Release Year: 2007
In 2006, HIM released Uneasy Listening Vol. 1, a collection of remixed, live, and unreleased tracks that wasn’t that impressive. The companion album came the following year and it suffers from the same problems. While there are some impressive tracks and remixes, most of the albums falls flat because it sounds too similar to original versions of their singles or are not that exciting at all. If anything it seems like they had a few good songs they couldn’t include on the first release and included them here with lots of filler material.
Whereas the previous disc seemed to focus on acoustic renditions, this one has a lot of demos. While it’s not anything drastically different from the final version, they are interesting to listen to. “Buried Alive by Love” sounds more raw and fast paced than the final version, while “Endless Dark” has a hard rock edge and lots of fuzzy guitars. These tracks also have alternate lyrics, which makes it interesting for fans to hear at least once. Also, Ville Valo’s voice sounds really great since he sounds bright and clear. The demos are nothing special and don’t differ that much from the album versions, but they’re great to hear at least once.
There are also a number of live tracks here, but none of them are that stunning. Songs like “Wicked Game,” “Again,” and “Right Here in my Arms” sound fine enough, but since they’re pretty straight forward there’s nothing notable about them. If anything they don’t sound that different from the recorded versions. At least that means the band are good live performers. There are some live cover tracks that range from interesting to pretty bad. Their version of Black Sabbath’s “Hand of Doom” is faithful to the original and Valo’s voice works really well on the heavy metal track, but the same can’t be said for their cover of Bad Brains’ “Sail On.” While the music sounds good Valo’s voice just doesn’t work in a punk rock setting.
The band also cover Turbonegro’s “Rendezvous with Anus.” Yes, the song is exactly what you think it’s about. It’s definitely a weird track and the band seems to know this as Valo sounds like he’s trying to be sensual in a comical way. It’s one of those songs you never expect them to do and you’re not sure how to feel about it in the end. There are a lot of alternate versions of their songs that are actually really good. “Sigillum Diaboli” is an upbeat, less damning version of “Stigmata Diaboli” and “Soul on Fire (Erich Zann’s Supernatural Remix)” is heavily distorted and has more of an electronica vibe to it. “Pretending (Cosmic Pope Jam) starts off well enough as a rock oriented version of the track, but it goes on way longer than it should. When it hits the seven minute you’re still wondering why it keeps going. It makes you forget everything that you appreciated about this remix.
The best track on the album is “Beginning of the End (Sad Damned Version).” If you thought the original was creepy and haunting, this version amps that feeling up to 1000. The music is more intense and makes everything sound like impending doom. The guitars sound damning and Valo sounds sinister as he sings “A drop of your blood tastes like wine, today.” This new brooding mood and the already tragic lyrics make it sound like bad things are about to rain down upon you.
Similar to the previous release, this one isn’t that spectacular. It does offer fans unreleased demos and remixes, but most of them are bland or sound too much like the original. There are a few great songs and cover versions that stand out from the rest of the songs, but the album as a whole is pretty weak. It’s one of those releases that’s more suited to HIM collectors rather than casual listeners. Out of the two, the first volume has a little more to offer fans.