Playlist: Throwback Christmas Performances

Despite what department stores tried to tell you two months ago, the Christmas season is finally here! Break out the eggnog, prepare the wrapping paper, and put up the tree. It’s time to get excited about the holidays and everything that comes with it, maybe except the family arguments. To help you get in the mood, let’s take a look at some throwback Christmas performances. Just try not to succumb to nostalgia overload.

“Merry Christmas, Happy Holidays” – Nsync

The baggy khakis. The frosted tips. Justin’s ramen noodle hair. It must be Nsync in the 90s! The boys perform “Merry Christmas, Happy Holidays” on the Kathie Lee Show to a crowd that politely claps along. It’s one of their earlier appearances since Lee holds a mini Q+A session to learn more about them. The boys revealing such titillating details like how old they are, what they fight about, and how they’re all “like brothers.” And if Justin’s hair wasn’t distracting enough, check out his gold “Nsync” chain. The whole thing is goofy, a little awkward, but a classic for Nsync fangirls. The boys also performed the song at the Disney parade, but it’s hard to get into the holiday spirit with little Christmas paraphernalia around. Also, apparently they had their own holiday special. Why am I just finding out about this now?

“Oi to the World” – No Doubt

If you’re not feeling Gwen Stefani’s latest holiday album, then check out this performance from 1997 instead. During their set at Live to Erase MS, the band pulls out this Vandals cover and it really makes you miss old school Stefani. She wiggles around without care, doing her weird dance in chunky shoes and flowing skirt. This song is perfect if you need a healthy dose of Ska this holiday season. Unfortunately, the video ends before the band finishes the song, but it still manages to get you fired up for the holidays. When watching this, you can’t help but think about how Stefani is now and how her younger self may not be a fan of the glamour pop star she is now.

“All I Want For Christmas Is You” – Mariah Carey

It’s not Christmas unless you hear this song a million times before you put up the tree. But no matter how many times you hear it, you can’t deny how damn good it is. What makes this performance so enjoyable is this is Mariah at her peak. She sounds great, looks great, and looks like she’s having fun on stage. As you would expect, she struts out in a revealing Santa outfit before being carried off by her band of merry men. There’s not much to it, but it reminds you why Mariah is considered one of the greats, something that’s easy to forget in recent years. Let’s try to forget her New Year’s fiasco from last year.

“Funky, Funky Christmas” – New Kids on the Block

I feel like I talk about this song every year, but I can’t get over how bad this performance is. It’s so bad, I absolutely love it!

“Christmas In Hollis” – Run DMC

If you grew up in the 90s, this performance should send you into nostalgia overload. You have Run DMC, 90s Nickelodeon, Kenan and Kel all in one video. It’s almost too much to handle! The group performs what is probably the best Christmas song ever. Even though the kids are clearly excited (because producers told them to be) they don’t understand the magnitude of seeing Run DMC, rap legends. Can you imagine being that young and seeing Run DMC? Thinking about it, the show had some killer performances: TLC, Nas, Dru Hill, and even the Spice Girls.

“Let It Snow” – Boyz 2 Men

In the 90s, Boyz 2 Men could do no wrong. Their soulful harmonies and impressive vocal range made all of their songs a hit including this now Christmas classic. It’s hard to tell, but judging from quick glimpses of what looks like Kel Mitchell, this appears to be another clip from All That. Though Brian McKnight, who provides backing vocals, is missing from this performance the guys have no trouble holding their own. And this is good ol’ days of the group when Michael McCary was still around. While this live performance is great, many may prefer their performance of the track on Fresh Prince of Bel Air. I mean that episode was pretty good.

“Il Est Ne Le Divin Enfant” – Siouxsie and the Banshees

The Banshees buck tradition and perform a French Christmas tune for this performance. While Siouxsie Sioux looks like she’s having a good time the others just aren’t having it. Robert Smith in particular uncomfortably holds his cymbals either waiting for his cue or desperately needing a bathroom break. Or the most likely scenario, high out of his mind. Since I’m a huge Cure fan, Smith is such a distraction. I’m always intrigued when the camera pans to him.Still, Sioux sounds beautiful while singing this tune and it’s a cool alternative Christmas track if you’re already sick of the old standbys.

“Santa Baby” – Eartha Kitt

While I grew up with the Madonna version, I have to give credit to the vixen who made it popular, Eartha Kitt. In this live performance, Kitt shows she’s not afraid to let out the claws as she states “I used to have a lot of fun with this song, then Madonna sang it.” Whereas Madonna’s version is overly cutesy, as if Betty Boop were performing it, Kitt’s version is sultry. You can practically hear her purring through the lyrics coming off as quite the seductress. She shifts gears near the end sounding and looking a bit frightening. She’s kind of scary, yet sexy. If I were Santa, I’d make sure to get her everything on her Christmas list.

“Merry Christmas, Baby” -Hanson

Hanson’s Snowed In is another 90’s holiday classic with this being one of the best songs from the LP. While Hanson and the choir deliver a great performance, the crowd is pretty stale. It’s awkward seeing the camera shift between Taylor Hanson bobbing along to the music and the crowd just sitting there, most of them not even swaying to the music. You can tell there are a few Hanson fans in the crowd trying their best not to scream and cry. But it seems like everyone else isn’t really sure if they should be enjoying it or not. And in case you didn’t know, the Hanson brothers just released a new holiday album. Gotta say I’m pretty excited to hear it.

“This Gift” – 98 Degrees

I wasn’t the biggest 98 Degrees fan, but I absolutely loved this song when it first came out. During this performance at Disney’s holiday parade, they’re practically drowned out by all the screaming from the crowd. There are tons of fangirls, but it’s funny to see some boys in the crowd enjoying the band. It’s standard boy band fare: oversized cargo pants, awful sweaters, and lots of hair gel. I know the part where Jeff kneels at the front of the stage and sings to one lucky fan is supposed to be sweet, but it comes off as creepy for some reason. And similar to Hanson, 98 Degrees also released a new Christmas album. Does this mean Nsync is next? We can only hope.

“Christmas Time” – Christina Aguilera

Switching things up X-Tina gives up a festive, dance-infused song to get you in the Christmas spirit. Recorded around the time of her peak, she sounds excellent here and never misses a beat while dancing. Am I the only one who forgot she used to dance? But the best part of the performance has to be when Lil’ Bow Wow comes out. Yes, Bow Wow is featured here. Talk about a throwback performance. Even though the song isn’t as well remembered as other holiday classics, it’s a fun, upbeat way to get excited about the holidays. And it’s probably the best track from My Kind of Christmas. Seriously, that album is pretty bad.

“This Christmas” – Nsync, Shawn Colvin, Tatyana Ali

And how about another Nsync performance because why not? Let’s take a moment to appreciate Justin raising the roof at the end.

What are some of your favorite holiday performances? Let me know in the comments!

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Heaven Upside Down – Marilyn Manson

 

Release Year: 2017

Rating: 8.5/10

When Marilyn Manson announced his new album Say10 last year, I was pretty excited. His last albums were great and I was itching to hear new music from him. But when the album didn’t show up on Valentine’s Day I slowly grew disinterested. My expectations got lower after hearing the first two singles. But once I got my hands on Heaven Upside Down, I found myself faced with the old Manson that scared and fascinated me as a teen. While there are some definite nods to some of his greatest albums it doesn’t feel like a rehash of what he’s already done. Rather it’s biting, violent, brutal, and mean just how we like it.

The album opens with the banger “Revelation #12.” If you thought Manson was washed up this song makes you think differently. The music is hard-hitting and gritty while the guitar riff snarls and growls. Manson sounds brutal as he screams “We’ll paint the town red/with the blood of the tourists.” It sounds like the old angry Manson that grabbed us by our throats in the 90s. It’s a killer way to kick off the album and lays down the groundwork for what comes next.

“Tattooed in Reverse” has to be my favorite song from the album. The way it starts with a pounding march and how Manson comes out the gate swinging with “So fuck your bible and your babel” is so badass. It has this undeniable swagger to it as if Manson already knows the song is a hit. The music crushes you with its heavy sound and intense atmosphere. It’s a stellar track with Manson displaying his unapologetic nature and biting commentary.

Say10” caught me off guard with the muted opening beat – it sounds like something from a hip-hop song, but it works. Manson’s sinister growl and the music sets up this dangerous lurking vibe. Everything explodes during the hook with Manson screaming “You say God/I say Say10” with dirty riffs that are both brutal and sexy. Though the title isn’t as clever as Manson hopes it is, it’s a standout song. It has the same fire as his best work and holds you in its grasp.

In press interviews, Manson said one of the central pieces of the LP was “Saturnalia” and I can see why. It is a beast of a song. It starts with an eerie “This is Saturnalia” mumbled backwards followed by the thick grooving bass line. The music rumbles building up to a bigger sound in the first couple of minutes. It’s actually reminiscent of something like “Bela Lugosi’s Dead” with the dark music and slow build up. Even the riff during the verse is similar. The way everything creeps along, how the music hits you during the hook, and Manson’s singing makes it sound dangerous, yet alluring. Clocking in over seven minutes, the song never grows dull. There are so many elements and layers and different sounds happening it always keeps you on edge. It’s the highlight of the album and one of his strongest songs in years.

I didn’t really like lead single “We Know Where You Fucking Live” when I first heard it. While it’s brash and perfectly fits in with the aggressive, violent tone of the album, it feels like Manson trying too hard to be shocking. It grows on you after a while and there is the clever lyric “So what’s a nice place like this, doing round people like us,” but it’s far from the best song on the album. Same goes for “Kill4Me.” Taking a departure from the intense sound of the rest of the record, this one has an electropop beat that’s upbeat and kind of catchy. Again, not a terrible song, but it’s one of the weakest the album has to offer. These songs don’t have that same drive and punch of the others. They’re easy to gloss over when listening to the LP.

The songs that close out the album aren’t all that memorable either. “Blood Honey” plays out like an eerie Gothic ballad that still manages to be intense. Compared to the other tracks, it doesn’t grab your attention all that much. Some of the imagery is great like “dripping blood honey” and Manson sounds properly creepy when singing, but it doesn’t hit you the same way as the others. What does stand out is the dark tone matching the violent atmosphere of the album.

The title track switches up the mood with lighter, more rock-oriented. It’s not as heavy or brutal as the other songs. It’s not bad, but isn’t all that memorable and sounds pretty generic. Closing track “Threats of Romance” returns to the aggressive sound, yet has this downtrodden bluesy tone to it. He sounds like he’s bearing his soul in a dirty blues club as he sings “Things that are pretty/are always kept behind glass/someone like me can’t make it last.” As he talks about crumbling relationships it becomes clear this seems like an oddly personal song for the rocker. It ends with him shouting “I like you damaged” not holding anything back and lets out one last bloodcurdling scream before the album ends.

Heaven Upside Down is another great Marilyn Manson album that was well worth the wait. It really took me by surprise with just how good it is. While there are moments where it sounds like he’s being shocking for the sake of it, the rest of his commentary is as biting and damning as ever. There are a lot of moments that harken back to Antichrist Superstar or Mechanical Animals, but it doesn’t sound like he’s repeating himself. It’s classic Manson where he seethes at the world and ripples with anger. And even though not every song is notable, there isn’t one I would call bad. Personally, I enjoyed this more than The Pale Emperor. This album is more in your face, aggressive, and kick ass than the last record. And it shows Manson still has it in him.

 

Playlist: Throwback Macy’s Day Parade Performances

It may be hard to remember with commercials constantly shoving Christmas in your face, but Thanksgiving is coming up. That means good food, football, and spending time with people you don’t care about for most of the year. It also means the annual Macy’s Thanksgiving Day Parade. While it’s not one of my favorite holiday traditions, me and my family do watch it every year at least to check out the cool floats. But along with balloons and too much broadway there are “performances.” And man, are some of them awkward. So before you gorge yourself on turkey and dressing, let’s take a look at some throwback performances from the Macy’s Thanksgiving Day Parade.

Rick Astley (2008)

You know the moment when a meme dies? Like when your parents start saying “Damn Daniel!” or Toyota plays John Cena’s music in their latest commercial. It’s not funny; it’s just sad whenever anyone uses it. The Macy’s 2008 Thanksgiving Parade is when Rickrolling died. Organizers of the parade decided to rickroll everyone watching by having Rick Astley come out and “sing” “Never Gonna Give You Up” with the dead-eyed cast of Foster’s Home For Imaginary Friends surrounding him. There’s nothing wrong with the performance, but it hits a low when Cheese yells “I like Rickrolling!” Like when your parents start liking the same things as you, Rickrolling was officially uncool. But the meme never died if you ask current advertisers.

Backstreet Boys (1997)

The Backstreet Boys mime their hit “As Long as You Love Me” during the 1997 edition of the parade. It’s pretty straightforward, but the thing you notice is how the three most popular members are front and center. So where are Kevin and Howie? Way in the back separated from the other guys. They don’t even get much camera time. There’s only one shot of them before it’s back to Nick, Brian, and AJ. Though the former BSB fangirl in me did beam how adorable Nick (aka the best member) looks in his winter coat.

Nsync (1998)

I’m pretty sure I watched this performance when it first aired back in 1998. There’s nothing notable about it. The boys lipsynch perfectly fine. Though JC is clearly the star. It doesn’t matter that he’s not actually singing, he’s still doing all the head nods and moving clearly enjoying the spotlight. Justin does some weird wiggle behind JC, Lance is off to the side smiling and politely wiggling and Chris and Joey are just kind of standing there. It’s not amazing, but it’s a fun throwback if you’re a former Nsync fangirl. On another note, am I the only one who thinks the announcer saying “the females love them” is creepy?

KISS (2014)

Something about KISS at the Macy’s parade is kind of weird. Coming from a band who has licensed their name on everything from caskets to board games, it shouldn’t be a surprise. Still, it catches you off guard. The bright colorful balloons don’t gel with KISS’ style. But it is funny to see Finn and Jake floating behind Paul Stanley as he tries his hardest to look like a badass. It doesn’t help that they don’t look excited to be there and don’t do a very good job at lipsynching. It’s kind of painful to watch. Also, with a band like KISS couldn’t they give them a better float? They just got a weird plexiglass stage.

Kanye West (2010)

Having Kanye West perform at the parade seems like an odd choice. You don’t think a controversial rapper like West would be asked to appear at a family-friendly event. The network even censored “hell” from his song. It’s just weird to see him there; you’d think he’d believe he was too good to show up. Though his performance was fine, other videos show he was not a favorite at the parade. One clip shows West being booed from the crowd. Maybe that’s why he hasn’t been back since.

98 Degrees (1998)

Watching this performance makes me question how we fangirls ever thought stuff like this was okay. Seeing Nick Lachey continually pout and lick his lips to the camera is cringy. But back in the day, it would make fangirls swoon. Everything about it now is cheesy: the matching outfits, the khakis, the stupid coats, and hairstyle hardened by too much gel. Why did we ever find this attractive?

O-Town (2001)

O-Town never really had the chance to be the next boy band to take the world by storm. But I was a loyal fan, which is why it’s strange that I don’t remember this performance. The band at least acts like they care and actually move around while “singing.” If there’s anything weird about this it’s the song. “We Fit Together” has not so subtle lyrics like “I wanna go all night/ain’t no stopping/til the breaking of the dawn” and “I wanna go/knock knock/our bodies to the beat.” Seems like a very inappropriate song for a televised event that’s supposed to be family friendly.

Baha Men (2002)

There was actually a time when the Baha Men were so popular they were invited to perform at the Thanksgiving parade. And to my disappointment, they don’t even perform “Who Let The Dogs Out?” Yes, the song is stupid and terrible, but it’s the only one people know. You can imagine everyone at home was waiting to hear the song and see them go wild on the float. Instead, we get a lame cover of “Crocodile Rock.” Sadly, this was probably the highlight of their career.

Simple Plan (2003)

Yes, Simple Plan brought their whiny rock to the Thanksgiving Parade in 2003, which was probably the peak of their fame. This is another questionable song choice. The first line of the song features the phrase “I’m a dick,” which the network picked up on and censored. But with all the songs the band had at that point, you’d think they’d ask them to play something else. Also, it’s hard not to cringe while watching Pierre Bouvier trying to be edgy with giant M&Ms looming behind him.

The Lawrence Brothers (1995)

At the peak of his popularity, Joey Lawrence attempted a singing career. And yes, it was bad. This didn’t stop him from roping in his brothers to sing with him at the 1995 Macy’s Day Parade. While Joey looks confident and is putting his heart into lipsynching, the other two couldn’t give a shit. It’s clear on their faces. Matthew looks pained as if he knows he has no business singing. Andrew just looks bored with his chin resting on the float bar. They don’t sound awful; it’s just so unexpected. People must’ve liked because they were invited back multiple times.

Barney (1998)

I included this because I somehow still know all the words to this song even though I haven’t heard it in almost 20 years. This is why I can’t math properly!

New Kids on the Block (1989)

The New Kids or NKOTB if you’re cool, perform this sappy song and don’t do the best job at it. Jordan takes the spotlight, but it’s weird to see him laugh and smile when he sings about kids not having enough to eat. Before that, you can see Donnie say something to him as if they’re not supposed to be performing right now. And at one point Jordan just gives up lipsynching and starts waving. You can barely see the others, though I do like how Joey decided to dress like a 50s mob boss. And for some reason, Donnie starts holding a baseball cap for the rest of the performance. At the end, the music fades out and turns into screams – it was the peak of New Kids mania after all.

Which one of these throwback performances was your favorite? Let me know in the comments!

Rank the Videos: HIM 2005 – 2013

With only a month away from seeing the band live for the final time, it’s time to wrap up the series and take a look at HIM’s final videos. Continuing with Dark Light and moving towards the Tears on Tape era, the videos aren’t as awkward or cheesy as their early ones. Unfortunately, their videos steadily become predictable. Most of these clips look similar to their other ones or is just yet another performance clip with the only difference being the setting. While not terrible, they aren’t as memorable as their other clips. That being said, here are HIM’s videos 2005 – 2013 from best to worst. Check out the first parts here and here.

“Killing Loneliness” Version 1 (2005)

For one of HIM’s biggest singles, the band filmed two videos: one for the European the release, the other for the US. The European version, directed by Noble Jones, finds the band fulfilling various sexual desires. Starting with a dreary, grey setting, we follow a woman walking to a seedy club emblazoned with the Heartagram symbol. Once inside, she gets her coin, also featuring the symbol, and enters a nudie booth. After paying the fee, the band is revealed to be inside the booth performing. The rest of the clip follows different people as they watch HIM perform and begin to enjoy themselves a bit too much. One woman even comes prepared in her lingerie and doesn’t hesitate to start rubbing herself. Ville Valo takes full advantage of his sex symbol status as he chooses one lucky lady and sings in her ear. It’s a slightly naughty clip that goes beyond the average performance video. Though there isn’t any nudity, the sexual situations are somehow still too steamy for American shores.

“Heartkiller” (2010)

This video by James Copeland actually has some clever image trickery at play. Taxidermy figures of tigers, owls, ravens, and boars are carefully layered over each member of the band and one fierce looking lady. Sometimes the image overlying doesn’t exactly work, but when it does, it leaves some head-turning visuals. The most notable moment is opening where flashes of a skull synch up perfectly with Ville. Upon release, I wasn’t impressed with the video and only remembered a shirtless Ville bathed in red light. Revisiting it, I find it to be one of their most creative videos. The imagery is awesome and really sticks with you once the video is over.

“Into the Night” (2013)

What is now HIM’s final video shows them playing the song while mysterious robed figures gather bricks and lay them out in a pattern. The people range from old to young carrying bricks to the middle of a sandy area. At one point Ville has his own brick and tosses it to one of the figures. By the end, we see the result: a Heartagram, what a surprise. The video is nothing amazing, but the robed figures add a sense of mystery, at least the first time you see it. And if you’ve ever spent time in class scribbling out Heartagrams, it brings on a pleasing sense of nostalgia. It’s weird thinking this is HIM’s last video (as of now). It wasn’t meant to be a goodbye and it doesn’t feel like one. There’s no sense of finality to it, which is actually kind of nice. Watching it now, I don’t feel any sadness even though the band is ending. Rather, it makes me remember how much joy they’ve brought me with their music, unlike something like Blink-182’s “Not Now,” which I still associate with frustration due to their break up.

“Killing Loneliness” Version 2 (2006)

Sadly, the US version of this video is quite lame and predictable. Directed by Nathan Cox, the majority of the clip features the band performing in the middle of a club. Other shots include Ville walking through the crowd and a cameo by Kat Von D, seemingly looking for the singer. When the two finally meet, she brands him with a new tattoo of Edgar Allen Poe’s eyes. Not really sure what this random exchange has to do with the rest of the video, but it’s in there. It’s another straightforward performance clip and ends up being dull compared to the previous version.

“Tears on Tape” (2013)

HIM delivers a cryptic video for this single. Beginning with shots of the band members playing in front of a projector, we see Ville scribble out mysterious symbols. Soon, the symbols are replicated everywhere by different people. They serve as tattoos, graffiti, secret notes, an eerie flag, and even some sort of decoration for a horse. This scene is just confusing. Why paint a horse in the first place? The symbol widely spreads similar to the Heartagram, which has been adopted by people who don’t even know the band. It’s a decent video that shows how these weird symbols take on different meanings for people and even bring them together. The only laughable thing is Burton. What the hell is up with that shot of Burton sitting on the floor tapping the keyboard so unenthusiastically? Seeing him tap on his keyboard giving unsure looks at the camera breaks the serious mood the video is trying to set up.

“All Lips Go Blue” (2013)

Directed by Eugene Riecansky, this video collects a bunch of cool imagery and puts it all together with no clear concept. We see giant chess pieces that crumble, violent crashing waves, gnarled trees stolen from a Tim Burton set, and the tumbling of a giant house of cards. Meanwhile, the band is superimposed over these scenes watching the madness unfold, though they look kind of bored by the whole thing. The video is beautifully shot and the graphics are cool to look at, but the unclear focus and the dull look of the band don’t make it the most exciting clip.

“Kiss of Dawn” (2007)

For this clip, director Meiert Avis relies on some of the band’s old video tropes: shirtless Ville and questionable effects. We see HIM recording the track along with shots of Ville looking pensive while writing. The rest of the video finds the singer shirtless, wandering through a Gothic setting while a beautiful apparition passes by him. What this has to do with the story or the song? No clue and unlike Avis’ work on “Wings of a Butterfly” the Gothic scenes look cheesy. Not a terrible video, but like many other HIM clips, nothing notable – just an excuse to stare at Ville for four minutes.

“Scared to Death” (2010)

Directed by Eugene Riecansky, this one has a somewhat similar vibe as “Gone With the Sin:” Ville walking through eye-catching landscapes. This time he’s walking through the eerily empty city streets with his trusty guitar. He gives the camera the typical brooding looks throughout his journey. We then see the other members walking the streets as if trying to meet up for band rehearsal. Out of nowhere weird 3D triangles begin raining from the sky. In one of the cheesiest moments we see one close up and it shows a promo photo of the band as it passes. While the video may be interesting to watch at first, it’s not all that memorable, but hey, at least Ville looks handsome.

“Bleed Well” (2007)

Meiret Avis returns one last time to direct this performance clip. Taking the same grainy effect he used on “Wings of a Butterfly” the band performs the song with gusto and joy. That’s about it. It’s another boring performance clip from the band. At least it looks like they’re having fun; the video opens with Ville laughing and the smile he breaks into while singing is infectious. It’s the one thing about the video I actually remember. Other than that, it plays out like their other performance videos.

“Strange World” (2012)

A rather scruffy looking Ville and crew plow through this Ke cover in this video. Directed by Eugene Riecansky, the clip is nothing but HIM performing the track in the studio. Aside from the band pulling some questionable “rocking out” faces, nothing happens. It’s your typical “we had no ideas, so let’s just perform” video. The most distracting thing is Ville’s lip-synching. Something about it seems off as if he’s trying too hard or not hard enough. Maybe he knew the video would be a bore and decided it wasn’t worth putting in the effort.

And with that, we’ve covered all of HIM’s videos. Some are now iconic and ones that I will gladly watch on repeat. Others are tough to sit through with corny visuals and awkward performances. And rest are just predictable. Still, it was a blast revisiting all of HIM’s videos and seeing their evolution from a small Finnish rock band to global superstars. Doing this series brought back a lot of fond memories when I first got into the band and a lot of them were just fun to watch again. Though the band is breaking up, they at least left us with great music we can still rock out to.

Playlist: Vampires, and Monsters, and Ghosts, Oh My!

It’s my favorite time of year, Halloween! Keep the lights on and don’t look behind you, things are about to get spooky. This is the time that belongs to the creatures of the night that stalk their prey. Or maybe they just want some free candy, you never know. To get you in the mood for All Hallows Eve, here are some songs about our favorite hideous monsters.

“I Was a Teenage Werewolf” – The Cramps

Not all monsters are inherently bad. Some are just misunderstood. This Cramps song, based on the 1957 horror movie of the same name, talks about a young werewolf with his own problems. Like all good monsters, he doesn’t want to kill people, but he can’t help it. Throughout the song, he begs for someone to stop him and even pleads to “stop this pain” by the end of the song. It’s a slow-burning, rockabilly romp that reminds us no matter if you’re human or not, being a teenager sucks.

“Return of the Phantom Stranger” – Rob Zombie

A Halloween playlist isn’t complete without a Rob Zombie song. On this track from Hellbilly Deluxe, Zombie describes the goings-on of a mysterious creature only known as the Phantom Stranger. With Zombie’s low growl delivering the vocals and the lyrics mentioning a “shape-shifting” creature with a “wretched heart” that stalks throughout the night, it perfectly sets up a creepy tone. By the song’s end, you still don’t know what the Phantom Stranger is, but you know you don’t want to run into it. For more spooky times with Rob Zombie, check out “How To Make a Monster.”

“Would You Love a Monster Man?” – Lordi

This track by Finnish rock band Lordi doesn’t deny the horribleness of the monster in question. Instead, they ask is it possible for him to find love? Showing us another side of monsters, this creature just wants someone by his side as he terrorizes those around him. The track rages ahead assuring us that loving said monster isn’t a crime even though he readily admits he’ll kill just for the thrill of it.

“We Bite” – The Misfits

Seminal punk band The Misfits are unapologetic on this violent track. In under two minutes, the band screams about rampaging through the streets looking to rip out throats of the innocent. It’s unknown whether these are starving vampires or horrific creatures out for blood. Even though the song constantly repeats “I rip your throat/I drink your blood” it manages to be gruesome with the ferocity and brutal nature of the track. Then again it’s The Misfits; we wouldn’t expect anything less from them.

“Here Comes the Bride (The Bride of Frankenstein)” – Elvira

Elvira, Mistress of the Dark, has been a staple in all things horror since the creation of the character back in 1981. She’s done movies, comics, and even music. And her songs are wonderfully weird and cheesy. On this track from the 1994 collection, Elvira Presents Monster Hits, the Mistress of the Dark “sings” about the Bride of Frankenstein in all her horrible glory. The lyrics are corny with mention of her green pallor, stitched together body parts, and ghoulish nature while a gang cheerfully sings “Here comes the bride!” To make things cringy the song ends with a lame Shaft reference: “The Bride of Frankenstein! DUUUH!!/He’s one bad muther f-/(Shut your mouth)/Well I’m just talkin’ about Frankenstein.” It’s by no means a good song, but it’s hilariously entertaining.

“Bark At the Moon” – Ozzy Osbourne

This classic Ozzy track follows a creature, most likely a werewolf, as it terrorizes through town. The song tells the story of a creature the townspeople thought they got rid of when they buried him. He returns for vengeance and sets about causing chaos. It’s the perfect Halloween track that has a hilariously cheesy video to go with it. The clip depicts Ozzy as Dr. Jekyl and Mr. Hyde drinking a mysterious potion and transforming into a werewolf. Looking at it now it seems silly that anyone would think it’s scary or that Ozzy is actually evil. It looks like a cheap b-horror movie you watch for laughs.

“We Suck Young Blood” – Radiohead

A truly haunting song, it’s not actually about vampires. Apparently, it’s about the exploitation of Hollywood and how they suck the life out of young talent. Still, with the macabre lyrics, chilling music, and shivering vocals it could easily be applied to the creatures of the night. Yorke sounds vulnerable yet creepy as he sings “Are you sweet?/Are you fresh?/Are you strung up by the wrists?/We want the young blood.” And the moody piano melody is ripped from a Gothic film. The song never has to get violent or gruesome to depict the horror of what’s going on.

“Release the Bats” – The Birthday Party

Serving as an influence on the then-emerging Goth scene, this track makes vampires seem cool and sexy. With a rockabilly swing, Nick Cave sings about a lady who doesn’t mind being bitten. She even hopes “those bats would bite.” Cave sounds delirious, yet thrilled as he screams “Release the bats! Release the bats” hoping vampires will come party with him. Cave and co thought vampires were cool long before Stephanie Meyers clumsily cashed in on the trend.

“Werewolves of London” – Warren Zevon

This classic rock track is surprisingly upbeat for a song about a werewolf on the loose. The lyrics follow a werewolf through the streets of London where he mutilates an old woman. But he also seems pretty mundane drinking Pina Coladas and searching for some good Chinese food. The song acts more of a warning saying when you hear him howling, you better stay away. And, as you would expect, the chorus features a bunch of howling. It’s one of Warren Zevon”s most well-known hits that started out as a joke.

“Night of the Vampire” – Roky Erickson

With a gloomy demeanor and a slow-burning guitar riff, this song was made for Halloween. There’s nothing creepy or gruesome about the track, but it gives off this sinister vibe. As Erickson sings about slipping in blood and painful vampire bites, you picture dead spooky forests covered in fog and a hooded figure in the distance. In 1997, Swedish death metal band Entombed covered the track for their self-titled EP. They put their gritty, hard edge spin on it, but the original reigns supreme.

“The Thing that Should Not Be” – Metallica

Leave it to Metallica to tackle one of horror’s most terrifying creatures: Cthulhu. In a mass of crunching guitars and intense percussion, James Hetfield describes the beast as lurking beneath the ocean waiting to cause destruction. Just staring at the creature will drive you insane as they point out in the song. The band references H.P. Lovecraft’s story “The Shadow Over Innsmouth” specifically. This wouldn’t be the only time Metallica has written about the great beast. They also spoke of the beast in Ride the Lightning‘s “Call of Ktulu.” Clearly, they’re big fans of the monster.

“Black Sabbath” – Black Sabbath

This song has already been featured on other Halloween playlists, but it fits right in. Its tolling church bells, Ozzy’s wailing, and the overall sense of doom make it an eerie song. While it may not be about one ghost, in particular, it’s based on an experience Geezer Butler had during the early days of the band. He woke up in the middle of the night and saw a spirit at the end of his bed. Whether it was real or just drugs, the image makes you shudder just thinking about it.

Which of these songs is your favorite? Which ones did I miss? Let me know in the comments!