Release Year: 2018
The Struts live up to their larger than life attitude on their second album, Young & Dangerous. The highly anticipated follow up to their 2014 debut finds them doing what they do best: glam rock songs about having a good time. While you won’t find anything drastically different from their previous output, they do take the time to branch out. They shake up their established sound by experimenting with different styles and genres, yet never stray too far from their glam roots.
The album kicks off with “Body Talks,” which has all the elements of a great Struts song: a catchy hook, Luke Spiller’s sensual vocals, and a playful vibe. The remix with Kesha is decent, but she doesn’t add much aside from some random yelps. “Primadonna Like Me” is another high energy, fun song with Spiller playing the role of a rockstar that knows he’s hot shit. Their glam rock sound is bigger with raucous music and an infectious hook. Songs like these perfectly capture what the band is about and their over the top persona, which feels made for huge crowds.
Listening to tracks like “Bulletproof Baby” and “Tatler Magazine” it’s clear The Struts have their sights set on playing stadiums. The hooks are fun to sing, the songs capture their energetic air, and feel crafted with larger crowds in mind. And their frequent use of gang vocals gives the tracks an anthemic quality. Unlike other bands with similar aspirations, The Struts don’t comprise their established sound for something generic and safe. Instead, they push their feel-good vibe even harder, yet leaves room for some change.
Though they mainly stick with their glam rock vibe, there are a few moments where they get outside their comfort zone. “Who Am I” mixes their glam rock vibes with a healthy dose of disco. Similar to other tracks, the hook is catchy and fun while the music gets you moving. And of course, Spiller’s tongue in cheek wordplay is still intact making it an album highlight. Spiller throws you for a loop on “I Do It So Well” when he opens the song with his spoken word style that’s more like rapping. It’s a bit strange but ultimately works for the track. “Freak Like You” is a mini-musical. Clearly influenced by Queen, the band celebrates the outcasts, misfits, and freaks pulling away from their glam rock sound and playing around with their sound, such as the unexpected sax solo.
We even get to see the more serious side of the band on tracks like “Somebody New” and “Ashes.” The former finds Spiller lamenting the loss of a relationship while admitting he’s not ready for someone else. Rather than being flamboyant, he expresses a quiet sadness. He sounds bittersweet as he sings “It’s not that I don’t feel the feelings you do/It’s just my heart’s not ready yet/For somebody new” giving us a rare side of the singer. “People” is another moment where the band sets aside their wild attitude. Written about overcoming everyday struggles different people face, it’s meant to be an uplifting moment on the album. It definitely sounds like an anthem but isn’t as gripping as the rest of the album.
“Ashes” has a similar moody tone. Serving as the counterpart to the celebratory “Fire,” it’s another somber track about the consequences of living fast and partying hard and how someone’s life was lost in the end. Though it deals with a heavy topic, the band brings back their musical sensibilities with sections that change the style. One part it’s a serious ballad, the next it’s a bouncing cabaret. You definitely get some “Bohemian Rhapsody” vibes from it, yet it doesn’t sound like a Queen rip off. It’s a strangely fitting way to end the album as if to say life isn’t always one huge party.
Young & Dangerous is a blast to listen to. It’s more of the glitzy, glam rock goodness we love from The Struts. However, they do branch out trying different sounds to keep things from getting stale or sounding too much like their debut. Every moment is captivating from the high energy dance anthems to the serious reflective moments. Filled with infectious music, the band’s devil-may-care attitude and hooks made for stadiums, it’s a high-energy, feel-good album we desperately need right now.