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Top 10 Videos that Scared Me as a Kid

Image result for thriller michael jackson yellow eyes

Let’s face it, as a kid the silliest things can scare us. Anything from trees to weird looking food could scare our pants off. Like most kids of the 90s, I watched a lot of television. There was a point where I ventured away from Nickelodeon to MTV. Most of the videos had no effect on me. Some of them I even liked (“Smells Like Teen Spirit”), but then there were the “scary” ones. Videos I had no business watching, yet kept my eyes glues to the screen until it scared me. Looking back at these ten clips now, none of them are scary in the least, not even disturbing. Then again, I was only a dumb kid then. So let’s take a look at the top ten videos that scared my pants off as a kid.

10. “Nothing Compares 2 U” – Sinead O’Connor

There’s a subtle beauty to this video that makes it timeless. The concept is simple: O’Connor lets her haunting vocals carry the video mixed with gothic imagery of her walking through a cemetery. Pretty tame. But the one part that I still remember freaking me out comes at the very end. It’s a brief flash of what looks like a skeleton. Looking at it now, I think it’s an intricate headstone, but the face still looks like a skull. Being so young and not able to grasp the thought of death, this scene horrified me. Keep in mind, at the same time I thought the Crypt Keeper was pretty cool. Yeah, I was a weird kid. Now, I wouldn’t call the image scary at all. It just has a morbid beauty to it I can fully appreciate.

9. “Role Model” – Eminem

Similar to the “My Name Is” video, this one is a barrage of various images and situations featuring the rapper meant to shock viewers. Nothing about this video is scary or even disturbing in the least aside from how much of the song is missing when watching the clean version. So why did I cringe when I watched it as a kid? The damn ending where Eminem, after attempting a Houdini-like escape attempt, fails. The video ends with his lifeless body swinging in the water as the crowd looks on in disgust. This mixed with the sepia silent movie effects (some of those still creep me out) was enough to make me skip this video. I can’t really explain it. I just remember hating this part of the video whenever I saw it and I did my best to change the channel before it ended.

8. “Nookie” – Limp Bizkit

I didn’t really know what to think of Limp Bizkit when they invaded my daily TRL watching in the late 90s. I remember thinking how dumb this song was and wondering what the fuck cookies had to do with the nookie anyway. But the one thing I will always take away from this Limp Bizkit song is the video. The majority of the clip is pretty tame and predictable. It’s Wes Borland that freaked me out. When he cocked his head to the side and stared into the camera with those soulless eyes, I shivered. I’ve never seen someone with pure black eyes and no pupils. Of course, now I know it was just contact lenses. Still, it shook me enough to where I closed my eyes whenever the video came on. Why didn’t I just change? Well, I didn’t want to miss my daily dose of Nsync and BSB.

7. “Waterfalls” – TLC

I was a huge fan of TLC when I was younger and seeing as this was one of the best videos of the 90s, it was always on MTV. Sure, some of the graphics are outdated now, but it’s still an iconic clip. Yet, I hated watching it. Why? Because of how fucking depressing it is. First, we see a young boy killed in blood and his mother a ghostly figure crying over him. Then, we see a man fade from existence through an unknown case of AIDS. By the end of the video the boy tries to reunite with his mother and the woman who infected her lover, is gone as well. I get it, the video is supposed to leave impact with its message. But I was five at the time. And yeah, I probably shouldn’t have watched it. But those two scenes scared me even if I didn’t fully understand what they meant. Sometimes TLC were a little too good at getting their messages across as this isn’t the last time they spooked me out.

6. “The Way I Am” – Eminem

I probably shouldn’t have been listening to or watching Eminem at 12 years old, but I did and yes, my mom thought it was fine. Very little about this video is scary; it’s kind of disturbing, but there’s nothing outright horrifying about it. I remember actually enjoying it and being confused by Marilyn Manson in the background. Was it really him or not? After all, Em did previously portray the rocker in “My Name Is.” The thing that freaked me out was the end when the rapper is about to make contact with the concrete. It was at that second that I realized what he was doing. I flinched and closed my eyes not wanting to see the awful splatter. And the ground turns to rubber. Eminem is okay. I let out a sigh of relief. The fact that two Eminem videos scared when I was young was probably a punishment for listening to his music in the first place.

5. “Gimme Some More” – Busta Rhymes

The weird thing about this video is at the time I only saw about five seconds of it. It was some sort of countdown on MTV or maybe it was the VMAs, doing a recap of videos. It flashed to a clip of this song where it focused on the blue, yellowed eyed creature that terrifies the woman in the video. It’s actually not a surprise this one scared me as a kid; the monster is still freaky looking today. Still, it’s something I’ll always remember as shaking me to my core. From then on I associated Busta Rhymes with scary videos. Now….not so much.

4. “Thriller” – Michael Jackson

This video has scared all of us at some point in our lives. Though it’s a timeless clip and still outstanding by today’s standards, it’s not exactly scary. I wasn’t even that afraid of it when I first saw it at 5 years old. Despite this, there were still bits that creeped me out. One thing that always unnerved me was the heavy breathing during the title card. I always found it weird and knew it signaled bad things to come. The part where Jackson transforms into the werecat looks a bit dated, especially the parts featuring a static dummy head. But the part that always made me jump was him screaming “Go away!” with the sharp teeth sticking out of his mouth. Though I always expect it now, when I was little I somehow forgot it was coming and it always scared me. The zombies for the most part I thought were cool, except for two specific ones. First, the one that comes strolling out of mausoleum door, whites of his eyes showing. Then the one with blood spilling of its mouth. Both of these zombies freaked me out. And the way the latter one smiles after the blood spills, just makes it all the more creepy. It still freaks me out a bit now.

3. “Unpretty” – TLC

Similar to “Waterfalls,” TLC aims to promote a positive message of loving yourself and not letting anyone else make you feel ugly. Sounds good, so what about the video is terrifying? The part where a woman gets her silicone implants removed. When I first saw the doctor remove the silicone and the pained expression of the girl, it gave me chills. Every other time I saw the video I shut my eyes right as Chili steps into the hospital. TLC spares no one and shows the painful removal up close trying to teach young girls a lesson. And at least for me, it fucking worked. Even watching it now after not seeing the video in years it made me cringe. I forgot how graphic the scene was and it’s disturbing as hell. I never thought a TLC video would leave me scarred for life.

2. “Tourniquet” – Marilyn Manson

As much as I love Marilyn Manson now, I thought he was the creepiest dude when I was ten. I still remember finding my brother’s copy of Mechanical Animals and being utterly confused by the cover. As if that wasn’t bad enough, I accidentally saw this video while watching Celebrity Deathmatch. After Manson won against Charles Manson, they decided to show this clip. And man did it give me nightmares. Though it’s now one of my favorite videos, I still don’t know what the hell is going on. Manson’s movements along with black eyed semi-human/semi-mannequin creatures scared the piss out of me. But it still intrigued me; I’d never seen anything like it before. When I saw the video again, I watched while covering my eyes and peeking out every now and then. Years later, I turned into a dedicated fan. Gotta admit I didn’t see that one coming.

1. “Oh Father” – Madonna

I’ve talked about how accidentally terrifying this video is in the past, so I’ll be brief about it here. I saw this video at a very young age and when it reached the part where the little girl, who is supposed to be Madonna, reaches her mother in the casket terrified me. Not because she was dead, but because of the fucking close up of her lips sewn shut. It’s not grotesque and it doesn’t even stay on the screen that long. But it was enough to disturb me and haunt me ever since. Because of that scene, I rarely revisit the video. It still gives me the chills today. The rest of the video is beautiful and timeless. Yet, that one scene has stayed with me for years. For that reason along it gets the top spot.

Did any of these videos scare you as a kid? What videos gave you chills? Let me know in the comments!

Notable Releases of 2016

2016 may not have been music’s finest year, but there were a lot of good albums I played on repeat. While not all of them were notable or amazing, there were plenty that stood out for different reasons. So here are my picks for other notable releases for 2016.

Album that Caught me Off Guard:

Electric Warlock Acid Witch – Rob Zombie

When I heard Rob Zombie was dropping a new album, I reacted with a “meh.” Seeing as I didn’t care for his last few albums, I had low expectations for this one. Educated Horses was a big disappointment, Hellbilly Deluxe 2 is bearable, yet forgettable, and Venomous Rat Regeneration Vendor is hardly worth remembering. My disdain for the new album grew when I saw the lengthy album title and tracklist featuring songs like “Everybody’s Fucking in a UFO.” But when listening to it a revelation dawned on me: this is fucking great! This album is Rob Zombie getting back to basics: weird songs, tons of samples, and rocking the fuck out. There are some misses on the record, like the sludgy “WURDALAK,” but it’s a rousing ride from start to finish. Zombie keeps it short and simple as he pumps out bangers like “Get High,” “Get Your Boots On,” and “Teenage Rock God.” Some of the songs are reminiscent of his past stuff, but it still gets your heart racing and head banging. Even the songs that are just okay are still gripping instead of boring filler like on his last records. Listening to it again I couldn’t help throwing devil horns in the air even though I was by myself on the couch. It’s loud, aggressive, weird, freaky, groovy, and kick ass, everything a Rob Zombie album should be. It’s a proper return to his aggressive roots, which he seemed to move away from in later years. And best of all, the album is fun as hell. It reignited my faith that Rob Zombie can still make killer music. Can’t say the same about his movies, though.

Underrated Album of 2016:

Alas Salvation – Yak

Once I heard Yak’s brand of chaotic, psychedelic rock on their 2016 debut, I knew it would be one of my favorite albums of the year. They almost went under my radar, but I barely caught them thanks to an assignment for another music site. What instantly grabbed me was their energetic, destructive vibe. Listening to songs like “Victorious” and “Harbor the Feeling” makes you picture them breaking everything in the room while they’re playing. It felt like I was hearing chaos incarnate when listening to the album. Half the time it’s unbridled noise and audio insanity, but I loved every minute. To keep the album from getting repetitive or dull, Yak plays with different sounds, like the psychedelic tinged “Use Somebody” or the Spaghetti Western isolation of “Smile.” Tracks like these made for an unpredictable, exciting ride. If there was one album that got me the most excited and left the biggest impression on me, this was it. I can’t wait to hear what else the band has in store for us in the future.

Album I Tried to Like But Couldn’t:

I Like It When You Sleep, for You Are so Beautiful yet So Unaware of It – The 1975

Get out the pitchforks right now. Yes, for some reason, I couldn’t get into this album. I was intrigued by The 1975 when I saw them perform “The Sound” on The Tonight Show. Since they’ve received mass praise from practically every outlet, I decided to check them out. While I liked songs like “Love Me” and “A Change of Heart,” the rest did nothing for me. It seems I like the 80’s, danceable side to the band, not the slow, drawn out, ballads that permeated the second half of the record. I listened to it several times, but came away with the same feeling; it’s long and too slow for my tastes. It just didn’t grab me like I hoped it would. This doesn’t mean I think The 1975 are a bad band or that the album sucks. It just wasn’t for me and I still don’t get what all the hype’s about.

Album of the Year Runner Up:

The Dream is Over – PUP

It was really hard picking album of the year and it came down to PUP’s second album and what I ultimately picked. PUP’s self-titled debut kicked ass. It showed off their punk nature and chaotic drive, but also showed the band can do more than just scream and be loud. They pushed that to the breaking point with their sophomore effort. With such praise heaped on their first album, it would’ve been easy for them to cave under pressure and release something that was tolerable. For this album, they somehow managed to top themselves. Everything about felt rawer, fiercer, and even more emotional in some places. I love how songs like “DVP” and “If This Tour Doesn’t Kill You (I Will)” are pure destruction and aggression. Yet, songs like “Pine Point” and “Sleep in the Heat” both haunting and gut wrenching. It’s easy for a punk band to be loud and brash, but few of them can get out of their comfort zone and make emotional songs that still kick major ass. So much passion, drive, and heartache comes out of this album, it’s hard to take in all at once. It’s an excellent follow-up proving the band didn’t get lucky the first time around.

Well, 2016 is finally over. Let’s hope more awesome music in 2017. What albums are you looking forward to? Let me know in the comments!

100 – The Hunna

100

Release Year: 2016

Rating: 8/10

In case you haven’t noticed, I’ve been obsessed with Night Riots since I saw them open for Blaqk Audio earlier this year. Now, I love them even more for introducing me to The Hunna. The Hertfordshire quartet took the stage before Night Riots and tore it up. I was floored by their raw energy, sheer force, and awesome presence. Plus, it didn’t hurt that their songs were kickass. I bought their debut album, 100, right after the show ended. While it’s not perfect, it’s a promising as hell debut.

Right away the album pulls you in with the insanely catchy “Bonfire.” This opening track perfectly captures what The Hunna are about: raucous music with sing-along worthy hooks. Singer Ryan Potter recounts a destructive relationship with a hint of sadness, but mostly sass as he sings snarky lines like “So bite my tongue/But fuck your heart/and I can’t stand/can’t stand you, baby.” Everything explodes during the chorus, hitting you in the chest with the wild guitars and pummeling drums. The music may be intense, but the hook of “And we blew up like a bonfire/fire, fire” instantly grabs you. Though the content isn’t necessarily upbeat, the way the song is packaged makes it fun and so fucking satisfying making you want more. Luckily, The Hunna is prepared to deliver.

This trend of earworm hooks and wild music continues for just about the entire album. “We Could Be,” which seems to be targeted at previous record labels who passed over the band, has the same driving energy and sheer force as the previous track. This song stands out for the catchy, yet biting hook of “We could be way up/and we could be on top/if it weren’t for shit like you.” Somehow they manage to make this chorus fun and upbeat even though there’s a lot of attitude and anger behind it. “Never Enough” follows the same pattern of rocking music with gripping hooks on this highly energetic and booming track. It makes another high point on the album.

Though they don’t seem to talk about it much, the band must’ve had a hard time getting started judging from songs talking about their struggles. “World is Ours” has a positive message of not giving up when times get tough and talks about trying to get the band running. It has a great message but isn’t the most gripping song on the record. “You & Me” is another song dedicated to the non-believers and a nod to those who stuck with them over the years. We get to see just how much the band means to them with the line “not just a band, but a family.” It seems they’ve been through some rough times, but at the end, they keep smiling, which is something they express in other songs. Tracks like “Brother,” “Alive,” and “Be Young” all have an uplifting message of live life, be happy, and don’t stop trying.

The Hunna slow things down with the soft, sentimental “Sycamore Tree.” Potter finds himself in a moment of reflection on this mellow track. The way it’s framed is actually soothing: for most of the song, it’s only Potter and an acoustic guitar. Near the end, the rest of the music kicks in waking up listeners, but things never get crazy. It’s nice to hear them switch things up, but it’s a little too slow for my taste. “Still Got Blood” is the stronger ballad. It has a raw, rock sound with the fiery guitars and hard hitting music. There’s definitely a lot of attitude and soul to the song, which keeps it from getting dull. Potter gets sultry for the sexy track “Bad For You.” With a blues-tinged riff, Potter sounds soulful and full of desire as he sings about something he wants so bad but knows it’s no good. It’s one of those songs that you put on to get in the mood.

Honestly, there are no bad songs on the album. Some are stronger than others, but they’re all enjoyable. But what keeps 100 from being a stellar debut album is the length and lack of variety. After a while, the songs start sounding the same. “Coming Home, “Rock My Way,” and “Alive” can all be described as highly energetic, catchy, fun songs. Aside from a guitar riff here and there, little about them really stands out from other, stronger tracks. This is why songs like “Piece By Piece,” which takes some cues from funk and has a sick groove, are so notable.  This becomes painfully obvious when you realize the album keeps going and going. Filled with 16 tracks, some of it, sadly, is filler. If they opted for something shorter, they could’ve picked the best songs making for a standout debut album. As it is now, it’s not bad, just a little tiring after a while.

Still, The Hunna fucking rock. The album has its flaws, but it’s enjoyable. All the songs make you feel good and have killer hooks. You’ll be singing along with them in no time. They somehow manage to perfectly blend pop melodies with hard driving rock music, making for songs that are super satisfying. Plus, Potter proves to have a wonderful voice. He switches from signing with so much fire it sounds like he’s about to rip his vocal chords to sounding soulful and sweet. And the way his thick British accent infiltrates songs makes it downright charming. If you thought the album was good, just wait til you see them live. If The Hunna is the future of alt-rock, I think music will be awesome at least for a little while.

Happy Thanksgiving!

Hey guys! There’ll be a new post soon, but I just wanted to take a moment and say happy Thanksgiving! Hope everyone that celebrates it is safe, happy, and spending time with people they love. Also, eat a lot of good food! And those who don’t celebrate have an awesome day and have good food anyway. And if you’re doing black Friday, be careful.

Thanks for being awesome, guys and still following the site. ❤

 

Time For a Change

Hey guys. It’s been a while since I’ve actually stopped and talk to you and thank everyone for stopping by. Whether you’re a follower or just checked out one of my reviews, thanks for visiting the blog. I wouldn’t keep doing this without you.

But the reason for this post is to announce a change in upload schedule. Over the past year or so, I’ve been doing my best to keep a consistent schedule of two posts per week. But as I’ve gotten more writing work and taken up a part time job, it’s been harder to keep the schedule going. Lately, it’s hard to find the time to sit down, listen to music, and analyze it the way I want to. I don’t want to just listen to anything just for the sake of content. I always want to make sure whatever I’m covering is what I’m genuinely interested in at the time.

I thought about it for a long time and I didn’t want to do it, but I decided it’s best to change when I upload reviews. Instead of uploading two pieces per week, I’ll be uploading one roughly every two weeks. It sucks, but I think this will work better with my more hectic schedule. I want to make sure the blog stays fun for everyone. I don’t want it to turn into a chore, which is where it’s been heading over the past few months. When I started the blog, I had the ability to dedicate all my time to it. Now I realize I don’t anymore, but I don’t want to stop blogging. Hopefully, this change will allow me to work on more awesome content for the blog without stressing out so much about.

Thanks for being understanding and thanks for following the site. Here’s to more great content in the future!