Playlist: Lovin’ the Dead

If your local stores are being taken over by red and pink teddy bears and lots of chocolates, then you know Valentine’s Day is on the way. Some see it as a romantic day to remind that special someone you love them. Others see it as corporate made up bullshit to sell more greeting cards and candy no one will finish. So instead of recapping sappy love songs that every playlist on the internet will be talking, let’s look at the dark side of love no one wants to talk about: necrophilia. For reasons that remain unknown for the majority of the population, some people really get off on the dead. It’s a taboo subject, making it perfect for rock and heavy metal stars to talk about. There are a disturbing amount of songs about necrophilia out there, so let’s check out a small sampling. Just remember when you’re listening to songs about caressing dead flesh and breathing in rotten smells, have a happy Valentine’s Day.

“Night Shift” – Siouxsie and the Banshees

Siouxsie and the Banshees have never shied away from the Gothic and the macabre, but here they get downright disturbing. This track from their 1981 album Juju, paints a graphic picture of a madman who kills women and then has their way with them. Siouxsie sings “The cold marble slab submits at my feet/With a neat dissection/Looking so sweet to me /please come to me/With your cold flesh/my cold love.” Her haunting delivery and the dark lyrics are enough to give you chills. As if that wasn’t bad enough, the song is based on the crimes of Peter Sutcliffe aka The Yorkshire Ripper. The English killer murdered 13 women between 1975 – 1980. He was finally convicted in 1981. So yeah, this song is kind of terrifying.

“I Want You…Dead” – Wednesday 13

Wednesday 13 has made a career out of singing about the dead. Writing songs about loving the dead is kind of his thing and it’s no different on this track from his solo debut album. Here, he makes it clear how he likes his women, no longer breathing: “Give ’em to me decayed, give ’em to me anyway/I don’t care ’cause you know I only want you/Dead, dead, dead.” He doesn’t even care if his dead lady decides to come back to life, kill him slowly or butcher, he just wants them dead. Thankfully, 13 spares us of the details of what he wants to do with the dead. But it’s not hard to put two and two together.

“I Love the Dead” – Alice Cooper

Is there any surprise Alice Cooper has a song about necrophilia? Coming from the album Billion Dollar Babies, an album exploring the dark, sick perversions in humans, Cooper sings about how much he loves the dead. It’s pretty straight forward as he sings about how he likes the dead “before they’re cold” and how he has “other uses” for them. If it wasn’t clear enough what plans he has for them, the bridge of the song features Cooper moaning and groaning in the throes of what I can only assume is pleasure. It may be one of the tamer songs about necrophilia sparing gory details, but for 1973 it was beyond scandalous. It remains one of Cooper’s most beloved songs and one that puts the talents of the band on display.

“I Fell in Love with a Dead Boy” – Antony and the Johnsons

This is probably the most beautiful song about the dead on this playlist. The haunting, yet beautiful voice of Anohni is enough to bring you to tears as she sings about a dead boy she found. Though the person is clearly dead and the protagonist even wonders if she should call a doctor, she lays with him anyway. Slowly, she falls in love with him though no one else understands the relationship. Oddly enough, it’s very sweet and sentimental. It’s haunting and downright gorgeous, which you don’t expect from a song about the dead.

“Corpse in my Bed” – Creature Feature

With psychedelic music made for The Munsters, this horror rock duo actually questions how wrong it is to have a corpse in your bed. They don’t go into disgusting detail, but like other songs on the playlist, they find comfort in their dead love. The singer here doesn’t care if his love is just skin and bone. The only thing he seems to mind is the smell, which is a mix of “rancid milk and moldy pears.” He later admits he’s just alone and doesn’t want to be by himself. Why he just doesn’t meet someone online is beyond me. At least he seems to just be lying next to the corpse in this song.

“Last Kiss Goodbye” – Lordi

It makes sense that a Finnish metal band that frequently dresses as demons occasionally sing about loving the dead. In this track, frontman Mr. Lordi sings about finding a lovely dead woman under the trees, wrapped in leaves, yet knowing he can share his desire with no one else. He vows to keep it a secret as he gives her one last kiss. The song takes a somewhat comical approach to the subject with the line “It’s been years since we last met/Now it’s fall and the leaves are wet/I think you must have lost some weight/but you’re still lovely.” For a song about necrophilia, it’s surprisingly upbeat. You’ll find yourself singing along before realizing what it’s actually about.

“Heirate Mich” – Rammstein

This track, which means “Marry Me” in German, finds a widowed man so desperate to be with his loved one again he goes to extreme lengths to be with her. The song details him digging into the earth, pulling her up, and caressing her cold skin. The lyrics get a tad disgusting when Till Lindemann sings about her skin feeling like paper and pieces of her falling away. The man is tortured as she has slipped away from him once again. Rather than talking about screwing dead corpses, this is a tragic tale of not getting over losing a loved one. The song doesn’t seem as shocking, disturbing, or nasty as the others on the playlist. It’s quite sad, making you feel bad for the guy. Of course with its boot-stomping rhythm and intense vocals, Rammstein still finds a way to make the song brutal.

“Dead Girls” – Voltaire

Voltaire deals with all things dark, Gothic, and macabre, so it makes sense to find one of his songs on the list. But this one differs from most here. Rather than being about not getting over a lost love or just having a weird fetish, Voltaire tells the story of a man who prefers his women dead because he has rotten luck with living women. This man loves the dead because they don’t hurt him, fully accept him, and are kind in a way no other woman has been. Looking at it this way, you feel bad for the guy. He only feels comfortable around the dead, even though he knows it’s pretty strange. Thinking about it that way it’s not as creepy, but still creepy.

“Chrissy Kiss the Corpse” – Of Montreal

You wouldn’t expect this jaunty tune to be about a girl with a disturbing habit. Sounding like an upbeat vintage beach party tune, the band sings about finding a corpse at the bus stop and having fun with it. But drawing on it and putting a match between its toes is nothing compared to what Chrissy does with it. Granted it’s only a kiss, nothing too graphic, but the song suggests this isn’t the first time Chrissy has exhibited such behavior. Even the cops that come by wanting to check out the action. Is doing the actual kissing of the corpse more disturbing than watching it happen? Eh, this song is weird either way.

“Die My Bride” – Murderdolls

Wednesday 13 pops up again with another song about loving the dead with his former horrorpunk outfit the Murderdolls. Here 13 gets a bit more graphic as he details all the blood and gore. He’s not just digging up girls to get busy with. He goes for a fresh kill before he says “I do.” There’s talk of pulling off fingers and bashing in heads in this gruesome song. It sounds like a plot of a shlocky b-horror movie, which makes sense coming from 13 and crew.

“Fuck the Dead” – GG Allin

When you’re known for cutting and shitting yourself on stage, threating to commit suicide live, and fighting with the crowd, a song about necrophilia doesn’t seem so shocking. So of course, it would be a topic GG Allin would cover. Allin isn’t subtle about desires in the least. The hook is nothing but him shouting “fuck the dead/fuck the dead.” And he goes for distasteful as he describes eating maggots, rotten smells, and screwing every cold orifice. It’s disgusting and lewd, much like Allin himself.

“Necrophiliac” – Slayer

This song isn’t just about screwing the dead; it’s about breeding the spawn of Satan. This is the type of song that scared the shit out of parents in the 80s. It’s full of bloated corpses, lewd imagery, sex, and of course, the devil. After doing the deed with the corpse, a demon bursts out of the body and takes revenge against the one who took advantage of the dead body. Now, the necrophiliac has to spend the rest of his life in hell burning in the fiery depths. So, I guess it’s teaching a lesson about not fucking dead bodies?

“Born in a Casket” – Cannibal Corpse

Cannibal Corpse is known for shocking and disgusting people with their album artwork alone. So, a song detailing necrophilia is par for the course. This song pulls no punches and maps out every nasty, gruesome detail about the deed: the rotten smell, oozing goo, and green pus. Just when things couldn’t get nastier, the breeding produces an unholy spawn, which proceeds to feast on the dead flesh. And of course, there’s mention of “devouring the afterbirth.” This song isn’t for the faint of heart, that is if you can understand what they’re saying. Maybe it’s best to have the lyrics handy when listening to this one.

Which song about necrophilia got under your skin the most? Which ones did I forget? Let me know in the comments!

Playlist: Worst Grammy Performances

Let’s face it, the Grammys aren’t as good as they used to be. Ratings show this and people all across the internet proclaim it. Though the ceremony may not be what it used to be, it’s still responsible for some of music’s biggest and weirdest moments. Performances from Michael Jackson, Beyonce, Adele, Celine Dion, and Shania Twain are considered the best in Grammy history. But the Grammys don’t always get it right. Sometimes they have some real stinkers. With the Grammys a month away, let’s take a break from remembering the awesome performances and look at some of the worst Grammy performances instead.

“Pants on the Ground” – General Larry Platt (2010)

Remember in 2010 when one man stumbled on the American Idol stage and sang “Pants on the Ground?” It was funny for about a week. But E! and the Grammys thought the odd song was so funny, they invited General Larry Platt to perform on the red carpet. And it’s…something. I don’t know what’s worse seeing General Platt struggling to come up with more lyrics on the spot or the random Rock Band drumset in the background. Watching him hop on one foot while holding a handful of belts, you realize this is the end of the weird phenomenon. Even the people on the red carpet look confused, not knowing what to make of the performance. It’s like watching someone make “Chocolate Rain” jokes in 2017. Hopefully, he didn’t spend all his earnings on more belts.

“Same Love”  – Macklemore, Ryan Lewis, Mary Lambert, and Madonna (2014)

The Grammys are constantly struggling to stay relevant. They’re still getting off on the unexpected collaborations idea, which leads to great and questionable performances. In 2014, they decided to invite Macklemore and Ryan Lewis to perform “Same Love,” which has a well meaning message of tolerance. But instead of just letting Roger Klotz rap, they decided to wed 33 couples live on stage with Queen Latifah leading the service. There are so many questions with the biggest one being why? When did Queen Latifah get ordained to wed people? Why is Madonna lazily singing “Open Your Heart?” Why the fuck did 33 people just get married at the Grammys? The spectacle is strange, bizarre, and seems more like a ploy for high ratings rather than taking a stand. But I guess the Grammys got what they wanted; it’s something you won’t ever forget.

“Synthesizer Showdown” – Stevie Wonder, Herbie Hancock, Howard Jones, and Thomas Dolby (1985)

Back in the 80s, music made entirely with synthesizers was a wild crazy trend. Since it was new at the time the 1985 Grammys dedicated a performance to it. But rather than invite one of the many pioneers of synth music to perform, they threw a bunch of them together for a massive, puzzling performance. Howard Jones, Thomas Dolby, Herbie Hancock, and Stevie Wonder perform bits and pieces of songs you recognize while the rest of it is hard to make it. It starts okay at first with groovy synth beats with an odd robotic voice asking everyone to introduce themselves. But when the track transitions to the upbeat, pop-infused “Go Home” things fall apart. Everything starts to clash and sound sour and Dolby awkwardly moves on stage wondering if he’s even plugged in. He then starts playing the part of wacky conductor as the group finishes, oddly, with “America the Beautiful.” The entire thing is so cringy to sit through. It’s great that the Grammys wanted to recognize synth musicians at a time when no else wanted to, but making them all play together was clearly a bad idea.

“Girl You Know It’s True” – Milli Vanilli (1990)

Milli Vanilli is one of those groups you can’t believe is real. They look like some bad creation from a comedy show. And, yes, they won a Grammy showing that the award show hasn’t known what good music for over 20 years. Though this isn’t the duo’s infamous performance when they were outed for lip synching, this one is pretty terrible. The two do nothing but hop around stage and shuffle their feet in what’s supposed to be dance moves. And if you watch carefully, it’s clear they’re not actually singing. Plus, the song is fucking terrible. As everyone knows, shortly after their questionable Grammy win, they had to give it back when the world found out they were lying. What’s funny about this incident is everyone thinks they got in trouble for lip synching, which is an accepted practice today. But what really got them in hot water was the fact it wasn’t their voices at all. The two could barely speak English, so the record company enlisted Charles Shaw to handle vocals. The duo never recovered from the incident and in 1998 Rob Pilatus died of an accidental drug overdose. A pretty sad end to a pretty terrible band.

“Numb, Encore, & Yesterday” – Jay -Z, Linkin Park, and Paul McCartney (2006)

When Linkin Park and Jay-Z reminded the world that rock and rap mashup to create some pretty kick ass music, everyone flipped. Their collaborative effort, Collision Course, has sold 2 million copies to date. So of course, the Grammys wanted to show them some love. What’s sad about this performance is it’s actually pretty good. Jay-Z and Linkin Park surprisingly sound great together and their performance is strong. It’s when they decide to include the Beatles when things go wrong. Chester Bennington starts singing “Yesterday” and prompts Paul McCartney to step out and join him. And man, does it fucking suck. The two are completely off key and end up clashing notes. It’s almost enough to make your ears bleed. Jay-Z even seems to take a jab at the collab ending the performance by saying “Doesn’t it sound like beautiful music?” No, no it doesn’t.

“Across The Universe” – Slash, Bono, Billie Joe Armstrong, Norah Jones, Brian Wilson, Tim McGraw, Alicia Keys, and Steven Tyler (2005)

Allstar collaborations seem to only work on a massive scale. Look at “We Are the World” and “Do They Know It’s Christmas?” for successful examples. But it rarely works when it’s ten different artists from various genres for a sloppy tribute. Look at this 2005 performance for reference. As a tribute to John Lennon, a bunch of A-list musicians get together and perform “Across the Universe.” And it’s hard to tolerate. Individually they sound pretty good, when they’re not flubbing the lyrics. But once they start “harmonizing” together, it all goes to shit. Everyone starts singing in different keys while obviously looking at a teleprompter for reference. While Brian Wilson, Stevie Wonder, and Steven Tyler are off in their own world, Billie Joe Armstrong and Norah Jones look downright uncomfortable. They probably knew what a shit show this would be.

“Forget You” – Cee-Lo and Gwenyth Paltrow (2011)

Remember in 2011 when America’s most hated actor Gwyneth Paltrow tried to be a singer for a bit? Everyone realized how horrible it was, except for the Grammys. As if Cee Lo performing the smash hit “Forget You” in a peacock outfit surrounded by muppets wasn’t weird enough, he invites Paltrow on stage. Not only does she have zero singing talent, she awkwardly delivers out of place lines like “I’m tired of yo ass.” It’s hard to sit through the entire thing without cringing. It turned into one of the most talked about moments just because of how awful it was. The Grammys may be all about unimaginable collaborations, but this is one they should’ve passed on.

“The Exorcism of Roman” – Nicki Minaj (2012)

Nicki Minaj has a reputation for being a bit strange, but no one could predict what she would do at the 2012 Grammys. Debuting the new song “Roman Holiday” Minaj went full on exorcist for the performance. It starts with her growling at a priest and ends with her levitating in the air. In between is a bizarre short film where Minaj skitters up the wall in attempts to be scary. Instead, she looks like a raving maniac on stage. Sure, this may have been the point, but rather than being fun, campy, and theatrical the performance comes off as awkward and bad, like a painful b-horror movie. And since it featured religious themes, you know it pissed off the Catholic church. Even the producer of the Grammys hated the performance. Maybe if Minaj didn’t take the performance so seriously it could’ve worked. Otherwise, it’s painful to watch.

“Whaddup” – LL Cool J, Chuck D, Travis Barker, and Tom Morello (2013)

Hey, why don’t we get LL Cool J to perform at the Grammys? If this was the 80s or 90s then it wouldn’t sound so bad. But having LL Cool J rap on the 2013 ceremony isn’t desirable in the least. They even paired him with Chuck D, Travis Barker, and Tom Morlleo and the performance still sucked. The rapper struts across the stage, trying to own the place when clearly, the rap world has moved on without him. They even slapped on a lazy tribute to late Beastie Boy Adam Yauch, which was just as lame as the rest of the performance. Cool J is a lame host, why did they think he’d bring an A-game performance?

“Hey Ya” – Outkast (2004)

Remember when “Hey Ya” was so popular even Andrew 3000 got sick of it? So of course the Grammys wanted 3000 to perform the track during the 2004 ceremony. The performance would’ve been another ordinary moments in Grammy history if it wasn’t for one thing: the fucking costumes. For some reason Andre 3000 saw no issue with dressing himself and everyone on stage in stereotypical Native American gear. As if that wasn’t bad enough, they turn the “hey ya” hook into a pseudo Native American chant while the dancers creep out of the smoke filled hut. Everything about this performance is cringy. You just shake your head throughout the entire thing. Rightly so, 3000 didn’t get away with getup forcing CBS to apologize. Somehow this still  hasn’t  taught  celebrities  that  this   isn’t  a  good  idea.

Lemmy Tribute – Hollywood Vampires (2016)

A supergroup featuring Duff Mckagan, Alice Cooper, and Joe Perry sounds rad as all hell. Having Johnny Depp in the band? Eh, that could be cool. So how did they manage to deliver one of the dullest Grammy performances? They took the stage last year and it was one of the low points of the ceremony. Playing “As Bad As I Am” and “Ace of Spades” in tribute to Lemmy Kilmister, they didn’t sound all that bad. But watching them shamble across the stage and hearing Cooper growl the lyrics with little enthusiasm, it seemed like they didn’t want to be there. It’s actually kind of sad to watch. They look like a bunch of old guys trying desperately to hang on to their youth. And what the hell is up with Depp’s mumbling spoken word part? It left plenty of people confused, including Bruno Mars in the crowd, who didn’t seem to understand what was going on. It was a stinker of a television debut and reminds us why supergroups are rarely a good idea.

David Bowie Tribute – Lady Gaga (2016)

Never has a tribute performance drawn as much ire as Lady Gaga’s tribute to David Bowie at the 2016 Grammy Awards. Many felt the performance was underwhelming or just downright cheesy. Gaga, dressed as what’s supposed to be Bowie but looks more like ginger Elvis, performs a medley of the late singer’s hits. While things start out okay, it eventually turns into a terrible impression of Bowie. She hops around stage trying to sound like him in the most awkward way possible. It’s still baffling why Gaga was chosen to provide the tribute. Bowie has tons of peers that would’ve been more than happy to come together with a tribute. Instead, Lady Gaga carries the torch. It doesn’t make any sense. The performance was so bad even Bowie’s son and former drummer hated it. Let’s hope they do something more tasteful for the Prince tribute.

Which Grammy performances do you think are the worst? Let me know which ones I missed in the comments!

Playlist: Best Songs from Christmas Specials

There are so many things to love about the holidays from sipping hot cocoa to seeing the pretty Christmas lights, but one of the best things are the TV specials. Whether they’re cheesy, heartbreaking, touching, or funny, holiday specials have a special place in our hearts. For many, it’s part of their holiday tradition. Along with these specials comes great, memorable music. Sometimes the music in these holiday classics is better than the stuff playing in the malls. So if you’re looking for some Christmas music to put you in the holiday spirit or just need a nostalgia boost, check out these memorable songs from Christmas specials. And while songs like “Santa Claus is Comin’ to Town” and “Frosty the Snowman” are featured in holiday classics, they were written before the TV specials and won’t be featured here. But make sure to check them out because it’s not Christmas without those songs!

“Hardrock, Coco, and Joe”

Unless you live in Chicago you probably aren’t familiar with this Christmas short. Made in the 1950s, Hardrock, Coco, and Joe is a stop-motion short based on the song of the same name written by Stuart Hamblen. The song talks about three of Santa’s elves, who help out the big man deliver toys. The song is pretty repetitive and the animation is crude; the elves end up looking terrifying instead of cute. But ever since I first saw this cartoon six years ago, it always pops into my head this time of year. What sticks out the most? The oddly infectious hook of “I’m Hardrock, I’m Coco, I’m Jooooooe.” Joe’s part gets me every time.

“The Chipmunk Song (Christmas Don’t Be Late)” from A Chipmunk Christmas

The Chipmunks are one of the most baffling products of the 50s. It’s bad enough that they already sounded awful but then came multiple albums because nothing is better than listening to a bunch of squeakers shrill in your ear. But it wouldn’t be Christmas if this song wasn’t played at least once. Though I’ve always hated the song, in recent years it’s grown on me. It’s still annoying as hell and warrants only one listen. But, it’s fun and pretty goofy. And who doesn’t love singing “I just want a hula hoop?” Does this mean you should listen to the Chipmunk’s Christmas album? No. No, it does not.

“Christmas Time is Here” from Merry Christmas, Charlie Brown

Merry Christmas, Charlie Brown is still one of the best holiday specials and it boasts one of the most beloved soundtracks. All of the songs are great, from the upbeat and jaunty “Linus and Lucy” to the jazzy instrumental rendition of “O Christmas Tree.” But the one song that’s perfect for ushering in the season is “Christmas Time is Here.” Something about the soft piano and hushed children’s choir makes it a relaxing holiday classic. Imagine a gentle snowfall outside or the fire crackling while listening to it. It’s practically perfect. It’s also innocent and kind, which is the nature the holiday brings.

“You’re A Mean One, Mr. Grinch” from How The Grinch Stole Christmas

Most holiday songs are upbeat, jolly tunes about finding the joy and love during the season. That’s not the case with this classic from How The Grinch Stole Christmas. Sung by the unforgettable Thurl Ravenscroft, the song insults the Grinch and talks about how unpleasant he is. He’s compared to a cactus, has termites in his smile, and he’s so bad a seasick crocodile is better company. But the highlight of the song is when Ravenscroft sticks it to the green grump by describing him as “stink, stank, stunk!” The biting lyrics and the cool baritone of Ravenscroft make this a timeless Christmas tune that makes you smile even if it is about a grouch.

“Mr. Hankey, The Christmas Poo”from “Mr. Hankey, The Christmas Poo”

South Park gave us one of the best and most disgusting Christmas characters in TV Land: Mr. Hankey, the Christmas Poo. Introduced in South Park’s very first Christmas special, Mr. Hankey’s high-pitched voice, and Disney-like demeanor makes him kind of cute, but he’s also poo, which is something the song doesn’t let you forget. The tune is upbeat and happy, like any other holiday song, but it spends the entire time talking about poop and it’s different forms: watery, chunky, and how it hangs off of your ass sometimes. It’s simultaneously funny and cringy, which is what we expect from Matt and Trey at this point.

“Can’t Wait til Christmas” from A Garfield Christmas

This Garfield holiday tune may not be well remembered, but it’s charming and funny. What I like so much about this song, aside from the catchy beat, is how it presents different views on Christmas. Jon sings about having a great time putting up the tree, the lights, and waiting for Santa. Garfield sees none of these activities as pleasant and refers to them as chores and electrical contracting. He then refers to losing sleep waiting for Christmas to arrive as filling kids with insomnia and anxiety. It’s short, but cute and will remind you of that one person you know who just doesn’t like Christmas.

“Snow Miser/Heat Miser Song” from The Year Without A Santa Claus

There are plenty of songs in the popular Renkin and Bass Christmas specials, but they’re usually cheesy or the holiday classics we already love. But these two tunes from The Year Without a Santa Claus add a little pep and sass to the holiday season. With a jazzy vibe and playful trumpet, the Snow and Heat Miser both get their chance to talk about their favorite weather conditions. The Snow Miser’s version is a bit more upbeat and jaunty, while Heat Miser’s is more slow and lumbering. Both stand out from the usual Christmas song fare, making them some of the tunes from these cheesy, but beloved specials.

“Ho Ho Dance” from Rocko’s Modern Christmas

Nicktoons had some of the greatest, and in Doug’s case saddest, Christmas specials. The Rocko’s Modern Life special stands out for being charming, funny, and a little sad, but one of the best things about it is the music. It mixes traditional instrumental holiday tunes with a rock flair to make them really stand out, but my favorite has always been the “Ho Ho Dance.” It’s nothing but “ho ho ho/ho ho ho ho ho ho” being repeated over a 90s club beat. It’s a fun, short tune sure to get you dancing when it comes on. Why don’t more Christmas songs make you feel like starting a party?

“Boogie Woogie Christmas” from Arthur’s Perfect Christmas

There aren’t enough holiday songs that make you want to rock out and dance. Arthur’s Perfect Christmas fixes this with the simple and satisfying “Boogie Woogie Christmas.” In a similar vain to “Rock n Roll Christmas,” the song is upbeat and fun with the infectious hook of “have a boogie woogie Christmas and rocking and reeling new year!” It’s kind of generic, but if you watched this special as a kid, it makes you want to dance and sing as soon as you hear it. Also, it’s the least sappy song in the entire special. And that “Tina the Talking Tabby” jingle isn’t bad either; just don’t tell Arthur I said that.

“Christmas Rules” from “A Christmas Carol”

Though some may disagree, The Looney Tunes Show was the best update to these classic characters. Other attempts were horrible, but this show kept the toons’ personalities and stuck them in a modern setting, which made for some amusing situations. During the episode “A Christmas Carol” all the Merrie Melodie characters burst out in song and exclaim what makes Christmas awesome. For some, it’s presents, for others, it’s stuffing their faces. Each iconic character gets their own part with Daffy Duck mentioning glitter bombs, the red hairy monster talking about school closings, and Elmer Fudd drowning his sorrows in candy canes. Okay, so that part is more sad than funny, but the rest of the song is upbeat and jolly, sure to put you in a good mood.

“Welcome Christmas” from The Grinch Who Stole Christmas

There’s already a song from The Grinch on the list, but this one was too good to leave off. The Whos down in Whoville kept the spirit and joy of Christmas alive with the uplifting, cheery tune. Though you can’t understand what they’re saying, hearing their joyful singing and the bright music makes you smile. Even the Grinch smiled when he heard this song. It’s a festive, happy way to ring in the holiday season and marks a highlight in one of the all-time best Christmas specials ever. Let’s try to forget the movie, though…maybe that one wasn’t so great.


“Pokemon Christmas Bash” 

This one isn’t from a holiday special, but it was too good to not talk about. Prior to working on this list, I had no idea there was a Pokemon Christmas song. And yes, all of them are as cheesy as you think. But this holiday tune is so corny, it’s kind of good. Based off the “Who’s that Pokemon?” game, the song features Ash, Misty, Brock, and Team Rocket spitting rhymes about what they want for Christmas. Yes, they are actually rapping! And Brock’s is the creepiest since he wants to find Nurse Joy and Officer Jenny under his tree. There’s even remixes of Squirtle and Pikachu’s cries. It’s one of those things you need to hear to believe. It’s definitely something we probably thought was cool as kids and is a weird, cheesy, novelty now. Still lots of fun, though.

Which one of these is your favorite? Which ones did I miss? Let me know in the comments!

Playlist: Dig Those Crazy Toons

Sometimes the best songs come from cartoons. And I’m not talking about theme songs. I mean songs sung by the characters in the show. Sometimes they’re so catchy and memorable, you find yourself singing them randomly. They’re so fun, upbeat, hilarious, and always put a smile on your face. After the election, it seems we all need a bit of a smile, so strap yourself in and get ready to sing-along. Here are some of the best original cartoon songs.

“Toon Out, Toon In” – Tiny Toon Adventures

Back in the 90s, rap was so popular it made its way into everything. There was even a rapping Barbie. Usually, this is cause for hilarious disaster, but this rap song from Tiny Toon Adventures is surprisingly good. Sung by Vanilla Lice (get it?) the song introduces the main characters of the series to phat, but generic, rap beats. The best part is the ear worm hook of “Toon out, toon in, toon about, toons are in.” Plucky Duck, Elmyra, and Go-Go even drop their own rap verses. Years later, it’s still a ridiculously fun, catchy song about our favorite toon cast. Too bad Vanilla Lice wouldn’t make another appearance on the show.

“Happy Happy, Joy Joy” – Ren & Stimpy

If you grew up in the 90s, chances are you drove your parents nuts singing this mindless song. After deciding Ren isn’t happy enough, Stimpy invents a Happy Helmet and plays this song, much to Ren’s dismay. It’s one of those songs you love, but secretly find annoying. It’s repetitive and after the 20 seconds, it gets kind of old. But the real gem of the track is the random ramblings of Stinky Wizzleteats that make you wonder why kids were listening to this. Some remarkable lines include “little critters of nature, they don’t know they’re ugly,” “I’ll teach your grandmother to suck eggs,” and my favorite “I told you I’d shoot, but you didn’t believe me/why didn’t you believe me?!” When you think about, that whole episode is disturbing.

“Library Card” – Arthur

“Arthur’s Almost Live Not Real Music Festival” is the best episode of the Arthur series. All of the segments are great, with another strong contender being the vintage inspired “Homework,” but this is the song everyone remembers. Somehow Arthur and his friends made the library seem like the coolest place to be. They list the different activities, various authors, and of course, free books at your disposal. You only need to hear the hook once for it get to lodge into your head forever. Suddenly, you’ll be singing it at random intervals and if you’re around the right people, someone else will jump in. Another highlight is Ms. Turner mentioning how great the dewy decimal system is, prompting DW to ask several “Who is Dewey?” No joke, whenever this episode comes on, I stop what I’m doing to watch and sing along.

“Beaver Fever” – The Angry Beavers

The best episode of The Angry Beavers gave us one of the most undeniably catchy Nickelodeon songs. Daggit and Norbit turn into music superstars with this disco influenced hit. Everything about it is silly as the two brothers talk about chopping down wood, but damn if it isn’t catchy. The funky groove is hard to resist, the hook makes you want to sing, and it’s hard to feel bad when you hear it. 18 years later and I can still sing every part of this song. Barry’s”Oh Baby” song is also fun, but nothing beats “Beaver Fever,” which I’m sure the writers are still chuckling about.

“Banging on a Trash Can” – Doug

Doug gave us a lot of great songs thanks to Doug Funny’s favorite band, The Beets, but we’ll get to them later. When Doug started a garage band he gave birth to the greatest Nicktoons song: “Banging on a Trashcan.” Only over a minute long, the song is insanely catchy and memorable. Doug somehow comes up with the genius hook of “calling me, calling me, calling/One little voice is calling me.” Though Bebe tries to ruin the song with her “Think big” segments it somehow makes the song better. It’s like rock and pop coming together to make what has got to be the best Nicktoons song ever.  This song is so good, 90s kids are still singing it years later. And can we talk about the video? It’s pretty much an homage to Michael Jackson with a Madonna mention. Too bad Doug’s band didn’t even last one gig.

“Macadamia Nut” – Animaniacs

Though “Yakko’s World” is another great gem from the show and probably the best way to teach geography, this has always been my favorite Animaniacs song. This was a time when you couldn’t get away from “The Macarena.” First, it was a cute novelty song, then it became a nightmare. People thought it was a good idea to pull out at every party. The Warner Bros and Dot take the piss out of it by turning it into a song about how cute Dot is. It’s interjected with random groans, noises, and burps from the various characters. My favorite line has always been “Don’t touch me/Or I’ll have you arrested/Do you hear me?” For some reason, that line has always stuck with me, probably because it was out of place in a “kid’s” show.

“F.U.N.” – Spongebob Squarepants

During its 17 year run, Spongebob has spawned so many songs there are several soundtracks associated with the show. Though “Sweet Victory” is a fan favorite and one of my favorites is “Sweater Song,” “F.U.N.” is one of the most catchy songs from the series. Spongebob teaches Plankton about fun in the only way he knows – singing. As Spongebob sings about frolicking through the flowers, playing the ukulele, cherry picking, it’s hard not to smile at how cheerful he sounds. Everything about the song is upbeat and puts you in a good mood, which we seriously need right now. Though Spongebob is annoying and can get really creepy, he at least knows to keep smiling.

“Spring Cleaning” – Rocko’s Modern Life

If done poorly, the musical episode can be the worst 20 minutes of your life, but if done right it ends up being one of the best moments of the series. Rocko’s Modern Life’s “Zanzibar” is the latter. The entire episode is focused on cleaning up your house and the Earth complete with insanely catchy songs. Never has separating plastic from paper sounded like so much fun. The “Recycle Song” is great with its spelling section that seems hard to get right the first few times you sing it, but “Spring Cleaning” is the highlight. Done in true musical style, the citizens of O-Town get together to sing about the “sick disgusting job” that’s got to done, except Rocko; he missed rehearsals. Thanks to the show, whenever you’re cleaning in spring, this song pops in your head.

“USA! USA!” – Regular Show

There’s so much music in Regular Show they can make several albums full of it. Not only do you have songs like “Party Time,” Aw Snap!,” and “Summertime Lovin’,” but you also have all the random raps Mordecai and Rigby come up with in practically every episode. Though my current favorite is “Clock Song” the “USA! USA!” rap is just plain awesome. Similar to “Yakko’s World” the duo raps about the different countries in the world and what makes them great. Hint: most of them are the beaches. With the music and the duo’s flow, it has the vibe of an old school rap song, think Fresh Prince. It’s fun, upbeat, and sick as hell. What’s up with cartoons making geography so damn catchy?

“Rugrats Rap” – Rugrats

Who knew a rap song about a 90s cartoon could be so damn good? Featuring Chris Kelly from Kriss Kross (RIP), the song is all about the babies and the trouble they get into. It’s surprising just how awesome the song is with the lyrical flow, cool beats, and catchy hook. It’s a 90s rap song all the way, but it’s put a big smile on your face, especially if you remember hearing this as a kid. Rugrats had other songs like “Rugrats Rock” and “Cynthia Dance Work Out,” but neither are as memorable as this song. Plus, it’s better than just about all the songs on the Rugrats Movie Soundtrack. Mic. Dropped.

“Killer Tofu” – Doug/The Beets

Any Nicktoons fan will tell you The Beets are one of the best animated bands of all time. All of their songs are oddly catchy and still have you singing them today: “I Need Mo’ Allowance,” “Where’s My Socks,” and “Shout Your Lungs Out” can hold their own against classic rock songs. But the one song that will always be their best is “Killer Tofu,” which is probably the only rock song that promotes going vegetarian. Listen to the entire track and you’ll see it fucking rocks. Awesome hook, ripping guitars, and blazing solos. How is this song still so good 20 years later? The song is so popular rap group OverDoz even named one of their songs after it as a shout out to Doug. It makes you wish The Beets actually put out an album. Luckily, you can find all their songs on Youtube and relive the good times.

“We Put the Spring in Springfield” – The Simpsons

There are several memorable songs from the long-running Simpsons series. It seems like every other episode a character breaks out in song. Notable numbers include “See My Vest,” “Monorail Song,” and “Lisa, It’s Your Birthday” to name a few. But my favorite has always been this song from the episode “Bart After Dark.” Homer convinces the citizens of Springfield to not tear down the burlesque house by breaking into song. The ladies then proceed to sing about how they keep the excitement going in town. Not only is it catchy, but there are classic jokes like Mayor Quimby’s wife being a previous employee, Revard Lovejoy’s father being a customer, and the bullies’ solo about just learning about the place. It’s a classic song, one that actually won an Emmy for Outstanding Music and Lyrics in 1997. If you’re feigning for more Simpsons music, there are various albums filled with songs from the series.

“Kyle’s Mom” – South Park

Though this classic South Park song got an extended version in the movie, it first graced Cartman’s lips in the episode “Mr. Hankey, the Christmas Poo.” Kyle’s mom is outraged that her son is forced to take part in a Christian play and therefore no one can sing classic Christmas carols. Cartman comes up with a new song on the spot about what a major bitch Kyle’s mom is. Set to upbeat, jaunty polka music, the song is hilarious and catchy. You’ll be singing and clapping along with the rest of the classmates, while Kyle stares in horror. Never has calling someone a major bitch been so much fun, at least in a cartoon. But the best past is when Mr. Hankey is so outraged at the song he throws himself at Cartman. Whether it’s a cartoon or not, the thought of getting shit thrown at your face is terrifying.

Which cartoon song is your favorite? There are lots more out there, so let me know which ones I missed in the comments.

Playlist: Oh, the horror!

It’s October, the month of Halloween! Put up the spider web, break out the candles, and turn off the lights. It’s time to watch some scary movies. Though I love music, I’m also a horror movie fanatic. For the past two years, I’ve been watching a horror/Halloween movie every day to celebrate All Hallow’s Eve. By doing this I’ve learned how important music is to the horror film. Sometimes it’s scarier than the movie itself. A good horror theme makes you shiver before the monster reveals itself. Most horror themes fall into the cliche of booming, dramatic string music  and lots of panic. Then there are the themes that are so good, they stick with you forever. These are themes that can scare you even if the movie isn’t playing. Here are some of the best themes in horror.

Sinister (2012)

Sinister is a pretty good horror movie. It’s unnerving, hits all the right creepy spots, and keeps you on edge. But the thing that shook me the most about the movie was the music. And I’m not talking about the main theme. I mean the weird, jarring, spine-tingling music that plays during the “home movies.” There isn’t just one that’s scarier than the others; they’re all fucking terrifying. Hearing the music still, makes me cringe and curl up into a ball. The ominous noises, otherworldly vocals, jarring piano, and unsettling mood gives you goosebumps especially when paired with the disturbing footage. Often times the music lulls you into this false sense of safety; the music is quiet and soft. Then it hits you with a loud noise and broken piano making you jump out of your skin. Composer Christopher Young did an excellent job with the soundtrack. This movie is a great example of how great music is very effective in horror films.

The Exorcist (1973)

This is one of the most iconic horror themes of all time. Mike Oldfield’s “Tubular Bells” is haunting, unnerving, yet oddly beautiful. It’s the first minute of the song that really makes you shiver. Something about it is innocent and dark all at once. The song loses some of its creepiness near the end when guitars are introduced making it sound more like an 80s rock song. Still, when you hear it, you know bad things are coming. It’s been used outside of the horror realm, like in the 1979 NASA movie The Space Movie. But thanks to its association with this film, it will always strike fear in your heart.

Texas Chainsaw Massacre (1974)

This is one of those themes that takes you off guard. Composed by Wayne Bell and Tobe Hooper, it opens like many other horror themes; ominous noises and tolling bells. This is then interrupted by a high pitched screeching noise that sounds like nails on a chalkboard. It repeats several times making you grit your teeth as it gets louder. From there we get a news report of the grisly murders while clanging and thumping resonate in the background. Random noises keep getting louder and louder as the newscaster is drowned out making you wonder what’s happening. It’s eerie and uncomfortable to listen to, which makes it a perfect fit for the film. You’ll want to look over your shoulder after hearing it.

Creepshow (1982)

The opening theme for the excellent film Creepshow is the epitome of horror movie themes: stark strings, creeping piano, and unnerving trickling ivories. There’s even lightning cracking in the background. The music then turns into some kind of demented lullaby getting scarier and scarier. Throw in some maniacal laughter, thunder striking, and more piano playing and you’ve got the perfect horror theme. It sounds what you would hear when walking through a haunted house with only a lantern to guide you. Though why you would want to do that is beyond me. Like most of these themes, it’s unsettling, but beautiful at the same time. Thanks for the nightmares, John Harrison.

The Amityville Horror (1979)

Composed by Lalo Schifrin, the genius behind this theme is how subtle it is. It begins with lush tones and some light piano tickling putting you at ease. When the piano is fleshed out, you feel safe and calm. It actually sounds pretty and almost seems out of place for a horror film. But before you get too comfortable ethereal voices filter in with eerie harmony. Still, it’s not that bad; a little unsettling, but nothing that makes you feel scared. The theme goes the extra mile by adding ominous percussion that hammers and thuds,  reminding you of the horror that lies ahead much like the infamous horror house itself.

Friday the 13th (1980)

Whereas other themes want to lull you into a false sense of security, the theme for Friday the 13th is made to terrorize you. Right from the start it strikes panic in your heart with the stark strings getting faster and faster. Harry Manfredini perfectly captures the frightful mood of the first film. It sounds like someone running through the woods, trying to get away while Mrs. Voorhees is on their tail. Jason’s infamous cry of “ki ki ki…ma ma ma” adds another layer of fear to the already frightening tune. The theme got a weird, disco upgrade for the third film, which is funny and a little corny, but it’s this one that will always be remembered.

Dracula (1931)

This one is cheating a little bit since this song wasn’t written specifically for the film. Rather it’s an excerpt from Act II from Tchaikovsky’s Swan Lake. Since the technology for adding film scores was severely limited in 1930, no score was ever written for the film. Rather, this song was used for the opening credits along with Wagner’s Die Meistersinger von Nürnberg at the endNormally, such a beautiful and elegant piece of music wouldn’t work for most horror movies, but this one has such an unspoken beauty to it. The tune is pretty, but it’s also fierce and dramatic much like the iconic vampire himself.

The Conjuring (2013)

Similar to the Amityville theme, this one starts out sounding nothing like a horror movie. It’s calming, pretty, and sweet with a light piano playing softly. Though it’s mellow there’s still something ghostly about it, like it’s the soundtrack for tragic events. It goes on like this for a minute until the music builds up with an eerie choir singing. The music and mood suddenly turn dark as everything gets louder and intense. It then returns to its soft sound as if the loud, jarring noises never occurred. Near the end, the music swells sounding more cheerful and hopeful than before. Listening to it, it reflects the changing moods of the film. The family moves into a new house excited to start a new life. They then experience turmoil and fear when supernatural events begin to occur. But things are hopeful once again when the band things have passed.

Deep Red (1975)

Some horror films are satisfied with using the standard tropes when it comes to the soundtrack. Others want to do something entirely different making you rethink what horror music can be. This is what Goblin’s theme for Deep Red does. It begins with an uneasy twinkling piano dancing around. Though it doesn’t give you goosebumps, something about it is unsettling. You hear it and know something is wrong. At the same time, it sounds like the start to 70s prog rock song, which isn’t a bad thing. As the music fleshes out, it turns into a production of synth, percussion, and more of the opening riff. Rather than sounding scary, it sounds mysterious. The horror tropes come in at the end when the organ swells creating a Gothic atmosphere. It’s a one of a kind theme and shows why Dario Argento signed on Goblin to score more of his movies.

The Fog (1980)

The master of horror John Carpenter is also the master of creating music that gives you nightmares. The theme for this 1980 movie The Fog shocks you right out the gate with violent thunder crashing. It’s a little cheesy considering it’s a horror cliche, but it’s the music that follows that makes it unforgettable. The entire theme is the same fragile piano riff treading throughout the song. As it goes on, the tone changes getting deeper and more dreadful than before. Each time the music repeats, it sounds more horrifying than the last. It signifies something horrible waiting for you in the darkness. It perfectly captures the ominous vibe and terror of the film.

Psycho (1960)

Whenever the topic of Psycho comes up the first thing that comes up is the music from the iconic shower scene. The screeching violins and foreboding bass denote a sense of dread when you hear it. This brief song is the universal sign for saying someone is crazy. It hits all the right spots when it comes to horror music. It’s scary and uncomfortable. This theme often overshadows the beauty and eeriness of the main theme by Bernard Herman. The booming music, frantic strings, and rapid pace brings on a sense of panic. It sounds like you should be running for your life when you hear it. Then the middle comes with a brief, lilting melody. It still retains it’s terror thanks to the constant stirring violins buzzing underneath.

Children of the Corn (1984)

Johnathan Elias’ Gothic, baroque opening for this theme makes it better suited for a black and white horror movie than an 80s Stephen King film. Right from the beginning, there’s an uneasiness to the tune letting you know you walked into the start of something horrible. Just when you thought it couldn’t get any worse, the children’s choir comes. As any horror fan knows, there’s something unnerving, disturbing, and creepy about children singing. Here is no different. Maybe without the Victorian music, it wouldn’t sound as scary, but the music mixed with the harmonizing kids makes it chilling. And if you know the story of Children of the Corn, you know this theme is eerily fitting.

A Nightmare on Elm Street (1984)

With how ridiculous the later movies in the Nightmare on Elm Street franchise are it’s easy to forget how terrifying the first film is. Some parts are kind of hokey, but a burnt child molester that attacks you in your dreams with his steel claws? That’s fucking horrible! There’s a reason why the first film is still regarded as one of the best in the genre. And a great horror film needs a great theme. Composed by Charles Bernstein, the theme starts with a quiet eeriness. It slowly builds up tension, leaving listeners in the worst kind of suspense. That moment of fear hits with a light piano melody that sends chills up your spine. Throw in some odd noises that sound like evil laughter and a creepy kid’s choir and you’ve got a horror classic.

Halloween (1978)

The mother of all horror movie themes. John Carpenter’s theme for Halloween is unmistakable. The iconic piano melody has struck terror in the hearts of millions for almost 40 years. It manages to be one of the most frightening themes in horror despite its simplicity. The song consists of the same piano melody repeated for over two minutes, but it’s the dark vibes and moody sounds that makes this theme genius. There are times when the scariest thing about Halloween is hearing this theme, signaling Michael Myers. Stark and subtle, it is the ultimate horror theme.

Which horror movie theme is your favorite? Which one did I miss? Let me know in the comments!