Release Year: 1996
The soundtrack for the first Crow movie is often hailed as one of the best of not only the 90s, but of all time. It had big name artists from the grunge, rock, and alternative world who knew how to recreate the darkness of the film in music. The same can’t be said about its sequel. The movie was nowhere as good or riveting as the original and the soundtrack matches. With a less than stellar line up and songs that are just meh, it can’t even compare to the previous LP.
Part of what made the first soundtrack great were contributions from The Cure, Nine Inch Nails, and Rage Against the Machine to name a few. If you were hoping for artists of that caliber this time around, then you’ll be disappointed. There are a couple of well known acts, but it’s not enough to save this compilation. Hole’s cover of “Gold Dust Woman” isn’t bad, but as someone who’s not a fan of Hole, it didn’t do much for me. White Zombie’s “I’m Your Boogieman” is one of the standout tracks. Zombie and friends take this lame KC and the Sunshine band song and turn it into something groovy, yet spooky. Rather than waxing about a DJ who gets people dancing, Zombie talks about the Boogieman of your nightmares.
From there the songs aren’t bad, but fade into the background especially if you don’t like the artist. Filter’s “Jurassitol” has a cool opening bass line, but otherwise sounds like a mediocre grunge track. PJ Harvey’s “Naked Cousin” is interesting with its hard gritty vocals, but again doesn’t really do much, at least not for me. At least it’s more memorable than Bush’s cover of the Joy Division track “In a Lonely Place.” It starts off pretty good with the subdued, creepy music, but Gavin Bush’s vocals really kill the track. He’s too quiet and raspy for this type of song. He’s obviously trying to recreate the unnerving feel of the original, but misses the mark. While listening to it, I wished it was the actual Joy Division track the entire time.
Then there are the rap songs. I have nothing against rap and I actually like it when it’s good, but here it feels out of place. The previous soundtrack didn’t have any hip hop tracks; the closest it got was the contribution from Rage Against the Machine. The tracks “Tonight is a Special Night” and the closing number “City of Angels” stick out so bad it feels like a different record. The latter song is especially bad because it was written specially for the movie and has the lamest references jammed in there. Just look at this eye-rolling lyric: “I’m gonna revenge myself/like the crow.” Just in case you forgot what movie this was, Above the Law are going to remind you. And the song doesn’t get any better from there. It’s like one of those theme songs that tries to tell the story of the TV show. Maybe if the rap contributions were actually good it wouldn’t be so bad, but we’re stuck with some pretty shitty songs.
When you’re not listening to sloppy rap songs, you’re hearing second rate grunge acts. When the LP was released in 1996, the grunge phenomenon was pretty much over. The composers of this LP didn’t get the memo and gathered up bands who were still pushing out the music. Again, if the songs were actually any good, who cares what genre it falls in. But all these songs blend together making them forgettable. “Spit” by NY Loose (remember them? Neither do I) isn’t terrible, but ends up sounding like a Hole song, Seven Mary Three’s “Shelf Life” gets boring after the first verse, the Toadies’ “Paper Dress” has the same crunchy guitars and disinterested vocals. “Teething” by Deftones isn’t bad, but it’s definitely one of their rougher songs and sounds a bit disjointed.
One the surprising stand out tracks is “Knock Me Out” by Linda Perry and Grace Slick. The song is really slow and somber, but it’s Perry’s smokey vocals that really makes it come alive. She sounds so lovelorn and distraught as she’s singing. Then comes Grace Slick who has so much fire behind her voice. When put together, they have some of the most powerful harmonies. Their singing matched with the depressing music is enough to make you shed tears. It’s a shame that it’s buried on the album and should’ve been up way higher.
This soundtrack is nowhere near as good as the previous one. There are a couple of decent songs, but most of them are dull, mediocre, and sound too similar to one another. The LP feels disjointed at times especially when it comes to the rap tracks. They’re stuck in the middle and the end of the record which has established itself as being primarily alternative rock oriented. This one didn’t have as many heavy hitting musicians, but the previous entry had its share of unknowns as well. The difference is those bands that you didn’t recognize actually had good fucking songs. Here, they’re just okay. You don’t mind hearing them, but you wouldn’t want to hear them again. For the first soundtrack, every song felt like it belonged. Here, most of it felt like filler with a few stand out tracks. It’s best to steer away from this one.