I love the 90s

Playlist: Throwback Christmas Performances

Despite what department stores tried to tell you two months ago, the Christmas season is finally here! Break out the eggnog, prepare the wrapping paper, and put up the tree. It’s time to get excited about the holidays and everything that comes with it, maybe except the family arguments. To help you get in the mood, let’s take a look at some throwback Christmas performances. Just try not to succumb to nostalgia overload.

“Merry Christmas, Happy Holidays” – Nsync

The baggy khakis. The frosted tips. Justin’s ramen noodle hair. It must be Nsync in the 90s! The boys perform “Merry Christmas, Happy Holidays” on the Kathie Lee Show to a crowd that politely claps along. It’s one of their earlier appearances since Lee holds a mini Q+A session to learn more about them. The boys revealing such titillating details like how old they are, what they fight about, and how they’re all “like brothers.” And if Justin’s hair wasn’t distracting enough, check out his gold “Nsync” chain. The whole thing is goofy, a little awkward, but a classic for Nsync fangirls. The boys also performed the song at the Disney parade, but it’s hard to get into the holiday spirit with little Christmas paraphernalia around. Also, apparently they had their own holiday special. Why am I just finding out about this now?

“Oi to the World” – No Doubt

If you’re not feeling Gwen Stefani’s latest holiday album, then check out this performance from 1997 instead. During their set at Live to Erase MS, the band pulls out this Vandals cover and it really makes you miss old school Stefani. She wiggles around without care, doing her weird dance in chunky shoes and flowing skirt. This song is perfect if you need a healthy dose of Ska this holiday season. Unfortunately, the video ends before the band finishes the song, but it still manages to get you fired up for the holidays. When watching this, you can’t help but think about how Stefani is now and how her younger self may not be a fan of the glamour pop star she is now.

“All I Want For Christmas Is You” – Mariah Carey

It’s not Christmas unless you hear this song a million times before you put up the tree. But no matter how many times you hear it, you can’t deny how damn good it is. What makes this performance so enjoyable is this is Mariah at her peak. She sounds great, looks great, and looks like she’s having fun on stage. As you would expect, she struts out in a revealing Santa outfit before being carried off by her band of merry men. There’s not much to it, but it reminds you why Mariah is considered one of the greats, something that’s easy to forget in recent years. Let’s try to forget her New Year’s fiasco from last year.

“Funky, Funky Christmas” – New Kids on the Block

I feel like I talk about this song every year, but I can’t get over how bad this performance is. It’s so bad, I absolutely love it!

“Christmas In Hollis” – Run DMC

If you grew up in the 90s, this performance should send you into nostalgia overload. You have Run DMC, 90s Nickelodeon, Kenan and Kel all in one video. It’s almost too much to handle! The group performs what is probably the best Christmas song ever. Even though the kids are clearly excited (because producers told them to be) they don’t understand the magnitude of seeing Run DMC, rap legends. Can you imagine being that young and seeing Run DMC? Thinking about it, the show had some killer performances: TLC, Nas, Dru Hill, and even the Spice Girls.

“Let It Snow” – Boyz 2 Men

In the 90s, Boyz 2 Men could do no wrong. Their soulful harmonies and impressive vocal range made all of their songs a hit including this now Christmas classic. It’s hard to tell, but judging from quick glimpses of what looks like Kel Mitchell, this appears to be another clip from All That. Though Brian McKnight, who provides backing vocals, is missing from this performance the guys have no trouble holding their own. And this is good ol’ days of the group when Michael McCary was still around. While this live performance is great, many may prefer their performance of the track on Fresh Prince of Bel Air. I mean that episode was pretty good.

“Il Est Ne Le Divin Enfant” – Siouxsie and the Banshees

The Banshees buck tradition and perform a French Christmas tune for this performance. While Siouxsie Sioux looks like she’s having a good time the others just aren’t having it. Robert Smith in particular uncomfortably holds his cymbals either waiting for his cue or desperately needing a bathroom break. Or the most likely scenario, high out of his mind. Since I’m a huge Cure fan, Smith is such a distraction. I’m always intrigued when the camera pans to him.Still, Sioux sounds beautiful while singing this tune and it’s a cool alternative Christmas track if you’re already sick of the old standbys.

“Santa Baby” – Eartha Kitt

While I grew up with the Madonna version, I have to give credit to the vixen who made it popular, Eartha Kitt. In this live performance, Kitt shows she’s not afraid to let out the claws as she states “I used to have a lot of fun with this song, then Madonna sang it.” Whereas Madonna’s version is overly cutesy, as if Betty Boop were performing it, Kitt’s version is sultry. You can practically hear her purring through the lyrics coming off as quite the seductress. She shifts gears near the end sounding and looking a bit frightening. She’s kind of scary, yet sexy. If I were Santa, I’d make sure to get her everything on her Christmas list.

“Merry Christmas, Baby” -Hanson

Hanson’s Snowed In is another 90’s holiday classic with this being one of the best songs from the LP. While Hanson and the choir deliver a great performance, the crowd is pretty stale. It’s awkward seeing the camera shift between Taylor Hanson bobbing along to the music and the crowd just sitting there, most of them not even swaying to the music. You can tell there are a few Hanson fans in the crowd trying their best not to scream and cry. But it seems like everyone else isn’t really sure if they should be enjoying it or not. And in case you didn’t know, the Hanson brothers just released a new holiday album. Gotta say I’m pretty excited to hear it.

“This Gift” – 98 Degrees

I wasn’t the biggest 98 Degrees fan, but I absolutely loved this song when it first came out. During this performance at Disney’s holiday parade, they’re practically drowned out by all the screaming from the crowd. There are tons of fangirls, but it’s funny to see some boys in the crowd enjoying the band. It’s standard boy band fare: oversized cargo pants, awful sweaters, and lots of hair gel. I know the part where Jeff kneels at the front of the stage and sings to one lucky fan is supposed to be sweet, but it comes off as creepy for some reason. And similar to Hanson, 98 Degrees also released a new Christmas album. Does this mean Nsync is next? We can only hope.

“Christmas Time” – Christina Aguilera

Switching things up X-Tina gives up a festive, dance-infused song to get you in the Christmas spirit. Recorded around the time of her peak, she sounds excellent here and never misses a beat while dancing. Am I the only one who forgot she used to dance? But the best part of the performance has to be when Lil’ Bow Wow comes out. Yes, Bow Wow is featured here. Talk about a throwback performance. Even though the song isn’t as well remembered as other holiday classics, it’s a fun, upbeat way to get excited about the holidays. And it’s probably the best track from My Kind of Christmas. Seriously, that album is pretty bad.

“This Christmas” – Nsync, Shawn Colvin, Tatyana Ali

And how about another Nsync performance because why not? Let’s take a moment to appreciate Justin raising the roof at the end.

What are some of your favorite holiday performances? Let me know in the comments!

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Playlist: Stupid Songs that We All Loved

It’s easy for people to look at music today and claim it was better way back when. But they seem to forget there was a lot of questionable music back then too. Eras like the 80s and 90s were filled with tons of terrible songs, yet at the time, they were hits. Now, we recognize them are bad songs or “guilty pleasure,” but when they were first released they were popular despite how dumb they were. So let’s look back at stupid songs we all loved at one point.

“Achy Breaky Heart” – Billy Ray Cyrus

Though this song is now known as one of the worst songs of all time, it was actually a hit when it came out in 1992. Originally titled “Don’t Tell My Heart” it was first performed by The Marcy Brothers in 1991 but didn’t get much airplay. It wasn’t until Billy Ray Cyrus recorded his own version that the song exploded. It reached the number one spot on Billboard’s Hot Country Songs and peaked at number four on the Hot 100. And yes, I even liked it when I was a kid. It’s one of those song’s that’s terrible but has an earworm hook that burrows its way into your brain. It’s pretty bad with the stupid hook and Cyrus’ faux accent. For the longest time, we thought this was the worst thing Cyrus would give to the world. Boy, were we wrong.

“I’m Too Sexy” – Right Said Fred

Released in 1991, UK duo Right Said Fred earned a number one hit with this ridiculous song about being so sexy “it hurts.” What started as a joke between the two Fairbrass brothers turned into an international chart-topping single. The track makes fun of the superficiality and narcissism of being a supermodel. It’s another one of those songs that’s so stupid you end up liking it. You gotta admit, the opening line of “I’m too sexy for my shirt” is kind of hard to forget. Now considered one of the worst song’s of the 90s, it’s something most of would rather forget was ever a thing.

“Higher” – Creed

Creed is one of those bands no one wants to admit they liked at one point. Sort of like Limp Bizkit. Before becoming of the music’s biggest jokes, they were one of the most successful acts of the late 90s. This song, along with the sappy “With Arms Wide Open” helped their second album, Human Clay, reach platinum status eleven times. Kind of disturbing when you think about it. This pseudo rock song was inescapable when it first came out. It was all over the radio and the lame video received lots of airplay on MTV. Listening to it now, it’s hard to think how anyone took this song seriously. Frontman Scott Stapp sounds like he has a sinus infection while singing and though the band denied their religious connotations, it’s pretty easy to hear all over this song.

“Blue” – Effiel 65

There are some songs whose origin and popularity can’t be explained. Why the hell was Effiel 65’s “Blue” a chart topping hit in 1999? We still have no idea. With a generic dance beat, the most memorable lyric in the mindless “da bee dee da” the singer keeps mumbling over and over. The rest of the lyrics are baffling as the singer goes onto talk about having a blue girlfriend, house, and dog. Why blue? Is he literally blue or is this supposed to be a clumsy metaphor? These are questions we’ll probably never have answers for. Even though the song is terrible, you couldn’t but singing it whenever it played. As a kid, I thought the song was weird, yet would happily sing it in the car whenever it came on.

“Rico Suave” – Gerardo

Everyone talks about how awful today’s music is and how things were better in the 80s and 90s. But then you remember a dark time in 1990 when Gerardo gave us the travesty that is “Rico Suave.” Looking back at it, it seems like a bad joke: the cringy lyrics, the mindless hook, and the questionable mariachi band in the video. While it never hit number one, it did reach as high at number two on Billboard’s Hot Rap Track and number seven on the Hot 100. The song is unbelievably bad making you question who actually bought it when it came out. While it can be a fun song to take the piss out of when hanging out with definitely not something you listen to for pleasure.

“Barbie Girl” – Aqua

This is one of those songs that could only exist in the 90s. In 1997, Danish group Aqua dropped this annoying song on the unsuspecting masses. And it took off. Supposedly a commentary poking fun at the superficiality of the doll, it’s a song you hate to get stuck in your head. The hook manages to be infectious, yet completely annoying. Her voice is too squeaky, while the guy’s faux gruffness comes off as slightly creepy. The single charted number one around the world and even caught the ire of Mattel, who later tried to sue the band. When this song came out, I remember teachers trying to ban us from singing it because it was supposedly dirty. And then someone went and made the Ken song, which all the boys in class loved singing.

“Party All the Time” – Eddie Murphy

Hot off the heels of Beverly Hills Cop, someone convinced Eddie Murphy to get in the recording booth and make this stupid song. The sad thing is as dumb as it is, it’s really catchy. Part of that has to do with the inane repetitive hook and the help of funk master Rick James. Listening to the song and watching Murphy trying so hard in the recording booth, you’d think it was an elaborate joke. That’s probably what people were hoping. Unfortunately, it was all too real and even led Murphy to record an album. And it was a commercial success. Murphy tried to have another hit single in the 90s with “Whaazup with You” with some help from Michael Jackson. While Jackson saves the song a little bit, it’s more atrocious than this. At least it gave us a killer Children of Bodom cover.

“Ice Ice Baby” -Vanilla Ice

Vanilla Ice is a hard phenomenon to explain today. Looking back at his biggest hit, it’s clearly bad. It’s one of those songs hipsters like ironically. But back in 1990, Rob van Winkle was the hottest rapper around. This song, which stole the riff from “Under Pressure” and led to a hilarious Vanilla Ice moment, graced the top of the charts around the world making his international debut To The Extreme, a success. It sold 15 million copies and spent 16 weeks at the top of the Billboard 200. A short time later, people realized the song was dumb and Vanilla Ice was pretty lame. It didn’t help that Jim Carey poked fun at him and his lame dance moves in a great In Living Color sketch.

“Macarena” – Los del Rio

We all knew this was coming, so let’s get it over with it. The Macarena was one of those inexplicable fads of the 90s. What started out as an obscure dance song soon exploded around the world thanks to the stupid dance associated with the song. Soon the dance was being done at proms, weddings, and in your mom’s backyard. The best videos on America’s Funniest Home Videos were Macarena failures. It prompted several parodies, including a memorable one from the Animaniacs. It was so popular my school even made kids in an assembly do it on stage. Soon, the fad died out with slap bracelets, frosted tips, and JNCO Jeans. But with so many 90s trends coming back into fashion, maybe this duo is prime for a comeback. Let’s hope not.

“The Safety Dance” – Men Without Hats

Play this song for someone under 20 now and they’d probably wonder if it was a joke. Listening to the song and watching the weird video now, it’s still not all that clear if it is a joke. Written about bouncers trying to stop kids from pogo dancing in clubs, the song is baffling. The lyrics are weird with the odd yet memorable line “we can dance/we can dance/everyone look at your hands” while the music sounds like it was inspired by a Renaissance Fair. It’s one of the weirdest songs from the 80s, yet it was successful. It reached the top spot on Billboard’s Hot Club Play and peaked at number three on the Hot 100. And to think, for years people thought it was a song about safe sex.

“Watch Me” – Silento

Dance crazes are something the world should’ve left behind with the “Cha Cha Slide.” But somehow we all get swept up in them when a new one pops up every few years. When Silento hit the scene with “Watch Me” everyone from your mom to Jimmy Fallon started singing the mindless song. The track is nothing but different hip-hop dances phrases (Stanky Legg, Crank That) mashed together repeatedly throughout. And no matter how hard you try, it’s almost impossible not to “whip” and “nae nae” when you hear it. Even the Nickelodeon remix was catchy. I had to change the channel every time it came on so it wouldn’t get stuck in my head. It’s by no means good, but with a simple chorus and fun music, the song is hard to ignore even if you hate it. The track ended up in the number three spot on the Billboard Hot 100 where it stayed for six consecutive weeks. Thankfully, people seem to have forgotten the dance, but it makes me wary for the next dance craze.

“What the Fox Say” – Ylvis

This is one of those rare instances where an obviously terrible song turns into a big hit. Norwegian comedy duo Ylvis recorded “What the Fox Say” as an “anti-hit” for their comedy show Tonight With Ylvis. It didn’t take long for the video to hit Youtube and explode all over the internet. It was a song designed to be terrible and hilarious, yet it turned out to be successful. It’s reached platinum status in the States and peaked at number six on the Billboard Hot 100. The song is nothing but random noises and generic dance music, proving that the internet gets obsessed with the weirdest things. Since the song was everywhere, I couldn’t find the humor in it and just found it to be another mindless, terrible song. Luckily, the duo said they don’t have plans to make a sequel.

There are more lovably stupid songs out there, so which ones did I miss? Which of these songs is your guilty pleasure? Let me know in the comments!

Playlist: Remembering Chris Cornell

Last month we lost one of the best voices in rock, Chris Cornell. The news came as a shock to fans and those who knew him best. Many are still trying to make sense of the situation and come to terms that he’s gone. He may no longer be with us, but at least we have the gift of his unforgettable music. Not only did he make wonderful music with Soundgarden and on his own, he recorded various covers throughout his career. Whether with Soundgarden or solo, Cornell gave us some of the most chilling and unforgettable covers reminding us why he was a phenomenal singer. To remember Cornell, let’s look at some of his best cover songs.

“Come Together” – Beatles cover from 

Soundgarden takes this psychedelic Beatles song and turns it into a gritty, dirty affair. They bring in the down tuned guitars, sludgy riffs, and screeching guitars, slowing things down and making everything heavy as hell. They manage to turn the song into a bonafide rocker making you want to bang your head and stick up those devil horns. If you didn’t know anything about The Beatles, you’d be convinced Soundgarden were the originators. It may be gritty, yet Cornell’s vocals keep the soulful vibe of the original.

“Whole Lotta Love” – Led Zeppelin cover from Guitar Heaven The Greatest Guitar Classics of All Time

When you get one of music’s greatest guitar players along with one of rock’s greatest vocalists, you know you’re in for something good. In 2010, Carlos Santana and Chris Cornell teamed up for a rousing cover of Led Zeppelin’s “Whole Lotta love.” While it’s very true to the original, you can’t deny how much it just fucking rocks. Santana lights up the guitar making the iconic riff sound sweeter and sexier. Cornell easily gives Robert Plant a run for his money. He hits every note perfectly reminding you what a great singer he was. The Led Zeppelin version will always be great, but Cornell and Santana almost have them beat with their cover. Why didn’t they do a whole album together?

“Billie Jean” – live Michael Jackson cover

Lots of artists cover this Michael Jackson hit, but no one else brings you to tears with it like Chris Cornell. With only his vocals and an acoustic guitar, his rendition is absolutely haunting. Cornell manages to bring out the underlying darkness of this song that you often forget once you hear that iconic beat. He sings the song as if he’s been through this hell himself. His vocal delivery is so powerful and so intense, it would bring tears to your eyes before his untimely death. Not to mention the violent way he plays the guitar rousing a great reaction from the crowd. It’s not only a memorable performance, it shows how versatile he was as a musician.

“Girl U Want” – Devo cover from “Outshined” single

For the b-side on the “Outshined” single, Soundgarden covered this frantic Devo track. They suck all the bouncy energy and fun vibe out of it and turn it into a sludge fest. Everything is slowed down and played heavily as if the guitar’s a sopping wet with mud. Their version is heavy and somewhat dark with the haunting way Cornell delivers the lyrics. It’s a far cry from Devo’s version; if it wasn’t for the guitar riff you wouldn’t even know they were the same song. They definitely stamped the song with their gritty, raw rock sound.

“Nothing Compares 2 U” – live Sinead O’Connor cover

Cornell had a knack for making his covers sound haunting and somber. So it’s surprising that he managed to make this Prince song sound even sadder. That’s not to say it isn’t lovely. The acoustic rendition is as beautiful as the original and Cornell’s gruff vocals are perfectly suited for the song. There’s even a country vibe to it at times, but it doesn’t last long. Since the instrumentation is subdued, it gives you the chance to hear his singing, which is mesmerizing. It’s enough to give you chills, especially with his untimely passing.

“Imagine” – John Lennon cover from Songbook

The thing about Cornell’s covers is they’re straightforward and simplistic, but it’s his voice that makes them outstanding. It’s no different with this John Lennon classic. This song always had a melancholic mood to it, but when Cornell sings it, it’s enough to break your heart. Here we get the best of both worlds; he gives us a taste of his gruff, powerful vocals he’s known for, but we mostly hear his softer, gentler crooning, which is beautiful. Again, he doesn’t try to make the song his own. Rather he adds his chilling vocals for an unshakeable effect.

“Waiting for the Sun” – Doors cover from Echo of Miles: Scattered Tracks Across the Path

For Soundgarden’s cover of this Doors song, things start out muted and somewhat psychedelic. Cornell sounds like he’s mumbling through the lyrics. Just when you’re ready to nod off, the band kicks into high gear and lets it rip. The distorted guitars, throbbing bass, and pounding drums add a much needed dose of adrenaline to the song. It takes a drug induced classic to something that kicks ass. Whenever you hear that brief pause before everything explodes you’re left waiting in anticipation, waiting for the sweet release. When it finally comes, it’s the most satisfying moment.

“Dear Prudence” – live Beatles cover

Cornell puts his spin on yet another Beatles hit. Cornell is known for his powerful vocals, but for this cover, we get to hear a softer side. With a gentle acoustic guitar setting the mood, Cornell croons this classic never missing a beat. He sounds downright sweet when he hits those high notes at the end of the verses. His quiet, subdued delivery makes the song beautiful. It shows Cornell’s impressive range; he had the chops to make us rock out, but his croons also bring tears to your eyes.

“Cop Killer” – live Body Count cover

Did Soundgarden really cover Body Count’s controversial 1992 song? It sounds too good to be true, but they actually did during one of their Lollapalooza sets. After an impassioned speech from Cornell about exercising your power and not letting others tell you what you can’t do, the band launches into the notorious song. Everything about the performance sounds mad as hell; Matt Cameron beats away at the drum as if trying to break them, while the guitars sound like they’re screeching on their last breath. Cornell gives it his all rallying the crowd for a call to arms. During an unforgettable break, Cornell reassures us the song’s not about killing others, it’s about fighting for your rights. He then launches into a “fuck the police” chant. It’s an exciting, heart-pounding moment that riles you up and gets you ready to fight. Too bad the performance hasn’t been cleaned up and remastered for an official release.

“Hotel California” – live Eagles cover

“Hotel California” is one of those songs everyone knows is good, but no one listens to thanks to the radio playing it to death. Cornell’s acoustic cover makes the song exciting again. It’s a simple, straightforward rendition, but as always, it’s Cornell’s vocals that take it to another level. The grittiness of his vocals makes it sound like he knows what this person’s been through. He adds this harrowing vibe to the song and makes it fresh again. His version reminds you how good the song is. He can’t outdo the original, but his version comes close.

“Thank You” – Sly and the Family Stone cover from John Peel BBC Session 

Soundgarden gets funky for this cover. With a thick bass groove that sounds like it’s summoning Flea, the band lays down a heavy dose of funk mixing it with their heavy, dirty sound. The result is a stellar cover that more people should be talking about. As soon as that opening riff hits and Cornell lets out that wild scream you can’t help but nod your head with an intense feeling of “hell yes!” The band leaves their unmistakable mark on the song, but they manage to keep the soul of the original. And just when you thought the song couldn’t get any sicker, bassist Hiro Yamamoto gives us a hot solo. It’s not only Soundgarden’s best cover, it’s one of the best cover songs out there.

“I Will Always Love You” – live Whitney Houston

You wouldn’t expect a rocker like Chris Cornell to cover this Whitney Houston classic. Performed during a 2012 concert, his version is stripped back with only him and his acoustic guitar. He doesn’t try any fancy tricks with it or even try to make it his own. He just sings it straight. It’s his honest, passionate delivery that makes it so great. Even though the poor audio quality of the Youtube videos, you can hear how amazing he sounds. He holds those soaring notes with ease and his vocals are just as powerful as Houston’s. Though you would expect the cover to make you sad after his death, in a weird way it’s reassuring as if it’s a message to fans and family. His love will always be with us through the music.

Thank you for the wonderful music, Chris Cornell. You won’t be forgotten.

Home Alone 2: Lost in New York Soundtrack

Release Year: 1992

Rating: 7/10

Believe it or not, Christmas is only a week away. Though the holiday is meant to bring cheer and joy, sometimes the days leading up to Christmas are more exciting than the holiday itself. Drinking hot cocoa, listening to Christmas music, seeing pretty lights strung up everywhere, and, of course, Christmas specials. Every year without fail, I watch the first two Home Alone movies. Yes, I can practically quote both movies. It’s a holiday tradition and I love wearing a holiday shirt, sitting next to the tree, and watching Kevin McCallister take down some bumbling criminals. Even though I’ve seen the movies more times than I can count, I never thought about their soundtracks. There’s four in the series: an original score for each movie, a soundtrack for the second, and the last one a re-release of the Home Alone 2 soundtrack. This year, I thought it’d be fun to give the Home Alone 2 soundtrack a spin and see what it’s about.

The soundtrack is mix of traditional holiday songs with some modern (at the time) interpretations. What I like most about the soundtrack is how it has songs taken straight from the movie. You’ll hear Bobby Helm’s rendition of “Jingle Bell Rock,” which is my favorite version solely because of this movie. Played during the scene where Kevin loses his shorts in the pool, I always end the song with him exclaiming “Yikes!” in my mind. The album also features Jonny Mathis singing “It’s Beginning to Look a Lot like Christmas,” which always makes me think of Tim Curry’s smug smile when he learns of Kevin’s credit card fraud. There’s also Alan Jackson’s version of “Holly Jolly Christmas,” which I don’t remember from the movie at all. It’s a pretty standard cover with a lot of country twang; nothing too spectacular.

But for traditionalists, there are also the classical holiday songs, many of which were also included in the movie. There’s “My Christmas Tree,” which you may remember from the beginning of the movie. Personally, I found this song boring without Kevin attacking Buzz in the middle of it. If anything it serves its nostalgic purpose. There’s also “Somewhere In my Memory” sung by Beth Midler, better known as the song that plays throughout the first two films. Again, not really my type of Christmas music. It’s pretty, but also sappy and too slow.

One of the best, but admittedly odd additions is “Cool Jerk” by The Capitols. But that’s not a Christmas song, you say. Home Alone fixes this by mixing in bits from the movie, mainly Uncle Frank singing in the shower. While listening to the song, you’ll hear Uncle Frank say “You’re cooking Frankie!” and of course the hilarious line “Get out of here you little pervert before I slap you silly!” Being one of the best scenes in the movie, there’s no question this is one my favorites on the album. But the best song on the album is TLC’s “Sleigh Ride.” This has always been one of my favorite Christmas songs and I was surprised to learn it was on this soundtrack. Something about it is cool and makes you want to dance. Left Eye’s raps are funny and sick, filled with her offbeat humor and awesome flow.

The album ends with two more sappy, slow holiday songs: “Christmas Star” and “Come All Ye Faithful.” I’ve never been a fan of these big, over the top, drawn out Christmas songs better suited for church. I find them boring and sometimes they’re just sad. They’re pretty, but not something I really want to sit through. The same goes for the more upbeat, but annoying “Merry Christmas, Merry Christmas.” It’s a beautiful score, but not very fun and jolly, which is how I prefer my holiday music. Plus, hearing a choir shriek “Merry Christmas” at the top of their lungs gets old really fast.

If anything, this soundtrack is a blast of nostalgia. Most of the songs I had a hard time thinking about them outside the movie. There are some genuinely good Christmas tunes here, but I found most to be boring, bland, and too slow. If I saw this soundtrack, I would buy just because I love the movie so much. I mean, I have a Home Alone 2 board game I have yet to play. But it’s not something I would put on while trimming the tree. The original scores for both films are much better being both joyful and beautiful. You want a good Christmas album? Look elsewhere. You want an injection of nostalgia? This is the record to pick up.

Playlist: Rock Duets

Sometimes a duet is the best thing in the world. Other times, it’s a disaster. But it always leaves memorable stories. There’s something about two huge musicians getting together to create music that’s thrilling and exciting. Pop music is full of countless duets, but they don’t seem as popular for rock music. They certainly exist; they’re just not as abundant as they are in pop music. So let’s look at some of the most notable and popular duets in rock music. For the purpose of this playlist, a duet is a song where both artists have an equal amount of time on the track.

“Close My Eyes Forever” – Lita Ford and Ozzy Osbourne

This is probably the most famous rock duet. The song, which apparently came about as an accident according to Sharon Osbourne, was the third single for Lita Ford’s self-titled debut album. With sappy lyrics and a blazing guitar solo, it’s no different from the many power ballads of the era. Ozzy’s haunting vocals do add an eerie touch to the song, but it’s still pretty cheesy. Though I love Osbourne, I never liked this song. It’s too slow for my tastes and is just corny. Then again, I’d be hard press to find one power ballad from the 80s I actually like. Still, this single stands out as one of the most notable duets in rock music.

“Love Interruption” – Jack White and Ruby Amanfu

The music world went a little nuts when Jack White announced a solo album only a year after the White Stripes ended. The debut single “Love Interruption” wasn’t what people expected. There were no roaring riffs and White screaming over screeching guitars. Instead, the song is mellow, subdued, and a bit cynical. Though White could’ve easily carried the song himself, the addition of Amanfu’s smoky vocals adds an understated sensuality to the song. Something about her voice adds a raspy, soulful nature that would’ve been missing otherwise. I actually think it’s one of the strongest tracks from Blunderbuss and serves as a reminder love isn’t always pretty.

“Dancing in the Street” – Mick Jagger and David Bowie

Two of music’s iconic artists, what could go wrong? To be fair, the cover itself isn’t that bad. There’s nothing particularly special about it, but it’s fun at least. Yet, the music video will go down in infamy. It’s unbelievably bad. Jagger exaggerates everything from his facial expressions to his seizure inducing dance moves. Bowie remains cool though it looked like he left the house in some wild pajamas. And don’t forget the scene where Jagger chugs down a soda while Bowie sings. It’s probably one of the worst videos of the 80s. Hell, even Family Guy said it was the gayest music video in history. Thinking about it, there are moments where the two singers get a little too close for comfort.

“State of Shock” – Michael Jackson and Mick Jagger

Mick Jagger shows up again for a better collaboration with Michael Jackson. Recorded for The Jackson’s album Victory, the song is a raucous and kind of spastic team up with the rocker. The song was originally meant to be a duet with Freddie Mercury for the Thriller album, but scheduling conflicts kept the two from working together. Jagger was called instead and it ended up being his biggest hit away from The Rolling Stones. It’s one of those unexpected hits from Jackson’s catalog, but it’s one of the finest examples of pop and rock colliding. Later on, Jackson said he Jagger sang off key, while Jagger called Jackson “lightweight.” Anyone else think the Freddie Mercury version would’ve been epic?

“Good Times” – INXS and Jimmy Barnes

When two talented vocalists come together, they often try to outshine each other. That’s not the case here. For their contribution to The Lost Boys soundtrack, INXS teamed up with singer/songwriter Jimmy Barnes on this cover of The Easybeats song. Michael Hutchences’ smoldering vocals pair exceptionally well with Barnes’ bluesy, rock-tinged voice. They actually work together to give listeners a thrilling experience. The two sharing vocal duties along with the high energy music supporting them, it’s everything you want a good rock rolling song to be. It has a similar good time vibe as Bob Seger’s “Old Time Rock and Roll.” Listening to Barnes’ vocals, you have to admit it’s reminiscent of rockers, like Robert Plant.

“Hunger Strike” – Temple of the Dog

Temple of the Dog started as a way for Chris Cornell and members of Pearl Jam to deal with the death of Mother Love Bone frontman Andrew Wood. Their debut album did exceptionally well with this song being their biggest hit single. The track features Chris Cornell and Eddie Vedder on vocal duties. When two of grunge’s most notable and talented vocalists get together for a song, you know it’s going to be good. And that’s exactly what you get with this powerful, emotionally driven tune. Both artists get time to share their unique vocal styles, Vedder being gruff and raspy and Cornell’s higher range. It results in a song that’s beautiful and haunting.

“Stand by Your Man” – Wendy O. Williams and Lemmy Kilmister

Ever wonder what it would sound like if two punks ripped apart the Tammy Wynette classic “Stand By your Man?” That’s what Wendy O. Williams and Lemmy Kilmister for a single in 1982. The song is almost unrecognizable with gritty, blazing guitars making a ruckus while the two scream out the lyrics over the noise. Oddly enough, it works. It’s one of those weird covers you would never expect two rock legends to even consider. They breathe new sinister life into the country classic that makes you want to head bang. O. Williams and Kilmister teamed up again for “Jailbait,” which appeared on the Plasmatics album Kommander of Kaos. Listening to these two, it’s clear they were truly one of a kind.

“I Ain’t No Nice Guy” – Motorhead and Ozzy Osbourne

When two of hard rock’s most iconic and legendary figures team up, you expect something epic beyond belief. That’s not the result of this duet featuring Lemmy Kilmister and the Prince of Darkness. Rather than getting together for a kickass track that would melt your face off, the two sing a ballad instead. It’s a slow, somber song made for radio airplay. It actually became a huge hit for Motorhead’s tenth album March or Die. It’s a decent song and features a slow burning solo from guitar hero Slash, but it won’t hit that sweet spot for most metalheads. It’s just so unexpected for the rockers. What’s even more surprising is seeing Ozzy with a five o’clock shadow in the video. Yikes.

“A Tout Le Monde” – Megadeth and Christina Scabbia

This song originally appeared on Megadeth’s sixth album Youthanasia and quickly became a staple for the band. At the time of its release, it garnered controversy for its music video. MTV banned it claiming it promoted suicide, which Dave Mustaine was quick to dismiss. The band re-recorded the song in 2007 for the album United Abominations with Christina Scabbia of Lacuna Coil. Aside from some slight alterations, like a faster pace, there;s not much difference aside from Scabbia singing an entire verse showing off her vocal chops. The song keeps its sentimentality intact along with its hard hitting sound and slightly aggressive mood. Many may prefer the original, but this re-recording is a great blend of old school and new school.

“Walk This Way” – Run DMC and Aerosmith

These days the world of rock and rap often combine for both awesome and questionable results. But back in the 80s, the two were seen as exclusive genres that should never cross paths. Run DMC and Aerosmith broke that barrier with this duet. When it was released in 1986 it blew everyone’s collective minds. Not only did Run DMC cover this classic rock track, they even got Steven Tyler and Joe Perry to join them. The song is still amazing to this day and remains one of the best mash-ups ever. It, of course, would go on to inspire other rock/rap collabs, such as Jay-z and Linkin Park (remember when that was a thing?)

“The One You Love to Hate” – Rob Halford and Bruce Dickinson

Two heavy metal giants, both who are considered the best vocalists in the genre, team up for this roaring track. Recorded for Halford’s debut album Ressurection, the song features Iron Maiden’s Bruce Dickinson on vocals. You’d expect to be beyond amazing and the most bad ass thing you’ve ever heard. In reality, it’s okay. It feels more like a Dickinson track since his voice overpowers everything and Halford is stuck on back up duty. It’s a pretty standard metal song with soaring vocals, blazing guitars and a lot of aggression. It’s not bad; just not very remarkable.

“Don’t Fear the Reaper” – HIM and Sanna-June Hyde

On HIM’s debut album, the band provided a haunting rendition of the Blue Oyster Cult classic. This version brings out all the darkness and grim view that’s implied in the lyrics. And frontman Ville Valo’s baritone vocals provide are a perfect match. Adding some brightness to the track is Finnish actor Sanna-June Hyde. She provided guest vocals for this track and “For You” early in her career. She’s not necessarily the best singer but her voice surprisingly well with Valo’s. There’s also something eerie about their voices. Still one of the best covers of this song.

“Under Pressure” – Queen and David Bowie

The thought of Queen and David Bowie doing a song together sounds like a dream. This amazing collaboration resulted in one of the best songs of the 80s. It’s an undeniable classic; pairing Bowie’s mellow vocals with Freddie Mercury’s dramatic bravado leads to a beautiful sonic experience. And try not to get chills during the bridge when Mercury pleads “Why can’t we give love/give love/give love?” The song became a huge hit for both artists and remains their most notable. Of course, the riff would be stolen by Vanilla Ice in the 90s, who claimed it wasn’t the same song.

Which is your favorite rock duet? Which ones did I miss? Let me know in the comments!