Each year I always look forward to what music has in store. Whether it’s discovering a new band or listening to old favorites, there’s always something to look forward to. 2018 isn’t over yet, but there have already been some great songs I’ve kept on repeat. So before we look forward to music coming out this fall, let’s look back at the stellar songs released so far. Here are my picks for the best songs of 2018 so far.
Marmozets – “Lost in Translation”
Marmozets are one of the best rock bands you’re not listening to. They released their second album, Knowing What You Know Now, earlier this year and it’s on my list of top albums of 2018. It was hard to choose just one song, but “Lost In Translation” shows off their energy, hard driving sound, and their growth as a band. It’s pummeling beat and bouncy riff pumps you up and the underlying groove gets you moving. Everything crashes during the hook hitting right in the chest, but you’re too busy headbanging to notice. There’s a great swagger and cockiness to the song that instantly pulls you in. It also shows why Becca Macintyre is a stellar vocalist. She doesn’t just yell and scream. She plays around with her voice manipulating its range depending on the song’s tone. It’s only one of many great songs from an amazing album. I highly recommend it.
Pale Waves – “The Tide”
I like Pale Waves, but even I don’t understand their rabid fanbase. After listening to their debut EP and seeing them live, I really don’t understand what’s got fans so crazy. They’re not really doing anything new; they sound like 1975, who sound like bands from the 80s like INXS. But when I hear the opening riff of this song, I instantly start dancing. It’s so bouncy and upbeat and the hook of “I’ll be the sea honey/always, always/and you’ll be the tide” will be stuck in your head for days. It’s fun to listen to and makes you feel good even though the lyrics are a bit gloomy. It may not be the best song I’ve heard this year, but it’s one I can’t stop singing.
Night Riots – “Colour Morning”
The first new track from Night Riots since Love Gloom falls very much in tune what they dubbed their “gloom pop” sound. There’s a melancholy air to the song mixed with a hint of pop and alt-rock. From the soft plucks of the opening guitar to Travis Hawley proclaiming “Goddamn what a beautiful world” it sounds pretty and mellow even though it’s seemingly about lost love. It has a dreamy, atmospheric mood similar to “Breaking Free,” another stellar song of theirs. It’s not the upbeat, catchy vibe found on their EP that caught my attention, but the atmospheric music and Hawley’s sensual vocals make it one of their prettier compositions.
Dead Sara – “Unamerican”
If you think rock is dead then you obviously haven’t heard this song. Taken from their new EP, Temporary Things Taking Up Space, this is classic Dead Sara all the way. It’s got a searing riff, a dirty tone, Emily Armstrong’s gritty vocals, and an I-don’t-give-a-fuck attitude. Armstrong even squeezes a nice “Fuck you, Donald Trump” in there, though she claims it’s nothing political. It’s a hard-hitting, raw song that pumps you and makes you want to rage. Surprisingly, the rest of EP finds them moving towards an alt-rock direction, but this song shows they haven’t abandoned their hard rock roots.
Turnstile – “Generator”
Turnstile’s second album Time & Space is another hard one to choose just one great song from. The album is a blistering 25 minutes of raging hardcore that comes at you fast and hard. All of the tracks are thrilling, but the shifting sounds and moods of “Generator” stand out. Opening with a chugging metal riff, singer Brendan Yates comes out the gate swinging screaming at the top of his lungs “I’m hanging on to what I got left/picking up the pieces in the dark.” Everything is really aggressive up until the bridge where things slow down and soft singing replaces Yates’ screams. The dizzy guitar riff and pulsing beats create a trippy vibe before returning to destructive sound. This is only a sample of what Turnstile does. I highly recommend this album if you want to hear more.
Jack White – “Hypermisophoniac”
When Jack White announced his third solo album, I wasn’t very interested especially after hearing “Connected By Love.” But after giving Boarding House Reach a chance, I found it to be pretty great. It has the classic White sound we’re used to, but he fuses it with so many weird, wonderful elements like on this track. It starts with this hypnotic electronic looping. White keeps adding layers as he shows off his guitar skills and attacks the piano like he wants to hurt it. It’s a fusion of jazz, funk, rock, and blues stamped white White’s swagger that makes it an album highlight.
Franz Ferdinand – “Lazy Boy”
Most Franz Ferdinand songs are cheeky, fun, and have a hook you can’t stop singing. “Lazy Boy” from their latest album, Always Ascending, has all of these, which makes it one of the best from the LP. The music is infused with their new disco dance direction, yet still has killer riffs that they’re known for. The lyrics are straightforward and simple, but the playful way Alex Kapranos sings “I’m a lazy boy/yes a lazy boy/lazy in the morning boy” gets stuck in your head for days. It may not be their greatest song; it’s just a lot of fun to sing and dance to and manages to stand out on an album full of dance influenced jams.
The Struts – “Body Talks”
The Struts are all about having a good time and getting back to the basics of rock n roll: partying, money, and hot women. Their songs always sound like a party and it’s no different with their latest. It has everything you want in a Struts song: high energy, big hooks, and a tongue-in-cheek attitude. There’s also a hint of sexy that makes the song so tantalizing. Frontman Luke Spiller sounds seductive and playful as he sings “Oooh your body talks/your body talks.” It’s another let-the-good-times-roll anthem from The Struts that shows the fun, carefree nature of the band. If this is a taste of the new album, then I can’t wait to hear the rest.
Panic! At the Disco – “Roaring 20s”
Even though I love PATD’s debut album, I never got into their later stuff. I started checking out their recent stuff out of curiosity and was surprised how much I enjoyed Pray for the Wicked. The entire record has this celebratory, party vibe to it that’s perfectly captured on “Roaring 20s.” With its slinky rhythm and an infectious hook Urie is known for, it sounds like nothing but a good time. The lyrics suggest something darker at play, but you can’t help but dance to over the top music. Plus, it takes you back to Urie’s baroque pop days, which pleases longtime fans like me. It’s just fun to listen to, while the entire album makes you feel good. If you need a pick me up, then you should check out Pray for the Wicked.
Hit Bargain – “Tourist II”
Hit Bargain’s Potential Maximizer wasn’t on my radar when it came out in May, but when it was recommended to me I was hooked. A playful, yet poignant hardcore record, it’s one of the most thrilling and exciting releases of the year. All the songs grab you by the throat and start pummeling you, but my favorite is “Tourist II.” Singer Nora Singh sounds cocky and playful as she sings and the bouncy opening riff sucks you in. The intense, hard driving music and Singh’s piercing screams sound like chaos incarnate. The song is bursting with energy and attitude, which is all over their debut album. Be sure to check them out if you want a riveting and exciting good time.
The Cure – “Drowning Man (Bright Birds Mix 2018)”
When The Cure announced a reissue of their 1990 remix album Mixed Up along with a disc of new mixes titled Torn Down, I wasn’t expecting much. I’m not a fan of the original album and didn’t have a lot of faith in the new mixes. Surprisingly, I was impressed with the 2018 remixes with this one standing out. Robert Smith messes with the song enough to put a different spin on it without changing it completely. He managed to make this song sound more bleak and depressing and if you’re familiar with the original you didn’t think it could get any darker. The sweeping music and layered vocals that wail like a spirit makes it more somber. He amps up the melancholy and Gothic tone making a chilling and unforgettable experience.
Con Brio – “Heart Shaped Box”
Nirvana songs aren’t sexy, but Con Brio turned this grunge classic into a slow jam. Instead, they turn the song on its head with a healthy dose of funk and soul. Singer Ziek McCarter sounds sensual as he sings, which is weird for a Nirvana song. It’s almost like Michael Jackson decided to cover this Nirvana classic. You wouldn’t expect the soulful rendition to be any good, yet it’s one of the most unique and top-notch covers I’ve heard. And I’m really picky when it comes to Nirvana cover. It may not be for all fans, but at least Con Brio did something unique with the song and managed to really make it their own.
Gorillaz – “Humility”
Yacht rock is usually reserved for the lite radio station your parents love and Christopher Cross. But when Gorillaz put their own spin on it, it’s a summer jam. The first offering from The Now Now gives us a different, breezy vibe than what we heard on Humanz. The music is mellow and smooth with a hint of jazz flair thanks to guest collaborator George Benson. Damon Albarn’s soothing vocals complete the relaxing mood. It’s so easy going it sounds like it was made for summer. Imagining listening to this chilling on the beach or out on the road. It makes you feel good, which is what we all need right now.
Which songs have you been jamming to this year? Let me know in the comments!