Uneasy Listening Vol. 1 – HIM

220px-Uneasy_Listening_Vol._1Release Year: 2006

Rating: 7.5/10

This collection from the Finnish rockers takes various remixed, alternative, and acoustics versions of their songs, some of which were found on their singles. While some of the material is great and presents a different side to the band, a lot of it doesn’t alter much. Either something very little is changed or seemingly nothing is changed at all making the listener wonder what makes this version so special.

The best material found on the release are the acoustic tracks. Something about Ville Valo with a lone guitar makes for intriguing and sometimes haunting songs. The unplugged version of “It’s All Tears” gives the track a folk feeling with the throbbing bass and weird key arrangement. It sounds like it should be played in a gypsy camp. “Buried Alive by Love” strips the track of its hard rock sound and presents a naked tune with Valo’s powerful vocals on display. The only downside is he sounds a bit strained by the end. Acoustic renditions of “Please Don’t Let it Go,” “For You,” and “Pretending” are all good, but the best one is “Funeral of Hearts.” Not only does this give the listener a chance to hear Valo’s impressive vocals, but it makes the entire track creepy and foreboding, like he’s singing about someone’s doom. These versions really show the strength of the songwriting and how well they work even when most of the music is striped away.

Many of the tracks are supposedly remixed, but end up sounding very similar to their original versions. The only thing that’s different about the Strongroom mix of “Join Me in Death” are re-recorded vocals. I’m not really sure why they felt the need to re-do the vocals, but they sound good either way. “In Joy and Sorrow” adds string instrumentation creating a really beautiful sound, while “When Love and Death Embrace” is nothing but the shorter radio edit of the single. It’s the same story with “Close to the Flame;” the music has been slightly altered, but overall sounds the same. The most baffling remix on the LP is “One Last Time.” There seems to be nothing different from the version found on Razorblade Romance. The muted vocals and the instrumentation are the same. The only difference I found was here, Valo continued singing once the music faded out. A lot of these versions don’t add anything to the songs and almost seem pointless.

While most of the tracks are lacking, there are some really good mixes. One of the best is the disrhythm remix of “The Sacrament.” The song is already beautiful, but this version takes away the electric guitar and hard rhythm replacing it with stringed instruments giving it a classical feel. It sounds even prettier than before and somehow gives it a bigger presence. It’s a well welcome take on one of their best songs. Another good mix is “Salt in Our Wounds” Thusla Doom version. Doom is the perfect way to describe the sound. It begins with heavily distorted music that sounds like violent crashing thunder. The music is very dramatic and adds a darker element to the track that fits right in. The downside is it drags on longer than it should, but it still manages to be better than the original recording.

Whether or not the remixes completely changed the song or barely touched it, they still sound good. This doesn’t apply to “Lose You Tonight.” It actually starts off really well with the track slowed down creating a haunting mood for Valo’s crooning vocals. But half way through things get iffy. For starters, during the bridge grumbling music comes on that sounds like a monster’s stomach growling. If that wasn’t enough to take you out of the song, it ends with eagles screeching and a woman screaming for some weird reason. Add that to the fact it runs on too long and it makes for an offputing track. But for an album that’s pretty lengthy one bad track isn’t a bad feat.

Overall, the album gets 7.5/10. With the exception of one song, most of tracks here sound pretty good, but it almost seems pointless getting this collection since most of the so-called remixes don’t alter much. Sometimes it’s a subtle change, other times it sounds like nothing is different. There are some great remixes that change the mood and tone of the song and when you hear them you wish there were more versions like these. At least the acoustic renditions are enough to save the release. They show a different side to the band and Valo’s voice is on full display. If you’re a collector, this is a nice addition to their discography, but don’t expect anything amazing.

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