Release Year: 2016
I first heard of Bear Hands when I saw them open for Cage the Elephant in 2014. I really dug their revolving musical styles and upbeat songs, so I quickly became a fan. I was pumped to hear about their upcoming album, looking for more infectious synth and unique tunes. And I was not disappointed.
The band has a knack for mixing synth with indie rock and it’s no different on this album. It opens with the 80s tinged “I Won’t Pay,” which starts out soft and mellow with falsetto vocals by Dylan Rau until it amps up for a bigger sound. When the guitar takes over during the bridge, it gives the song a rock edge. It’s catchy, which is a running theme for most of the album. Next comes their current single “2AM.” Though it describes partying until the early morning, the music is surprisingly chill. The mood is very soft and kind of atmospheric as it explores trying to stay out even though you’re too old. Lyrics like “All I want is/to forget how old I am” and “I put my best dress on/crawl back in bed” brings up images of being stuck at a party feeling miserable. It’s not the most grabbing song on the record, but it grows on you after repeated listens.
The band continues exploring getting older on “Too Young,” which sounds like a lounge song from the 70s at times. It’s not the strongest song on the album, but it’s not horrible. It manages to be interesting with it’s subject of being too immature for a relationship. The song does boast the memorable line “Youth is overrated,” which goes against the grain of common thought. Things are tuned down for the dreamy “The Shallows.” It begins with soothing sounds of rain and continues the calming theme with falsetto vocals and light surf rock guitars. It’s not necessarily a high point on the album, but the relaxing nature of it allows listeners to catch their breath.
Similar to their previous release, most of the songs on the album are fun, memorable, and made to get you dancing. “Like me Like That” has a simple hook and is another song taken straight from the 80s and “Chin Ups” is a synth pop, energetic ride with a hint of rock. Bear Hands let’s their old school influences run wild on the catchy “I See You.” With even more raucous synth and spacey sound effects, it sounds like it was taken straight from their favorite era. It sticks with their established style, but it’s another upbeat hit for the band.
The mellow, tropical opening of “Boss” seems unfitting at first, but once the hook kicks in the song comes alive. The guitar has a Southern rock flavor giving the song a boost. The track gets stuck in your head from the memorable hook of “I’m the bitch and you’re the boss.” The 80s feel returns on the bouncy and infectious “Deja Vu.” As soon as the bright synth riff kicks in, it makes you feel good. This is mixed with Rau’s rapid rap-like flow to make an irresistible track. The mood gets even better when brassy horns come in towards the end and amps up the feel good mood.
The most forgettable track is the closer “Purpose Filled Life.” Even though it’s dreamy, atmospheric, and has heart behind it, it’s buried under the stronger songs. The music is innocent, sounding like something from a simple Casio keyboard. The song itself seems to deal with making sure your life has meaning to it, which is a universal feeling. It’s kind of a depressing way to end a thrilling album.
What makes Bear Hands’ music so appealing is how exciting, different, and fun it is. Fans will be happy to know there’s more of the same on this album. It doesn’t really stray away from their beloved electric, synthpop, rock vibe, but it cranks up everything they did on their last effort and makes it better. The theme of the album is at least different and will be relatable to fans in their late 20s and older. It seems the longer Bear Hands around, their output gets stronger.