Black Sabbath

Playlist: I Think I’m Paranoid

Everyone gets paranoid from time to time. Sometimes you end up in the dark area of Youtube at 1:30AM and need to make sure the doors are locked. Or you’re sitting at home watching a movie when a thud makes you get up and search until you find it. It’s a normal feeling; some even say a little paranoia is good – it keeps you on your toes. But what happens when things go too far? It can turn into an unhealthy obsession, always checking over your shoulder. Or sometimes, there may actually be somebody behind you, watching your every move. These songs are for those times when you’re feeling on edge, thinking you’re being followed or watched. As some of these songs prove, you may not be alone.

“Who Can It Be Now?” – Men at Work

Sometimes there’s no greater dread than hearing an unexpected knock at the door. Is it the mail carrier? Or is it a kidnapper coming to take you away? That’s what Men at Work are wondering on this track. Collin Hay is paranoid and maybe a little agoraphobic as he sings about not leaving the house and feeling safest in his home. It’s a little weird, but who hasn’t pretended like they weren’t home when the doorbell rang? But then you start to question the singer as he assures us there’s nothing wrong with his state of mind and even worries that “the men” will come to take him away. The song doesn’t make you feel any better about being paranoid, but at least it has that killer sax riff.

“Somebody’s Watching Me” – Rockwell

This is the greatest and most ridiculous song dedicated to paranoia. Rockwell sings about coming home after a hard day and living in fear he’s not alone. He drops references to Psycho and The Twilight Zone while looking over his shoulder to see if he’s being watched (like that old Bugs Bunny joke). Though the singer is most likely being paranoid, we’ve all felt like there was something in the closet watching us in bed. Or even someone behind us as we sit in front of our computers…never mind. The song is cheesy, but what saves it is Michael Jackson’s hook. It proves that Jackson can make the most horrible songs sound good.

“Don’t Stand So Close to Me” – The Police

While the song could easily be used to describe how you’re feeling on the train during rush hour, the song is about an inappropriate student-teacher relationship. Sting croons about a teacher fretting over a student crush and what the consequences are if it gets out of hand. Of course, things do go further leading up to a confrontation with the rest of the staff near the end of the song. Oddly enough, Sting was an English teacher but he denies the song is autobiographical. The Police seem pretty paranoid and creepy as a later entry on the list will show.

“Paranoid and Aroused” – Korn

It’s all in the title. This song explores someone fighting off their demons and constantly feeling on edge, thinking the demons are going to win in the end. This person descends further into madness, medication being no help until they’re at the point of breaking and losing control. Though the title may make you think there’s something sexual happening while freaking out, there’s nothing of the sort. It’s more that the person can’t let their guard down for one second for fear something is out to get them.

 

“Paranoid” – Black Sabbath

What would later be known as one of Black Sabbath’s best songs, “Paranoid” is about a guy whose – well you get the idea. Ozzy waxes about not feeling emotions like love, happiness, and joy properly prompting him to think something is wrong with him. There’s nothing he can do except live with his fate. Notably, the guitar riff frantically races along representing the nervous energy of this poor guy. Though it’s one of the breakout tracks from the band’s second album of the same name, Geezer Butler has described it as a throwaway track; something to fill up three minutes. If you had to have a soundtrack for your paranoia, this wouldn’t be a bad song to have.

“I Think I’m Paranoid” – Garbage

One of Garbage’s biggest hits finds Shirley Manson not really sure who she is. She begs to be bent, molded and manipulated just to please someone or something. So what is she paranoid over? There are different theories ranging from wanting to please a guy to drugs. According to Butch Vig, the song has more to do with the music business than about someone who is actually paranoid, but the lyrics are still applicable. It’s probably the first song you thought of when you opened the playlist.

“Every Breath You Take” – The Police

This is one of the most misinterpreted songs in music history. Many believe it’s simply a love song; someone yearning for their loved one and not wanting to be lonely. Some have even gone as far as to make it their wedding song. Truth is, the song is from the perspective of a possessive ex-lover who cannot get over the person they lost. Keep that in mind the next time you hear the opening verse: “Every breath you take/every move you make/every bond you break/every step you take/I’ll be watching you.: Yes, this person is a stalker. It’s unsettling especially when you watch the video, which features Sting staring eerily at the camera. And people still couldn’t see this wasn’t a love song? Seems like The Police have some issues to work through.

“Obsession” – Animotion

 

This 80s one hit wonder seems like one of those oddly weird love songs that populated the decade. If you only pay attention to the opening verse, it seems like it’s about someone who wants someone else so badly they’re willing to do anything. A little weird, but not unheard of. It’s not until the second verse where things get unsettling: “I need you I need you/By sun or candlelight/You protest/You want to leave/Stay/Oh, there’s no alternative.” At this point, someone is being held hostage. Guess they were serious about the collecting and capture you line they sing before the hook. It’s one of those “Gotcha!” songs. You’re happily singing it without realizing it’s creepy as hell.

“Follow You” – Night Riots

This is another one of those “Gotcha” songs I mentioned earlier. The song is super catchy and Travis Hawley’s voice is so seductive you almost don’t realize how disturbing the song is: “I will follow you home/’Cause I know where you live/You’ll never be alone/’Cause I know where you live.” No matter how sweet it may sound when you’re hearing it, the song is about being a stalker. This guy doesn’t know the girl in question (“I saw your face inside the newspaper”) and proceeds to watch her undress because he’s convinced he’s in love. There’s nothing sweet and adorable about stalking someone no matter how good Hawley sounds while singing about it. It’s one of those songs that makes you stop and go “what the fuck is happening here?”

“Paranoid Android” – Radiohead

From the seemingly batshit lyrics to the constant sonic shifts, this song is paranoia incarnate. It begins softly with Thom Yorke whispering “please stop this noise/I’m trying to get some rest” already making his discomfort clear. It wastes no time getting weird with the next line “from all the unborn chicken voices in my head.” Right away we know something is not sitting well with this person. It continues in this fragile style until the bridge where gritty guitars take over as if to show this person’s breakdown. It’s haunting, yet beautiful all at once. Yorke was inspired to write the song after a nightmarish scenario in an LA bar. It’s claustrophobic, gritty, and intense and may just make you look over your shoulder when you hear it.

“I’m Afraid of Everyone” – The National

This song is a heartbreaking looking at paranoia and anxiety. It looks at someone trying to continue life in a normal fashion when everything around them is falling apart. Singer Matt Berninger croons “With my kid on my shoulders I try/Not to hurt anybody I like/But I don’t have the drugs to sort it out” showing the person on the verge of a breakdown. The music starts out fragile, like the person’s state of mind, and continually gets more stark and aggressive towards the end. Berninger ends with the line “Little voices swallowing my soul” hinting that the person has lost their battle with anxiety. It’s a haunting portrayal showing how serious the problem can get.

“One Way or Another” – Blondie

What starts out sounding like a playful is actually a disturbing account of being followed. Inspired by Debbie Harry’s ex-boyfriend, who stalked her after their broke up, the song is about someone hell bent on possessing someone. Harry sings about following them downtown, driving by their house, and stalking them through the mall. The song gets eerier as Harry grows instant on tracking down this person to the point where it sounds like she wants to harm them: “Lead you to the supermarket checkout/Some specials and rat food, get lost in the crowd.” The punk nature and Harry’s seductive vocals can’t hide how creepy this song is. And to think I used to sing this as a kid.

Which song puts you on edge? Which ode to paranoia did I forget? Let me know in the comments!

Everyday is Halloween Anthology – Ministry

Release Year: 2010

Rating: 6/10

Every band has a slow period between recording albums and touring. This makes it prime time for random compilation records to keep sales up. Greatest hits, remix, and sometimes rarities albums are what artists turn to hoping fans will eat it up. That must have been the case with this Ministry release. The band wasn’t satisfied with a straightforward compilation with only their singles or only remixes. They decided to do a hybrid release mixing hits with remixes and covers. Now the question is was it worth it?

This album isn’t sure what it wants to be. Is it a retrospective? A cover album? A remix record? The first half is nothing but classic Ministry songs re-recorded and remastered. Why? I don’t know. The songs, “NWO,” “Jesus Built My Hotrod,” and “Stigmata” all sound similar to their original counterparts. Sure, that may be the point, but it makes them unnecessary. It’s not like the band change the tracks drastically. Usually, it’s more distorted vocals that are hard to make out and louder gritty guitars. The remix of “Everyday is Halloween” is pretty good, but since it has more of a heavy metal vibe, it sounds like a Rob Zombie song.

You would think the saving grace would be the covers. Well, they’re not horrible. The band plays it straight with most of the songs, like “Paint it Black” and “Sharp Dressed Man.” They keep the same format and vibe of the track and add in lots of guitars. The same goes for “Thunderstruck” and “Stranglehold.” Whereas the latter track has an industrial groove, the former is pretty true to the original. The only problem is Al Jourgensen’s vocals don’t exactly work with the song. While these covers aren’t terrible, they’re pretty bland and forgettable.

The “Iron Man” cover is actually the best cover on the album. They take the unmistakable riff from the classic Black Sabbath track and integrate it with their fast paced, synth electro madness. Instead of keeping the dark and gloomy mood, they turn it into something chaotic, wild, and destructive. They really make the song their own without shitting all over the original. It’s something both Sabbath and Ministry fans will appreciate.

One of the strangest, yet more entertaining covers is Amy Winehouse’s “Rehab.” As you would expect, it’s the complete opposite of the original. It’s insanity incarnate with Jourgensen screaming “They try to make go to rehab/and I said/No!/No!/No!” It’s kind of an ironic cover since he had his own drug problems over the years. With the hard driving music, brutal nature, and aggressive vocals, the cover is certainly unique. It’s not necessarily good, but it’s so ridiculous and intense it’s hard not to like it.

Even though it’s an interesting idea, the album is unsatisfying. The remastered songs are pointless and most of the covers are bland. It seems like they needed to release something, did some covers, but needed more material to pad out the LP. It would’ve been better off if it was released as a short covers EP. The album is one of those forgettable albums that gets old after the first few tracks. After listening to this, I’m convinced cover albums are never a good idea.

Musical Rant: The Let Down of Band Reunions

Well, it’s finally here. The news is out, pre-sales started, and scalpers are ready. Guns N Roses are officially hitting the road this year. But not just a bloated Axl Rose with new young replacements to be his backing band. It’s Rose and most of the original members, minus Izzy Stradlin. Everyone is freaking out with excitement at the thought of catching the original bad boys performing together once again. But it seems like people are forgetting something. This is Axl Rose we’re talking about.

How many concerts has this guy walked out on or not showed up for? He infamously got the group banned from St. Louis because security didn’t deal with a guy who was taking photos of him. He’s known for his random rants and hissy fits as if anything can set him off. And he’s notoriously late. In 2010, the band got on stage an hour late causing them to play til 2AM. The crowd couldn’t take anymore and started walking out. Personally, I don’t think this reunion stands a chance. There’s a reason the band moved away from Rose in the first place. And it already got off to a rocky start with Rose canceling his appearance on Jimmy Kimmel.

This got me thinking about band reunions in general and I came to one conclusion: they suck. Sure, some of them are pretty successful, like Refused or Black Sabbath. But most of them are nothing but disappointing ventures that produce lackluster new material. Just look at Van Halen. It took two attempts to reunite them with David Lee Roth before it finally worked out. Even then their latest output hasn’t been great. And how about Blink-182? They set fans’ hope high with a reunion, new album, and tour. It looked like things were looking up until the band imploded. Now, they’re trying again with a new guy, but that’s a rant for another day.

When there’s bad blood between band members who then try to reunite are like that one friend you have. You guys used to hang out and talk, but somewhere along the line you stopped contacting them. Then one day you’re bored, they pop into your head, and you contact them out of the blue. And then you remember why you guys aren’t friends anymore. It seems when a lot of bad blood exist between bands there’s no amount of money that can heal those wounds. If it’s not a band trying to put their hatred aside for yet another reunion, it’s a band who haven’t done anything together in a while and release a new album. And man, is it disappointing.

This is another reason band reunions suck. They never seem to live up to expectations. Maybe it’s the fans putting too much stock into it. Maybe the band doesn’t work well together anymore. For one reason or another usually the new output is nowhere near as good as their past work. As I said before there are exceptions, but how about No Doubt? Gwen Stefani returned to the band in 2012, more than 10 years since their last album, and they released Push and Shove. It performed decently on the charts, but the album was overall unmemorable. Now, Stefani is out of the band, maybe. Some bands just can’t get it together after being apart for a considerable length of time. It seems something is lost when you don’t work with someone for over ten years.

I get it. Your favorite band getting back together is exciting and brings back so many good memories. You want those moments and good times back, but no matter how good something is the reformed band won’t live up to your expectations. The music won’t be as good, the vibe will be different, or they just won’t sound the same. No matter what you think, something is going to be different and chances are you’re going to hate it. But I guess you can’t blame a band for trying to recapture that old spark. After all, it’s worked out quite well for other bands, like Megadeth. Maybe we as fans need to remember when we hear a band is getting back together, it’s not gonna be perfect and it may just not work out at all. So don’t get those expectations up too high when buying those Guns N Roses tickets.

Playlist: This is the End of the World

Even though Donald Trump is running for president, we made it another year without the world imploding. It wasn’t that long ago when people didn’t think we’d make it to 2016. Whether it was nuclear war, Y2K, the Mayaen calendar, or Judgement Day, people felt the world was going to come to an end sometime soon. Still, it remains a topic of interest, especially for musicians. Several of artists envision what the end of the world will actually look like and it’s usually pretty scary. Here are a handful of songs about the apocalypse to remind you that not everyone thought we’d make it this far.

“Apocalypse Please” – Muse

Muse are no strangers when dealing with the end of the world. Many of their songs and videos reference it, but this track from Absolution does it best. The music comes marching in and sounds like it’s crashing down on you. Everything sounds like damnation before anything has started. As always, Matt Bellamy sounds sweet as he sings such fateful lines like “And this is the end/the end/this is the end/of the world.” As the music swells and Bellamy keeps pounding on the keys, the vibe gets steadily dramatic counting down to the moment where everything disappears. If there was a soundtrack for the apocalypse, this would be the first track.

“London Calling” – The Clash

Perhaps their most popular song, The Clash maps out the nuclear apocalypse on this single where they reference hiding in cupboards, the ice age, an enclosing sun, and “nuclear error.” The title itself is a reference to the BBC World Services identification during World World II. According to Joe Strummer the song came about from the events of Three Mile Island, which left him concerned about the state of the future. The track is also about the disintegration of the band. During this time they struggled with high debt, no management, and inner band disagreements. This is where the line about “phony Beatlemaina” comes in; they felt the punk rock bubble would burst at the end of the 70s. Unfortunately, they were right.

“Last Day on Earth” – Marilyn Manson

Like most of Manson’s songs, this one probably isn’t as cut and dry as we think, but it does have a lot of references to the apocalypse. In the track Manson finally finds his love, yet realizes it’s too late since the world is about to end. Featured on the excellent Mechanical Animals, the song is one of his most somber, depressing, and sentimental. Listening to the slow, echoing guitar riff and the swelling music gives you this sense of hopelessness. It also makes you think how would you spend the last day on earth with your lover. Though it is one of his best songs in his catalog, it does leave you shaken and isolated.

“The Final Countdown” – Europe

Whether you love it or hate it this song is one of the most ridiculous and overblown of the 80s. And it’s so much fucking fun to listen to. That iconic synth riff you sing out loud, shouting “it’s the final countdown!,” and the simple hook all make for an unforgettable song. Even though it has a party vibe, it’s actually about leaving behind an Earth that’s spent and finding life on another planet. Frontman Joey Tempest described the song as being both optimistic and apocalyptic. It’s exciting to be starting life on a new planet, but also sad to leave Earth behind, especially if loved ones were still there. This is one song that won’t ever die and has now found new life in a hilarious Gieco commercial. Thanks for that, Europe.

“Babylon’s Burning” – W.A.S.P.

Frontman Blackie Lawless was heavily inspired by the four horsemen of the apocalypse and the book of revelations for the band’s fourteenth album. This imagery pops up all over this song with references to clopping hooves, the number of the beast, and pale riders making the vision of the end clear in your head. Lawless said he was inspired to write the song and the album during the 2008 financial meltdown. He says this song is “an overview of what we allow ourselves to become and the consequences that befall us for the poor choices we make.” Also note that Lawless is a born-again Christian, which have a lot to do with this song’s themes. Why is it that most shock rock artists get religious as they get older? Alice Cooper, anyone?

“It’s The End of the World As We Know It (And I Feel Fine)” – R.E.M.

This is probably the first song you thought of for this apocalyptic playlist. Sung in a rapid style where everything starts blending together, Michael Stipe claims everything is going pretty well even though he knows the world is ending. He offers a speedy rant on everything from Leonard Bernstein to overflow of the population. Inspiration for the song came from various sources, including Stipe’s dreams and what he saw while channel flipping. Despite it’s bleak title, the song is upbeat, energetic, and really catchy, which is why people love it so much. Even if you don’t like R.E.M. you at least know this song and probably even like trying to sing all the lyrics, even though it can be challenging.

“Fuck Armageddon…This is Hell” – Bad Religion

This punk band takes a different approach when it comes to the apocalypse. The lyrics reference the devout scorning others for being bad and hoping they can plead with God once the end finally comes. The band retort they don’t need to wait for Armageddon because the world they currently live in is hell alone. Violence, pollution, and hypocrisy are some of the reasons that make life so shitty according to Bad Religion. They end the song by proclaiming “Life is such a curse!” Bad Religion seem like they’ll be able to just shrug off the end of everything.

“Electric Funeral” – Black Sabbath

Apocalyptic themes can be found all over the band’s second album, but they come out strongest on this track. Ozzy sings about the destruction of homes, cities, and people all brought on by nuclear warefare. The images get pretty gruesome, especially during the bridge when the Prince of Darkness sings “Buildings crashing down to a cracking ground/Rivers turn to wood, ice melting to flood/Earth lies in death bed, clouds cry water dead/Tearing life away, here’s the burning pay.” If that wasn’t enough doom for you, the wavering wah-wah guitar riff itself sounds like it’s bringing on damnation. It may be bleak as hell, but it’s still one of Sabbath’s best songs.

“The Four Horsemen” – Metallica

If you couldn’t tell by now heavy metal and the apocalypse go together like spikes and leather. This track, originally written by former member Dave Mustaine, is all about the damnation, death, and misery that the four horsemen of apocalypse bring. Not only does it talk about the oncoming end of the world, it also deals a lot with the passage of time and how “you have been dying since the day you were born.” The origin of the song has an interesting history. Mustaine brought up the song to Hetfield under the original title “Mechanix.” Once he was fired, Metallica released the track under its current name. Mustaine also released the song under the original name and with different lyrics, but the music is very similar. Screw Guns N Roses. Anyone think Mustaine and Metallica should have a reunion?

“Countdown to Extinction” – Megadeth

Though this one doesn’t have strong apocalyptic themes, it still deals with the world coming to an end and it’s all our fault. The song was inspired by Mustaine’s concerns about the planet and environment. The title itself was ripped from a Time article speaking about the same issue. In the song, humans are referred to as an endangered species that is not only killing the planet, but also killing itself. The only thing left is to countdown how little time we have. What’s eerie about the song is it can still be applied today even more so than when it was written in 1992.

“2 Minutes to Midnight” – Iron Maiden

Is it a surprise Iron Maiden has a song dealing with impending doom? This popular Maiden track is more about the beginnings of nuclear war rather than Armageddon, but it’s still closely related. The title itself is a reference to the Doomsday Clock, created by the Bulletin of the Atomic Scientists to countdown global catastrophe. The lyrics actually talk about how war is often romanticized. Even though we find it repulsive and awful, a part of us are fascinated by it as well. Since its release in 1984, it has become a fan favorite and a staple at their live shows. Maybe it’s because Bruce Dickinson makes the most awful topics sound kick ass with his soaring vocals.

“Gimme Shelter” – The Rolling Stones

This Rolling Stones classic is pretty bleak and grim. Written during the time of the Vietnam War, the song is about the chaos, violence, and destruction war brings about. Though it does have overarching themes related to war, Jagger himself says it’s an end of the world situation and looking at the lyrics shows you why.  Trying find shelter away from the murders and rape is closely tied to trying to find protection during the end. During the time of these events many people did feel like the world was coming to an end, so it makes sense. This song is a haunting reminder of the violence and destruction that divided the nation not long ago.

“The Sky is Fallin'” – Queens of the Stone Age

While there are some interpretations of the song out there that suggest the song is about something deeper and personal to frontman Josh Homme, you can’t deny the references to doomsday in the lyrics. The opening verse alone sounds like it’s about the sun crashing into the Earth and realizing how much of your life has been wasted: “The sky is falling, human race that we run/It left me crawling, staring straight at the sun/Only a moment I notice, every dog has his day/I paid attention, cost me so much to today.” Also, the phrase “the sky is falling” usually has apocalyptic notions attached to it. It’s a hypnotizing track full of swirling guitars and Homme’s sweet cooing vocals. That man can make any disaster sound good.

There are a ton of apocalyptic songs I didn’t include, so which ones are your favorite? What did I miss? Let me know in the comments!

Playlist: Horror Movie Fest

Pull out the costumes, stock up on candy, and break out the scary movies. Halloween is upon us! Of course horror movies are big this time of year, but they also find themselves in several songs. Whether directly about scary movies or just inspired by them, several musicians have channeled their love for the terrifying genre into their music. And no, I’m not just talking about Rob Zombie. While you’re looking through Netflix for the best horror movies out there, here’s a playlist of songs about horror movies.

“Living Dead Girl” – Rob Zombie

You could fill this entire playlist with tracks from the Zombie man, but not only is this one of his best songs, it’s also packed with horror references. The title is taken from a 1982 Jean Rollins film of the same name and the video is a take on the silent horror film The Cabinet of Doctor Caligari. There are also various samples taken from movies, such as Lady Frankenstein and Daughters of Darkness. At least you can always count on this man for great horror inspired songs…not so much for movies though.

“Eyes Without a Face” – Billy Idol

One of my favorite Idol songs, this one gets its title from the French film Les yeux sans visage aka Eyes Without a Face. Though it starts out as one of the punk rockers more mellow tracks, it still packs a punch with a searing riff from Steve Stevens during the bridge. It’s a ballad where Idol manages to sound haunting, yet longing for his lover. It’s still one of his best tracks and to think it was inspired from this little horror gem. Go watch that movie if you haven’t by the way. It’s unsettling and impressive for a movie of its time.

“Hellraiser” – Motorhead

This song has an interesting history. It was first recorded by Ozzy Osbourne in 1991 for the album No More Tears. It was then re-recorded by Motorhead the following year and repurposed it for the film Hellraiser 3: Hell on Earth.  Just from listening to the lyrics you can tell producers latched onto the song for the title alone. It doesn’t actually have much to do with the movie, aside from Pinhead appearing in the video. The closest the song comes is during the second verse that talks about waking up in another place and doing something bad for your health, which are themes related to the franchise. But I guess we can let it slide since it is a kick ass song anyway.

“Chain Saw” – The Ramones

The Ramones have shown their love for horror films with tracks like “Pet Sematary,” but this one was influenced by the iconic Texas Chainsaw Massacre. Roaring to life with a buzzing chainsaw, the music is upbeat and is made for moshing. You almost forget about the gruesomeness happening in the lyrics as Joey Ramone sings “Texas chain saw massacre/They took my baby away from me/But she’ll never get out of there.” It also shows how the band had the talent to turn anything into a kick ass punk tune.

“Nosferatu” – Blue Oyster Cult

Before Stephanie Meyers gave us sappy, emo vampires, there was the original Dracula. That then spawned the legendary silent film Nosferatu, which BOC recounts in this haunting song. The lyrics tell the story of a lady doomed to fall in love with the vampire only to end with his demise by sunlight. It’s not the only song out there about the famous creature of the night, but it does stay pretty faithful to the nature of the film.

“Human Fly” – The Cramps

With a slick rockabilly, punk rock infused sound, Cramps frontman Lux Interior hisses, stutters, and buzzes his way through this track inspired by the Vincent Price film The Fly. The simple guitar groove creates this b-movie creature creepiness to it – it would be perfect in a 50’s horror film – perfectly cementing the mood for the cool track. If you’ve seen the movie, especially the 1986 remake, you know that this fly in the song doesn’t sound as chilling as the bastardize experiment.

“Fright Night” – J. Geils Band

Acting as the lead track for this excellent vampire flick, the song is a bit hokey. Think of other “spooky” tracks like “Monster Mash” for an idea. The lyrics describe the antagonist as a liar, a gigolo, “a man of many faces,” while trembling synth tries to create a spooky, creepy riff. Yeah, it’s kind of cheesy, especially with the hook simply shouting “Fright night! Whose it gonna be tonight?” but it grows on you after a while and kind of fits the b-movie mood.

“Freddy Krueger” – S.O.D.

This is a pretty straight forward thrash metal track describing the grotesque manipulator of nightmares, Freddy Krueger. The horror icon is described as having flex metal knuckles and maggots crawling throughout his skin and the chorus features gang vocals shouting “he comes for you/what will you do.” With this track it’s plain and simple that you don’t want to mess with Freddy, no matter how many shitty sequels he has. If you’re looking for another Freddy inspired track, you can check out Dokken’s “Dream Warriors,” but it’s kind of crappy.

“He’s Back (The Man Behind the Mask)” – Alice Cooper

Moving from Freddy to Jason, this song isn’t what I would call one of his best. If anything it’s kind of schlocky, but that just means it’s perfect for a Friday the 13th movie. Recorded for the film Friday the 13th Part VI: Jason Lives, Cooper lays out the basic premise of the film: Jason comes back to life and starts killing foolish teens. The song even makes sure to use the killer’s infamous “ki-ki-ki-ma-ma-ma” echo. Oddly enough, the track is very New Wave in nature making it stand out from Cooper’s other songs. Apparently, Children of Bodom covered this song, but it was never released. I bet their version is pretty killer.

“I Walked with a Zombie” – Wednesday 13

Similar to Rob Zombie, Wednesday 13 is another rock artist who bases his work around his love of horror movies. This was inspired by the 1943 flick of the same name. The lyrics even loosely follow the story of a woman who enters a trance like state and is taken to a mysterious island where she tries to find a cure. The video itself features scenes from the famous zombie film Night of the Living Dead. 13 has a ton of songs based on horror movies, but with the upbeat music and the catchy hook, this is his most popular.

“Night of the Living Dead” – The Misfits

There’s something about punk rock and horror that mesh so well together and The Misfits always know how to do it best. Released on their debut album Walk Among Us, the song loosely follows the plot of the movie by talking about not knowing who’s a zombie and seeing them rip apart your loved ones. It’s short, sweet, and sure to give you your zombie fix.

“Evil Dead” – Death

This death metal band pays homage to the first film in the Evil Dead franchise with this chaotic song. Guitars grind and thrash while singer Chuck Schuldiner screams and rages about “spirits within causing terror” and voices speaking out. The lyrics are pretty sparse with vague references to the movie. The only way you know it’s about the horror film is the chorus that yells “evil dead!” over and over again. This isn’t the only time a rock band would use Evil Dead as an influence and I’m sure it won’t be the last.

“Psycho Killer” – Talking Heads

The lyrics for this track were largely inspired by Norman Bates from the Hitchcock classic Psycho. Here, David Byrne explores the fractured and shattered mind of a serial killer. How he came up with the song is kind of strange. According to Bryne, this was his attempt at making an Alice Cooper song except in the style of Randy Newman. He felt the result was pretty silly, but it proved to be another hit for the band. Though it’s a great song, I prefer Cage the Elephant’s cover.

Honorable Mention

“Black Sabbath” – Black Sabbath

Even though both the title of the song and the band were taken from the 1969 horror film of the same name, the lyrics have nothing to do with the movie. But you have to give a nod to the movie that would give birth to the best heavy metal band in music history. Also, the song is just fucking terrifying. The lyrics are actually based on a supernatural experience Geezer Butler had. According to him, after painting his apartment black, hanging up several crosses, and reading a book on witchcraft before going to bed, a black figure appeared at the end of his bed. When he went to get the book he discovered it was gone. This remains one of the band’s strongest tracks and the one that gave them their Satanist connections though they were unfounded.

There are a lot of horror inspired songs out there, so which ones did I miss? Let me know in the comments!