Release Year: 1983
It’s not unusual for artists to break out of their comfort zone and take on different projects. Though he’s the charming frontman for The Cure, Robert Smith wanted a break from the spotlight. With the help of some friends and some drugs, Smith recruited Siouxsie and the Banshees’ Steve Severin and vocalist Jenette Landry to form the psychedelic outfit The Glove. The group only produced one album, Blue Sunshine, and it’s a weird trip.
The eccentric album has elements of both The Cure and the Banshees but feels like a hodgepodge of different sounds and styles. Many songs such as “Like An Animal” have a psychedelic vibe to them with swirling synth, dizzying music, and weird lyrics involving sex and death – at least some things don’t change for Smith. At times, the album feels like a weird acid trip that you’re not sure is good or bad. The band plays around and mashes various styles together on songs like the breezy “Looking Glass Girl,” which sounds more appropriate for a Cure album, the disjointed and dizzying “Sex Eye Makeup,” and the manic, bizarre sound collage that is “Relax.” It’s as if the band threw caution to the wind and recorded whatever they felt like.
The songs can be jarring with the weird music, but what’s most unexpected is the absence of Smith’s warbling vocals. Landry takes over vocal duty and even though her voice isn’t bad, sometimes her high-pitched shouting is grating. At times it feels like your ears are going to bleed. Luckily, Smith does lend his voice to two songs: “Mr. Alphabet Says” and “Perfect Murder.” And of course, if you’re a Smith fanatic, they’ll be the best songs from the album. The former is actually the most memorable track with its bouncy opening. Here, we move away from the psychedelia and move into a weird, bluesy mood. It has a jangly piano that’s reminiscent of ragtime tunes. What really puts the song over the top are the additional strings. It gives the song a sense of drama, which is a bit unexpected. Sometimes the strings are jarring, other times it’s oddly pretty.
“Perfect Murder” also has great music. The opening exudes a tropical feel with the playful xylophone kicking things off. Smith sleepily sings lyrics like “move inside my daydream/like fingers in a glove” making for a mood that’s lazy and soothing. Something about it makes you feel like you’re in a hazy, hot jungle. The song ends with Smith’s random noises and howls along with what sounds like crickets chirping in the night. The music and the overall feel makes it stand out from the other songs on the album. Those who prefer Smith’s vocals will be happy to know Glove songs featuring his singing were eventually released on the 2008 reissue.
None of the songs are bad; if anything the music is interesting and catches your attention. But few of the songs aren’t very memorable. Some of them haven’t aged well, either. “This Green City” has a twinkling Casio riff that sounds like it’s taken from a 70s news program. When you hear it, it just makes you laugh. “Punish Me with Kisses” has a similar problem with a cheesy piano riff from a cheap effects program. “Orgy” is a bit of an exception since its snake charmer-esque music is hard to forget. It plays like it’s trying to put the listener in a trance. “Blues in Drag” is an odd, soothing instrumental with echoing keys and gentle strings. It has its pretty moments but is easy to forget when compared to the other songs.
Blue Sunshine is one weird ride. It’s an odd, psychedelic experience that makes you wonder exactly what drugs the group was taking at the time. It’s not necessarily the best album, but its experimental nature makes it worth a listen. Because the band plays around with so many styles you never know what to expect next, which can make it fun. There are some upbeat, catchy songs, but some of them are forgettable. It doesn’t help that the lyrics sound like nonsense at times. It’s weird enough to keep you engaged, but it’s definitely an acquired taste.