No Fun (If Homies Can’t Have None)” the song is catchier than before with Carey singing even more breathless than she did in the original. It’s sleek and just the right amount of funky making it one hundred times cooler than original. The song was so successful Carey continued doing remixes for singles, like “Loverboy,” but it didn’t match the success of this one.

“Ignition (Remix)” – R. Kelly

I’ve never been a fan of R. Kelly, but even I have to admit this song is too damn catchy to hate. The song became so popular, charting at number 2 on the Billboard Hot 100, that it’s hard to remember what the original sounded like. Whereas the original was a slowjam meant to put someone in the mood, this one is all about partying. What really makes the song is irresistible hook. It’s one of those songs where you’ll know all the words after only hearing it three times. Apparently, the original version of the song was going to be on his then upcoming album Loveland, but the album was leaked causing R. Kelly to rewrite and remix most of the album and turn it into The Chocolate Factory. Maybe it was a blessing in disguise.

“The Way I Am (Remix)” – Eminem Feat. Marilyn Manson

In the late 90s/early 00s the two biggest controversial figures in music were Eminem and Marilyn Manson. Surprisingly, the two formed a friendship with Manson appearing at the rapper’s concerts and even making a cameo in the original “The Way I Am” video. This remix brings the world of rap and rock together. Eminem spits rhymes over the crunchy guitars and intense rock music taken straight from a Manson song. The music perfectly captures Manson’s creepy essence. To make things even better Manson sings the hook in his gravely voice. He also provides some eerie moans throughout the track. It’s a stellar remix that makes you wish the two continue working together. Maybe on the next album? We can only hope.

“Rock With You (Frankie Knuckles Favorite Club Mix)” – Michael Jackson

This mix takes this Michael Jackson hit and turns it into something you can actually dance to. Frankie Kunckles keeps the smooth R&B vibe of the original for the most part. He layers glistening pianos, some synth, and upbeat percussion on top of the track to get you grooving. There are even some further vocal arrangements from Jackson that aren’t found in the original. Clocking in at over seven minutes, it’s definitely something made with the club scene in mind, but the remix is so good you won’t find a problem jamming out to it in your house. The remix is actually quite popular and is often the basis of many Michael Jackson mash ups, which also prove to be great fun.

“Rope (Deadmau5 Mix)” – Foo Fighters

Deadmau5 flips this song on its head switching it from hard rock to an electronica dance hit. It’s not just a DJ adding some synths and bleeps over the Foo Fighters hit. He turns it into a completely different song only keeping Dave Grohl’s vocals in tact. It sounds like an unlikely pairing, but it works so well, breathing new life into this Foo Fighters song. With dripping bleeps, a pulsing beat, and wild music Deadmau5 makes the song his own. The two even joined forces to perform the track on the 54th Grammy Awards.

“More Human Than Human (Meet Bambi in the King’s Harem Mix)” – White Zombie

Rob Zombie never shies away from remixing his biggest hits, but this is the strongest remix to date. “More Human Than Human” was already a beast of a song, but this version makes it a hundred times creepier. The music is grittier, sounding like a record got scratched in the mix during the intense opening and Zombie’s vocals are distorted to sound more robotic and inhuman, which is a perfect fit for the song. The whining guitar riff of the original is still in tact, but the rest of the music is heavy, dirty electronic music that gets you groovin’. This does everything a good remix is supposed to do: keep elements of the original intact, but build on to make it better.

“No, No, No Pt.2” feat Wyclef Jean – Destiny’s Child

Before “Survivor” and “Say My Name” this was most people’s introduction to Destiny’s Child and Beyonce. When the song dropped in 1998, it received massive radio airplay and eventually reached number three on the Billboard Hot 100. But what about part one? The first version of the song, which was their debut single, is a slow R&B track that’s more sensual in nature. Think of it as a song to get busy to. Though it was moderately successful, it wasn’t until Wyclef Jean added an upbeat hip hop flavor and sped up the song that it became a hit. Listening to them both today, this version is still better than the original.

“Strangelove (Tim Simenon, Mark Saunders Remix)” – Depeche Mode

There are various remixes of this Depeche Mode single, but this one is among the best. This mix takes the mid-tempo song and turns it into a club hit. The music is more energetic and fast paced with additional synth and electronica elements added to the mix. There’s even a bit of a tribal vibe when the percussion kicks up. But one of the coolest things about the song is how there’s a nod to their song “People Are People.” It’s brief, but very satisfying for all Mode fans. It’s a great remix that plays around with the classic track, but still keeps everything that made it so good in the first place in tact.

“I”m Real” (Murder Remix) – Jennifer Lopez ft. Ja-Rule

Remember that time during the 2000s when Ja-Rule was popular and was featured in what felt like every song? Before he disappeared off the map, he joined forces with J.Lo for this slick remix of her pop single “I’m Real.” Whereas the original was a generic dance song with rapid beats and a forgettable chorus, this mix slows things down making way for a cool R&B/Hip Hop groove. Even though Ja-Rule’s singing is appalling, it doesn’t ruin the song. The track is from her remix album J to tha L-O! The Remixes and is actually the third best selling remix album of all time. The album also spawned successful singles “I’m Gonna Be All Right” and “Ain’t it Funny.”

“Happiness in Slavery (remix)” – Trent Reznor, Chris Vrenna, and P.K.

Trent Reznor is no stranger to remixes. Not only has he done them for other artists, but he leaves his music in the hands of others spawning several remix albums based off his studio releases. There are two different remixes of “Happiness in Slavery” on the Fixed EP, but this one is the best. It keeps very little from the original track aside from a bit of the guitar riff and Reznor screaming “Slavery!” in the background. Otherwise, the song is completely new and still just as terrifying. Though it’s more gritty and electronic centered than the aggressive original, this version still manages to be terrifying with the intense mechanical music and various screams heard in the background. There are very little lyrics, just a brutal continuation of this awesome NIN track.

“Tourniquet (Prosthetic Dance Mix)” – Marilyn Manson

This version of Marilyn Manson’s “Tourniquet” is very much in tune with the original even opening with the main scratchy riff from the original. This version keeps the same eerie vibe from the original, but amps it up with intense percussion and what sounds like gritty electronic music. Somehow it slows things down even more than the original making it a more drugged out experience. But what’s most notable about this remix is the new vocal take from Manson. He doesn’t unleash his scream on this version and lets his playful, growling vocals take over. It’s definitely the highlight of the forgettable Remix & Repent EP.

Which remix is your favorite? Which ones did I miss? Let me know in the comments!

Playlist: What a Knock Out

Music and fighting seem to go hand and hand. But I’m not talking about a fight for your rights, your inner self, or anything like that. I’m talking about songs that take pride in knocking someone’s teeth in. Not all the songs on the playlist specifically reference physical fights, but the music, themes, and lyrics still get the mood across. So Vaseline your face and crack your knuckles, here are songs to start a fight to.

“Mama Said Knock You Out” – LL Cool J

This was one of my favorite songs when I was younger solely because of that memorable hook. It was so much fun running around the school yard shouting “mama said knock you out” until someone tattled on you. Both the song and the video featuring LL Cool J in a boxing ring spitting into the microphone are iconic. He may not be talking about an actual physical fight, but the theme of the song is perfect for this playlist. Cool J says inspiration for the song came from a conversation with his grandmother about his critics. Many of them felt his career was over and she told him “Oh baby, just knock them out!” She’s even featured at the end of the video telling the rapper to take out the garbage.

“The Fight Song” – Marilyn Manson

This song is meant to mock school fight songs, but Manson’s harsh vocals and the punchy guitars still get you riled up. The way Manson screams “Fight! Fight! Fight! Fight!” at the end of each verse is so vile and aggressive you’re ready to break something. The song itself is actually a commentary on the Columbine shooting and condemning America’s obsession with violence. The video itself received some backlash since it pits goths against jocks in a mock football game. Some saw it as a direct echoing of Columbine, which doesn’t make any sense. Still Manson didn’t let it get to him on this stellar track.

“Move Bitch” – Ludacris

Ludacris is always great at providing music to stomp someone to. There’s “Get Back” and “Stand Up” that have similar themes, but it’s this single that’s the best. Whether you’re stuck in traffic, walking behind someone slow, or just ready to start brawling this is the song to get you pumped. How many times have you actually wanted to tell someone to get the fuck out of your way? It’s a simple song with thumping music and a lot of cursing to get your blood flowing and the punches going. Plus, it’s just a lot of fun even if you’re not looking to start a fight. Is it just me or does it seem like Luda wants to start a riot with his songs?

“Fighter” – Christina Aguilera

This song may not be about fighting someone, but it still applies. What has got to be Christina Aguilera’s best song to date, the track talks about taking all the bad and internalizing it. As a result, she comes out stronger, smarter, and better for it. This is an anthem for the ages, which is exactly what Aguilera wanted. Her powerful voice matched with the blazing guitars and harsh vibe of the music makes this a kick ass song ready to pump you up and face the world.

“Punch in the Face” – Ministry

Can’t get more straightforward than this song. This song is straight to the point with Al Jourgensen repeating “Nothing satisfies like a punch in the face/nothing quite like another punch in the face.” It’s not the best Ministry song, but it’s oddly satisfying when you need to blow off some steam.

“Fight” – The Cure

It’s hard to imagine any of the Cure guys getting into a nasty brawl, but it’s actually happened quite a few times during the band’s history. Similar to other songs here, this is more about fighting those inner demons and pain that aims to bring you down. The music is pretty intense while Robert Smith shouts “Fight! Fight! Fight!” begging you to not give in to the pain and the nightmares. I used to think the song was about former Cure bandmate Lol Tholhurst, who Smith had a falling out with, but that song is actually called “Shiver and Shake.”

“Fight Music” – D12

This song is all about getting into a fight and throwing down. It doesn’t try to mask its violent intentions and Eminem makes it clear what they want with the first line: “This kind of music, use it, and you get amped to do shit.” Like most songs featuring the infamous rapper, the track is not only violent, but obscene with references to Bizarre having sex with his grandmother, guns spraying, and even threatening to blow up Dru Hill. Anyone whose a fan knows it’s just another day in the life of Slim Shady, who is ready to take on anybody and everybody no matter the consequences.

“In Your Face” – Children of Bodom

With the way Children of Bodom attack their guitars, it seems like they would never back down from a fight. They’re practically begging for one in this stellar track. Everything about the song is seething with aggression from the roaring guitars and of course, Alexi Laiho’s howling vocals and anguished yells. Just from the title of the song alone you can feel the attitude steaming off of this song. At one point Laiho even says “Say one, more word, I double dare you (bring it on)/It’s my world, you’re in it, it’ll take you down in a minute.” Even if it’s exclusively about knocking the shit out of someone, it still exudes that adrenaline rush that happens right before the first punch lands.

“The Last Fight” – Bullet For My Valentine

Bullet are never hold back with their songs. Many of theme have violent themes and images, so it’s a little odd how this track about fighting doesn’t shed any blood. If anything it sounds like they’re doing their best to avoid a fight, but in the end they’ll fight one last time. The song can actually be construed as a fight for anything whether it’d be physical or not making it all the more universal. Personally, I don’t think it’s one of their strongest songs, but when they bash it out in concert you can’t help but pump your fists in the air.

“You’re Going Down” – Sick Puppies

I honestly don’t know much about Sick Puppies. I’ve seen their name quite a few times, but never bothered to listen to them. While searching for songs for the playlist this one came up several times and it’s pretty perfect. With the main hook of “One of us is going down” it’s clear what the song is about: getting down and dirty in a fight. Judging from the lyrics and the aggressive tone of the song, these guys aren’t backing down from a fight anytime soon. With such a straight forward title and the violent nature of the song, it’s no wonder the WWE has used it in their events.

“Saturday Night’s Alright for Fighting” – Elton John

The song is pretty self-explanatory. Elton John wants to meet up with the guys and raise some hell. Whether that means getting drunk, causing trouble, and getting into fights it doesn’t matter as long as he “gets a little action in.” Rather than running away from a fight or trying to release some anger, John and crew are looking for a fight to have some fun. Elton John has a lot of popular songs in his catalog, but this is one of his most well known. It’s no surprise to learn it was based off of pub fights at the Aston Arms. Why does it seem like pubs and fighting go together like peanut butter and jelly?

Which one of these fight songs gets you riled up? Which brutal song did I miss? Let me know in the comment!

 

Playlist: Best Grammy Award Performances

It’s almost time for the Grammys again, which means lots of snubs, disappointments, questionable moments, and Adele. That’s why everyone is going to watch, right? The award ceremony has been panned for the past couple of years for being bland and boring, but along with its low moments are tons of high moments. It’s still known for some of the most iconic and memorable performances in music. So before we start predicting when exactly Kanye is going to crash the stage, lets look back on some of the best performances from the Grammys.

“Stan” – Eminem & Elton John (2001)

Though Eminem made a joke about the Grammys in his song “The Real Slim Shady,” he’s been no stranger to them since his massive album The Marshall Mathers LP. This is the time when the rapper was most controversial garnering the anger of groups like GLAAD, who claimed he was homophobic. To shut up his critics once and for all, Eminem delivered a powerful performance of “Stan” with Elton John singing the chorus. At the song’s end, the two embraced and held hands in a victory pose. It’s not only one of the best Grammy moments of all time, but one of the best Eminem moments ever.

“American Idiot” – Green Day (2005)

Eyeliner, creepers, red ties, and lots of pyro. American Idiot era Green Day was on the rise thanks to their massive concept album. Not only was it a big winner at the 2005 Grammys, they also delivered a performance of the title track that was unforgettable. Instead of being cut and dry, the band brought their snotty attitude, slaying guitars, and their love of fire with them. As usual the band sounded great and wowed the crowd with fire shooting up at all the right moments. The band made sure to light a fire under the asses of the stiff academy. This is just one of a number of amazing performances from the year of American Idiot.

“The Way You Make Me Feel/Man in the Mirror” – Michael Jackson (1988)

Michael Jackson didn’t grace award show stages that much during his life, but whenever he did it brought the fucking house down. This 1988 performance starts out pretty standard: Jackson blows away the crowd with his dancing and singing. But it’s not until we get to “Man in the Mirror” where the show really starts. As he continues to sing, he gets more into the song until he’s falling on his knees, near tears, demanding everyone to “make that change.” The best part are the last five minutes where he seems to go off the record and just feels the music and gets everyone to stand up. He’s possessed by the song as he spins and collapses while a choir backs him up. It’s one of those moments that’s so stunning you remain quiet during the whole thing.  It shows why there will never be another performer with the fire, passion, and moves like Jackson.

“Where It’s At” – Beck (1997)

There’s always one year where Beck sweeps the award shows and makes some people question “Who the hell is Beck?” During the 1997 Grammys, he performed his hit single “Where It’s At” from Odeley, which was up for several awards that night. The thing that makes the performance so great is Beck’s unbridled energy. He has all the moves and swagger of a rapper and even pulls some awkward, yet entertaining dance moves at the end. His monotone vocals matched with his wild movements makes Beck hypnotizing to watch on stage. It ends on a high note, literally with Beck pulling off some scratchy falsetto. After the performance he won a Grammy for Best Rock Male Vocal. And similar to last year’s ceremony, many were left wondering who the hell this guy was.

“Runaway” – Bruno Mars (2012)

I wouldn’t call myself a huge Bruno Mars fan, but his performance from the 2012 Grammys blew me away. Is it his upbeat energy? Yes. Is it his style? Yes. Is it him commanding people to get off their “rich asses?” Yes. He sounds great and pulls off some awesome dance moves, but what makes this performance so memorable is the set up. It looks like an old school soul performance complete with matching gold suits, Temptation style dance moves, and Bruno’s pompadour with some added James Brown for flavor. He’s such a charismatic performer that he makes any award shows, or Super Bowl, exciting.

“I Put a Spell on You” – Annie Lennox & Hozier (2015)

What started out as a performance from Hozier featuring Annie Lennox turned into the Eurythmics singer taking over the stage. She came out to join Hozier on “Take Me to Church,” but as soon as she started “I Put A Spell on You” everyone forgot he was on stage. Her soulful delivery is powerful and she commands the stage while singing and swinging her hips. All Hozier could do and stand back and nervously smile. The way she belted out those notes gave you chills. It was so amazing it’s all people could talk about the next day. Sorry, Hozier. Good try, though.

“I Will Always Love You” – Whitney Houston (1994)

At the 36th Grammys Whitney Houston blew everyone away this performance of her hit single “I Will Always Love You.” She starts out by performing the first verse acapella, which is enough to stir you. She really gets in her element when the music starts up and she continues singing in her elegant white gown. The best is when the drum pounds and she holds the note while she sings the chorus one more time. Watching it again over 20 years later, it still gives you goosebumps when she hits that note. It’s a reminder of what a wonderful performer Houston was and a sad reminder of what we’ve lost.

“One” – Metallica (1989)

Everyone knows the story of Metallica losing the Best Heavy Metal album to Jethro Tull in 1989. Though they didn’t win, and yeah they should’ve of, they delivered a blazing performance of “One” from their …And Justice for All album. Things start out kind of shaky with the vocals, once the band gets in the groove of things, they take over the stage and set fire to the Grammys. The performance is intense, brutal, and heavy as if reminding the committee why they should’ve won in the first place. Luckily, the academy realized they were wrong and gave the band best Metal Performance for the same song the following year. The band revisited the song at the 2014 ceremony with pianist Land Lang accompanying them.

“Feel Good Inc/Hung Up” – Madonna & Gorillaz (2006)

Madonna and Gorillaz seems like a collaboration that would never happen, but oddly enough it works. This performance features the animated band as 3D holograms singing, gyrating, and looking bored in general. When De La Soul comes out 2-D checks his phone while leaning on the mic. Then Madonna pops up on screen, also a hologram, and teases the band. After that she appears on stage in the purple leotard first seen in the “Hung Up” video. The entire performance is fun, innovative, creative, and unforgettable. Though Madonna’s rendition of “Living for Love” was also good, this one is more memorable and creative.

“Rolling in the Deep” – Adele (2012)

You knew she was going to pop up here sooner or later. The performance is simple; no fancy effects, tricks, or collaborations. Just Adele, her singers, and her band. Her voice is so powerful and beautiful, you can close your eyes and let it wash over you. Even if you don’t play her heartbreaking songs on repeat after seeing this performance you had to acknowledge that she’s one of the best modern singers. There are plenty of people who can’t wait to see what the singer will do at this year’s ceremony. Actually, it’s probably the only reason anyone will tune in.

“Glitter in the Air” – Pink (2010)

When Pink came out on stage to perform “Glitter in the Air” no one at home or in the crowd expected to see her twirling through the air. She comes out in a hooded shroud, looking beautiful and elegant. Just when you think she’s going to stand there and sing, she reveals a nude leotard and joins a group of aerial acrobats that lift her in the air. She strikes various poses and even pulls off an impressive spin and she’s still singing. She never misses a beat. By the end everyone was stunned and in awe. It’s a trick she’s pulled off a few more times for later Grammy performances, but no one will ever forget the first time she did it here.

“Seven Nation Army/Death Letter” – The White Stripes (2004)

The White Stripes managed to make a lot of noise at the 2004 ceremony. The performance starts out with the popular “Seven Nation Army,” but ends with a chaotic seizure educing rendition of “Death Letter.” It’s here where Jack White lets loose and plays with fire and fury. He stumbles around the stage, motion towards Meg White, and ends the song with a unchained solo. The performance is also great due to the weird introduction by Beck who references “Children of God” before introducing the duo. Well, it is Beck after all.

“La Copa de la Vida (Cup of Life)” – Ricky Martin (1999)

This performance will forever be burned in my memory. Why? Because my mom and I were glued to the screen, wondering who this hot new guy was and how fast could we get his album. Ricky Martin was at the forefront of the Latin explosion of the late 90s. He cemented his popularity at the time with this performance at the 41st Grammy Awards. After this performance aired, Martin was a household name and everyone wanted to live “la vida loca.” Sorry, I had to.

“Lady Marmalade” – Pink, Christina Aguilera, Mya, Lil’ Kim ft. Missy Elliot & Patti LaBelle (2002)

It was hard to escape this song in the early 2000s and though the group of ladies performed the song at various award shows throughout the year, this one is the best. All of the singers sound on point and Aguilera finally shed the gigantic poodle wig she was obsessed with. What made this performance so memorable from the others, is the original Lady Marmalade, Patti LaBelle, joined the group on stage. While she didn’t get to sing much she did enough to show she still had the chops and even though this cover was pretty good, nothing could outshine the original.

Which Grammy performance is your favorite? Is there one that I missed? Let me know in the comments.