Release Year: 1991
There’s no question whether or not Michael Jackson’s Thriller and Bad are amazing albums. The former is still the best selling album of all time. Many people have come close to beating the record, but no one has done it yet. Even though his follow up, Dangerous, was another top seller, it doesn’t seem to get as much attention as the previous two. There could be several reasons for this: plastic surgery, drugs, and allegations the media chose to focus on. The album represents an era of change for the singer. He experimented with a new sound and took on themes that went beyond gushy love songs.
At the time, this album was unlike any Jackson had done before. One of the biggest changes is the prominence of New Jack Swing sound on just about all of the songs. This can be heard on tracks “Can’t Let Her Get Away,” “Jam,” and “She Drives Me Wild.” Elements of pop still exist, but there’s also a heavy influence of funk, rap, and R&B. Jackson further expanded his rap influences by having Heavy D and Wrex N Effect do a verse on a few songs. This sound, while can be dated at times, gives the music a more aggressive, harder hitting vibe than before. It even changed his vocals a bit which were in a lower register and sounded harsher than on past releases. With this album, Jackson also takes on more mature themes.
Jackson’s music has always had messages about changing the world through peace and love, but here he tackles heavier issues like societal ills and racism. “Why You Wanna Trip On Me?” is two-fold; it’s aimed at critics who are obsessed with the singer’s personal life, but also wonders why they aren’t focusing on bigger problems at hand like the homeless or disease. “Jam” also finds Jackson lamenting the world’s problems and how being good to one another seems to be disappearing. But the song where these themes ring out the most is the ballad “Heal the World.” The somber track has a simple message: make the world a better place for our children. He even drives the point home with samples of kids playing and singing the hook at the end. It’s a thoughtful song and one of Jackson’s greatest ballads that still rings true today.
Jackson addresses racial issues on the infectious and popular “Black or White.” The single finds the pop icon delving into rock again with Slash doing the opening riff even though he’s credited with playing on the entire song. Either way, the guitar on this track is killer. As soon as you hear it, it makes you want to bust out your best air guitar moves. Jackson sings sweetly about equality and how the color of your skin doesn’t matter. It’s not until the hard hitting bridge that his anger comes out. The song does a 180 and gets aggressive with Jackson yelling “I ain’t ‘fraid of no sheets.” Then there’s the rap by one of his producers, which is kind of cheesy and dated, but forgivable since the rest of the song is so good. It’s an amazing song that addresses racial issues without beating listeners over the head with its message.
Just like his other releases, this album is made up of successful and classic Jackson hits. “In the Closet” finds the singer being more sexual as he talks about lovers keeping their relationship secret. The music has a cool, slinky groove and he sings in a hushed manner amping up the sexual nature of the song. It’s still weird to think of him as a sexual person, but the song proves irresistible especially when he sings “She wants to get it/aw, she wants to get it.” “Remember the Time” is a slick, exotic sounding track where Jackson sounds playful as he reflects on a relationship. It’s more in line with his pop nature, but still has the New Jack Swing influence all over it. Just like most of his songs, it’s catchy, great to dance to, and fun. A standout single from the album.
“Give In To Me” and “Who is It” are the most underrated singles to come from the record. The former finds the singer hooking up with Slash for a rock ballad. Jackson’s vocals come off as more aggressive and fiery, while the sad droning guitar riff sways listeners. It’s often been compared to “Dirty Diana” with its rock feel and subject matter. The two do have seductive vibes with the blazing guitar riffs, but the singer seems more somber on this track. He also takes the rock sound further offering up some diversity on the primarily New Jack Swing album. With the latter song, there’s something cool and sleek about it.
“Who Is It” opens with eerie singing denoting something epic followed by a thudding, booming bass that hits you right in the gut. Jackson’s singing sounds more emotional as his start/stop style makes it seem like he was in the middle of crying. Though it’s been compared to “Billie Jean” for its woman-done-him-wrong subject, it’s a stellar song that explores the singer’s darker side.
It wouldn’t be a Michael Jackson album without ballads and there are a good handful here. The best out of the bunch is the beautiful and heartfelt “Will You Be There?” With the soft music and the choir humming at the beginning, it sounds like a religious hymn as Jackson sings about finding someone or something to lean on and make him stronger. The bridge seems tied to the singer’s personal life as he sings “Everyone’s Taking Control Of Me/Seems That The World’s/Got A Role For Me/I’m So Confused/Will You Show To Me.” At the end, the choir makes a return completing the religious feel as Jackson adlibs sounding like he’s going to church. It’s one of those songs with the ability to make you cry if played at the right moment.
While the other ballads are good, they don’t compare to this one. “Keep the Faith” is actually the most dated and weakest song the album. The music makes it sound like a dated gospel track. The music is so obviously 90s ensuring the song hasn’t aged well. And if you’re not a fan of gospel music the song won’t be all that appealing. The message is thoughtful, but it’s the most forgettable track on the record. “Gone too Soon” is a heartbreaking track dedicated to Jackson’s friend Ryan White, who was ostracized at a young age due to his AIDS diagnosis. He later died at the age of 18. It’s a simple, bare bones song with Jackson’s soft singing and light music. But the song is only harder to listen to now since it can be easily applied to the singer’s death. Usher actually sang the tune at Jackson’s memorial and broke out in tears. Even though it’s beautiful, it can be hard to hear.
The album closes with “Dangerous” another underrated track from Jackson’s catalog. Similar to other songs, it represents a new sound for the singer. It begins with mechanical noises before the punchy upbeat music comes on. The entire track is slick especially with Jackson singing in a lower register to complete the seductive mood going on. The vibe is perfect since it feels like the music actually has an air of danger to it. It’s one of his most proactive songs and a stand out from an already stellar album.
Dangerous represents a new era for Michael Jackson. He not only experimented with different sounds to fit with the trend of the time, he tackled heavier themes such as racism. The New Jack Swing sound is dated at times but otherwise shows Jackson was ahead of the curve. This album is another hit in Jackson’s catalog, yet doesn’t receive as much praise as his other work. The record isn’t flawless and some of the songs run together, but it’s still has songs that are now considered classics. It shows a different side of the singer, one that was more aggressive and harsh. No matter how you see it, the album is another stand out hit for Jackson.